Adele-Best-Guitar-Book.pdf
July 29, 2017 | Author: MJunior | Category: N/A
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Chasing Pavements Words & Music by Adele Adkins & Eg White Cm
Cm7/Bb 3fr
Bb6
3fr
Ebmaj7/D
Ab
5fr
Ab6 5fr
Bb 4fr
G7
Bb7
3fr
Fm7
3fr
Fm/Ab
6fr
Ebmaj7 6fr
Bb7*
F7
Cm7/Bb
Gtr. 1 (elec.)
5
made up my
mind,
don’t
5
5
Ab6
o - ver,
if I’m
wrong I
am
right,
G7
need to look no
fur - ther, this ain’t
0
5
3
3
4
lust,
0
3
6
3
I
3
Bb6
know
3
3
Bb7
this
5
7 6
Ebmaj7
5 3
is
Cm
love.
8 7
7 6
6
© Copyright 2007 Universal Music Publishing Limited. All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
Gm7
2. But,
3 3 3
4 5
8 6
4
don’t
5
4
3
1. I’ve
6
Ab6
Sorgdal
3
need to think it
3
Cm
3
4
Cm7/Bb
Bb6
ring... mp let w/clean tone + phaser
Ab/Bb
Verse
Cm
Gtr. 2 (acous.)
3fr
3fr
q = 81 Intro
Gm7
6fr
5 3 3
if
3
Ebmaj7
Verse
I
tell the
world,
Ebmaj7/D
I’ll
ne - ver say
I
need to
do
if
I
3
Bb
3
up
Fm7
you.
3
3 6
5
5
5
5
5
5
5
6
Ab
Fm/Ab
Gm7
G7
Or should I
5
with
3
5
just keep chas ing pave ments,
4
3
5
5
4
4
3
5
e - ven if
4
1
1
6
5
it
leads
no - where.
6
5
Or
3
5
6
5
4 3
3
3
3 4
3
1
Gm7
Cm
4
Fm7
would it be awaste
e -ven
if
3
Ab
Sorgdal
5
mf
Ab
3 5
6
and that’s ex -
4
3
Cm
5
end
4
Should I give up?
you
3 3
3 4
Gm7
to
4
Ab
3
Chorus
not said
3
4 4
3
3
Ab
3 4
3
-act - ly what
5
G7[B bass]
3 3
6
4
e -nough’cause it was
3 5
3
Cm
Fm/Ab
Iknew my place, should I leave
4
5
3
5
4
3
4
5
1
4
1
5
G7
5
it there.
6
3
Ab
Gm7
3
Should I give up?
Or should I
3
6
3 5
4
4
5
3 5
4 3
3 4
Cm
5 3
1
4
4
2
3
4
3
Fm7
Ab
Fm/Ab
3
e
-
5
3. I
6
6
4
6
6
5
3
3
5
5
3
3
3
4
3
3
3
3
5
6 1
4
Verse
4
3
Cm7/Bb
build my -self
up
and
fly
a -round in
cir -cles, wait - ing
3
4 5
back
be -gins
3
drops
and my
3 6
5
Ab
Bb
4
3
5
3
could
5
this
be
5
5
5
Gm7
Cm
Fm7
Or should I
4 5
3 5
4 3
it,
or
5
3
5
5
5
Ab
4 1
if
it
5
e - ven
6 5
Gm7
leads
4
3
3 5 3
no - where.
6 5
3 1
4 1
Fm/Ab
3 3
5
6
just keep chas -ing pave - ments,
5
6
6
5
3
6 4
3 4
give up?
4
should I
4
6
3
4
6
heart
6
to tin - gle, fi -nal - ly
3
Chorus
3
3 4
Ab
as my
3
3
6
$
3
G7
3
5
3
3
4 5
Sorgdal
leads no - where.
5
Cm
Ebmaj7
mp
4 1
4 4 1
ven if it
just keep chas ing pave ments,
Gm7
3
G7
Ab
Or
would
it
Gm7
a
Fm7
be
Cm
waste
e - ven
6
4
3
5
3
I
knew
should
I
4
5
my place,
4
5
if
4
Ab
4
1
1
5
5
3 3 3
Fm/Ab
leave
4
G7
Ab
it
3
should
I
6
Cm
Fm7
give up?
3 5
4
Or should
4
4
3
5
I
3
just keep chas -ing pave - ments,
4
5
Ab
3
6
Gm7
there,
1
4
5
4
1
1
5
5
3 4
3
Fm/Ab
4
To Coda Ø Gm7
3
e
-
ven
1
it
leads no - where.
4
Ebmaj7
Yeah.
mp
6
if
3
6
6
6
6
3 6
7
6
3
3
3
6
3
6
8
7
7
7
7
6 4
3
Gtr. 1 tacet
Ab
Bridge
Should
Fm7
- -ven Sorgdal
I
give
up?
if
it
Or
leads
should
Bb7*
Gm7
I
just
keep
Or 4
chas - ing
no -where.
3
would it
Ab
pa
a
waste
- ve - ments,
be
e
-
3
e - ven
if
I
G7
knew my place,
Ab
should I
keep
it
- ments,
3
should
I
8 4
5
3
5
I
4
6
5
pave
Or should
Ab
- ing
give up?
Fm7
chas
Should I
Ab/Bb
Cm
3 4
there.
mf
leave
on
Gm7
just
Gtr. 1
F7
4
5
5
6
6
3 4
3
D.S. al Coda Gm7
Cm
just
6
chas - ing
6 3
3
Ab
keep on
Fm7
3 4
3
Oh.
4
4
4 6
3
5
5
5
5
5
5
5
6
5
7
6
7
8
3 3
Gm7
leads
no
-
where.
Ebmaj7
7
7 8 6
mp 6
8 7
pave - ments.
6
ØCoda
Sorgdal
Bb
8 7
7
8
5
Cold Shoulder Words & Music by Adele Adkins C/E
G/D 8fr
E 7fr
Am
Em
7fr
8fr
B 7fr
C 7fr
Ab
G
8fr
4fr
3fr
Intro
q = 111
µ
Drums cue
3
mf [Am]
[Em]
Strings cue
Verse
[Am]
3
[Em]
(1.) say (2.) days
[Am]
[Em]
[Em]
[Am]
head it’s all in my when I see you,
and the things I you make it
think look
w/clean tone
7
9
7
9
sense.
Sorgdal
5
5 7
7
7
0
0
5 0
0
0
0
7 7
[Am]
5
7
9
7
like
I’m
just don’t see
9
7
7
9
7
Don’t go all you waste our
coy, time,
don’t turn it when your heart
7
7
9
7
9
make -
7
[Em]
So where you been then? Do tell me why
-through.
7 7
[Em]
7
2º Gtr. 1 (elec.)
[Am]
1. You
7
5 7
© Copyright 2007 Universal Music Publishing Limited. All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
7
7
5 7
9
7
[Am]
[Em]
on ’round me ad - mit -ting you’re ain’t
See I can You know I
like it’s my fault. not sa - tis - fied.
7
9
7
7
9
5
your you
eyes, feel,
the one that I’m star - ting
see know
that look in just how
Strings arr. for gtr.
5
9
7 8 7
Chorus
Am
8 8 9
Em
grace me with your cold shoul - der,
7
8 8 9
8 8 9
E
me each and ev -’ry my - self feel - ing that way
8 8 9
5
7
G/D
shoots to find
7 8 7
7
7
C/E
time. too.
You When you
8 8 9
7 8 7
7 8 7
Am
whe - ne ver
Gtr.1
7 8 7
7 8 7
7 9 9
8 10 9
7 8 9
Em
you look at me I wish I was Strings
10 10 10 8 8 8 7 7 7 12 12 12 10 10 10 8 8 8
10
7 9 9
7 9 9
7 9 9
her.
You
Gtr. 1
8 10 9
7 10 10 10 8 8 8 7 7 7 8 12 12 12 10 10 10 8 8 8 9
10
0
0
[C]
[G]
show er me with words
made of knives,
[Am]
when ev - er
Gtr. 1
w/clean tone 10
10
13
13 12
12
13 12
you look at me
Gtr. 2 (elec.)
Sorgdal
7
7
G/D
8 8 9
C/E
10 13 12
12
12 0
2
and wish I was
10 13 12
10 13 12
1. B
her.
7 7 8
7 7 8
7 7 8
Am
Em
Am
Em
2. B
2. These
9 10 9 7
9 10 9 9 10
9
7 8
7
8 7
9 10
9
7 8
7
7 8 7
Gtr. 2
5
7
3
5
7 10 7 7 10 7
5 7 5 7
7 7 7 7 7 7 8 8 8 9 9 7
her.
3
5 5
Bridge
qaa z=[qp ]e C
Ab
G
Ab
C
3
8 9 10 10
Sorgdal
4
3 4 5 5 3
6
8 9 10 10 8
I
3
don’t see through
ne ver find,
3
gliss.
15
e=e G
Ab
gliss.
3 4 5 5
4
3
You
(Though I do know how you play.)
4 5 6 6 4
4 5 6 6
C
(Try to look for things I hear but)
8
Ab
my eyes
8 9 10 10
4
G
Ab
(E -ven in the day light when your gam ing)
4 5 6 6
8
C
G
for you.
just (Time and time a -gain I play the role of fool)
Gtr. 1
Ab
3 4 5 5 3
8 9 10 10
6 4
8
3
Cellos arr. for gtr
4 5 6 6 4
2 2 3
5
3
5
3
5
Chorus
[Am]
[Em]
grace me with your cold shoul
- der,
whe ne -ver
you look at me
3
7 5
0
[C]
3
0
show er me with words
0
I wish I was
her.
You
made of knives,
5
[C]
10 12
13 12
10 13 12
12
12
10 13 12
0
3
her.
10 13 12
You
7 7 7 7 7 7 8 8 8 9 9 7
0
0
10 13
12
and wish I was
Gtr. 1
3
you look at me
13
0
B
when ev - er
3
3
[G]
7 7
[Em]
7
Gtr. 2
[Am]
Gtr. 3 (elec.)
w/clean tone + tremelo
3
Am
Em
grace me with your coldshoul
Sorgdal
Strings
-
der,
Am when - e ver
youlook at me and wish Iwas
Gtr. 1
8 10 9
7 8 9
Strings
10 10 10 8 8 8 7 7 7 12 12 12 10 10 10 8 8 8
10
her.
You
8 10 9
7 10 10 10 8 8 8 7 7 7 8 12 12 12 10 10 10 8 8 8 9
Gtr. 1
10
0
Em
0
7
8
7
2
3
2
7 8
5
3
4
5
7
2
3
2 3
[C]
sho wer me with words
Gtr. 2
[G]
made of knives,
[C]
when e - ver
Gtr.1
10
12
13 12
and wish I was
her.
10 13 12
12
12
10 13 12
10 13 12
7 7 7 7 7 7 8 8 8 9 9 7
0
3
7
7 3
Oh, oh, oh,
Gtr. 3
10 13
12
3
you look at me
13
B
8
3
7
2
5
Outro
[Am]
oh,
[Em]
3
oh,
oh,
(Gtr. 3)
oh.
8
Gtr. 1
10 10 10 12 12 12
7
[Am]
7
2
3
8 8 8 10 10 10
7 8
7 8
7 8
2
7
5
3
8
7
2
3
5
[Em] [Am] [Em]
10 10 10 12 12 12
8 8 8 10 10 10
7 8
7 8
7 8
10 10 10 12 12 12
2
7 3
8
7
2
3
Sorgdal
10 10 10 12 12 12 8
7
2
3
7 8
7 8
2 3
[Em]
7
7 8
5
[Am]
8 8 8 10 10 10
8 8 8 10 10 10
7 8
7 8
7 8
2
5
3
5
(Strings)
[Am]
8 10 9 7 7 5
Crazy For You Words & Music by Adele Adkins G
E5
C6
D6 7fr
Intro
Bb6
G7
9fr
A7
5fr
4fr
q = 86 (qaa z=[qp ]e)
Gtr. 1 (acous. elec.)
