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MASTERCLAS MASTERC LASSS BO BOOKLET OKLET
Luca Mantovanelli
PENTATONICS MASTERCLASS AD ADVANCED INTRODUCTION Hi everybody, thanks for checking out the advanced volume of my pentatonics masterclass. In this volume I’ll show you lots of things you may never have thought about doing with pentatonic scales, including altered pentatonics and double pen tatonics. Once again, I’ve designed lots of exercises to help you master the new concepts, and then we put these concepts to work in 10 licks and a full solo.
DOUBLE PENTATONICS
Ready for the first challenge? A cool idea is to mix together two adjacent shapes, creating the kind of 3-note-per-string 3-note- per-string lines that you’d you’d normally associate with regular 7-note scales and modes. The main problem here is the larger intervals inter vals in a pentatonic scale, meaning that you need to STRETCH! It’s tough at first, but you’ll you’ll get there with a little practice. Anyway, check out the “double” “double” Tab Tab file… there are five exercises, one for each pair of shapes. The first exercise uses Shape 1 and Shape 2, the second uses Shape 2 and Shape 3, and so forth. I’ve used the same pattern in each exercise, and there’s a nice 5-note legato phrase on both the ascending and descending parts.
PENTATONICS PENTATONICS MASTERCLASS ADVANCED LUCA MANTOVANELLI
As you’ll see, one interesting feature of this technique is that you play the same note twice as you cross strings… the highest note on the D string is the same as the lowest note on the G string, etc. By combining two regular shapes like this, we get a series of larger 3-note-per-string pentatonic shapes. If you can also memorise all the double shapes, you’ll develop a good ‘’wide angle’’ visualisation of the fretboard. Have you checked out the 10 licks yet? Let’s take a detailed look at one where I use a double pentatonic pattern. LICK 3
The double pentatonic exercises were all in A minor pentatonic (A C D E G) but now we’ll switch to F minor pentatonic (F Ab Bb C Eb) for the licks. In Lick 3 I’m using Shape 1 and Shape 2 together. together. In bars 1 and 2 I play the same cool pattern four times… twice over the Fm7 and twice over the Bb13. For practice, try playing that same pattern all the double shapes in different keys. In bars 3 and 4 I play a descending pattern through the same double pentatonic shape. Through the whole lick I use legato and hybrid picking to create a smooth sound.
P P P CP DP V V V V V V V V V V V V V V V V V V e e 4 g V V V V V V Ie e 4 = 118 118 (
)
Fm7 8va
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` g V V V V V V V V V V V V V V V V e V V V V V V e V V e e I H
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B 13 13 8va
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V V V e e g V V V V V V V V V V V V V V V V V V V V V e e I 3
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` V V gV V V V V V V V V V V V V V V V V V gV V V V W H
e e I ee
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PENTATONICS PENTATONICS MASTERCLASS ADVANCED LUCA MANTOVANELLI
As you’ll see, one interesting feature of this technique is that you play the same note twice as you cross strings… the highest note on the D string is the same as the lowest note on the G string, etc. By combining two regular shapes like this, we get a series of larger 3-note-per-string pentatonic shapes. If you can also memorise all the double shapes, you’ll develop a good ‘’wide angle’’ visualisation of the fretboard. Have you checked out the 10 licks yet? Let’s take a detailed look at one where I use a double pentatonic pattern. LICK 3
The double pentatonic exercises were all in A minor pentatonic (A C D E G) but now we’ll switch to F minor pentatonic (F Ab Bb C Eb) for the licks. In Lick 3 I’m using Shape 1 and Shape 2 together. together. In bars 1 and 2 I play the same cool pattern four times… twice over the Fm7 and twice over the Bb13. For practice, try playing that same pattern all the double shapes in different keys. In bars 3 and 4 I play a descending pattern through the same double pentatonic shape. Through the whole lick I use legato and hybrid picking to create a smooth sound.
