Albinoni Adagio - String Orchestra
Short Description
Descripción: String Orchestra...
Description
FULL SCORE C A R L
F I S C H E R
Young String Orchestra S E R I E S
Grade 2
1/2
Albinoni’s Adagio Tomaso Albinoni/Remo Giazotto Arranged by
Lauren Keiser YAS61 INSTRUMENTATION Full Score . . . . . . . . . . . . . . . . 1 Violin I . . . . . . . . . . . . . . . . . . . 8 Violin II . . . . . . . . . . . . . . . . . . 8 Violin III (Viola T.C.) . . . . . . . . 2 Viola . . . . . . . . . . . . . . . . . . . . 5 Cello . . . . . . . . . . . . . . . . . . . . 5 Bass . . . . . . . . . . . . . . . . . . . . . 5 Piano . . . . . . . . . . . . . . . . . . . 1
2
Performance Notes This Adagio was part of a Sonata a tre in G minor by Tomaso Albinoni, without opus number; the only remaining parts are that of the figured bass (in printed form) and two first violin fragments in manuscript form. The part of the figured bass and the two fragments were sent by the State Library of Dresden to Mr. Remo Giazotto soon after the end of the Second World War, after the thematic index of Albinoni’s works (R. Giazotto, Albinoni, musico di violino dilettante veneto [1671–1750], Milan, Bocca, 1945) had already been prepared and published. The first move towards the reconstruction of the work was provided by the realization of the figured bass, to which a brief introduction was added. Using this figured bass and the two thematic elements (six measures in all), the whole was pieced together and composed in full accordance with the harmonic tissue suggested by the figured bass.
Performance Suggestions 1) First Ending (m. 28): In the original this is not optional and should be played. However, much of the arpeggio middle section has been shortened, thus changing the architecture of the work which can support going directly to the second ending. This is the conductor’s choice. 2) At m. 49, the cellos and bases may play arco. The bases would resume pizzicato at m. 65, and the cellos at m. 74. 3) At measure 76, while marked senza fraseggiare (play in strict rhythm), if the optional octave in the first violins is not played, consider a breve fermata on the third beat as follows:
About the Arranger Lauren Keiser has spent much of his time in the fields of music publishing and education. He has published and edited hundreds of music books, folios and arrangements, including The Complete Beatles, scores of other popular musicians, such as John Denver and Billy Joel, and the works of classical composers Lukas Foss and Howard Hanson, among others. He created and started Music Alive and Guitar One magazines, and was a co-founder of “Music in Our Schools,” the annual national celebration. He has taught at the college level and has served in senior music-publishing executive positions for the last twenty years. Presently, he is the Chief Executive Officer of Carl Fischer. He is a graduate of Goddard College in Vermont. His private teachers included Elie Siegmeister, Isaac Nemiroff, and Krzysztof Penderecki. YAS61F
Albinoni’s Adagio
3
from Adagio in G Minor for Organ and Strings
1 E G BM
Adagio q = 66
Violin I
p
E G BM p E BM
Violin II
Viola
MM
p
Cello
E 5
Bass
E 5 2
5
p
pizz.
5
MM 5
5
MM 5
p
Adagio q = 66
Vln. I
E G BM BBMM p
E 2
E
5 5
YAS61F
5
5 5
1
BM
5
BM
5
5
5
5
5
5
5
7
5
5
BM
BM
5 5
5 3
5
5 8
5
5
5
5
5
p
5
5
5
5
p
5
5
4
2
5 1
E5
5 5
5 5 5M
EBM 5 5
5 5
5
5
5
E5
5
E5
5
E5
5
M E 5BBMM 5 5
5
E5
E5
= 4 pp
5 5
5 5 5
E5 6
5 5M 5 5M 5 B
5 5
.
5M E 5 E5M 5 5
p
5 5M 5 5M 5 BM
5
5
BM
5
5M 5 5M 5 5M 5 E5M
5
5
5
5
5B 5 5M BMM 5
5
p
5
5
5
5 5 BBM BMM
p . 5 5M 5 5M 5 BM
5
5
.