Verse
G
E5
G
E5
C6
mp 0
2 0 0
3
0
2
2
0
G
2
2
0
3
E5
2 2
7 7 8
0
G
2
7
7
7
7
D6
2 0
0
3
me
2
2
I’m cra - zy spin -ning clo - ser
for to
8
3
if
I
ver,
2
7 8
7
7
7
7
7
8
G
E5
3
0
10
-
3
2 10
7
2
you. you.
8
E5
9 10
I’m cra - zy, wish you’d come o
0
G
9
3
2 2
3
9 10
0
2 0
Sorgdal
0 2 3
am send
3
9 7
C6
3
sing - ing out loud your name, you said 1. Found my self to -day I can’t help my - self but spin, I 2. Late - ly with this state I’m in
7 8
E5
3
3
2
D6
3
2 0
2 0
0
0 2
2 3
© Copyright 2007 Universal Music Publishing Limited. All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
2 0
2 0
0 2
G
E5
Some times sit - ting in the dark My, oh my, how my blood boils
0
D6
C6
3
me it
cra strips
3
- zy, me down bare
2
2
2
but it’s me
and gets
3
G
8
8
E5
2
ev -’ry time try - ing,
0
I’m meant to be I’m fight - ing
these
G
E5
0
0 2
2
2 0
And on
3
E5
0
2
3
2
0
C6
7
8
0
G
3
7
I keep
2
3
3
7
0 10
7
7
3
7 8
E5 3
lose my head - vour -ite mood.
2
0
G
7
2
3
act - ing sen - si - ble, you feel -ings a - way, but the
drift in - to my head and turn me more I do, the cra - zi -
3
0 2
2 0
2
I
to
2 2
3
C6
G
2
E5
7 8
7
7
7
8
G
7
7
E5
3
7 7 8
7 2
0
a crum - bl - ing fool. turn in - to.
9 9 10
0 2
0
D6
in - er
0
2
3
Sorgdal
0 2
2
wish ing you were here turns for you, sweet est
0
2 0
it’s
2 0
3
C6
you who makes me in - to my fa
E5
3
2
G
3
0 2
2 0
3
2 0
2
0
0 2
2 3
2 0
2 0
5
Chorus
B¨6
3 G7
C6
3
3 3
3
Tell me to run and I’ll Pac - ing floors
race
3
3
3
if you want me to stop I’ll freeze. And if and op - en ing doors,
you want me gone I’ll leave just hold me hop -ing you’ll walk through and
5
5
5
5
5
6
7 5
7
7
7
6
7
X
3
7
8
2
8
3 2
2
3
2
4
3
1.
A7
clo - ser ba - by save me boy,
9
8
G
2
0
2
zy
for
9 9 10
2
2
10
3
0
G
5
7
7
7 7
8
E5
G
10
-
2 0
3
3
9 10
0 2
0
9 10
C6
0
9 9
10
E5
0
for you,
9 9
3
Sorgdal
7
cra
2
zy
7 7
8
3
5
-
7
E5
D6
cra
7
-
5
D6
C6
4
and make me
G
7
9
8
E5
you.
0 2 0 0 2 0 2 0 2 2 2 0 2 2 3
3
0
3
3
3
0
2.
µ
3
be - cause
C6
I’m
G
E5
G
E5
too
D6
cra
3
-
zy
for you,
3
7
7
7
7
9
9
8
C6
9
7
8
9 9
2
10
10
-
Sorgdal
2
you.
3
0
7 8
G
E5
9
2 10
2 0
3
C6
D6
2
C6
G
0 2 3
2 2
2 0
7 5
7
7 8
7 7
7
9 9
8
9 10
4
3
3
7 9
9 10
7
7 8
7 8
3
3
0 2
0
3 3
3 5
E5
for
2 0
7 7
8
0
G
2
2 3
zy
7 7
0
2 0
2 0 0
3
D6
cra
0
9
10
Daydreamer Words & Music by Adele Adkins Amaj7
Amaj7/D
4fr
Bm/E
4fr
q = 114
Intro
Amaj7
Amaj7/D
mf
4
Verse
5
5 6
5
5
6
6
4
0 0
Amaj7
1. Day
-
0
0
dream
0
0
-
0
0
4
5
5
0
0
0
0
0
sit -ting on
the
sea
soak ing up the
sun,
he
5
5 6
0
0
Amaj7/D
5
5
6 0
5
6
0
0
6 0
0
lov
4
Sorgdal
er
0
0
0
0
4 5
0
0
is
a
6 0
0
0
of mak ing up the past and feel ing up his girl like he’s ne ver felt her
4 5
0
4 5
0
-
0
5 6
0
real
5
0
er,
4
5 6
5 0
0
0
0
© Copyright 2007 Universal Music Publishing Limited. All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
fig ure be - fore.
Amaj7/D
2. A
4
5
5
5
6
4
5
6
5
6
Verse
0
Amaj7
0
0
0
0
0
-
drop
5
0
5
0
0
5
0
0
to
chase,
4
4
0
0
0
5 0
Amaj7
0
0
Amaj7/D
0
Amaj7
0
0
Amaj7
0
5
0
Amaj7/D
0
Amaj7/D
0
Amaj7
Amaj7/D
Sorgdal
5 6
5
6
5 6
0
0
0
5
6
0
5 6
0
0
0
5
6
0
5 6
6
0 0
0
2
0
0 0
0
0
5
4 5
0
he could change the world with his hands be hind his back, oh.
4 5
0
0
but good tocatch and
4
5
0
6
0
hard
0
5 6
0
0
he’s the sub ject of their talk. He would be
6
0
0
5 6
0
0
looks good when he walks,
6
0
Amaj7/D
per,
5 6
-
5
0
jaw
4
5
6 0
0
4
5
5 6 0
You can
Chorus
Bm/E
find
Amaj7
him
sit ting on your door
- step
2
2
2
3
3 4
2
2
3 4
3 4
4
4
5
4
5
4
5
6
4
4
5
6
6
5 6
6
0 0
3 3 Bm/E
wait
Amaj7
-
ing
for
2
4 3
4
2
the
3
4
4
And he will
4
3
4
sur -prise.
2
3
5 4
4 5
6
4 5
6
4 5
6
5 6
6
0 0
feel
like
Bm/E
he’s been
there
for
Amaj7
hours
and you can
2
2
2
3
3 4
2 3
2 3
4
2
4
3
4
4
4
4
5 4
5 6
4 5
6
6
6
0
Bm/E
Amaj7
life.
that
2
Sorgdal
5 6
0
tell
4 5
he’ll
be
2 3
2 3
4
there
2 3
4
for
2 3
4
2
4
3 4
4
3
4 5
6 0
0
4 5
6
Amaj7/D
4
5
5 6
5
5
6
6
4
0 0
Verse
0
Amaj7
0
0
0
0
4
5
4
5
5
5
6 0
0
0
0
0
0
0
3. Day
-
dream
5
-
5
0
5
6 0
Amaj7/D
with eyes that make you melt,
5
6
er
0
6
0
he lends his coat for
5
6
0
0
0
0
4
4 5
0
4
4
5 0
Amaj7
0
0
6 0
0
0
5 0
he’s
0
then sees
you
4
5
0
plus
5 6
0
shel - ter,
But he stays all the same, waits for you, for you when he should -n’t be. there
0
0
0
5 0
0
0
Amaj7/D
0
through.
4
Sorgdal
5
5 6
5 6
5 6
0
0
0
0
4
5
4
5
5
6 0
0
4
5
0
0
0
4
0
0
0
0
0
0
0
Bridge
Amaj7
There’s
no
way
Amaj7/D
I
could
des
-
cribe
him,
4
5
5 6
5
4
5
6
6
0
Amaj7
0
0
0
what
0
I’ve
0
5
said
0
0
0
5
0
0
Amaj7/D
is
just
what
4
5
5
6
I’m
hop
ing
-
5
6
0
Amaj7
0
0
Amaj7/D
0
0
Amaj7
0
Amaj7/D
5
6 0
0
4
5
6
0
5
0
0
4
5
6 0
0
4
5
0
0
0
0
0
Amaj7
Amaj7/D
Amaj7
Amaj7/D
for.
But I will
5
6
5 6
0
Bm/E
5 6
0
0
0
0
him
5 6
6
0
0
5
6
0
0
find
5
6
0 0
Chorus
5 6
0
0
Amaj7
sit ting on my door
0
0
5
5 6 0
0
- step
2
Sorgdal
2 3
2 3
4
2 3
4
2 3
4
4 3
4
4 5
4
6 0
0
5
4 5
4 5
6
4 5
6
5 6
6
3 3 Bm/E
wait
Amaj7
-
ing
for
2
2
a
4
3
4
And he will
4
3
5
4
sur -prise.
2
3
4
4
5
4
6
4
5
5
6
6
5 6
6
0 0
Bm/E
feel
like
he’s been
there
for
Amaj7
3
hours
and I can
2
2 3
2
2
3
2
3
4
2
3
4
4
4
4
3 4
5 4
4
4
5
4
5
6
5
6
5
6
6
6
0 0
Bm/E
Amaj7
tell
that
2
he’ll
be
2 3
there
2 3
for
2 3
4
4
4
And I can
4
4
5 4
4
5
5
6
4 5
6
6
6
0 0
tell
that
be
he’ll
there
2
Sorgdal
2 3
4
rall. Bm/E
2 3
4
life.
2 3
Amaj7/D
for
life.
2 3
4
Freely Amaj7
4 3
4
5 4
6
6 0
0 0
6
0 0
6 0
Don’t You Remember Words & Music by Daniel Wilson & Adele Adkins
Fm11 [Dm11]
Eb [C]
Ab [F]
Cm [Am]
Ebmaj7/G [Cmaj7/E]
Cb [Ab]
Gb/Db [Eb/Bb]
Db [Bb]
4fr
6fr
Capo 3rd fret Eb/G Bb [C/E] [G]
Ebm [Cm] 6fr
F [D]
G [E]
Ebmaj7 [Cmaj7]
Fm [Dm]
Fmaj7/A [Dmaj7/F#]
Gm [Em]
C [A]
3fr
Intro
h = 56 Gtr. 1 (acous.) Capo 3rd fret
Fm11 [Dm11]
mp 1 1
1 1
Eb [C]
1
0
0
1 1
1 0
Eb [C]
0 0
1 1
Fm11 [Dm11]
0 1
0
1
0
0
1 0
0
2
0
2
0 3
3
Gtr. 2 (acous.) Capo 3rd fret
1
1 0
0
2
2
3
Eb [C]
Fm11 [Dm11]
0
2
2
3
0
2
3
Fm11 [Dm11]
Eb [C]
1
0 0
0 0
3
Gtr. 1 cont. in slashes 0
1 0
Sorgdal
0
1 0
1 0
1 0
0 2 3
0 0
0
2
2
2
3
© Copyright 2010 Sugar Lake Music/Chrysalis Music Limited/Universal Music Publishing Limited (All rights in Germany administered by Universal Music Publ. GmbH). All Rights Reserved. International Copyright Secured.
1 0
3
1 2 3
1 0
0 3
1
0
2
1
1
3
0
Verse
Eb [C]
2º Gtr. 1
When When
will I was the last time
see
you thought
2 0
2
You left with or have you com
1 2
2
2
2
3
Gtr. 3 (acous.) tune down 1 semitone
2 2
2 2
0
0
2º Gtr. 4
9
8
9
8 8
Eb [C]
good - bye,
not a e - rased
sin - gle
1
mo -ry?