P P P CP DP V V V V V V V V V V V V V V V V V V e e 4 g V V V V V V Ie e 4 = 118 118 (
)
Fm7 8va
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` g V V V V V V V V V V V V V V V V e V V V V V V e V V e e I H
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B 13 13 8va
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Fm7 8va
V V V e e g V V V V V V V V V V V V V V V V V V V V V e e I 3
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` V V gV V V V V V V V V V V V V V V V V V gV V V V W H
e e I ee
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PENTATONICS PENTATONICS MASTERCLASS ADVANCED LUCA MANTOVANELLI
ALTERED ALTERED PENT PENTATONICS
Maybe if you have seen some of my other work you already heard about altered pentatonics. Let’s see what it means. The concept is easy – we just jus t move the root note down a semitone (one fret). This creates a new pentatonic scale based around the t he Superlocrian, but in a different key. key. In the following diagram, we’re we’re taking A minor pentatonic (A C D E G) at the 5th fret and dropping all the root notes (A) by one fret. This gives us a new scale (Ab C D E G) which is part of E Superlocrian (E F G Ab Bb C D). The diagram show the principle applied to Shape 1 of A minor pentatonic…
Check out the separate “altered” “altered” Tab files to see our new altered scale in all five shapes. Of course you now need to remember a whole new set of root notes. We have an E (altered dominant) scale, not an A minor scale, and that’s why I would use this t his altered pentatonic over an E dominant chord (E7, (E7, E9, E7#9 etc). The full Superlocrian is a really popular jazz scale for dominant and altered dominant chords, so you know this pentatonic will work! Here’s a good way to practise prac tise using this concept. Imagine you’re playing over a repeating Am-E7 progression. Over the Am you just use A minor pentatonic (A C D E G) as normal. When you come to the E7, drop drop all the root notes (A) by one fret, creating the new scale (Ab C D E G) which is related to E Superlocrian. Let’s see how I used the altered pentatonic in one of the licks… LICK 5
The licks and full solo are all in F minor, so our “home” scale is F minor pentatonic (F Ab Bb C Eb). This lick is played over this chord progression… p rogression…
PENTATONICS MASTERCLASS ADVANCED LUCA MANTOVANELLI
This is basically a IV-V-I progression in F minor. Over the Bbm7, the F minor pentatonic (F Ab Bb C Eb) works fine (I used double pentatonic shapes in this lick). Then when the chord changed to C7#5, I dropped my final F note down to Fb (or E) and then descended through the altered pentatonic (Fb Ab Bb C Eb). This is our partial form of C Superlocrian (C Db Eb Fb Gb Ab Bb) which works perfectly over a C7#5 chord. The progression ends on Fm7-Fm6 which means we’re back in regular F minor pentatonic.
P` P P CP DP V V V V V V V g V V V V V e V V V V e 4 V e V V V V I e 4 V V gV = 118 (
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B m7
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bfV eV V V V V V fV V V V eV V fV e V V V e e V V fV Ie e H
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STRING SKIPPING
String skipping can always be used to find new melodic lines from any scale. It ’s good to practise it in a formalised fashion, in order to find what’s possible. I’ve designed an exercise here, based on two different patterns, one ascending and one descending. We then take both patterns up through the five pentatonic shapes. It’s not always easy to play that pattern over all the shapes, so play slowly and use the hybrid picking/legato technique. To see how I apply the string-skipping technique in proper playing, check out the separate Tab files (and audio/video) for these licks… LICK 1:
In bar 3 I play an ascending Fm7 arpeggio in triplets and then move into a string skipping pattern using Shape 4. It seems easy but the goal is to play all the notes at the same volume. LICK 2: After
some double pentatonic legato stuff, I switch to string skipping in bars 3 and 4.
PENTATONICS MASTERCLASS ADVANCED LUCA MANTOVANELLI
LICK 8: Super
legato lick! This is double pentatonics AND string skipping. I’m using my pick to hit the first note of each legato line, and then popping the G -string and B-string notes with my 2nd finger (hybrid picking). STRING SKIPPING WALK
Here’s another cool new concept for getting more from your scale shapes. As the name suggests, the concept is to play the pentatonic shapes with string skipping, but also moving up and down the fretboard. Lets start with the first triplet sequence (the file “walk1triplet”). As you can see, it’s a simple five-note pattern, and we join each shape with a slide. Because we’re playing a five-note pattern against triplets (5:3) we get a more interesting melodic line. We’re not just playing the pattern on the beat every time. For each example I’m using my pick and then legato for the low notes, popping the high notes with my 2nd finger (hybrid picking). There are four sequences in triplets, working on different string pairs, and then there are four sequences in quintuplets. A quintuplet is five notes played evenly across a beat. This means that the pattern fits exactly into the beat, BUT it’s a little harder because the notes are faster and you have to get used to the unfamiliar 5- note feel. The quintuplet pattern is slightly different, starting with the high note. For some real-world examples, check out the separate Tab files (and audio/video) for these licks… LICK 6: The
string skipping walk pattern starts in even 16th notes, but then speeds up. Don’t worry if you can’t play the fast note groups exactly the same – the important thing is to fit the pattern into the bar. LICK 9: Here
we see the ascending line from our string skipping exercises, followed by some string skipping walking. LICK 10: This
is a little different. I used the pattern of the string skipping walk exercise, but there’s no string skipping! This just shows how you can combine and mix techniques. Richie Kotzen plays lines like this a lot. LICK 7: This
is similar to Lick 10, and the (non-skipping) walk covers a huge area of the fretboard. It’s really important to practise this kind of thing in different keys, in order to improve your fretboard knowledge and “navigation”. You need to know where your fingers are going next, without having to stop and think: “ok, the pattern went from the 5th fret to the 8th, so I need to go from, er… 17th to… er, huh?” LICK 4: This
is my favourite lick! This is all about the non-skipping walk, and I play the patterns on different string groups.
