Texas Folklife Accordion Performance Sheet
Music
Collection
Beer
Barrel
Polka
(El
Barilito)
(Key
of
C)
Cielito
Lindo
(Key
of
C)
Deep
in
the
Heart
of
Texas
(Key
of
F)
Yellow
Rose
of
Texas
(Key
of
C)
El
Rancho
Grande
(Key
of
G)
German
Waltz
Medley
(Key
of
C)
Jole
Blon
(Key
of
D)
Lili
Marlene
(Key
of
C)
That’s
Amore
(Key
of
C)
The
Wedding
Tarantella
(Key
of
Am)
Waltz
Across
Texas
(Key
of
G)
Jambalaya
(Key
of
C)
Practice
Hints
2
4
6
7
8
10
12
13
14
16
18
19
20
**##
##
**##
**##
##
**##
**
**
**##
Many
thanks
to
all
the
assistance
received
in
putting
this
collection
together.
Mario
Pedone
created
the
background
music
and
organized
the
written
music.
Shelia
Lee
finalized
the
written
music
with
the
help
of
Debra
Peters.
Debra
created
the
tablature
collection
and
June
Gentry
assisted
with
the
inscriptions
and
words.
Dr.
Daniel
Kott
and
many
accordionists
assisted
with
the
proofing
of
the
arrangements
and
accompaniments.
This
is
truly
a
product
of
and
for
the
accordionists
in
Texas.
The
performance
will
be
organized
like
a
large
jam
session.
The
pre‐recorded
background
music
will
begin
and
you
will
join
in.
Remember
–
there
will
be
SO
MANY
accordion
players
–
no
one
will
hear
any
of
your
personal
mistakes!
**
Performance
at
the
NAA
Accordion
Convention
in
March
–
will
be
selected
from
these
##
Performance
at
the
Accordion
King
&
Queen
Concert
in
June
–
will
be
selected
from
these
More
will
be
performed
if
time
permits
For
information
concerning
the
music,
background
music,
or
any
other
accordion
question
–
please
contact
Shelia
Lee,
[email protected].
Music
and
mp3
files
available
at
www.shelialee.com/naa2009
Texas Folklife 1317 S. Congress Ave. Austin, TX 78704 512-441-YALL (9255) FAX: 512-441-9222
[email protected] or call Sarah at 512-441-9255.
1
2
3
Cielito Lindo arranged by Mario Pedone and Shelia Lee
Intro
j & 43 ‰ œ œ œ œ œ
Accordion
2
G7
. & ˙˙ . 6
1
2
3
˙ ˙
41
& ˙˙
31
œ. œ
œ
C
œ œ
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G7
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3
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2 3 2 1
51
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G7
&Π21
52
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41
˙. C
œ 2
& œœ.
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&Œ
42
31
26
31
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51
42
Œ
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G7
Œ
œ. 3
3
œ
42
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1 C
œœœ˙
21
˙˙ ..
˙ ˙
2
31
œ œ œ.
3
œœ
œœ
Œ
˙
œ.
Œ
G7
41
2
51
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4
3
4
C
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œ
3
œ
œ
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3
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1 3 2 1
œ 21
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2
41
42
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Œ
œ.
œ
G7
42
œ
2
˙˙
œ
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Œ
31
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2 C
.. œœœ˙ 3
Œ
˙ 42
541
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2 3 2 1
Copy Right 2009 So Good Productions
˙˙ ..
Dm 1
2 3 2 1 3
œœ
31
2
Verse C
F
31
˙ ˙
52
C 16
˙˙
41
œ œ
41
1
˙. ˙.
51
31
Dm 11
4
C
œ œ œ œ œ 2
œ
1
2
3
4
Chorus C
˙. & .. ˙ .
˙˙
51
36
˙ &˙
œ œ
œ œ. œ
œ.
51
2
1
46
51
&œ
œ
&Œ
1
CODA C 54
œ.
œœ
G7 2
œ.
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4
œ. 2
3
G7
Œ
3
2
1
2
3
31
œœ
œœ
2
œ
œ. ‰ Œ J 4
œœ
1C
1
2 3 2 1
œ
œœœ˙
21
œœ
3
D.S. al Coda
..
1
C
œ œ œ # œ œ. œ. œ. 3
3
œœ .
21
˙˙
.. œ œ œ ˙
4
3
42
2 C 2 3
œ
œ
œ
31
œ
31
œ
3
2
Dm
2
˙. ˙.
41
˙˙ ..
˙ ˙
41
Œ
2
œ
˙˙ ..
31
G7
3
21
˙ ˙
52
œ. &œ
Dm
31
C
3
41
F
œœ
41
Cielito Lindo pg 2 G7
G7 321
œœœ .
˙.
j œœ ‰ Œ œ. C
521
Œ
Performance Note: Perform the song with all repeats completely 3 times - then take the Coda ending.
Copy Right 2009 So Good Productions
5
6
7
8
9
German Waltz Medley 9 Measures Intro
& 43
Accordion
C
œ
2
&
2 3 2 œ. œ. œ.
C
. &œ 20
26
&
2
œœ
G7 42
Œ
521
38
œ.
&
5
˙˙
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œ
˙
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3
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Œ œ
˙. 3
521
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C
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3
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˙
3
G
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F
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2
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2
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2
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˙˙
42
2
C7
˙˙˙ .. .