1
2
0
2
2
0
Ab [F]
word was said. me from your me -
1
0
2
1 1
1 1
8
10
8
10
No of ten
I
2 3
3
6
4 6
6
4
2
2
2
4
2
3
1
3
no - plete - ly
Sorgdal
0
2
a - gain? of me,
1
Cm [Am]
you
0
1
Ab [F]
2
4
2
6
4
2
0
(2º Gtr. 4)
full
8
10
8
8 8
2
10
10
12
8
Eb [C]
fi think
Eb/G [C/E]
seal where
I
nal kiss a - bout
to
0
a - ny went
sins, wrong,
3
1
1 0
0
0
I had
the more I
1
0
2 3
3
2 3
3
3
Ab [F]
0
1
2
0
1 2
2
2
2 4
2
4
2
2
0
2
2
2
2
1º Gtr. 4 (elec.), no capo
2º Gtr. 4
w/clean tone
8
8 8
Eb [C]
no do,
i - dea
2
Sorgdal
3
state
we were the less I
Ab [F]
in. know.
2
0 0
10
8
}
10
10
I know I have a But I know I have a
1 1 2
2
1 0
0
1 1 2
2
3
2
3
3
0
0 6
4 6
6
2
2
2
4
of the
1 2
8 8 10
Cm [Am]
8
10
4 2
2 2
2
0
full
10 12
10
full
8
10
10
3
full
8
10
10
8 10
Pre chorus
Bb [G]
Gtr. 1 1º+2º
fick - le heart
and a
bit - ter - ness
3 0 0
Cm [Am]
0
and a wand -’ring eye
3 0
0
and a
0 1
0
2
2
0 3
3
2
4
4
4
4
4
5
4
4
4
4
4
4
2
4 4
4
in
Bb [G]
my
head.
0 0
But don’t
3 0
1
1
0
0
0
3
3
4 5 6
6
4 6
6
6 6
4
4 4
4 4
2
2
4
Sorgdal
10
hea - vi - ness
6
4
10
6
full
6 6
G [E]
4
2
8
6
4
4
12
8
10
8
10
you
re -
Eb [C] Chorus
Ebmaj7 [Cmaj7]
mf
- mem - ber,
Ab [F]
1
0
0
2
2 3
don’t
you
re -
1
2
2
3
0
2
2
2
3
3
3
4
4
0
2
0
0 1
3 4 3 5 6
3 4 3 5 6
- mem - ber
1 2
Sorgdal
2 2
4
2
7
7
Bb [G]
8
2
3
3
5
Eb [C]
Ab [F]
the
rea - son
1 2 3
1 2 3
you loved
0
0
0
3
2
2
4
me
1 2 3
1
4
4
2
2
0
4
3
0
2 4
3 2
Eb [C]
3
0
2 2
0
Fm [Dm]
2
2
0 1º+2º Gtr. 4
5
1
0
7
8
10
10
10
5
12
0
0 0
Ebmaj7/G [Cmaj7/E]
be
-
0
0 2
3
0
2
fore?
1
2 0
1
0
1
1 0 2
Ab [F]
4
5
4
2
0
0
0 1
2
2 2
2
Ba
- by,
please
8
7
8
7
Fm [Dm]
re
-
mem
-
ber
3
3
5
Bb [G]
me
once
cont. in stave
1
1 2 3
Sorgdal
0
2
0
0
0 3
2 2 2
4
2
2
2
4
4
4
4
2
3 2
7
8
10 6
full
6 6
8
6
7
8
10
1.
more.
Gtr. 1
mp
0 1
0 1 0
0
0
0
0
2
3
1 2
2
1
2
0
8
more.
Sorgdal
2
2 2
2 2
2
2 2
0
1 0
2. Ab [F] Gtrs. 1+2
0
0 1
3
1 1
10
12
10
7
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
2 2 2 0
11
13
11
13
11
13
11
13
Cb [Ab] Bridge
Gave
you the
space
Gb/Db [Eb/Bb]
so
breathe,
I
kept my
f
you could
Db [Bb]
dis - tance
free
3
4
2
5
3
be
3
4
5
2
3 5
so you would
2 5 5
2
0
0
5
1/2
13
Ab [F]
Cb [Ab]
in
hope
2
5
that you’d find
the
5
2
2
2
2
piece
to
8
5
5
9
back to me. bring you
9 10
10 11
11 11
10 11
9
9
9
9 9
7
Bb [G]
8
5 5
3
9
miss - ing
5 5
0
Fm [Dm]
0
2
0
Sorgdal
Ebm [Cm]
7 7 9 9 9 7
7 7 9 9 9 7
7 7 9 9 9 7
8
7 7 9 9 9 7
7 7 9 9 9 7
7 7 9 9 9 7
7 7 9 9 9 7
Why
7 7 9 9 9 7
7 7 8 9 9 7
3
don’t you
re -
F [D] Chorus
Fmaj7/A [Dmaj7/F#]
Bb [G]
- mem - ber,
don’t
you
re -
2
2
2
6
7
6
2
4
4 4
4
5 4
4
4
Gtr. 4
5 6 5 7 8
Gm [Em]
9
10
C [A]
9
5
5
F [D]
7
4
6 4
6 6
6
6 6
6 6
4
4
Bb [G]
7
9
9
10
10
12
12
9
2 2 3 4 4 2
2 2 3 4 4 2
2 2 3 4 4 2
2 2 3 4 4 2
2 2 3 4 4 2
2 2 3 4 4 2
2 2 3 4 4 2
14
the
4
Sorgdal
4 4
2
- mem - ber
4 4
2
4 4
2
4
4
rea - son
4 4 4 2
4 4 4 2
F [D]
you loved
me
4 4 4 2 2
2
Bb [G]
be
-
2
4
2
2
6
7
6
fore?
Ba - by,
please
re
- mem -
2
4
4
4
4
4
4
4 4
2
Gm [Em]
10
9
10
4
9
C [A]
me
4
5
5
2
7
Bb [G]
once
more.
6 4
10
9
10 10
12
4
10
12
12
10
10 10 12
F [D]
Bb [G]
When
will
I
see
you
a
-
gain?
mp
4 4 2 2
10
12 10
8
2
10
9
4
full
12
7
2
full
4 6
4
4
4
6 6
4
6
6
4 4
- ber
Sorgdal
3
Fmaj7/A [Dmaj7/F#]
He Won’t Go Words & Music by Paul Epworth & Adele Adkins Cm
Gm 3fr
Fm
Abmaj7
3fr
Bb6
3fr
G7 6fr
5fr
q = 81
Drums cue
Gtr. 1 (elec.)
mp
Cm
Gm
Fm
3 3 5
1 1 3
w/clean tone
4 5 5
Cm
1. Some
Sorgdal
Cm
Gm
Fm
4 5 5
3 3 5
1 1 3
Gm
say
I’ll
be
bet - ter
with
4 5 5
- out
like
I
do,
or
at
least
you,
6
the
sides
but they don’t know you
3 3 5
Fm
I thought
I
1 1 3
knew.
I
can’t
1 1 3
© Copyright 2010 Universal Music Publishing Limited (All rights in Germany administered by Universal Music Publ. GmbH)/EMI Music Publishing Limited. All Rights Reserved. International Copyright Secured.
$
Cm
mind, ride, me?
re - min -ded by what if I lose my heart and Will he still love me e - ven
ad lib. sim. 2º, tacet 3º until * 4 5 5
3 3 5
Fm
it drags on as I lose my I’m so scared to step in - to this will he still re - mem - ber
time, (1.) bear this (2.) pe - tri - fied, he, 3. $ Will
Gm
like notes and clothes I won’t for -give me if I give up try -ing. Or will he go back to the place where he
things I find, fail the climb, when he’s free?
you’ve left
be - hind.
will choose the
poi
1 1 1 3
Cm
Wake me up, voice to - day, o - ver me?
wake me up when all I did -n’t know a sin -gle word When we spoke yes - ter - day,
3 4 5 5
bat - tle’s man I wait,
won, met, I’ll
Sorgdal
un - done. in - stead.
But But
I I He
*
mf
done, I won’t rise un - til this said, not one re - sem blance to the he said to hold my breath and sit and
my dig - ni - ty’s be - come just a vague and bro -ken boy be home so soon, I won’t be late.
is he
3 3 3 5
Fm
1
I heard his son
1
Gm
3
-
let ring 1 1 3
1 1 1 3
1 1 1 3
2
Gm
Abmaj7
won’t won’t won’t
go, go, go,
3 3 3 5
3 4 5 6
1 1 1 3
Bb6
Gm
Ab
(1, 2.) I can’t do it on my own, (3.) he can’t do it on his own,
3 4 5 6
6 8 7 8
Fm
Gm
Cm
if this ain’t love, then what is? if this ain’t love, then what is?
3 3 3 5
4 4 5 6
3 3 3 5
I’m will ing to take the risk. He’s will ing to take the risk.
1 1 1 3
1 1 1 3
3 3 3 5
3 4 5 5 3
To Coda Ø
So
Fm
Gm Abmaj7
Bb6
Gm
I I
won’t go, won’t go,
1 1 1 3
3 3 3 5
3 4 5 6
I can’t do it on he can’t do it on
3 4 5 6
6 8 7 8
my own, his own,
Ab
Fm
if this ain’t love, then what is? if this ain’t love, then what is?
3 3 3 5
3 3 3 5
4 4 5 6
1 1 1 3
1.
Gm
Cm
I’m will -ing
to
the
1 1 1 3
take
3 3 3 5
risk.
2. So
Sorgdal
Fm
Gm
Fm
I’m will -ing
1 1 1 3
to
take
the
risk.
3 3 3 5
1 1 1 3
3
3 4 5 5 3
2.
There
will
be
Bridge
Cm
we’ll try and give it
3 5
3
3 5
3
5
3
3 4 5 5
3
al -most fall
a - part,
6
4 3
the
pie
-
ces,
3 3 3
3 3
no thing will e - ver taint
6 5 6
us.
7 6 7
6
Bb6
Gm
3 4 5 6
6 8 7 8
I can’t do
3
A¨maj7
1
4
4 3
3 3
G7
5
6
We’ll
to
3 3 3
3
1
Fm
Gm
3
but
1 1 1
3
burn
1 1
to dust,
doubt.
4 3
5
5
then
1
watch them turn
Sorgdal
4 3
no
Fm
3
1 1 1 3
burst - ing at the seams,
Gm
up,
6
times,
it
on
my
own,
3 3 3 5
4
I
won’t
go,
1 1 1 3
3 3 3 5
3 4 5 6
A¨
Fm
if
A¨maj7
3 3 3 5
4 4 5 6
this ain’t love, then what
is?
1 1 1 3
Gm
I’m will - ing
take
I can’t do
I
Gm
it
on
3 4 5 6
6 8 7 8
will - ing
to
take
Ø Coda
Cm
the
1 1 1 3
risk.
3 3 3 5
Fm
Gm
1 1 1 3
to
1 1 1 3
3 3 3 5
3 4 5 6
Fm
3 3 3 5
4 4 5 6
1 1 1 3
D.S. al Coda
3 4 5 5 3
Cm
I’m will -ing
go,
3 3 3 5
won’t
if this ain’t love, then what is?
A¨
own,
Gm
am
my
A¨maj7
I
Gm
3 4 5 5 3
Fm
risk.
3 3 3 5
B¨6
the
1 1 1 3
Sorgdal
to
Cm
take
3 3 3 5
the
risk.
3 4 5 5 3
5
Gm
A¨maj7
won’t
go,
1 1 1 3
3 3 3 5
3 4 5 6
’Cause he
3 4 5 6
3 4 5 6
he can’t do
3 4 5 6
6 8 7 8
1 1 1 3
1 1 1 3
1 1 1 3
his
own,
Cm
the risk.
3 3 3 5
Fm
3 3 3 5
3 3 3 5
3 3 3 5
3 3 3 5
3 3 3 5
4 4 5 6
1 1 1 3
Gm Abmaj7
I
won’t go,
1 1 1 3
3 3 3 5
3 4 5 6
3 4 5 6
Fm
if this ain’t love, then what is?