PENTATONICS MASTERCLASS ADVANCED LUCA MANTOVANELLI
We’ve covered some serious stuff in this package, and if you worked through all three volumes, you have plenty to practise! All these licks and exercises are designed to show you what’s possible and to help you find disciplined ways of building your technique. I hope you have fun! I look forward to seeing you in future masterclass series at JTC! All the best,
Luca.
TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: ADVANCED Altered Pentatonics JTC SAYS:
Please refer to the main masterclass PDF for the details and concepts in this TAB file.
ALTERED PENTATONICS As recorded by jamtrackcentral.com (From the 2016 Album LUCA MANTOVANELLI PENTATONICS MASTERCLASS 3: ADVANCED) A Shape 1
P
V V g V V I 43 gV V V V V gV V V
V gV fV V V V gV fV V V V gV
= 90
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V V V g V I V V V V gV V V V B Shape 2
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V V V V g V I V V V gV V V V C Shape 3
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D Shape 4
V V V V I V gV V V V V gV V 8va
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V V gV fV V V V gV fV V V V 10
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V V V gV fV V V V gV fV V V 12
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V V V V gV fV V V V gV fV V 15
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E Shape 5 8va
V g V g V f V V V V V gV fV V V V I V gV V V V V gV V V gV fV
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JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
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TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: ADVANCED Double Pentatonics JTC SAYS:
Please refer to the main masterclass PDF for the details and concepts in this TAB file.
DOUBLE PENTATONICS As recorded by jamtrackcentral.com (From the 2016 Album LUCA MANTOVANELLI PENTATONICS MASTERCLASS 3: ADVANCED) A Shapes 1 and 2
P
V V V V V V V V V V V V V V 4 V V V V V I 4 V V V V V V V V V V V V V = 90
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10 5 8 10 H P H H
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V V V V V V V V V V V V I V V V V V V V V V V V V W
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V V V V V V V V V V V V V V I V V V V V V V V V V V V V V V V V V B Shapes 2 and 3
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C Shapes 3 and 4 8va
V V V V V V V V V V V V V V V VV V V V V V V V I V V V V V V V V
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JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
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DOUBLE PENTATONICS - jamtrackcentral.com
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8va
V V V V V V V V V V V V V V V V V V V V V I V V V W
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V V V V V V V V V V V V V V V VV V V V V V V V V I V V V V V V V 8va
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V V V V V V V V V V V V V V V V V V V V V V V V V V V V V I V V V 8va
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Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
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TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: ADVANCED Full Solo JTC SAYS:
This track is intended for you to put to use all of the great concepts that can found in the main masterclass PDF in a ‘real world’ example.
FULL SOLO As recorded by jamtrackcentral.com (From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED) x
Fm7
8 fr.
`
`
b
B 13 6 fr. D maj7 4 fr. x x x
`
C7 5 8 fr. Fm6 6 fr. x x x x
B m7 6 fr. x x
P P P CP DP ` V V V V V V V V e V V e 4 g V l l l l l V V e e I 4 } V V gV V V V V u M M = 118 (
)
Fm7
B 13
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JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
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FULL SOLO - jamtrackcentral.com
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` g V V V V V V V V V V c e e V g V f V V V V e V e f V I V V V V V gV V V V V k Fm7
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Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
15
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11
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FULL SOLO - jamtrackcentral.com
Page 3 of 6
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8 sl.
10 H
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8
FULL SOLO - jamtrackcentral.com
` gV
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Page 4 of 6
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Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
15
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FULL SOLO - jamtrackcentral.com
Page 5 of 6
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36
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13 P
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FULL SOLO - jamtrackcentral.com
e e I e e
1
T A B
Page 6 of 6
Fm7
V
V
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(13) sl.
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: ADVANCED Lick 01 JTC SAYS:
Please refer to the main masterclass PDF for the details and concepts in this TAB file.