5
3 . . œ Œ .. œ œ .
2
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1
G
˙
1
˙
3
4 œ.
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1
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42
2
G7
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Œ
5
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1
4
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1
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2
5
G
2
1
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4
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421
D7 14
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5
&˙ 8
!
arranged by Mario Pedone and Shelia Lee
In Munchen Haufbrau Haus C G7
˙ 2
˙˙ ..
21
3 œ.
˙
Œ
œ. œ 1
44
&
3
C 50
&
œ5
œ4
˙ ˙
œ
56
œ œ3. œ2.
&
4
œ
˙
. .œ œ. œ. œ. œ ˙
œ
œ œ œ
2
3
& .. ˙ ˙ 68
Œ
31
& œ œœ œ 74
œœ
21
53
42
1
2
3
&œ œ œ G7
& ˙˙˙ ... 80
421
F
& ˙˙ ... ˙ 86
1
92
531
C
3
˙˙
F
2
3
1 C
˙.
Œ
C
˙˙ .. ˙.
C
5
G7
˙˙ .. ˙.
˙˙ ... ˙
421
˙.
3
3
4
..
œ.
3
Dm 1
œ
G7
Œ
321
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Copy Right 2009 So Good Productions
11
˙
œ
5
F
4
C
531
421
˙˙˙ ...
C7
‰ j œ œ œ œ. œ. . . . 2
˙.
C
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G7
3
2
521
2C 2
4
Œ
˙˙
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C
œ œ œ
3
˙
Œ
˙˙
G7 2
œ œ œ
421
2
œ5
2
˙.
‰ j ˙. œ. œ. œ. œ. œ. ˙˙ .. 1
˙
1
21
œ
œ5
1
œ
2
Π2
˙. 1
˙
C7
2
œ
3
C
4
˙ ˙˙
C
1
Dm
521
5
Œ
œ
% 21 C Œ .. ˙ .
G7
3
˙4
3
D.S.
œœœœ œ ˙˙
œ œ
4
˙
3 4 3 2 3
˙˙ .. 4
5
1
2
31
5
2
4
C
2
& . ˙
1
œ œ. œ. 1
Du Du Liegst Mir Im Herzen C 62
œ5
1
1
G7
œ3
German Waltz Medley pg 2
G7
˙2
C7
2
4
œ4
C
1
2
3
G7
2
œ
3
œ
œ 5
j œœ ‰ Œ œœ .
C
5321
4
1
œ
œ Œ
4
12
13
14
15
16
17
18
19
Practice
Hints:
1. Review
the
song
for
key
signature
and
fingering.
2. Look
for
the
sections
and
the
way
sections
tend
to
repeat
the
chord
patterns.
3. Start
by
playing
just
the
chords
–
then
break
the
chords
up
rhythmically
4. Learn
a
small
section
at
a
time
–
slowly
–
then
match
that
section
to
the
recordings
5. If
you
get
lost
while
playing
with
the
recording
–
just
wait
until
the
next
section.
Even
the
background
music
will
play
the
melody
for
the
first
few
measure
of
a
new
section.
6. These
arrangements
are
as
true
to
the
original
as
possible
–
but
as
in
any
arrangement
–
there
are
small
chord
and
melody
note
differences
from
what
you
might
have
played
before.
For
your
personal
performances
–
please
feel
free
to
make
the
changes
–
but
for
this
performance
–
please
stay
as
close
as
you
can.
7. For
the
more
advanced
accordionists
–
we
would
like
for
you
to
“play
off”
the
melody
line
–
please
go
for
fills
and
adlibs
–
this
will
leave
the
melody
for
the
intermediate
player
to
excell
on.
8. AND
remember
–
with
this
many
accordion
players
–
NO
ONE
will
hear
if
you
mess
up
–
just
don’t
LOOK
GUILTY
–
Smile
and
keep
going……..
Please
practice
with
the
pre‐recorded
background
music
as
well
as
recording
of
the
solo
line
being
played
with
the
background.
This
will
help
if
you
play
by
ear
or
need
help
understanding
the
layout,
style
or
speed.
There
is
also
a
tablature
version
of
each
song
in
separate
collection
(Tablature
Collection).
Especially
written
so
button
box
and
those
that
play
with
the
I‐V‐IV
methods
can
join
in
too.
The
selections
are
to
learned
and
possibly
memorized
(but
you
can
bring
a
stand
and
read
if
need
be).
There
will
be
NO
rehearsal
–
you
are
to
be
comfortable
with
the
songs,
even
if
you
just
play
the
chords
and
know
the
repeats
and
layout
of
the
songs.
Please
feel
free
to
use
these
arrangements
with
the
beautiful
background
music
for
your
personal
practice
and
public
performances.
We
just
ask
that
you
keep
the
copyright
information
in
place
if
you
pass
the
selections
on.
Better
yet
–
please
re‐ visit
the
website
and
get
this
collection
for
your
friends
and
look
into
getting
more
collections
we
are
planning
for
the
future.
AND
we
do
take
“requests”.
Norman
Seaton
with
the
National
Accordion
Association
and
Nancy
Bless
with
the
Texas
Folklife
Organization
have
been
so
supportive
in
the
promotion
of
this
STATE‐ WIDE
effort
to
promote
accordion
playing
and
we
hope
this
will
be
an
ongoing
relationship.
Thank
You
Shelia
Lee
[email protected]
20