3 3 3 5
4 4 5 6
1 1 1 3
3 4 5 6
3 4 5 6
Bb6
I can’t do it on
3 4 5 6
my own,
3 4 5 6
6 8 7 8
3 3 3 5
Cm
1 1 1 3
1 1 1 3
take
1 1 1 3
3 3 3 5
G7
Sorgdal
6
3 4 5 5 3
Cm
3
the risk.
Piano cue
rall.
I’m will ing to
Gm
Gm
if this ain’t love, then what is?
3 4 5 5 3
Fm
Ab
Ab
3 3 3 5
on
Gm
it
He’s will ing to take
Gm
Bb6
Hometown Glory Words & Music by Adele Adkins Capo 1st fret Bbsus2 [Asus2]
Ab [G]
Fm [Em]
Gbmaj7#11 [Fmaj7#11]
Bbm7 [Am7]
Ab'9 [G'9]
Fm7 [Em7]
3fr
Bbm* [Am*]
Gb'9 [F'9]
Bbm [Am]
Fm7* [Em7*]
Db/F [C/E]
Gbmaj7 [Fmaj7]
7fr
Ab'9* [G'9*]
Fm* [Em*]
Gb [F]
Ab8 [G*]
3fr
Db/Ab [C/G] 3fr
3fr
3fr
5fr
Piano arr. for Gtr. Capo 1
q = 123 Bbsus2 [Asus2]
Ab [G]
mp Intro
8 7 9 7
Gbmaj7#11 [Fmaj7#11]
0 0 2
0
1
1 0 2 0
Gb'9 [F'9]
0 3 0
3 4 5
3 0 2
0
1
1 2
0
5 5 5
3
Ab'9* [G'9*]
5
Fm* [Em*]
Gb [F]
5 3 4
0
3 0 0
0
0
1 2 3
1
Bbm* [Am*]
3 1 0
1
5 5 5
7
5
Ab [G]
Fm* [Em*]
3 3 4
3 0 0
7 5
3
Gb [F]
1 2 3 1
0
Bbm [Am]
3 2
1 2 2 0
1
Ab* [G*]
5 0 0
0 2
7
5
Fm* [Em*]
3 0 0
0 3
0
3
0
Gbmaj7#11 [Fmaj7#11]
1 2 3
0
1
© Copyright 2007 Universal Music Publishing Limited. All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
7
0 2 0
Fm7* [Em7*]
0 1 2
3
Ab [G]
1
1
Bbm [Am]
Ab'9 [G'9]
0 0 2
1
Bbm* [Am*]
Sorgdal
0 0 0
3 4 5 3
Bbm7 [Am7]
0
Fm7 [Em7]
Gbmaj7#11 [Fmaj7#11]
0 0 2
Fm [Em]
Bbm* [Am*]
Db/Ab [C/G]
mf Fig. 1
5
5 5
5
5
5
5 5
7
5
7
3
5
5
7
3
5
5
5
3
5
5
5
5
5
3
5
3
2.
Gbmaj7 [Fmaj7]
5
5
1. Db/F [C/E]
5
5
7
5
3
5
Gbmaj7 [Fmaj7]
1. I’ve been
3 3 3 3 0 0 0 0 0 0 0 0 5 5 5 5 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 8 8 8 8 0 0 Gtr. plays Fig. 1 (x3) Verse
Bbm* [Am*]
Db/Ab [C/G]
Bbm* [Am*]
Db/Ab [C/G]
a - ny - thing I can do for you like it in the ci - ty when Sorgdal
air
in short
D¨/A¨ [C/G]
as the
miss ing out the cracks in the pave - ment love it to see ev -’ry - bo dy
B¨m* [Am*]
(1.) walk ing in the same way (2.) like it in the ci - ty when
Db/F [C/E]
dear? two
is
I so
thick
and
did o -
Db/F [C/E]
and tutt ing skirts,
Is there worlds 2
my heel and strutt ing my shorts and shades.
a - ny - one
I could col - lide,
feet.
G¨maj7 [Fmaj7]
and I
paque,
Gbmaj7 [Fmaj7]
D¨/F [C/E]
“Is there I
call?” you get the
Bbm* [Am*]
Db/Ab [C/G]
1. Gb [F]
Db/F [C/E]
“No, and thank you, please ma dam, I peo -ple and the gov ern - ment, ev ’ry -bo dy tak
5
5
5
5
5
5 5
5 7
3
5
5
5
7
3
5 5
5
3
3
5 5
5
5
3
5
5
7
5
3
5
5
7
3
5 5
5
’Round my
mp
5 5
5
0
3
5 5
5
3
3
5 5
5
ain’t lost, just wan - der -ing.” ing diff ’rent sides.
-
5
5
5
0
2 3 1
Gtr. 1 plays Fig. 1 (x4) Chorus
Bbm* [Am*]
f
home
- ders of
Sorgdal
5 5 5 7 5
5 5 7
Db/Ab [C/G]
world,
Db/Ab [C/G]
mo
ooh,
my
-
Db/Ab [C/G]
won - ders of this
5
Bbm* [Am*]
me
- town,
Bbm* [Am*]
won
- town,
Bbm* [Am*]
home
Db/Ab [C/G]
the
Db/F [C/E]
-
are the
Db/F [C/E]
peo - ple
won
world,
are
I’ve
Gbmaj7 [Fmaj7]
are the won - ders
and now.
fresh.
Gbmaj7 [Fmaj7]
met
my
world,
2. Gbmaj7 [Fmaj7]
2. I
’Round
my
are the
Gbmaj7 [Fmaj7]
- ders of
Db/F [C/E]
ries
Db/F [C/E]
Gbmaj7 [Fmaj7]
are the
5 5 3 3 3 3 3 3 3 3 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 6 6 6 6 6 6 6 6 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 7 7 5 5 5 5 5 5 5 5 7 7 7 7 7 7 7 7 8 8 8 8 5
3
3
0
0
3
Bridge
Gtr. 1 plays Fig. 1 (x2)
Bbm* [Am*]
Db/Ab [C/G]
Db/F [C/E]
mp
Shows that we ain’t gon na stand
shit, shows that we are u - ni - ted,
Bbm* [Am*]
Db/Ab [C/G]
Db/F [C/E]
shows that we ain’t gon na
Shows that we ain’t gon na stand
Gbmaj7 [Fmaj7]
take
Gbmaj7 [Fmaj7]
it.
shit, shows that we are u - ni - ted.
’Round my
Gtr. 1 plays Fig. 1 (x2) Chorus
Bbm* [Am*]
f home - town,
B¨m* [Am*]
Db/Ab [C/G]
me
D¨/A¨ [C/G]
home - town,
-
ooh,
Db/F [C/E]
mo
-
D¨/F [C/E]
the
Gbmaj7 [Fmaj7]
ries
are
fresh.
peo - ple
I’ve
’Round my
G¨maj7 [Fmaj7]
met,
yeah.
Gtr. 1 plays Fig. 1 (x4) Scat chorus
Bbm* [Am*]
Db/Ab [C/G]
ff Do,
dil - ly, dee, da,
Bbm* [Am*]
Do, Sorgdal
dil - ly, dee, da,
n’
da,
do,
n’
do,
Db/Ab [C/G]
n’ do,
da,
day,
Db/F [C/E]
da,
oh, 4
day,
Do,
da,
Gbmaj7 [Fmaj7]
Db/Ab [C/G]
Bbm* [Am*]
Db/F [C/E]
day,
yeah.
Gbmaj7 [Fmaj7]
day,
Db/F [C/E]
yeah.
Gbmaj7 [Fmaj7]
oh,
oh,
yeah.
Bbm* [Am*]
Db/Ab [C/G]
Db/F [C/E]
Yeah,
Gbmaj7 [Fmaj7]
yeah.
They
are the
Gtr. 1 plays Fig. 1 (x3) Chorus
Bbm* [Am*]
won
- ders of
Bbm* [Am*]
won
Db/Ab [C/G]
my
of
world,
are the
won
Db/Ab [C/G]
- ders
Db/F [C/E]
Gbmaj7 [Fmaj7]
- ders of
my
this
world,
are the
world,
Db/F [C/E]
are the
Gbmaj7 [Fmaj7]
won
- ders
of
my
mf
B¨m* [Am*]
D¨/A¨ [C/G]
D¨/F [C/E]
world,
of
Bbm* [Am*]
my
world,
Db/Ab [C/G]
G¨maj7 [Fmaj7]
yeah,
of
rall. Gbmaj7 [Fmaj7]
Db/F [C/E]
world,
of
5
Sorgdal
5 5
5
5 5
5 7
5 5
5 7
3 5
5 7
3 5
5 7
3 5
5 5
my
3 5
5 5
world,
3 5
5
yeah.
3 5
5
5 5
3 5
5 5
3 5
5 5
0 5
5 5
6 5
5
5
3
3
0
5
0
0 6 5
7 8
5
my
Bbm [Am]
0 6 5
7
6 5 7
8
0 7
mp 1 2 2 0
Lovesong Words by Robert Smith Music by Robert Smith, Simon Gallup, Laurence Tolhurst, Porl Thompson, Boris Williams & Roger O'Donnell Cm
Cm7/Bb 8fr
Intro
Abmaj7
8fr
G5
6fr
Abmaj7* 5fr
Fm7
4fr
G7aug
Cm*
6fr
3fr
q = 117
Gtr. 1 (acous.)
Cm
mp
8 8
8 8
8 8
10
8 8
8 8
8 8
Gtr. 2 (acous.) Capo 3
8 8
8 8
8 8
8 8
8 8
G5
8 8
8 8
8 7
8 7
8 7
8
6
5
1
1 2
2
3
0
8 8
10
0
8 8
10
8 8
10
0
8 8
Abmaj7
8 8
8 8
10
Cm7/Bb
8 8
1
8 8
0 1
2
2 0 3
Cm
1
Cm7/Bb
0
Abmaj7
G5
Fig. 1
8 8
8 8
10
8 8
8 8
8 8
8 8
8 8
8 8
8 7
8 7
8 7
8
6
5
8 8
0
Sorgdal
0
1
1 2
2
3
0
0 2
1
2
1
2 0 3
1
1
© Copyright 1989 Universal Music Publishing International MGB Limited (All Rights in Germany Administered by Musik Edition Discoton GmbH). All Rights Reserved. International Copyright Secured.
0
0
2
Verse
Cm
1.When e - ver
I’m
1 2
2
0
you,
2 2
0 0
2 2
2 3
3
Cm7/Bb
you make
2 3
0 0
2 3
0 0
2 2
like
I am
me feel
1
1 2
0
0 0
2 2
2
Abmaj7
0 0
2 2
G5
home
a - gain.
0 0
0 0
3
Cm7/Bb
When e - ver
2 2 0
2 3
I’m
3
0 0
2 3
Cm
2 2 0
2 2 1
Abmaj7
0 0
2 2
0 0
0 0
2 2
0
G5
a - lone
1 2
0
0 0
2 2
2
1 2
0 0
with you,
1 2
2 2
0 0
0 0
1
0 0
2 2
0 0
0
Cm7/Bb
you make
me feel
like
I am
2 3
2
3
1 2
2 2
0
0
Cm
0 0
1 2
Sorgdal
G5
with
3
Abmaj7
0
Cm
a - lone
2
Gtr. 1 plays Fig. 1 (x4)
Cm7/Bb
0 0
2 3
0 0
2 3
0 0
2
1
0
Abmaj7
G5
whole
2 2
0 0
2 2
0 0
0 0
2 2
a - gain.