0
5
5
. 5 5M 5 5M 5 B
dolce, ma pieno
p
9
5
BM
5 9
3
E555 5 5 BBBMM M
BM
5
1
E5
BM
5BM 5 5M BM
2
2
G 5B 5 5M B E
5
5 5 5M
5 5 BM
BM
5
5 5E5 BM
E
Piano
5
5
3
E G B E B
Cello
MM
5
1
1 E G 5 5 5M
Vla.
Bass
MM BBMM BM
E 5 5 5
Vln. II
BM
MM BM
5
pizz.
Piano
. 5 5 5M
MM BM
TOMASO ALBINONI (1671–1751) REMO GIAZOTTO (1910–1998) Arranged by Lauren Keiser
5 5
5
5
5
5
5 5
dolce, ma pieno
5 5
5 5M 5 5M 5 5M 5 5M 5 B 5 B E5 E 5 5 5 5M 5 5M 5 5M 5 M 5 M 5 5 5M 5 5M 5 5M E 5 E5M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 9
10
Copyright © 1958 by Casa Ricordi-BMG Ricordi, Sp. A This arrangement Copyright © 2008 by Casa Ricordi-BMG Ricordi, Sp. A
11
12
4
Vln. I
1 E 5. 5 5 5 5 BM 5 G G
Vln. II
E
3
5 B
Cello
E
Bass
E
2
5 5
5 5
5
B
5
5
5
5 5
E 5 5 5 5 G 5 B 5 5 BM 5 5
Vln. I
E B 5 5 1 E G B
Vla.
E
. B
Cello
2
E
5
p
5
5
arco
19
YAS61F
5
BM
4
Viola:
4 pizz.
E5 pizz.
E5
5 5
5
5 5 5 555
5
5
5
5
5
3
5
5
5
5
5
5 5 5 5 5 5 BM B 5 5 5
5
3
3
16
. !BM
5
5
17
5 5 5 = 5 5
5 5M 5 5M
BM
BBMM
BM
E5
5
5
5
5
3
18
= 5 5 5 5 5 BM
E5
5
5 5 5 555 5 5
5 5
5M
poco fraseggiando
BM
p
5
5 5 5 555 B 5 5 5 5
15
BM
5 5 5M
BM 5 5
5
!5
5
!5
!5
5
!5
5
21
E
Piano
5 5
BM
. BM
5 G B E 5 5 5 BBM 5M 5 5 % p BM E 5 5 5 BM 5 5 5
5
5
21
p
5
5
- 5 5 5 5 E5 5 !BM = 5
. BM p arco . BM 5
5
5
5
. (optional) ( BM ) E5 5 5 BM
mp
5
5
5 5 5 5 5 5 BM B 5 5 5
14
. E 5 5 5 5
5
3
p
E . G 5M
5
5
3
5
B
. 3 5 5 5 555 B
5
5
5
5
5
5 5 5 555 B 5 5 5 5
13
Vln. II
Bass
5 5
5
5 5
5
3
Piano
5
- 3 5 5 5 555 B
5
3
5 5 5 5 5 5 BM
3
5 !5
5
E B
Vla.
5 5 5 5 5 5 BM
20
= 5 5 5 5 5 5 E5 !BM 5M 5 5M 5 5M 5 5M 5 ! BM BM BBMM 5 5 5 BM 4 4 poco fraseggiando 4 = 554 BM 5 BM E5 !5 BM 5 5 E5 5 !5 5 21
22
23
24
5
Vln. I
1 E G 5M E G !BM 5
Vln. II
!5 5 5
M
E
Cello
2
E
!5 !5
!5 5 5 5 5 5M !5 !5
55 55 55 55 55 55MM
G !555MMM E
!5
!5 25
1 E . G E5 5 !5 5 5 E
Vln. II
G
Vla.
E 5
5
.
E 5M . 5M
EB5MM
5
5
5
5
5
5
5
26
30
Vln. I
5 5
5M
M 5I B BM 5I
-
5 5
5
5
5
5
2.