ADVANCED LICK 1 As recorded by jamtrackcentral.com
P P P CP DP ` V V V V V V V V e V V e 4 g V l l l l l V V e e I 4 } V V gV V V V V u M M (From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)
= 118 (
)
Fm7
B 13
3
1
Full
T A B
1/4
8
11
9
10
10
8
9
10
10
8
10
10
8
x
10
8
6
8
6
8
8
P
sl.
g V V V V V V V V V V V V V V V V e e l g V V V V e I e V V Fm7
3
3
3
T A B
8
10
11
8
10
3
8
9
11
3
8
11
8
3
11
3
8
3
8
10
10
11
8
10
8
10
` V V V e V V V e e e I gV V V V V V V V V M H
P
H
B 13
P
P
P
3
P
H
3
4
3
3
1/4
T A B
8
10
8
10
8
11 P
8 11
P
8 P
11
8 P
6 sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
8
6
10
TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: ADVANCED Lick 02 JTC SAYS:
Please refer to the main masterclass PDF for the details and concepts in this TAB file.
ADVANCED LICK 2 As recorded by jamtrackcentral.com
P P P CP DP V V V V V V V e e 4 g V V V V Ie e 4 V V V gV V V V V V V V V V (From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)
= 118 (
)
Fm7
3
3
3
3
1
3
3
T A B
8
13
8
11
8
13
13
8
11
8
13
13
8
3
3
10
13
8
13
8
10
9
13
13
9
11
` V V V V V V V V V V V V g V V V V V V V V V V V e V e e I e H
P
H
H
H
P
H
H
H
P
H
H
H
P
H
H
H
P
H
B 13
2
3
T A B
13
3
8
13
8
3
11
13
11
3
8
13
9
3
11
13
11
3
9
13
8
3
10
13
10
8
3
13
8
10
13
` V g V V V V V g V V V V V V V e e l g V l l e V V V I e gV V VVVVVVVVVVVVV H
P
H
H
P
P
P
Fm7
H
H
P
P
P
H
H
P
P
P
H
H
B 13
8va
3
3
3
3
3
3
T A B
9
11 10 8 10 P
Ieee e
5
T A B
V
Fm7
15
13 10
13 10 13 P
13
V
3
16 13 15 13 15 P
13 15 13
P
P
15 13
16 13 15
P
(15) sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
P
13 15 13
15 13
P
P
13 15 13 P
H
TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: ADVANCED Lick 03 JTC SAYS:
Please refer to the main masterclass PDF for the details and concepts in this TAB file.
ADVANCED LICK 3 As recorded by jamtrackcentral.com
P P P CP DP V V V V V V V V V V V V V V V V e e 4 g V V V V V V V V e I e 4 (From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)
= 118 (
)
Fm7 8va
1
3
T A B
13
3
3
16
18
13
18
16
13
3
18
13
16
3
18
16
13
3
3
16
18
13
16
18
13
3
18
16
13
18
16
` g V V V V V V V V V V V V V V V V e V V V V V V e V V e I e H
H
P
P
P
P
H
H
P
P
P
P
B 13 8va
2
3
T A B
13
16
H
3
3
13
18
16
18
H
13
3
18
P
16
13
3
18
P
16
P
13
P
16
H
3
3
18
13
16
18
H
13
3
18
P
16
13
18
P
16
P
P
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V V V e e g V V V V V V V V V V V V V V V V V V V V V e I e 3
3
3
3
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13
16
4
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13
18
3
18
16
13
3
17
15
13
3
17
15
13
3
15
17
13
17
15
13
18
` V V gV V V V V V V V V V V V V V V V V V gV V V V W H
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3
H
P
P
P
P
P
B 13
H
H
3
3
3
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H
13
3
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P
18 15 P
3
13
3
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P
P
P
3
3
13
18 15 13 13 18 16 18 16 P P P P
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
15
13 sl.
13
18
15 P
P
TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: ADVANCED Lick 04 JTC SAYS:
Please refer to the main masterclass PDF for the details and concepts in this TAB file.
ADVANCED LICK 4 As recorded by jamtrackcentral.com
P P P CP DP
(From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)
e e I ee 44
= 118 (
1
T A B
j
)
dV
k
3
`
D maj7
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3
3
3
3
3
3
3
2
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1
3
3
1
3
1
1
3
6
3
5
6
3
6
3
3
6
8
6
8
8
6
8
6
b V V V V V V V V V V V V V V V V V V V V V V V V P
P
P
sl.
P
P
sl.
P
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3
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3
6
3
8
8
10
3
10
10
8
10
P
sl.
3
3
8
8
10
P
13
10
3
3
13
13
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13
10
10
3
13
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13
15
15
16
P
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4
3
3
3
3
3
3
3
1 1/2
T A B
13
15 13 P
13
15 17 sl.
16
17
18 16
P
17 16 P
16 17 18
sl.