1 2
0
0 0
2 2
2
0 0
2 2
0 0
0
2 3
2
3
1
2
0 0
2 3
0 0
2 3
0 0
1 2 0
2 2
0 0
2 2
0 0
2 2
0 0
Cm
Cm7/Bb
Abmaj7
G5
2º you.
mf Gtr. 1 plays Fig. 1 (x2); 2º Gtr. 2 sim. ad lib. 1 2
2 2 0
0 0
1 2
0 0
0 0
2 2
2
Cm
0 0
2 2
0 0
0 0
2 3
2
3
1
Cm7/Bb
Abmaj7
0 0
2 3
0 0
2 3
0 0
1 2
2 2
0 0
2 2
0 0
0 0
2 2
0
G5
3. When -
Verse
2 2 0
1 2
0 0
1 2
0 0
0 0
2 2
2
0 0
2 2
0 0
0 0
2 3
2
3
Cm
2. When e - ver - e - ver I’m a - lone
2 3
0 0
2 3
0 0
1 2
1
Cm7/Bb
0 0
I’m
a - lone with
0 0
2 2
0 0
0 0
2 2
0
Abmaj7
2 2
G5
with you, you,
Gtr. 1 plays Fig. 1 (x3)
1 2
2 2 0
0 0
1 2
0 0
0 0
1 2
0 0
1 2
0 0
2
0 0 2
3
Cm
you
Cm7/Bb
2 3
you make me feel make me feel
like like
2 3
0 0
2 3
0 0
0 0 2
1
0
Abmaj7
G5
I am I am
0 0
young free
0
0 2
0
2
a - gain. a - gain.
When
Sorgdal
2 2 0
1 2
0 0
1 2
0 0
1 2
0 0
2 2
0 0
2 2
0 0
0 0
0 0
2 3
2
0 0
2 3
0 0
2 3
1 2
0 0
1 2
0 0
0 0 2
3
1
3
0
Cm
Cm7/Bb
When e - ver - e - ver I’m a - lone
G5
with you, you,
1 2
2 2 0
0 0
1 2
0 0
1 2
0 0
2 2
0 0
2 2
0 0
0 0
1 2
0 0
1 2
0 0
1 2
0 0
2
1 2
0 0
1 2
0 0 0
3
Cm
1
Cm7/Bb
I am I am
8 8
8 8
8 8
fun clean
G5
a - gain. a - gain.
8 8
8 8
8
8 8
10
2
0
Abmaj7
like like
you make me feel you make me feel
a - lone with
I’m
Abmaj7
8 8
8 8
8 7
8 7
6
8 7
4 5 5
5
1 2
0 0
1 2
0 0
0 0
1 2
0 0
1 2
0 0
2
0 0
0 0
2 3
2
0 0
2 3
0 0
2 3
1 2
0 0
1 2
0 0
0
0
2 3
1
0
Chorus
Abmaj7*
4 5 5
4 5 5
Fm7
Cm
How - e - ver
far
8 6
Sorgdal
3
0
0
8 8
I will
al
-
10
ways
love
you.
8 8
8
8
4 5
4 5
8
X
1 2
3
8 8 10
8 6
6
8 4
a - way,
8 6
Cm7/Bb
0 0
1 2
0
0
2 2
2
3
0
1
0 0
2 2
0 0
0 0
2 2
0 3
4
0 0
2 2
0 0
2 2
0 0
Abmaj7*
How
-
e - ver
long
5 5
I
8 6
stay,
8 6
8 8
8 6
I
al -
will
8 8
8 8
10
8 8 10
4
1 2
1 2
0 0
1 2
0 0
0
3 2
2
1 0
3 2
1 0
1 2
1 2
0 0
I
2 2
0 0
0
Cm7/Bb
0 0
2
0
-
0
0
Abmaj7*
ways
love
you.
8 8
4 5
What
-
4 5 5
8
e - ver
words
4 5 5
Fm7
4 5 5
8 6
8 6
say,
8 6
8 8
8 4
Sorgdal
Cm
8
4 5 5
Fm7
2 2
3
0 0
2 2
0 0
0 0
2 2
0
0 0
1
5
2 2
0 0
3 2
0 0
2
Cm
Cm7/Bb
I will
al
-
8 8
8 8
10
8 8
0 0
1 2
0 0
2 2
I will
al
love
8 8
8
0 0
-
ways
4 4 5
1 2
0 0
0 0
2 2
8 8
6
1 2
8 8
G7aug
8 8
10
ways love you,
8 8
Abmaj7
0 0
2 3
0 0
2 3
0 0
0
1
2
0 2
5
3
1
0
Instrumental
Cm
Cm7/Bb
Abmaj7
8 8
8 8
8 7
you.
8 8
8 8
8 8
10
8 8
8 8
8 7
8 7
5
8 8 10
0
3
1
1
1
3
3
2
1
1
1
0
2
0 2
2
0
0
0
2
0
0
0
0
2
2
3
Cm
Cm7/Bb
6
0
8 8
8
G5
Abmaj7
8 8
8 8
8 8
8 8
8 8
8 8
G5
8 8
8 8
8 7
8 7
8 7
8 7
10
8
Sorgdal
5
6
3
6
1
3
5
3 5
0 3
5
5
3
1
1 3
0
1
0
2
0 2
6
1 2
0 0
1 2
0 0
2
1 3 2 4
1 2
0 0
1 3 2 4
Cm
Cm7/Bb
8 8
8 8
Abmaj7
8 8
8 8
8 8
8 7
8 7
6
8
1 3 2 4
0 0
0 0
2 2
8 7
5
8
1 2
0 0
0 0
0 0
0 0
0 1 0 2
2
0 0
0
2
2
0 2
0
0 0
2
3
0 3
Cm7/Bb
8 8
8 8
8 8
10
8 8
8 8
Abmaj7
8 8
8 8
8 7
0 0
0
0
3
3
3
3
2
2
3
2
2
0
0
0
4 5 5
0 0
3
8 7
5
0 1 0 3
8 7
6
G5
8 8
8
8 8
8 10
Cm
G5
8 8
8
8 8
2
0
1 2
3 4
0 0
1 2
3 4
3
0
2
0
3
0
Chorus
Abmaj7*
Fm7
Cm
Cm7/Bb
How - e -ver
4 5 5
5 5
far
a - way,
8 6
8 6
I will
8 8
8 6
8 8
Abmaj7*
al
8 8
- ways love you.
8 8
10
8 8
4 5
4 5 5
5 5
How - e -ver
4 5 5
8
long
8 6
8 4
4
Sorgdal
2 3
0 0
2 3
0 0
3 2 0
3
0
3 2
1 0
2 2
0 0
1 2
2 2
2 2
0 0
0 0
0 0
2
2 2
0 0
2 2
0
2 2
1 2
1 2
3
7
0 0
1 2
0 0
0 2
0 1
1 2
1
Fm7
Cm
Cm7/Bb
Abmaj7*
Fm7
I
stay,
8 6
8 6
8 8
8 8
al
- ways love
8 8
8 8
10
you.
8 8
What
4 5 5
8
4 5 5
- e -ver
4 5 5
words
4 5 5
8 6 8
8
I
say,
8 6
8 6
8 8
4
2 0
1 2
2
1 2
0
1 2
2 2
2
0 0
2 2
0 0
2 2
0
3
2 2
0 0
2 2
1 2
2 2
0 0
2 2
0 0
2 2
0 1
1 2
0 0
3 2
1 2
0 0
0
0 3
Cm
8 8 10
8 6
8
I will
Cm7/Bb
I will
al
-
ways
8 8
8 8
8 8 10
G7aug
love
10
Abmaj7
you,
8 8
8 8
8 8
8
I’ll al
8 8
8 8
-
ways
4 4
6
5
Outro
1 2
0 0
1 2
0 0
2 2
0 0
2 2
0 0
2 2
0 0
1 2
2 2
2 3
1 2
0 0
0 0
2 3
3
0
Cm
3
1
Cm7/Bb
Abmaj7
1 2
I’ll
al
-
ways
1 2
0 0
2 2
0 0
2 2
0 0
2 2
G5
love you,
Gtr. 1 plays Fig. 1 (x3) 0 0
0
love you,
Sorgdal
0 0
1 2
0 0
’cause
3
2 3 1
8
I
love
you.
0 0
2 3
0 0
2 3
0 0
1 2
0 3
0
1 2
0 0
2 2
0 0
2 2
0 0
Cm
Cm7/Bb
Abmaj7
Al - ways
G5
love,
oh.
2 2 0
1 2
0 0
1 2
0 0
0 0
2 2
2 2
0 0
0 0
Cm7/Bb
1 2
0 0
1 2
3 4
1 2
2 3
3
0 0
2 3
0 0
2 3
1 2
2 2
1
Abmaj7
0 0
1
0
0 0
0
0 0
2 3
0 0
2 3
0 0
1 2
8 8
10
1
G5
8 8
8 8
8 8
0 0
8 8
8 7
6
5 5
5 3
0 0
1 2
3 4
1 2
0
0
1 2
0 0
1 2
0 0
0
2 3
2 0
0 0
2 3
0 0
2
0 0
1 2 2
3
1
9
1 2
Sorgdal
2 2
0 0
Cm*
8 8
8
2 2
0
Abmaj7
8 8
0 0
2 2
0 0
G5
2 3
3
Cm7/Bb
8 8
2 2
3
0 0
0
0
Cm
2 2
3
Cm
0 0
0 1 2 2 0
0 0
1 2
Make You Feel My Love Words & Music by Bob Dylan Bb [A]
F/A [E/G#] 5fr
Ab [G]
Eb [D]
Ebm [Dm]
Bb* [A*]
C7 [B7]
F11 [E11]
Bb/F [A/E]
Gbaug [Faug]
Eb/G [D/F#]
F7 [E7]
Cm7 [Bm7]
F* [E*]
4fr
F [E]
F/A* [E/G#] 4fr
q = 78 Piano arr. for gtr. (Capo 1st fret)
Bb [A]
F/A [E/G©]
Ab [G]
Eb [D]
mf let ring throughout 5
Ebm [Dm]
1 3 2 0
5
5
5
4 5 4
5 4 6
5
3 0 0
4
4
Bb* [A*]
3 0 0
3 2
0
3
2 3 2 0
0
F11 [E11]
Bb* [A*]
4 2 4 2
3 2 4
2 2 2 0
1 3 2
0 2 2
0
0 2 2
3 2
2 2
2 3 2
2 3
3
C7 [B7]
0
2
2 4
2 4
0 2
2 2 2
2 0
0
Bb* [A*]
4.($) I
Sorgdal
5 6 7
0
$
5 6 7
2 2 2 0
F/A* [E/G©*]
1. When 3. I’d could make
the go you
2 2 2
rain
is hun - gry, hap - py,
blow I’d make
-
ing go your
2
2 2
in black dreams
0 1 2 4
© Copyright 1997 Special Rider Music, USA. All Rights Reserved. International Copyright Secured.
your and come
face blue, true,
0 1 2
2
0 1
Ab [G]
Eb [D]
0 0 0
0 0 0
0 0
case, nue, do,
2 3 2 0
0
warm em would - n’t earth for
0 2 2
2 3 2
1 3 2
2 3
1 3 2 0
2 0
F11 [E11]
a I the
0 3 0
Bb* To Coda Ø [A*]
brace do you
to make you feel to make you feel to make you feel
my my my
2
4 2
2
4 2
2
2 0
3 2 4
4 0
2
2 2 2 0
2 2 2
love love. love.
0 2 2
4
2
4 2
4 0
0
F [E]
Ab [G]
5 6 7
and there is no
5 5 6
5 5
6
6
4 5 4
4 5 4
7
Eb [D]
2.When the eve ning sha dows and the stars ap - pear
2º instrumental
7
one there to dry
3 3 0
3 3 0
6
2
0
2
0
your tears,
2 3 2 0
2 3 2
2
2 3
7 5
5
0
Ebm [Dm]
3
Bb* [A*]
Sorgdal
I could of - fer you No,there’s no -thing that go to the ends of
C7 [B7]
Bb [A]
3
Bb* [A*]
and the whole world is on your I’d go crawl -ing down the a ve no -thing that I would - n’t
Ebm [Dm]
1 3 2 0
I
could hold you
1 3 2
for
a
0 3 2
mil li on years
0 2 2
0
C7 [B7]
to make you feel my
love.