-
MM
BM 5
5
5
5
5
MM B.M
5
. MM BM
5M
MM 5M E BBMM
5
5
5
MM BM BM
28
5 5 5 E5 5 !5 !5 5 4
B
5 5I BM
B
B
5 5I BM
B
-
5 5I 5M 5 5I !BM
E B
5 I5 BM
B
5 I5 EBM
B
5 5I BM
Bass
E B
5 I5 BM
B
5 I5 BM
B
5 I5 B-M
30
E
Piano
G E5 5 !5 55 E 5M 5 5 5 5M 5 M E B 5 5 B 5 5M 30
YAS61F
B5BMMM BM BM
5 !5 5 E 5B 5 E5 E55 5 5M B 5 5 BM
31
B B
32
5 5 EBBMM 5 5 BM
5 !5 5
29
5 5 5 5 5
Cello
2
-
arco
2.
55 55 55 55 55 BM BBMM 5
BM
5 !5 5
arco
1.
5
-
. MM EB M
-
27
5 !5 5 E5 5 E5 E5
. MM 5M
-
. 5- 5 5 5 5 BM
55 E55 55 55 55 E55MM
5
5
5 5 5
5
5
5
5 E5 5
5
5
5
5 5 5 5 5 5M
5 E5 5 5 5 E5M
mf
E
Piano
B5MM
5 5
mf
E 5M
Vla.
Bass
5 5 5 5 5 5M
. 5 5 5 5 5 BM 1.
. 5I 5
5 5 5 E5 5 !5 !5 5 5 5 5 5 B 5 5 ! 5BMM 5 5 5 33
B B B
34
5 5 BM 5 5 5 5 BM
35
6
1 E G E5 5 !5M !5 5 5 4
Vln. I
G
Vln. II
E
5
5M
. = 5 5 5 5M 5 !5 5 5 5 E5 5 5M
4
5 EBM
B
5 E5I !BM
BM
B
5 5I
B
Vla.
E
Cello
E B
5 I5 EBM
Bass
E B
5 I5
2
Vln. I
E B B
G
E
E BM
Cello
E 2
5
E 5 G
YAS61F
BM
5 5 EB
5 I5
B
E
E
5 5 5 5
BBMM BM
5
pizz.
pizz.
5 5I
. 5 5 5 5M
5 4
. !BM
-
. BM
-
5
!5
5
!5
5
5
5
5
5
!5 4
5
5 42
5
!5
!5 43
BM
BM
BM
BM
5 5 5 BM BBMM 5 5
5 5
5
5
5
5
5 4
5 5
BM BBMM 5
5
5
5
40
5
41
555 B
5 5 5 5M
BM
. !BM
BM
B
BM
B.M
E5I
EBM
B
!I5
5
5
5
5 4
5
5
5
5
5 BM BBM M 5
39
BM
. 555 B
5
!B5BM 5 5 5M M
EB 5
5 5
55 55 5 5
38
5 BM
43
BM BBMM
BB B
37
43
BM
Vla.
Piano
36
1 E G BM
Vln. II
Bass
5 !5I
E 4 = 5 5 5 5M 5 !5 5 5 5 E5BM 5 55M G E55 5 !5M !5 5 5 E BM B 5 E 5 ! B 5 5 5 5 B 5M 5 ! 55 BM
Piano
B
5 BM
5
5 44
5
5 4
5
E5
5
E5
E5 4
5 B !B5BMM 5
E!5BBMM 5 5 B
5
E5
5
45
5
E5
46
5
5
5
5
5 4
5
5 5
5B5 5 5M E5 5 B 5 5
5
5 47
5
7
Vln. I
1 E G BM
E BM E
Cello
2
5
5
E 5 4
f
5
5
f
5
5
Vln. I
5
5
5
5
5
5- !5 5 5 5 5 BM
E G !BM
3 5 !5 5 5 5 5 BM
E 5 2
E 5
3
5 5
E ! BM G !5BM 5 5 E 5
5
5
5
5
5
5
5
5
5
5 5
5
5
5
5
5
5
. 3 5 5 5 !5 5 5
5 5 5 5 5 5 B.M
5
5
5
5
mp
5
5
5
5
mp
5
5
mp
3
555 B 5 5 5
5 5 55
5
BM E5M mf
5 5 5 5 5 5 BM 5 5 5 5 3
56
5
5
5
5
ff
5
5
5
ff
5
5
5
5
ff
53
5 !5 5 !5 5 5 5 !5 5 !5 5 5 55
ff
5 5
5 5
5 5
5
BM
5
5
5
5
4 5 5M 5
5
5
5
5
I 4 4 5 5M 5 55M 5 5M 5 BM 5 B 5 5 5 5 5 5
5M 5 5M 5 BM 5 57
3
53
5M
B 5
5. 5
ff
5
5I 5M 5 BM
mf
5
3
3
I5 5M 5 5 4
5M
. E5IM
5. 5 5 !5 5 5 ff
5
5
mf
5 !5 5 5 5 5 BM 5 !5 5 5 5 5 BM
3
54
5
BM
3
E 5 5 5 5 5 5 B
Cello
YAS61F
5
1 E !BM G
Vla.