16
18
3
3
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P
18 16
16 20
(20)
P
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
Full
20 19 18
21
18
Full
21 18
TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: ADVANCED Lick 05 JTC SAYS:
Please refer to the main masterclass PDF for the details and concepts in this TAB file.
ADVANCED LICK 5 As recorded by jamtrackcentral.com
P` P P CP DP V V V V V V V g V V V V V e V V V V e 4 V Ie e 4 V V V gV V V V (From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)
= 118 (
)
B m7
3
3
1
3
3
T A B
13
18
13
16
18
13
18
3
3
13
16
18
13
18
13
3
3
15
18
13
17
13
15
13
17
16
17
13
bfV eV V V V V V fV V V V eV V fV eV V V e e V V fV Ie e H
P
H
H
H
P
H
H
H
P
H
H
H
P
H
C7 5
H
3
3
2
3
3
3
T A B
12
16
13
15
16
P
13
14
15
P
Ieee e W
3
15
13
13
14
P
V gV V V V V
3
13
15
P
Fm7
T A B
13
3
15
13 15
15
14
P
V
Fm6
3
15
13
(13)
13
15
P
P
V Pz V W 15
13
sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
15 H
13
16
12 P
TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: ADVANCED Lick 06 JTC SAYS:
Please refer to the main masterclass PDF for the details and concepts in this TAB file.
ADVANCED LICK 6 As recorded by jamtrackcentral.com jamtrackcentral.com
P` P P CP DP b V V V V e V V e 4 e V V VVV VVVV I e 4 V V V V V V V V V V V V V V V V V (From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)
= 118 118 (
)
D maj7 maj7
C7 5
1
T A B
4 1
3
6 3
H
1 P
3
6
4 6
H
sl.
3 P
1 sl.
3
6 3
1
H
3
6
H
9 6
H
3 P
6
8
6 8
H
sl.
6 P
3
6
6
H
sl.
3 P
6 sl.
8 H
V V V V V V e Ie e e V V V V V V V V V V V V V V V V V V V V V Fm7
3
7
T A B
3
9
3
11 8
6
8
7
9
10
10
8
6
8
7
11 8
6
8
10
9 10
8
6
8
11 8
6
8
10
` V f V V e V V V V V V e P e V V V V V V V V V V e V f V V V V e V V I e z V j P
H
sl.
sl.
sl.
H
P
sl.
H
P
sl.
Fm6
H
P
sl.
H
B m7 m7
4
3
T A B
3
7
12 8
9 sl.
11 H
3
13 11
9 P
12
10 12
12 10
H
P
sl.
3
sl.
9
11 H
11 11
9 P
8 sl.
10 H
9 10
(9)
8 P
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
10
8
10 (10) 8 sl.
sl.
10 P
TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: AD ADVANCED Lick 07 JTC SAYS:
Please refer to the main masterclass PDF for the details and concepts in this TAB file.
ADVANCED LICK 7 As recorded by jamtrackcentral.com
P P P CP DP V V V V V V V V V V V V V V V V V V V V e e 4 g V V V V e e I 4 (From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)
= 118 (
)
Fm7
1
3
4
T A B
3
3
1
4
1
4
1
1
3
4
4
6
3
6
6
4
3
3
6
4
4
6
9
6
3
8
9
6
9
6
` g V V V e V V V V V V e V V V V V V V V V V V Ie e V gV V V P
P
P
P
sl.
P
P
sl.
P
B 13 8va
3
3
2
3
T A B
6
3
3
9
11
8
11
11
8
11
8
9
11
13
11
13
13
11
e e I e e T A B
13
11
11
3
13
16
13
16
16
` V gV V V V V V V V V V V V V V V V V V V V P V V gV V V V V z V V V gV V P
sl.
P
P
sl.
Fm7
3
3
3
P
sl.
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8va
3
13
3
16 13
P
13
3
16 18
sl.
13
3
18
18 13
P
3
18 13
P
13
3
18 13
P
17
3
18 13
P
17 13 P
13
17 15 sl.
(15) 13 15 sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
15
13
15 13 P
15 13 11 13 sl. P
P
TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: ADVANCED Lick 08 JTC SAYS:
Please refer to the main masterclass PDF for the details and concepts in this TAB file.
ADVANCED LICK 8 As recorded by jamtrackcentral.com
P` P P CP DP V V e V V V V V V V V V V V V V e 4 V V V V V V V V V V fV e V V V V V e I 4 (From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)
= 118 (
)
D maj7
1
7
T A B
8
10 13
9
8
13 10
8
10 13
13 10
8
10 13
9
8
13 10
8
10 13
13 10
8
8
10 13
13 10
b V V V V V V V V V V V V V V V e V V V V V V V V V VV e V V V V V e e I H
H
P
P
H
H
P
P
H
H
P
P
H
H
P
P
H
H
P
9 P
sl.