0 2 2
2 2
4 2
2 0
F11 [E11]
4 2
2 4
0
3 2 4
2 0
2
2
2 4
B¨* [A*]
2 2 2 0
2 2 2
2 2 4 0
4
Eb [D]
Bb/F [A/E]
I know you have n’t made your The storms are ra -ging on the
2 3 2 0
2 3 2 0
2 2 2
but I would nev - er do and on the high way of
2
2
2 2
2
3 2 3
you wrong. re - gret.
2
2
3
4
4 0
Bb* [A*]
0
Eb [D]
2 2 2 0
2 2 2
0
2 3 2 0
2
2
2
1
mo - ment blow -ing
2 3 2 0
3
1
3 2
2
that wild
2 3 2 0
we and
met, free,
0
2 2 2 0
0
1.
2
Bb* [A*]
I’ve known it from the Though winds of change are
0
2 2 2
2 2 2
2.
C7 [B7]
F7 [E7]
no doubt in my mind where you be long.
4 2 4
2 4 2 4 2
4 2
Cm7 [Bm7]
F [E]
you ain’t seen no -thing like me
0 0 2 2 3 3 0 0 3 3 1 1 1 2 2 2 2 4 2 2
Ø Coda
Bb* [A*]
3 2
2
0 0 1 1 1 2 2 2
2
4
F11 [E11]
To make you feel
Bb* [A*]
my
2 2 2 0
2 2 2
2 2
4 0
4 2 4 2
4 2 4
3 2 4 0
3
yet.
0
C7 [B7]
D.S. al Coda
0
Sorgdal
Eb/G [D/F©]
2 2 2
0
yet, sea
2 3 2
mind up roll - in’
Gbaug [Faug]
love.
2 2 0 1 1 1 2 2 2
0
2 2 4
2 4
2 0
My Same Words & Music by Adele Adkins Em
D'11 7fr
Ebm
Em7* 7fr
Eb(#9)
5fr
E7sus2 6fr
Dm 6fr
Em7
7fr
C#m 5fr
C 4fr
D7
Ebdim7
7fr
5fr
D
Em* 3fr
5fr
7fr
Em9 5fr
5fr
q = 126 Em
D'11
Aye,
Eb(#9)
aye,
Gtr. 1 (elec.)
Em
aye,
aye,
Fig. 1
mf w/clean tone
8 0 7
Em
D'11
aye,
aye,
8 0
Sorgdal
14 12 12
7
Em
ne - ver give
in,
15 12
8 0
6
Em
13 12
aye.
7 0
5
E¨(©9)
Em
7 0
7
7
$
Em
8 0
6
Eb(#9)
7 0
5
aye,
7 0
1. $ You
say
I’m stub - born and
Gtr. 2 (elec.)
I
Gtr. 2 w/clean tone Gtr. 1 plays Fig. 1
D'11
D'11
14 12 12
E¨(©9)
I think you’re stub born ’cept you’re
12 12 12
© Copyright 2007 Universal Music Publishing Limited. All rights in Germany administered by Universal Music Publ. GmbH. All Rights Reserved. International Copyright Secured.
Em
al -ways soft - en
14 12 12
14 12 12
-
ing.
12 12
Em
D'11
Gtr. 1 plays Fig. 1 (x3) 3º Gtr. 2 ad lib. sim. 14 12 12
14 12 12
14 12 12
12 12
15 12
7 8 7
8 7 9 7
8 7 9 7
Eb(#9)
X X X
7 5 7 5
X X X
7 5 7 5
X X X
5 7 6
Em
Em
way too much in fact. ne - ver be - fore.
12
3
7 8 7 9 7
7 5 7
12 13 12 12
10
I think you’re giv - ing I think ne - ver known this,
I’ve
13 12
D'11
2º Gtr. 2
Em
say I’m sel - fish, I a - gree with you on that, thought I knew my -self, some -how you know me more,
1º Gtr. 2
Em
(1.) You 2. I
Eb(#9)
7 8
8 7 9 7
7 7
D'11
Eb(#9)
8 7 9
3
8 7 9 7
X X X
12
14
Sorgdal
6
3 7
7 8 7 9
7
15
14 12
12 12
8
5 7
12 12
12 12 12
12
10
10
7
12 12
year, - gue,
X 12
12 12
X X X
3
12
7 5 7 5
3
14 12 12 14
X X X
Em
I say we’ve on - ly known each oth - er one You’re the first to make up when - ev - er we ar
7 5 7 5
7
8 7 9 7
X X X
2
7 5 7 5
X X X
7 5 7 5
X X X
7 5 7 6
7 5 7 6
7 8 7 9 7
3
10
7 8 9
Em
D'11
Eb(#9)
you say pfft I’ve known you if I don’t know who I’d be
15
14 12 12
Em
8 7 9 7
7
Eb(#9)
12
15 12
You like to be so close, I You’re so pro - vo - ca - tive, I’m
14 12 12
X X X
7 5 7 5
X X X
Em
to so
be
7 5 7 5
7 5 7 6
X X X
14 12 12
14 12 12
14 12 12
12 12
7 8 7 9 7
7 5 7 6
Em
10 8 7
D'11
like
a - lone, con - ser - va -tive and
12 12 12
15 12
13 12
I like to sit on chairs you’re so ad - ven - tu - rous,
12 13 12 12
14 12 12
14 12 12
and I’m
12 12
X X X
To Coda Ø
pre - fer the floor. so ve - ry cau - tious, com -
12 14
7 5 7 5
you
X X X
Em
7 5 7 5
Eb(#9)
12
12 14
3
12 12 12
14
12 14
3
3
Sorgdal
long - er, dear. my did - n’t know you.
7 8 7
D'11
14
Em 3
7 5
7
7 6
8 7 9
7 7
9
7
8 7 9
7 5 7 5
7
3
7 5 7
3
7 5 7
10 8 7
7 5 7 6
7
7
E7sus2 Em7 E7sus2 2º Gtr. 2
D7
Ebdim7
Walk -ing with each oth - er, think we’d -bin - ing,
Gtr. 1
8
1º Gtr. 2
7
Em
we we
do, do,
8 7
12 12
12 12
Dm
C#m
do, do,
do, do,
but but
6
we we
do, do,
Em
5
5
4
but but
8
6
1º+2º Gtr. 2
7
we we
do, do,
do, do,
do, do,
6
6
C#m
do, do,
6
Dm
7
5
do, do,
do, do,
dn, dn,
5
5
4
8 14
16
14
12
14
12
11 12
5
4
do, do,
7
8
we we
7
12 12
but but
7
6
Ebm
8
6
14 12 12
E¨m
7
Sorgdal
nev - er match at all, but you think we wouldn’t but
14
Em7* Em7
5
14 12 12
do, do,
7
7
Em7
7
6
4
14
14
1. C
’n,
do.
2. C
0 3
5 3
’n,
14
do.
0
D7
8 0
7
7
7
Ebdim7
7
5
3
7
8
8
8
6
3
7 7
8
7
7
7
Ebdim7
7
7
8
7
5
8
8
6
3
9
5 7
7
7
7
5
Em*
Aye,
aye,
8
7
9 9
Em7
aye,
aye,
a dt
da
D7
aye,
8
7
7
Ebdim7
aye,
7
7
Em7
aye,
7
5
10 8 7
8 7 9 7
6
7 5
7
Em*
8
6
7 5
aye,
7 5
5
9 7
7
5
8 9 7
Ebim7
7
7
6
8
7 6
D7
8
3
5 7
8 7
3
7 5
Em7
3 7
9
7
7
D7
8
7
9
9
7
3
8
5
Em*
3
9
Em7
7
3 5 7
12
Em*
7 8 7
8
6
7
3 3 3 3 3
3
5
Sorgdal
5
8
7
9 9 7
5 7
5 7
7 5
10 7
6
8
10
8 7
9 9
7
9 7
5
7 5 7 5
8 5 7
7 6
7 7
7
Em*
D7
Em7
yo,
8
7
7
5
D7
yo,
7
Em*
3
Ooh,
Ebdim7
3
yo,
8
6
oh,
oh, oh,
Ebdim7 3
oh,
8
7
oh,
oy,
yoy.
7
7
Em7
7
5
6
7
3 3 3 3 5
7 5
9
7
7
Em*
7
8
7
7
5
3
5
Sorgdal
7
9 9 7
5 7 5
6
oh, oh,
8
3
oh,
yo, ooh, ooh.
7
3 3 3
5
10
8 7
9 9 7
6
8
6
7
7
8 7 9
Em7
7
5
10
7
8 5 7
7
oh, oh,
7
10
8
oh,
7
3
Ebdim7 3
yo,
8 7 9 7
6
D7
7 5
3
8
6
7
Em*
7 5 7
5
9
3
yo,
9 7
7
7
Em7
yo,
8
7
Ebdim7
8 9
6
D7
10 7
5 7
5
Ooh,
5
8 9
8
3
7 5 7
5 7
7 5
6
7 8 7
7
µ
Gtr. 1 tacet
7
7
my
thing
but
in
si - tu - a - tion,
this
6
7
7
8
7
5
6
3
9
glad.
10
9
7
Fav -’ri - ti - sm ain’t
7
my
thing
but
oh,
I’d be glad
7
6
6
7
to
7 9
7 8
7
5
7
6
3
14 12 12
make
Sorgdal
7
6
I’d be
7
Fav - ’ri - ti - sm ain’t
Bass arr. for gtr.
an
ex - cep
-
tion,
ooh
D.S. al Coda
whoa,
oh,
11 9
10
9
7
7
9
12
X
7
11
9
oh.
8
4
Ø Coda
Em
D
Walk
- ing
Gtr. 1
Ebdim7
with
each
oth
- er,
8
think
we’d
ne
- ver
7
7
12 12
12 12
match
at
all,
7
5
Em
8
6
7
12 12
12 12
14 12 12
12 12
12 12
12 12
Freely
Em*
D
but
we
7
5
6
7
7 7 7 5
do.
8
8 9 9 7
7
3
7
Sorgdal
Em9
8
Ebdim7
7 5 7 6
7 7 5 7
8
Rolling In The Deep Words & Music by Adele Adkins & Paul Epworth C5
G5 8fr
Bb5 3fr
Ab5 6fr
Ab
Bb
4fr
4fr
Cm 6fr
8fr
Intro
q = 106
Gtr. 1 (acous.)
C5
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 10 8
mf w/P.M.
10 8
C5
G5
1.There’s
a
fire
start -ing
10 8
10 8
10 8
10 8
10 8
10 8
G5
10 8
Bb5
10 8
Sorgdal
8 6
heart,
reach
- ing
10 8
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
8 6
C5
bring ing me out the dark.
my
a
fe - ver pitch and it’s
in
Bb5
Fi
8 6
8 6
8 6
8 6
8 6
G5
- nal
-
ly,
I
can
8 6
see you cry -stal clear,
5 3
5 3
10 8
10 8
5 3
5 3
8 6
8 6
8 6
10 8
10 8
10 8
10 8
10 8
10 8
10 8
© Copyright 2010 Universal Music Publishing Limited (administered in Germany by Universal Music Publ. GmbH)/EMI Music Publishing Limited. All Rights Reserved. International Copyright Secured.
5 3
5 3
5 3
5 3
5 3
5 3
5 3
Bb5
go
a - head
5 3
and
sell
me
out
and
I’ll
lay
your
shit
bare.