Piano
5 48
Vln. II
Bass
5
5
5
!5 5M 5 5M 5 5M 5 5M 5 5M 5 5M 55 B5M 5!5M 5 E55M 5 !E55 5M 5 5M 555 BB5M 5E5M 5 5 5 B 5 E5 f 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 49 50 51 52
G BM BBMM E
5
f
E
Piano
5
. !5 5M 5 5M 5 5M 5 5M 5 B 5 B 5 E 5 f . 5 5M 5M 5 5M 5!5M 5 5M 5 E5 5M 5 5M 5 5M 5E5M 5 5 5
G BM
Vla.
53
!5 5M 5 5M 5 B
E5
f
E
Vln. II
Bass
5. 5M 5 5M 5 B
58
59
8
Vln. I
1 E G 4
Vln. II
Vla.
Bass
Vln. I
. M 5 M B 5 5
p
E BM
BM
. BM
p
5
arco . 5 BM
5
5
5
5
5
5
5 5
E
5
5
BM 5 5
5 60
1 E BG E
Vla.
E BM
Cello
E
Bass
E
2
G
0
BM
3
4
4
5
5
5
EB
E BM 5 5
4 5
0
. = I5 5M 5 I5. = 5M 5 5
66
5
5
5 67
5
0 pizz.
5
BM
p
5 55555 5 5 5 5 B 5M BBMM M BM BM
BBMM BM 63
. 5M
5 5M 5 I
. BM
0
E 5 5M 5 I I
5M
BM
!BM
BM
5
5
5
5
5
5
5 5M 5 0
BM
M 5 M B E5I 5I
5
5
5
= 4 5 5M 5 !5M 5 5 5M = E 5 5M 5 5BMM 4 !BM 5 BM 5 BM 5 5 5 5 5 5 5
5M 5 5M 5 BM 68
5
5
65
5M
5M
5
5
.
5I 5M 5 BM
5
BM 5 5
BM
!5
5
= 4
5
a tempo
64
5 5M 5 5M 0
5
5 5 5 B BM 3
f
p
. E5IM
55 5 !5 B BM 4 = 5 5M 5 E 5M 3
BM
63 Freely
E 5M I
5
Viola:
BM
BM
0
0
BM
BM
p
BM
!5
3
BM
62
= 5 I 5
5
f
BM
BM BM
61
55 5 !5 B
0
5
. 5 5 5 B
tutti
BM
arco . 5 BM
a tempo
5555 5 5 5 5 5M 5
BM
E 4 = 5 M 4 4 5 5 55M 5 5M 5 BM G BBMM BM
G
YAS61F
1
p
Vln. II
Piano
4
5M
E 5 2
Piano
4
5-
E G BM
E
Cello
. = 5 5M 5 5
63 Freely solo
. BM
69
70
71
9
Vln. I
1 E G G
Vln. II
5M
0
5M
E 5 I
5M
E !BM
Cello
2
E 5
. = 5I E5 5 5M
4 5
f
4
M 5 .M 5 E5I 5
E 5M
Vla.