C7 5
2
7
T A B
10
10 13 15 sl.
11 15 13 10 13 15
H
P
P
H
10
15 13 10 13 15
H
P
P
H
11 15 13 10 13 15
H
P
P
H
15 13 10 13 15
H
P
P
H
10
15 13 10
H
P
P
sl.
V V V V V V V V V V V V V V V V V V V V V e V V V V Ie e e gV Fm7
3
7
M
1 1/2
T A B
13 sl.
Ieee e
4
15 H
18 H
V
13
13 18
15 P
13 P
15 H
Fm6
k
18
18
H
15 P
V
P
V
3
13
15 H
18
13
13 18
H
V
M
15 P
13 P
V
15 H
18
18
H
P
V
V
15
13
3
Full
T A B
15
15
13
15
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
15
13 P
17
TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: ADVANCED Lick 09 JTC SAYS:
Please refer to the main masterclass PDF for the details and concepts in this TAB file.
ADVANCED LICK 9 As recorded by jamtrackcentral.com
P` P P CP DP b V g V V V V V e V V V e 4 V V V V V e V V V V V V V VV e V V I 4 V gV V V V VV (From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED)
= 118 (
)
B m7
C7 5 8va
1
T A B
13
13 16 H
16
15 13 16 13 P P
13
15
15 13 P
13 15 13 P
13
15 13
15
15 13
P
16 13
15
P
13 15 13
P
16 13 15
15 13
P
P
P
H
Fm7
V V V V V e e Ie e V V V V V V V V V V V V V V V V V V V V 8va
3
3
7
18
T A B
15
17
7
16 17
15 P
sl.
13
15
15
H
sl.
3
18 13 P
15
17
17
H
sl.
3
16 15 P
13
15
18 15
H
sl.
13 P
15 sl.
17
17
H
15 P
sl.
Fm6 8va
V V V V e V e e V V V V e V V V V V V V V I V V V V V V V V V 3
3
4
7
T A B
13 sl.
Ieee e
5
T A B
7
16 15 H
15
`V
D maj7
3
13 13 P
10 sl.
13
13
H
3
16 10 P
13 sl.
13
15
15
H
13 P
10
13
11 13
H
sl.
P
V
Pz
V
V
V
10
8
10
(10)
8
H
10
P
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
8 sl.
10 H
j
10
8 P
9
TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: ADVANCED Lick 10 JTC SAYS:
Please refer to the main masterclass PDF for the details and concepts in this TAB file.
ADVANCED LICK 10 As recorded by jamtrackcentral.com
P P P CP DP
(From the 2016 Album LUCA MANTOVANELLI PENTATONIC MASTERCLASS 3: ADVANCED) = 118 (
e e I e e 44
)
j
1
T A B
k
8va
Vu
11
`
sl.
D maj7
V V V e V V V e V V V V V V e V V V V V V V V V V V V V V V I e 8va
2
3
T A B
11
3
11
9
11
7
13
13
13
11
9
7
11
11
11
9
11
13
13
7
13
11
9
11
11
11
9
11
13
13
b V V V V e V V V V e V V V V V V V V V V V e V V V V I e P
sl.
H
P
H
sl.
P
H
sl.
P
H
sl.
P
H
sl.
P
C7 5 8va
3
7
7
3
3
M
Full
T A B
11
13
sl.
16
16
16
H
13
P
11
sl.
13
13
13
H
11
P
13
sl.
16
16
16
H
Fm7
13
P
11
sl.
13
13
H
13
11
P
13
16
sl.
Fm6
8va
V e e g V V V V V fV eV V V V V V V gV PR e e V I V V VVVV VVV VVVV M M 3
4
Full
T A B
13
13 16
1/4
15 15 16 15 13 15 sl.
sl.
P
15
13
15
P.M.
15
13
15 13 sl.
(13) 11 13 15 P
13
sl.
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
13 15 15 15
15
15
13
13 15
TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: ADVANCED String Skipping JTC SAYS:
Please refer to the main masterclass PDF for t he details and concepts in this TAB file.