5 3
5 3
5 3
5 3
8 6
8 6
8 6
8 6
8 6
8 6
8 6
8 6
2. See 3. Ba
-
10
how by,
I’ll I
10 8
8
10 8
10 8
10 8
10 8
8 6
8 6
8 6
8 6
8 6
8 6
G5
with no
10 8
Sorgdal
8 6
8 6
8 6
e - ve - ry sto ry
piece to
of be
you, told,
5 3
5 3
5 3
5 3
5 3
5 3
5 3
10 8
8 6
10 8
Bb5
5 3
5 3
5 3
5 3
5 3
5 3
5 3
There’s Think
a of
fire me
in the
5 3
5 3
10 8
a
8 6
8 6
but
C5
5 3
5 3
8 6
8 6
8 6
10 8
Bb5
reach - ing make a
10 8
10 8
10 8
10 8
G5
Bb5
fe - ver pitch and it’s bring ing me out the dark. home down there as mine sure won’t be shared.
5 3
8 6
start -ing in my heart, depths of your des pair,
10 8
un - der - es - ti -mate the things that I will do. heard one on you and I’m gon na make your head burn.
G5
5 3
leave have
Bb5
don’t I’ve
G5
Bb5
C5
Verse
G5
8 6
8 6
2
8 6
8 6
8 6
8 6
10 8
10 8
5 3
5 3
5 3
5 3
8 6
8 6
8 6
Pre chorus
Ab5
Bb5
G5
Ab5
The scars
6 4
6 4
6 4
6 4
6 4
of
6 4
6 4
your
6 4
8 6
love re mind
8 6
8 6
8 6
8 6
me
8 6
of
8 6
8 6
5 3
Bb5
us, they keep
5 3
5 3
5 3
5 3
me
5 3
5 3
think ing that we al most had it
5 3
6 4
G5
6 4
6 4
6 4
6 4
6 4
6 4
6 4
all.
Chorus
6 4
The scars
6 4
6 4
6 4
6 4
C5
of
6 4
6 4
your
6 4
8 6
love, they leave
8 6
8 6
8 6
8 6
Bb5
me
8 6
breath less, Ican’t
8 6
8 6
10 8
10 8
10 8
10 8
10 8
10 8
Bb5
10 8
10 8
5 3
5 3
5 3
5 3
all,
f
5 3
roll - ing
in
the
Sorgdal
6 4
6 4
6 4
6 4
8 6
8 6
8 6
8 6
5 3
5 3
feel ing
5 3
5 3
we could have had it
5 3
5 3
5 3
Ab5
5 3
5 3
5 3
5 3
deep.
8 6
6 4
8 6
8 6
8 6
C5
8 6
8 6
8 6
8 6
You had my heart in
help
- side
10 8
10 8
your
10 8
10 8
3
10 8
10 8
10 8
6 4
6 4
6 4
Bb5
6 4
6 4
6 4
hand
10 8
6 4
and you
played
8 6
8 6
8 6
8 6
8 6
8 6
8 6
8 6
1. Ab5
it
to
the
2. Bb5
beat.
Bb5
Could have had
it
Gtr. 1 cont. in slashes
6 4
Bridge
6 4
Ab5
Gtr. 1
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
6 4
8 6
8 6
8 6
Bb5
8 6
6 4
6 4
all,
C5
Bb5
6 4
6 4
8 6
8 6
8 6
8 6
roll
- ing
in
the
Ab
deep.
You had my heart
in
- side
your
hand,
Bb
but you
Bridge
µ
4.Throw Sorgdal
your
played
it
with
a
soul
e - ve - ry
through
o - pen door, 4
beat
-
ing.
count
your
bless
-
ings
to
Gtr. 2 (elec.)
[Cm]
find what you look for.
w/clean tone
Turn
my
sor
in - to trea - sured
-
rows
gold,
you’ll
full
8 11
8
10
8
10
pay
me
10
back
in
kind
and
reap
just
8
8
8
10
10
8
8
10
what you’ve
8
sown.
11
11
11
8 10
Chorus
Cm Piano arr. for gtr.
Bb
Ab
We
(Gon - na wish
you
ne ver had met
could have had me),
it
all,
full
8 11
Bb
Cm
we could have had
it
Bb
all,
it
Bb
Sorgdal
Ab
it
all,
it 5
all.
We
all,
cont. sim.
could have
had
it
Chorus
Cm
Gtrs. 1+2
Bb
8 1010 8
Ab
all,
f
roll - ing
in
the
deep.
8 10 10 8
8 10 10 8
8 10 10 8
8 10 10 8
8 10 10 8
8 10 10 8
8 10 10 8
7 8 8 6
7 8 8 6
7 8 8 6
7 8 8 6
7 8 8 6
7 8 8 6
7 8 8 6
7 8 8 6
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
Bb
Cm
You had my heart in
Bb
- side
your
hand
7 8 8 6
7 8 8 6
7 8 8 6
7 8 8 6
8 10 10 8
8 10 10 8
8 10 10 8
8 10 10 8
8 10 10 8
8 10 10 8
8 10 10 8
8 10 10 8
7 8 8 6
7 8 8 6
7 8 8 6
7 8 8 6
7 8 8 6
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
and you but
played
7 8 8 6
7 8 8 6
7 8 8 6
1. Ab
it
5 6 6 4
to
the
Bb
beat.
We
could
have
had
it
7 8 8 6
7 8 8 6
7 8 8 6
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
7 8 8 6
2. Ab
it, you
Sorgdal
5 6 6 4
5 6 6 4
5 6 6 4
played
it, you
played
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
Bb
it, you
played
5 6 6 4
5 6 6 4
5 6 6 4
5 6 6 4
7 8 8 6
7 8 8 6
6
it
to
7 8 8 6
the
Cm
beat.
7 8 8 6
8 10 10 8
Rumour Has It Words & Music by Ryan Tedder & Adele Adkins Dm
Gm
Bb
Dm/A
3fr
A/C#
F
C/E
G7
6fr
3fr
Intro
q = 120 Drums
µ
Verse
µ
mf
(Ooh,
1. She, 2. She
she ain’t real, is half your age,
ooh,
ooh,
ooh.)
she ain’t gon’ be a - ble to love you like I will. but I’m guess ing that’s the rea -son that you strayed.
I
heard
2º Gtr. 2
2º Gtr. 3 plays Fig. 2 (x2)
0
She
0
0
0
is a stran - ger, you’ve been miss - ing me,
0
Sure, she’s got it all, we creep out and she
0
you and I have his - to - ry or don’t you re - mem -ber? you’ve been tell ing peo ple things you should n’t be. Like when
0
Sorgdal
ain’t a - round,
0
1º only
but ba - by, is that real - ly what you have n’t you heard the
want? ru - mours?
© Copyright 2010 Universal Music Publishing Limited (All rights in Germany administered by Universal Music Publ. GmbH)/Write 2 Live Publishing/Kobalt Music Publishing Limited. All Rights Reserved. International Copyright Secured.
Pre chorus Gtr. 1 (acous.)
Dm
Gm
Dm
Ru
-
Dm/A
Ru
-
and boy, she’s bring ing you down. She made your so boy, I’m bring ing you down. You made my
Gm
now but
fool out of you fool out of me
but you’re cold to the core, yet I’m cold to the core,
mours. Ru mour has it.
Gtr. 2 (elec.)
heart melt, heart melt,
Chorus
Bless your soul,you’ve got your head in the clouds, she made a Bless your soul,you’ve got your head in the clouds, you made a
B¨
ru mour has it she ain’t got your love a - ny - more. ru mour has it I’m the one you’re leav ing her for. (Ru -mour has it.
mours. Ru mour has it.
Ru
-
mours. Ru mour has it.
Ru
-
mours. Ru mour has it.
Fig. 1 w/clean tone
0
0
Gtr. 3 (elec.) 6=D
Fig. 2 w/clean tone
0
5
0
Ru
-
3
Sorgdal
0
3
3
3
5
mours. Ru mour has it.
Gtr. 2 plays Fig. 1
5
0
3
0
0
0
5
0
Ru
-
3
5
mours. Ru mour has it.
0
5
0
Ru
-
3
5
0
5
mours. Ru Ru mour has it.)
-
0
3
5
6
5
mours.
3
3
3
5
0
5
0
3
5
2
0
5
0
3
5
0
5
0
3
5
6
5
1.
Drums
3
Tracked w/fuzz gtr.
7
5
3
5
3 5
2. Piano arr. for gtr. (standard tuning)
rall.
Dm
3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
1 3 2 0
Bridge
h = 64 Dm
Sorgdal
1 3 2 0
1 3 2 0
All
2 2 2 4
tell
a
1 3 2 0
1 3 2 0
3 2
2 2 2 4
1 2 3
3 3 5
3 3 5
1
1
3
3
I
can
2 2 2 4
2 2
3
whis - pered in
2 3
F
that
1 2 3
2 2 2 4
ry
3
-
Gm
sto
words
A/C©
0
of these
F
3
my
ear,
Gm
-
not
bear
1 2 3
1 2 3
1
1
3
to
Dm
A/C©
3 3 5 3
5
3 3 5 3
hear.
5
Dm
Am
Just’cause I
said it,
1 3 2 0
1 3 2 0 0
F
0 1 2
0 1 2 2
0
C/E
3
Dm
it don’t
mean
3
1 1 2 3
0 1 0 2
that
I
meant it,
1 3 2 0
1 3 2 0
1 3 2 0
1 2
0
Freely G7
3
peo - ple
say
cra
-
3 4 3
3 4 3
0
3
3
3 4 3
3
3
’cause
things.
3 4 3
Just
zy
[G7]
I
9
8
6
9
6
9
8
6
7
9
8
6
7
7
3
said
8
7
it,
don’t
9
8
6
9
8
6
9
7
8
mean
that
9
I meant
8
6
9
7
[G7/E]
6
7
8
6
7
it,
just
’cause
9
8
6
9 8 6
you heard
7
it.
8
Sorgdal
9
8 6
9 8 6
7
9 8 6
7
9 8 6
7
9 8 6
7
9
7
8 6
9
7
0
4
8
6
7
7
9 8 6
7
7
Chorus
Dm Tempo I q = 120
Ru
(Ru -mour has it.
Drums
-
0
Ru
-
mours. Ru -mour has
0
5
0
3
-
3
Ru it.
5
0
3
mours. Ru - mour has
0
5
0
3
5
Ru
Ru
-
0
mours. Ru - mour has it.
5
0
Ru
-
3
3
5
0
it
he’s the
5
one I’m
0
3
-
Ru
0
3
3
0
-
it.
3
5
3
2. Dm
Ru
mours.
mours. Ru - mour has
5
0
5
-
5
5
mours. But, Ru -mour has it.
3
3
5
0
leav - ing you
for.
5
0
3
5
5
6
5
0
5
0
Pno. arr. for gtr.
5 6 7 7 5
Sorgdal
mours. Ru mour has it.
0
it.
6
mours. Ru Ru - mour has it.)
ru -mour has
-
5
1.
3
5
mours. Ru mour has it.
Gtr. 3
Gtr. 2 plays Fig. 1 (x2)
3
5 6 7 7 5
5
Set Fire To The Rain Words & Music by Fraser Smith & Adele Adkins
Dm
F
C
5fr
Intro
5fr
Gm
Csus4
3fr
q = 108 Dm
5fr
Bb6 3fr
F
Gm* 3fr
Bb
Dm*
3fr
C
C*
Bb*
10fr
8fr
6fr
Gm
1. I let it Piano arr. for gtr.
mf 5
Verse
5
5
6 7
5
6 7
6
5
3
3
6
7
5
6
5 5
5
6
5 5
5
8
5
8
7
7
7
5 5
Dm
8
F
fall,
3
C
my heart
and as
it
Gm
fell,
you rose to claim
it.
It was
5
5
6 7
5
6 7
6
5
3
3
6
7
5
6
5 5
5
6
5 5
5
8
5
8
7
7
7
5 5
8
Dm
F
3
C
dark
and I was o - ver
un -til you kissed my lips
Csus4
and you saved
me.