Bass
E
= 4
. = 5I E5 5 B
5I E5 5 BM
f
5
arco
Vln. I
5
5 5
73
5
ff
senza fraseggiare
ff
senza fraseggiare
. = 5 !5 5 5 5 E5 5
B.
arco
5
76 !5
. B
4
0
4
0
arco
5
76
5 ! 5 5 5 5 E5 5 = 5 !5 5 5 5 E5 5
5 5 !55 5 5 BB B
5 5
74
B B
5 5
ff
5 =
5 5 5 5 E5 5
senza fraseggiare
75
76
1 E !5.M G
5 5 5 5 5 !5M
5 M 5 5 5M
5 5 !5 5 5 5M
555 55
E . G !5M
5 5M 5 5M
5 5 5 5 5 !5M
5 5M 5 5M
5 5M 5 5M
5 5 !5 5 5 5M
555 55
!5M
5 5 5 5 5 5 M
5 !5 5 5 5
. E !5M
pizz. E E5 E 5
Cello
ff
2
pizz.
E E5
5 !5 5 5 5 B
E5
ff
E !5M G !5M
5
5
5
5
5 5
5 5 5 5 5 !5M 5 5 5 5 5 !5M
E !5M E5 5 !5 5 5 5 B 5 E5 5 77
YAS61F
f
72
Vla.
Piano
pizz.
5 E5 5 5M 5I E 5 5 B
= 4 G 5M E 5 5M 5 5M 4 = E !BM 5 BM 5 5 BM
Vln. II
Bass
5
5
BM
E
Piano
pizz.
5
. B
-
. 5
5 5 E5 55 = 5 !5 5 5 5 E5 ff senza fraseggiare . = 5 !5 5 5 5 E5 5
optional:
. B
!5
f
BM 5
. 5 5 5 B 5 5
5
. BM
5
!5
5
!5
-
!5 !5
5 5M 55 5M 5M 5 5M 5
5 78
5
BM
!5
5 5
5 5
5 5
5M 5 5M 5M 5 5M
79
5
!5
5
5
5
5
5 5
5 5 !5 5 5 5M 5 5 !5 5 5 5M
!5M 55 5
5
5
5
5 555 55 555 55
5 5 5 5 5M !5 5 5 5 55 5 5 5
80
81
10
Vln. I
1 E M G 5 G
Vln. II
E
Cello
2
Vln. I
E 5
5 5 BM . 5 BM 5 5 5 5 5 5
!5
5
!5
555 555
1 E BM G E
G 5
!5
5 5
5
5
5
5
ff
- = 5
5 5 5M B.
555 B !5
= 5
.
555 B
5 5 BM 5 5 BBMM
ff
= 5
5
=
EB
-
5
ff
EB
= 5
arco
5
!5
!5
83
= 5
B B
5
5 5
= 5 E5
EB
EB
= 5
BM
BM
EB
= 5
BM
E 5 G BM BM B
EBBB
E BM BM
= 555 E55BM
EB EB
= 55
Cello
Bass
E
B
BM
88
89
5 84
5 5B 5M 5 5 5M EB EB
B B
5
B
90
ff
85
= 5 5
= 5 = =
B
5 5
= 55 5
!BB B B B
= 555
= 5
B
BM BM
BM
B
= 5
5 EB
B
= 5
BM
!B
= 5
91
=
EB
BM
=
EB
BM
Solenne
= 5
!B
!B
BB
86
ff
arco
BM 555 B
BM
E 2
. 5 5 5M
BM
5=
Vla.
YAS61F
5
82
E BM
Piano
.
55 E E5M 5 5 5 5 5 5
Vln. II
-
ff
E G 5M 5M
Piano
5
. 5 5 BM
555
5M
E E5M
Vla.
Bass
E
555
Solenne
= 5 5
5
B !BB
= 555
BM BM
EB EB
= 5 5
86
87
BM
EB - . 5 5
EB
BM
BM BM
BM
BM
BM 5B EB 5 EB BM BM
5
BMM5 EB B
86
B 5
- 5
5 5
92
BM BBMM BM BM
93
11
Vln. I
1 E B G f
Vln. II
E . G B
=
E !B
=
f
Vla.