STRING SKIPPING As recorded by jamtrackcentral.com (From the 2016 Album LUCA MANTOVANELLI PENTATONICS MASTERCLASS 3: ADVANCED) A Shape 1
P V V V V V V V V V V V 4 V V V V V V V I 4 V V V V V V V V V V V V V V = 90
1
T A B
5
7
5 P
5 8
7
7
5
5
5
7
P
P
5
7
7
P
5
5 7
P
5
8
7
P
5
P
5 7
8
8
5 P
5
8
P
8
5
5 7
P
P
VVVVVVV VV V V VV VVV VVVVVVVVVVVVVVVV I
3
T A B
8
5
5 7
P
5
7
P
5
8
5
5
7
7
P
P
5
7
P
5
7
5
7
5 7
P
P
5
7
P
7
5
8
P
5
5 8
P
5
7 8
P
5 P
V V V V V V V V V V V V V V V V I V V V V V V V V V V V V V V V V B Shape 2
5
T A B
10
8
7
7
10
P
10
8
10
7
7
10
P
P
7
10
9
P
7
8 10
P
7
10
9
P
8
8 9
P
7
10
10
P
8
10
P
8
10
8 9
P
P
VVVVVVV VV V V VV VVV VVVVVVVVVVVVVVVV I
7
T A B
10
8
8 9
P
7
9
P
7
10
8
10
8 10
P
P
7
10
P
7
9
7
10
7 10
P
P
7
10
P
7 P
10 10
7
7 10
P
8
7 10
P
8 P
V V V V V V V V V V V V V V V V V V V V V V V V I V V V V V V V V C Shape 3
9
T A B
10
12 10 12 10 P P
10
12
12 10 P
9 12 10 P
12
12
9 P
10 12
10 P
12
13 10
P
10 12
9 P
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
13
12 10
P
13 10
P
12 10 12 P
STRING SKIPPING - jamtrackcentral.com
Page 2 of 2
VVVVVVV VV V V V V V V V V VVVVVVVVVVVVVVV I
11
T A B
12 10
10 12
P
9
12
P
9
13 10 12
P
10 12 10
12 10
P
P
P
12
9
12
9 12 10 P
P
12 10 12 P
12 10
10 12 10 P
P
12 10 P
12
D Shape 4
V V V V V V V V V V V V V V V V V V V V V V V V V V V V V I V V V 8va
13
T A B
15 12 15 12 P P
12
12
15
12
14 12
15 12 P
P
14
14 12
13 14
P
12
14
15 13
P
P
12 14 12
15 12
15
P
15 13
P
P
15 12 14 P
V V V V V V V V V V V V V V V V VVVVVVVVVVV I V V V V V 8va
15
T A B
15 12
12 14 12
P
14 12
P
15 13 14
13 14 12
P
P
14 12
P
14 12 15
P
12 15 12 P
P
15 12 15 P
14 12
12 15 12 P
P
15 12 P
12
E Shape 5 8va
V V V V V V V V V V V V V V V V V V V V V V V V V I V V V V VV V
17
T A B
17 15 17 15 P P
15
14
17
14
17 14
17 15 P
P
17
17 14
15 17
P
14
17
17 15
P
P
15 17 14
17 15
17
P
17 15
P
P
17 15 17 P
VVVVVVV VVVVVVVV VVVVVVVVVVV VV V I V V V 8va
19
T A B
17 15
15 17 14
P
P
17 14 P
17 15 17 P
15 17 14
17 14
P
P
17 14 17 P
14 17 15 P
17 15 17 P
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
17 14 P
14 17 15 P
17 15 17 P
TAB
Luca Mantovanelli
PENTATONICS MASTERCLASS: ADVANCED String Skipping Walk Sequence JTC SAYS:
Please refer to the main masterclass PDF for t he details and concepts in this TAB file.
STRING SKIPPING WALK As recorded by jamtrackcentral.com (From the 2016 Album LUCA MANTOVANELLI PENTATONICS MASTERCLASS 3: ADVANCED) A Triplets sequence 1
P
= 90
V V V V V V V V V V V V
I 44 V V V V V V V V V V V V
1
T A B
5 3
3
3
3
3
7
5
5
H
3 P
5
10
8
8
H
sl.
3
3
3
3
5 P
8
12
10
10
H
sl.
8 P
10
12
14 12
10
H
sl.
P
12
15
15
H
sl.
P
V V V V I V V VVV VVV VVVVVVVVVVVV VVVVVVW 3
3
3
3
3
3
3
3
3
3
3
T A B
17 12 15 17 sl. H
14 17 15 12 15 P sl. H
12 15 12 10 12 P sl. H
10 12 10 8 10 P sl. H
B Triplets sequence 2
6
T A B
3
5
5
3 P
5
7
9 7
H
sl.
5 P
7
3
5
5
H
sl.
3
10
12 10
H
sl.
5 P
3
7
H
8
3
3
5
10 8 5 8 P sl. H
V V V V V V V V V V V V
I V V V V V V V V V V V V 3
5
3
3
3
7
7 P
10
12
14 12
H
sl.
