Addicted To Love - A.pdf

Addicted To Love

Vocals

          19



  

A



7

1.

2.

 



    

B





  on     22

8

Robert Palmer arr. Shaun Evans

sleep

         but you're not home Your           You can't

eat

There's no

   mind

  

Your lights are



     is not your    



doubt

you're in

                          own  Your heart sweats   Your bod - y shakes   An - oth - er kiss   iswhat it                      deep

Your throat is tight

You can't br - eath C

An - oth - er kiss

is all you

2.   1.                              takes Youcan't need Whoa You like tothink thatyou're im- mune to thestuff Oh yeah 30                    

26

                            33

It's clos - er

to the

truth to say you

can't get en - ough You know you're gon - na have to face it you're ad - dic - ted to love You see the

                           signs but you can't read You're run - ning at a diff - erent                       36

D

mind

You can't de - cide

But play the young

heart

is all

you

2

Vocals

   39

                             speed  Your heart beats   at lo - cal time   An - oth - er kiss   and you'll be                      crave

And there's some

that on - ly you E

You don't

mind

if you

2.   1.                             mine A one track do Whoa You like tothink thatyou're im- mune to thestuff Oh yeah 47                              

43

It'sclos - er to the truth to say you

                  51

F

can'tget en - ough youknow you're

        

                                54

gon - na have to face it you're ad - dic - ted to love

Might

as well face it you're ad -

                          58

dic - ted to love

dic - ted to love G

Might aswell faceityou're ad - dic - ted to love

Might

as well face it you're ad - dic - ted to love H

                 61

Might aswell faceityou're ad

7



as well face it you're ad - dic - ted to love

Might

    

The lights are

                               71

I

on

But you're not home

Your

will

Is not your own

Your heart

Vocals

                             75

sweats

Your teeth gr - rind

An - oth - er kiss

And you'll be mine

                     79

Whoa

You

J





like to think that you're im - mune to the stuff Oh yeah

83                    

er to the truth to say you

   86

3





It's clos

        

can't get en - ough you know you're gon - na have to face it you're ad-

K

                               dic - ted to love

Might

aswell faceityou're ad - dic - ted to love

Might aswell faceityou're ad

90                                  

dic - ted to love

94 1.    

 

dic - ted

96    

to





as

well

Might aswell faceityou're ad - dic - ted to love

  

2.

 



love



face

 it

 

dic - ted



you're

Might aswell faceityou're ad

 



love





ad - dic - ted

to





to

  

   love

Might



Addicted To Love

3

Bass

     



     9



A

A



   



Robert Palmer arr. Shaun Evans

   



f



G

                        

                              13

D/A

                                16

1.

A

  (Vocals 2ndX)       19

2.

B

sleep

You can't





eat





No

A

  



   

doubt

You're in

G

                               22



deep

     



Your throat is tight

     



    

You can't br - eath

An - oth - er

D/A

                                 25

kiss

1.

    is all you

  

Youcan't

2.

 

C





need

A F#m D                                   

mf

2

Bass

    29

   



Oh yeah

  

  

    

   32



  

  

    



36

A

f

   D

   





  

  

 



  

    

signs

mind



mf



 E





  

See the

f

        You're run - ning at



You can't de - cide

A

 

 

D

       but you can't read     

     

F#m

   



a diff - erent

G

                           39     speed   



 

 

Your

 

And

        



heart



beats









there's

 

some D/A



 

  



At

loc - al

that



  

     

on - ly





    41

 



 

time







you

 



  1.  

  

mine

A

  

you

     



2.

track

 



do

  

    D

  

F#m                 mf

48

   

       



 



be





F#m

yeah

  A

  

f

D   



       

  

 

F

52

   



Oh



 



         mf

 

E





A



 

one



mind

       

  

if



   

43

you'll



don't



  and

kiss

 







An - oth - er You

    

45

3

Bass

    

                        E

f

Might

aswell faceityou're ad - dic - ted to love

A

Might aswell faceityou're ad G

                       

4

Bass

       56

    

dic - ted to love

Might

D/A

as well

 

       

face it you're ad - dic - ted to love

Might

                            59       A

 

as well

face



   

    





   

it you're ad - dic - ted

          61





to

 

love

Might

   

G

 



as



well



face



 it



you're







ad - dic - ted





  

to

love



                                  63

H

A

G

                                67

D/A

    70

A

I

    

The lights are

          

  

on A

        But you're not home





Your

               

5

Bass

      73

     

will



is not your own

   





Your heart

sweats

G

    

Your teeth gr -

D/A

                               76



     

rind



An - oth - er kiss

        And you'll be



mine

A

F#m

                              mf    79

J



  

    D

  



 

Oh



    

yeah

  A

  

f



         

82 F#m D                           mf

   

K

86

   

 

  

                       E    f

Might

aswell faceityou're ad - dic - ted to love

A

Might aswell faceityou're ad G

                        

6

       90

dic - ted to love

Bass

     Might

as well

         

face it you're ad - dic - ted to love

 

Might

D/A

                           

93      

1.







         





as well

 

dic - ted to love

   

face it you're ad - dic - ted

A

95 2.       

     to



love

    

               Might

          

as well face it you're ad - dic - ted to love







Addicted To Love

Guitar

    9

  

13



1.

f

A

     



                

       

17

3



Robert Palmer arr. Shaun Evans

     



                                       

                                                           B

2.

                                                sim...

21

                                   

25

                    

                              C

                                                  1.