2. My
5
Sorgdal
5
6 7 5
5
6 7
8
7
6
5
3
3
6
5 5
8
5
5 5
6
5
3
© Copyright 2010 Sugar Lake Music/Chrysalis Music Limited/Universal Music Publishing Limited (All rights in Germany administered by Universal Music Publ. GmbH). All Rights Reserved. International Copyright Secured.
6 5
6 5
5
3 5
Verse
Dm
F
(2.) hands, (3.) I lay
5
5
were far too weak there, close
to eyes, feel you here
my
5
6 7
Gm
but my knees I could stay
5
6 7
they were strong, with you
C
6
5
3
3
6
7
6
5
5
5
6
5
5
5
5
8
5
7
8 7
7
5 5
8
Dm
F[A bass]
3
C
stand
in your arms for - e -
5
5
5
6 7
with out fall You and me
ver,
5
6 7
Csus4
6
5
ing to your feet. to - ge ther, no thing is bet
3
5
5
But there’s a ’Cause there’s a
- ter.
3
6
7
5 5
5
5
8
5
6
6
5
6
5
5
3
5
5
3
Pre chorus
B¨6
Gm*
side
Dm
to you
that I
ne ver knew, ne ver knew. All the things
you’d say,
they were ne ver true, ne ver true. And the
3
3
3
3 5
3
3 5
5
5 6
5
5
6
7 5
7
games
7
7
7
7
7
you’d play,
you would
3 3 3 1
3 3
5 7
7
7
5
3
3
6
7
C
Sorgdal
6
3 5
6
B¨
6
3
3
3
2º Gtr. 1 (elec.)
al - ways win,
al - ways
win.
set
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5
5 5 5 3
5 5 5 3
2
5 5 5 3
I
w/clean tone
But
Dm*
$ Chorus
fire
rain,
to the
C*
watched it
pour
as
I
touched your
face.
2º Gtr. 2 (elec.)
f w/clean tone
5
5
5
5
5
5
5
5
7
7
8
8
3
3
3
3
3
3
3
3
3
3
When
3
3
3
5
5
it
7
burned
C*
5
your
5
5
7
7
8
Dm*
fire
5
to the
5
5
5
5
5
5
5
’cause
I
heard
3
3
3
8
3
3
3
3
it
scream - ing
out your
3
3
5
5
6
6
2. ($)
1.
(3.) When
3
C*
rain
and I threw
3
3
us
I
set
cried,
name.
I
5
name,
well
7 3
Sorgdal
3
5
5
Gm*
Dm*
5
3
3
3
3
3
3
Gm*
in - to the flames.
When we fell,
5
3
5
5
7
7
8
8
3
3
3
3
3
3
3
3
3
3
3
5
5
7
7 3
3
To Coda Ø B¨*
knew
that
that was the last
C*
time,
the last time.
5 3
3
3
3
3
3
3
3
3
3
5
5
6
6
6
6
cont. in stave
6
6
8
5
Some times I
3
some thing died,’cause I
3
3
3
3
5
5
7
7
7
8
Bridge
[Bb]
[F/A]
wake
[Am]
up by the door,
[C]
that heart you caught must be wait - ing for
ya.
E - ven now
Gtr. 1
6
5
[B¨]
[F/A]
Gtr. 1 w/tremolo Gtr. 2 tacet
1
0
when we’re al -rea -dy o
-
6
6
5
Ø Coda
C*
ver,
I can’t help
1
0
Sorgdal
3
3
5
5
7
7
5
5
5
5
5
5
4
5
5
5
5
7
ya.
I set
3
C*
5
3
D.S. al Coda
oh,
7
3
3
3
[C]
Oh,
5
3
my self from look -ing for
3
Dm*
[Am]
7
8
3
3
3
3
3
3
3
no,
8
3
oh,
3
3
3
3
3
3
3
3
Gm*
let
3
3
3
5
it
5
7
burn,
Dm*
oh,
3
3
3
7
5 3
3
C*
3
3
3
3
3
3
Dm*
3
5
5
6
6
C*
oh.
5
5
5
7
7
8
8
3
Sorgdal
5
5
7
7
5
5
5
5
5
it
3
3
3
3
3
3
3
5
5
B¨*
7
C*
5
5
3 3
3
5
5
6
6
6
6
6
6
6
6
6
6
5
7
7
8
8
3
7 3
3
3
3
3
3
3
3
5
3
5
burn.
3
3
5
3
5
Gm*
3
5
Let
3
3
burn.
3
Let it
3
3
3
3
3
3
3
3
3
Someone Like You Words & Music by Adele Adkins & Daniel Wilson A
C#m/G#
F#m
D
D*
4fr
D5
E 2fr
E**
F#m/C#
F#m7
A/C# 7fr
h = 66 A
D'9 2fr
Bm
4fr
Intro
E'9 2fr
D** 4fr
Esus2/D 2fr
E/D 5fr
E
F#m*
2fr
A**
2fr
E/G#
7fr
5fr
C#m/G#
A*
4fr
E/D
A/D
4fr
Piano arr. for gtr.
mp
0
2
0 2
2
0
2
2
0
2
2
2
2
2
2
5
2
5
6
6
6
6
5 6
5
6
6
6
6
6
6
6
0 4
F#m
D
1. I
2
2
4
2
2 2
4
2
2 2
4
2
2 2
3
2 3
2 0
4
3
2 3
2
2
3
3
3
2
3
2
2
Verse
2
2
A
C#m/G#
heard
that you’re
0
Sorgdal
2 2
0 2
2 2
0 2
2 2
set - tled
down,
that you
0 2
2
2
5
2
6 6
5 6
6 6
5 6
6 6
0 4
© Copyright 2010 Universal Music Publishing Limited (All rights in Germany administered by Universal Music Publ. GmbH)/Sugar Lake Music/Chrysalis Music Limited. All Rights Reserved. International Copyright Secured.
5 6
6 6
6
F#m
D*
found
a
girl
and you’re
mar ried
now.
2
2
2 2
2
2
4
2
2
2
4
2
2
2
4
2
2
3
4
3
2
3
4 5
3
2
3
4
3
3
4
3
4
2
A
Verse
C#m/G#
I 2. You
heard know
that your how the
dreams
came time
true,
guess on - ly
she
flies,
mf
0 2
0 2
0
2
2
2
0
2
2
2
2
2
2
5
2
5
6
6
5
6
6
6
6
5
6
6
6
6
6
6
0 4
F#m
gave you things yes
D*
give to you. time
I did n’t was the
Old
- ter - day
2
2
2 2
4
2
2 2
4
2
2 2
4
of our
2
2
2
4
3
We
2 3
4 5
lives.
were
2
3
3
2
3
4
3
3
4
3
4
2
A
friend,
C#m/G#
why
are you so in a
shy? sum mer
Ain’t like bound
born
and
raised
0
Sorgdal
2 2
0 2
2 2
0 2
2 2
haze,
0 2
2
2
5
2
6 6
0 4
2
5 6
6 6
5 6
6 6
5 6
6 6
6
F#m
you by
to hold back the sur - prise
2
2
4
of
2
2
4
hide glo
our
2
2
2
4
3
2
3
4 5
I
2
3
from the light. ry days.
-
2 2
4
2
2
or
2
2
D*
3
2
3
4
3
3
4
3
4
2
Pre Chorus
E'9
F#m7
hate to turn up
D*
out of the blue
un - in - vi - ted, but I
0
5 1
4
1
1
2
4
5 2
2
4
0
it. I had
3 2
3
2
4
2
2
4 5
3 2
3
2
4
2
2
4
2
4
2
E'9
F#m7
hoped you’d see my face
and
0
I could -n’t fight
0
1
could -n’t stay a - way,
D*
that you’d be
0
re -mind -ed that for
1
1
4
1
2
2
4
0
me
it
is - n’t
2
5
2
4
2 5
1
2
4
2
2
2
4 5
2
4
2
2º only
D'9
D*
ov
-
er.
Esus2/D
2
Sorgdal
5 2 4
2
4
4
5 2
2 4
2
2
2
4
2 4
3
2
4 4 5
4
4 4
4
$
Chorus
A*
Nev er mind,
I’ll
E
F#m*
find
D5
some one
like
you,
I
wish
f 5
5
2
2
4
2
2
2
4
0
2
0
0
1
5
0
5
2
1
2
2
2
5
2
5
3
2
3
3
2 0
3
2
0 0
A*
E*
no - thing
but
the
2
best
F#m*
for
D5
you
two.
Don’t
for
-
5
5
2
2
4
2
2
2
5
2
4
5
4
5
5
5
4
2
5
2
2
5
2
2
0
A*
-get me,
I
E*
F#m*
D5
beg,
5
I
5
2
2
2
2
5
4
5
4
5
you
5
5
4
2
said,
3
“Some - times
5
2
2
re - mem - ber
4
2
2
2
5
2
3
2
it
5 3
3
2 0
3
2
0 0
A*
2
lasts
and loves,
but
5
Sorgdal
3 2
2
3
2 0
0
5
3
2
2 2
5
2
2 2
2
E*
some - times
it hurts
in
4 4 5
5
4
5
4
-
stead.”
2
5
2 2 2
4
0 0
To Coda Ø
F#m
2
2
2 2
2
1. D
A
Some times
it
lasts
2
2
3
3
and loves,
but
mf
0
3
2 0
3
2
it
hurts
in -
0
2
2
some times
0
2
2
E**
2
0
0
2
0
0
1
0
1
0 0
F©m
D
2. D5
mf 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 2 3 5 3 2 3 5 3 2 2 2 2 2 2 0 0 2 -
Bridge
stea
-
E**
ead.
No -thing
com - pares,
no
0
wor -ries
0
1
or cares,
0
1
0
mis takes,
they are
2
0
1
0
0
re - grets and
0
0
F#m/C#
0
0
0
2
2
1
2
2
2
2
2
4 0
D5
me - mo - ries made.
Who
wouldhave knownhow
bit ter
-
Bm
sweet
2
Sorgdal
2 2
2 2
2 2
5 2
3 2 0
5 3
3
5 3
2
3 2
5 3
3
7 3
7
7
2 9 7
5
7 7 9
7
A/C©
D**
this
would
5 5
5
5
5
5 6
5
5
7
6
taste?
rall. E/D
7
7
7
7 0
7
7
9
7
9
9
9
9
9
4
a tempo h = 66
Chorus
A**
F©m
5 5 6
4 5 4
2 2 2
4
2
mind,
I’ll
find
some - one
like
D
you,
I
wish
2 3 2 0
0
no - thing
E/G©
but
the
best
F©m
D
you.
4 5 4
2 2 2
Don’t
for
for
5 5 6
2 3 2 0
3 2
-
0 4
A**
-get me,
5
Sorgdal
mp
A**
Nev - er
E/G©
I
beg,
5
5 6
5 6
E/G©
4
2
F©m*
I
mem ber
re
-
4 5 4
5
5 4
D5
you
said,
5 2 2
0
2
6
“Some times
5
2 2
it
5 3 2
0 0
3 2
A**
lasts
and loves,
but
some -times
5
E/G©
5
it
in -
4
5 6
hurts
2
5 4
D.S. al Coda
2
5 4
stead.”
4
5 6
D
F©m
2
2 2
2
2 2
3 2
3 2
0 0 0
2
Ø Coda
D*
A
Some times
it
lasts
and loves,
but
E**
some -times
it
hurts
in -
mf
3
3
2
2
2
2
4 5
2
2
2
4
2
2
2 0
0 2
0
1
2
1
2
1
1
2
0
F©m
D*
E/D*
mp -
stead.
2
2
2
2
2
4
0 2
2
4
2
4
4
4
5
2 4
2
4
5
4
4
5
1 4
0 1
0
1 0
5
2
A/D
D*
A
p
Sorgdal
2 2 0
2 2
2
3
3
3
3
2
0
4 5
4
4 5
7
4
4 5
4
4 5
4
2 2 2 0
1
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