E
Cello
Bass
2
sffz
- 5
sffz
5
f
sffz
-
=
EB f
E EB
5
f
5 5
= 94
1 E. G BM
ff
=
5
!B
=
- 5
B
=
- 5
=
- 5
BM
ff
EB
BM
sffz
sffz
E E! BB
BM
BM
5 5
B
B
ff
ff
=
f
Piano
5
sffz
5
=
E B G B
5
=
5 BM BM BM
mf
E. G BM
Vln. II
mf
. E BM
Vla.
mf
E
Cello
5
mf
Bass
2
E
5
5 5
mf
5 !5 5 !5
!5 !5
5 5
Piano
G BBMM BM mf
E 5
5 99
YAS61F
5BBBMM5 5 B M 5 !5
!5
=
55
5 BM
B
EB EB
=
5 5
97
2
uniti
B E5
dim.
E5
dim.
5 5
5 5
100
E5
E5
101
5B 5 5M B 5
5
98
. B 4 = 5 5 55 5 5E5 BM 5 5 5 5 BM 5 pp . E5 BM BM -3
5 5 5M
5B 5 5 B EE BBMMM 5
pizz.
EBB
EBM
dim.
EB
=
5
555
p
1
solo
1
pp
5 5 5
99 a tempo
E
pizz.
=
B
E5
EB
=
5
E BBB
dim.
E5
=
B
96
dim.
EB
5 BM
E BBMM
!BM
- 5
5 5
dim.
BBMM
BM
=
=
555 B
divisi
B
B
B !B
95
5 55 B
5
- 5
BM
99 a tempo
Vln. I
BM
B
=
5
B
ff
B
=
EB
ff
5
. BM
BM
. BM
BM
pp
arco
5
pp
. BM
5
pp
4 = 5 5 5 E55 5 BBBMMM 5 555 p
3
5 102
BM
arco
pp
5
BM BM
103
5B 5 5 BBMMM BM BM
5B
104
5
Fiddle Somethin'
Full Score Lively I = 92
I Violin II
Viola
Cello
Bass
Piano
I Vln. II
© © G © © G % © © G " © © G "
© © © © G © © " © ©
©
© ©©
©© ©© ©
© ©©
©© ©©
© ©©© ©© © ©©
© ©©
© ©©© ©© O© © ©
© ©©
© © ©© ©© ©© ©© © © © © ©© 1
© © © ©© ©© ©© © ©©
© ©© © ©©© ©© O© © © 2
3
© © © © © © © © !©
5 © ©© ¨ Å ( ¨ © ©©©©©©©© © ¨ Å ! ( ! ©©©©©©©© © ¨ Å ¨ © ( pizz. © ¨ © © © © © © © © © ©! © © ( pizz. © ¨ © © © © © © © © ©! © © © G ( © ©© ©© ©© ©© ©© ©© ©© !©© ¨ Å ¨ © © ©© ( ! ©©©©©©©© © © ¨ © © © © © © © © © © © © 3
4
© Ð
¨ © ¨ ¨ © ¨ ©
¨
Cello
" © ¨
© ¨
© ¨ © © © ©
© ¨
© ¨ O© © © ¨
©
Bass
" © ¨
© ¨
© ¨ © © © ©
© ¨
© ¨ O© © © ¨
©
¨ ©© ¨ ©© © © " © ¨ © ¨ 7
¨ © ¨ ©
¨ © ¨ © ©© ©© ¨ © © © © © ¨ © ¨
©© ÐÐÐ © 8
9
¨ © ¨ © ¨ © ¨
¨ © ¨ © ¨ ©© © © © ¨ O © © © 10
©© ¨ ©
¨
" © ¨ © © © ¨
© ¨
© © © © © ¨
© ¨
© ¨ O© © © ¨
© ¨
© © © ¨
© ¨
© ¨ © ©
Bass
" © ¨ © © © ¨
© ¨
© ¨ © © © ©
© ¨
© ¨ O© © © ¨
©
¨
© © © ©
¨ © ©©
¨ © ¨ © ©© ©© © ¨ © ©
Pno.
© ¨
5
© Ð © Ð
13
6
© ©©© ©© G © ©©© ©© G © © © © © © G
© © © © © G ¨ ©© Ð ¨ © ÐÐ G © © © © © 12
© © ©©© ©© © © © © © ©©©©© ©©© Ð
© Ð % © © © © © ©©© © ©©©
Cello
© © © © © ¨ G
Copyright © 2008 by Carl Fischer, LLC International Copyright Secured. All rights reserved including performing rights. WARNING! This composition is protected by Copyright law. To photocopy or reproduce by any method is an infringement of the Copyright law. Anyone who reproduces copyrighted matter is subject to substantial penalties and assessments for each infringement.