10 P
12
15
15
H
sl.
P
V V V V V V V V V V V V V VVVVVVVVVV VVVVVVW I V 3
3
3
3
3
3
8
3
3
T A B
3
17 12 15 17 sl. H
3
14 17 15 12 15 P sl. H
12 15 12 10 12 P sl. H
9 12 10 7 10 P sl. H
C Triplets sequence 3
V V I V V V V V V V V V V 3
3
3
11
5 2
5 H
8 5
2 P
5 sl.
7 H
5
10 7 5 7 P sl. H
7
5 P
7 sl.
10 H
sl.
3
5
5
H
3
3
10 7
5 P
V V V V V V V V V V V V
3
T A B
7
3
3
13 10
7 P
10 sl.
12 H
JamTrackCentral Ltd 2016 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
15 12
10 P
12 sl.
14 H
14 P
STRING SKIPPING WALK - jamtrackcentral.com
Page 2 of 4
V V V V V V V V V V V V V V V V V V V V V V V V V I V VVV VW 3
13
3
3
T A B
3
17
15
12 14 17
17 14 12 14
H
sl.
3
3
P
3
13 14 12 10
H
sl.
3
P
10
12
12 10 7 10
H
sl.
3
P
8 10 7
H
sl.
3
P
5
5
7
7
H
sl.
5 P
2
5
5
H
sl.
D Triplets sequence 4 8va
V V V V V V V V V V V V
I V V V V V V V V V V V V
16
T A B
5 2
3
3
3
3
8
5
5
H
2
5
P
7
10 7
H
sl.
3
3
3
3
5 P
7
9
12 9
H
sl.
7 P
9
12
15 12
9
H
sl.
12
P
14
14
H
sl.
P
8va
V V V V VVV VVV VVVVVVVVVVVV VVVVVVW I V V 3
3
3
3
3
3
3
18
3
T A B
3
3
17
15
12 14 17
17 14 12 14
H
sl.
P
sl.
12 14 12 9
H
P
12
10 12 9
H
sl.
P
7
sl.
9
8 9
H
7 P
5
sl.
5
7
7
H
5 P
2
sl.
5
5
H
E Quintuplets sequence 1
5
5
I V V V V V V V V V V V V V V V V V V V V 5
5
21
T A B
5
7 5
3 P
5 sl.
10
8
8
H
5 P
8 sl.
10
12 10
H
8 P
10
12
12
H
sl.
10 P
12
V V V V V I V V V VVV VVVVVVVVV VVVVVVVVVVW 5
5
5
5
5
22
5
T A B
14
17 15 12 15 17 P sl. H
14 17 15 12 15 P sl. H
12 15 12 10 12 P sl. H
10 12 10 8 10 P sl. H
7 10
8 P
5 sl.
8 H
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
5 8
5 P
3 sl.
5 H
15 H
sl.
STRING SKIPPING WALK - jamtrackcentral.com
Page 3 of 4
F Quintuplets sequence 2
V V V V V V V V I V V V V V V V V V V V V 5
5
5
24
5
T A B
5
7 5
3 P
5
9
7
7
H
sl.
5 P
7
12
10
10
H
sl.
7 P
10
12
12
H
sl.
10 P
12
15 H
sl.
VVVVVVVVVVVVV VVV V I V VVV VVVVVVVVVW 5
5
25
5
T A B
5
14
5
17 15 12 15 17 P sl. H
5
14 17 15 12 15 P sl. H
12 15 12 10 12 P sl. H
9 12 10 7 10 P sl. H
7 10
7 P
5
7
5 7
H
sl.
5 P
3
5 H
sl.
G Quintuplets sequence 3
V V V V V V V V V V V V V V V V I V V V V 5
27
T A B
5
8 5
2 P
5
10
7
7
H
sl.
5
5
5
5 P
7
13
10
10
H
sl.
7 P
10
12
12
H
sl.
10 P
12
14 H
sl.
VVVVVVVVVVVVV VVV V V V V V V V VVV VVVVW I
28
5
T A B
5
15
5
17 14 12 14 17 P
sl.
5
15 17 14 12 14
H
P
sl.
5
13 14 12 10 12
H
P
sl.
5
10 12 10
H
P
7
sl.
10
8 10
H
7 P
5 sl.
7
5 7
H
5 P
2 sl.
5 H
V V V V V V V V V V V V V V V V V V V V I H Quintuplets sequence 4
30
T A B
5
8 5
2 P
5 sl.
7 H
5
5
5
5
10 7
5 P
7 sl.
9 H
12 9
7 P
9 sl.
12 H
Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
12
9 P
12 sl.
14 H
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