2.

mf

30

                          

36



D

                

40

mf



 

  



   

f

  f

   

                                                 

  

 1.                                                                                             

44

E

                 2.

mf



 

                             mf f

2

Guitar

49

 

55





  

 

 

f

   

                                  

59

                                   

65

F

G

       

                   

                             

2

H Blow!!! A

       

                      G

D/A

(End Solo) I

70

    

        

                                     

  

74

A

                                                           J

78

                 mf

83

 

89





 

  



 

K

 

f

            

                                   

93

1.

                             f mf

                  

                              2.

                                                                    

2

Drums

         

5

f

       

8

    A 10          15

    

     (6)

         

20

25

    

Addicted To Love

                                                  

  

               



Robert Palmer arr. Shaun Evans

                                        

            sim...   B  1. 2.                      (4) (6)                    (4)

sim...

                      1.

2.

 29                             f  33                     37 (4)                    sim...

mf

     

f

 

                                      D               C

         (6)

2

42

    

Drums

                      2.

1.

mf  46                                   f

                                   mf    F                E

                        f   54 (4) (6)                             sim...    G H  59                                            64 (4) (6)                             sim...      I 69 (8)                           sim...  74 (4) (6)                               mf    J  79                                                      f mf    83                                           50

f

      

87

K

  

           

Drums

  

                sim...

                               

92

1.

2.

2

3

Addicted To Love

Trombone

 

3



9

 

15



f sfz

      

 sfz

1.



sfz

          

sfz

5

C

2.



43

1.



50







sfz



2.

E



     



mf cresc.

55

2

 

     



sfz

sfz

 

 

  

           

            sfz

sfz



              sfz

f

G

F



sfz



sfz

1.

D 2nd X Only

         

sfz

sfz

sfz

      

sfz

           

59

    

B 2nd X Only

    



sfz

mf cresc.

     



      

       



sfz

37

2.

   



sfz

sfz







     



sfz

   



sfz

A 2nd X Only

21

27

      



Robert Palmer arr. Shaun Evans

2

                sfz

H



  sfz



     sfz



2

66



   



73

    

79

J



87

2

Trombone

sfz



sfz

   

92

     2nd X Only

sfz



2

    sfz

2nd X Only                 sfz



sfz

sfz

sfz

K

   

   



I

sfz

   

 

sfz

     

sfz

sfz

 

   f

     

    2nd XOnly       sfz

sfz



sfz

mf cresc.

1.            

sfz

    

sfz

      2.

sfz

2

Addicted To Love

Trumpet in Bb

   



15

  

sfz

    



sfz

sfz



 2.      sfz



1.



    

 

sfz

sfz

    

54

                   

G

sfz



    sfz





sfz

   sfz

1.

 



H





1.

E

2.



F





   



sfz

sfz

2



sfz

      

        

59

66



      

sfz

sfz

sfz



D 2nd X Only

3

                

47

       

    



    

B 2nd X Only

2.







sfz

sfz

sfz

7

     



    

    

 C



sfz

sfz

     

  

sfz

      



27

    

A 2nd X Only

21

39



f

9

   

3

Robert Palmer arr. Shaun Evans

sfz

2

       sfz

f

          sfz

    sfz



 I

     sfz

     sfz



2

Trumpet in Bb 73

      sfz

79

J

  

2

2nd X Only          sfz

2nd X Only           

92



   

88

sfz

    

sfz



sfz

   

    

3

sfz

sfz

 



f

2nd X Only                 sfz

  1.             sfz

sfz

 

sfz

sfz

        

K

sfz

       

      2.

sfz

sfz

2

Addicted To Love

Tenor Saxophone

   

3



     

sfz

15

  

1.

      sfz

21

       sfz

      2.

sfz

6

C

    

sfz

     sfz

44

  

52

2.

   

E

      f

2



       

sfz

sfz

     



2

sfz

            



   

mf cresc.

            sfz

          sfz

1.

sfz

          





D 2nd X Only

    



sfz

          

1.

sfz

sfz

57



sfz

    

sfz

F

sfz

     

     







mf cresc.

38

     

B 2nd X Only

2.

     





sfz

sfz





   



    



sfz





sfz

A 2nd X Only



  

27

sfz

f

9

    



Robert Palmer arr. Shaun Evans

G

2



2

Tenor Saxophone 63

H

      

  



sfz

69

     

sfz

I



        sfz

      

82

2

        2nd X Only

sfz

92

 2nd XOnly     sfz

      



J

 

mf cresc.

     sfz

     f

2nd X Only

                sfz

sfz

1.             

sfz

2

sfz

    

sfz



sfz

  

sfz

sfz

88

    

    





sfz

sfz

sfz

75

   



K

        sfz

         sfz

       2.

sfz

2

Organ (B-3)

   

9

  

14

D/A

19

BA



3

Addicted To Love  

f

 

        

X Only A 2nd A

Robert Palmer arr. Shaun Evans

            

 G

                

              A

1.

2.

    



G D/A                         

24

1. 2.                   A

 29    36

  





DA

    

           



   C  

  

 

mf

    

D

E



f

                       G

41

D/A

1. 2.                   A

 46    53

FA

  





    

           



   E  

  

 

mf

    

D

E



f

                      G

D/A

2

58

Organ (B-3)

              A

G

2

HA

   

64

G D/A                       

69

          A

74

I

A

G

           

                     D/A

      

79

J 

86

  

A

   





   

         



   mf

D



KA

G                         E

f

91

D/A

94

1.

     

 

 

 



 2.

 

 

A

 

 





2

