A Música Da Segunda Metade Do Século XIX e Da Virada Do Século XX

M O÷sicm nm Sf`udnm Oftmnf nh Sécujh UIU f nm Rirmnm nh Sécujh UU

Dm sf`udnm oftmnf nh sécujh URIII, huvir-sf-imo, dh Krmsij, mj`uoms cmdtmtms f ópfrms (`frmjofdtf nf muthrfs itmjimdhs), ms nmdàms jush-krmsijfirms f, m pmrtir nm nécmnm nf =091, m ohnidem f h judnu, cho mchopmdemofdth nf vihjms f `uitmrrms phrtu`ufsms. M `rmdnf omihrim nhs o÷sichs, cmdthrfs, rf`fdtfs f chophsithrfs nfssf pfrïhnh bhi chdstituïnm nf oujmthsuom fspécif nf cjmssf oénim chjhdimjchdstituidnh-sf fstf uo nhs omis idtfrfssmdtfs bfdþofdhs shcimis dm eistórim nm o÷sicm hcinfdtmj. =

H pfrïhnh nms rf`çdcims (=53=-=5>1), idtfrofniírih fdtrf m mknicmàãh nf Qfnrh I f h idïcih nh `hvfrdh nf Qfnrh II, omrchu, dh Krmsij, uom bmsf nf idstmkijinmnf phjïticm f fchdþoicm f, phrtmdth, nf `rmdnfs nibicujnmnfs pmrm m fxfcuàãh f chophsiàãh nf o÷sicm hrqufstrmj, dh tfmtrh f dm i`rfgm. Choh  –  chdsfquçdcim, m o÷sicm nhoésticm kmsicmofdtf chdstituïnm nf cmdàöfs mchopmdemnms mh pimdh hu mh vihjãh rfcfkfu chdsinfrívfj idcrfofdth. M pmrtir nf =530 idicihu-sf, dh [ih, m

pukjicmàãh nf írims, ohnidems f judnus fo phrtu`uçs. O÷sicm frunitm hu phpujmr8 Dfo frunitm - emgm vistm m dãh utijizmàãh nf jid`um`fds jitfrírims hu ousicmis chopjfxms - f dfo phpujmr, uom vfz quf fssm o÷sicm sf nfstidmvm ás fjitfs.

Dh cmoph nm o÷sicm nhoésticm hu nf smjãh, sur`iu m `frmàãh nhs chophsithrfs quf ‚pimdfirhs‟,  prhnuzimo nmdàms krmsijfirms hu nf hri`fo furhpfim, choh h omxixf, h tmd`h, m vmjsm f m phjcm, oms utijizmdnh uo rfbidmofdth emroþdich f uo trmtmofdth nh ritoh Frdfsth Dmzmré sfo f prfcfnfdtfs. Ceiquidem @hdzm`m, muthrfs nf nfstmquf nfssf rfpfrtórih, udirmo ás ofjhnims f bhroms nf smjãh hs prhcfniofdths chophsicihdmis nf pimdistms rhoëdtichs, choh Cehpid. ^mis nmdàms, idicimjofdtf nistmdtfs nhs ofihs tfmtrmis, mcmkmrmo sf nfrivmdnh dm o÷sicm phpujmr nh sécujh UU, quf pmsshu m tfr uo nfsfdvhjviofdth próprih.

H Qimdh dm Rirmnm nh Sécujh UU