© © ©©© ©© © © © © © ©©©©© ©©© Ð
© © © © © © © © © © © © © Ð
© ¨ © ©
¨
©© ©
II
© ¨
¨
¨
Vln.
© © ©©© ©© © © © © © ©©©©© ©©© Ð
©© © © Ð © © © © © © ©©©
Vla.
©
© ¨
11
¨
©
I
¨ © ¨ ©
¨ © ¨ ©
© Ð
¨ © ¨ ©
¨ ©
¨ © ¨ © % ¨ © ¨ ©
YAS65F
¨ ©
©© © © Ð © © ©©©
Vla.
Pno.
© ©© © © © ©
© © ©©© ©© © © © © © ©©©©© ©©© Ð
¨
4
LARRY CLARK
¨
© ¨ © ¨
©© ¨ ©© © ©
¨
© ¨
¨ ©© ¨ ©© ¨ ©© ¨ ©© © © © © ¨ " © ¨ © © ¨ © © 14
div. © ¨ © ¨ ( ¨ ¨ © (
21 I Vln. II
Vla.
Cello
Bass
Pno.
13
15
©© ©
¨
¨ © ¨ © ©© ©© ¨ © ¨ © © © © © 16 17 ©© ÐÐÐ ©
¨ ©© ©© O ©© ¨ ©© ¨ ©© ¨ © O © © ¨ © ¨ ©
¨ ©© ¨ ©©
¨ ©© ÐÐ
¨ © ¨ ©
¨ © Ð
21
¨ ©© ©© O ©© ¨ © O © ©
© © © © © © © © © © ©
© © Ð % © ©©© ©© ©© © © © ©©© ©© ©© ( arco Ð " © © © © © © © © © O © © © © © © © © © © © ( " © ¨ © ¨ ( ¨ ©© ¨ ©© © © ( " © ¨ ¨ ©
¨ © ¨ © ¨ © ¨ © ©© ©© ©© ©© © ¨ O © © © ¨ ¨ © 18 19
© © © © © © © © © O© ©
¨
©©© ÐÐ Ð
© © © © 20
© © ¨ © ¨ © ¨ © ¨ © © ©©©©©© © ©©©©©©
© ¨ O© © © ¨ © ¨
© ¨ © ©
© ¨ © ¨
© ¨ O© ©
© ¨ © ¨
¨
¨
¨ © ¨ © ©© ©© © ¨ © ¨
¨
¨ © ¨ © ©© ©© © ¨ © ¨
¨ © ¨ © ©© ©© ¨ © © ¨ © ¨ © O © 22 23 ©© ©© O ©©© © O ©
©
©© ÐÐÐ ©
¨ © © 24
25
©
©© ©© O ©©© © O ©
¨
O © ©
26
27
YAS65F
The Carl Fischer Performance Series for Orchestra and String Orchestra has four different performance levels to provide you with a highly focused repertoire for your orchestra and string orchestra. Each level has been carefully designed and graded, within specific guidelines, so that each piece in a level will work for your ensemble when it achieves that level. Each level is also color coded for ease in finding the series that will be appropriate for your orchestra, as it develops. Within each grade level, you will find selections in a variety of styles and genres designed to meet all of your performance and teaching needs. The Carl Fischer composers and arrangers are some of the most respected writers in the business. Their music is dynamic, fresh and eminently worthy of your attention.
Young String Orchestra Series ¸ Playable by second- and third-year ensembles ¸ Extending to third position ¸ Keys still carefully considered ¸ Addition of separate Violin II and Viola parts (also a Viola T.C. part included) ¸ Still limited independence of parts
)3".
65 Bleecker Street, New York, NY 10012 www.carlfischer.com
UPC
YAS61 — $45.00 Set YAS61F — $6.50 Full Score YAS61P — $3.00 Parts
View more...
Comments
