A Mis Abuelos

September 28, 2017 | Author: Kevin Taipe | Category: N/A
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1st Alto Sax As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena)

By Arturo Sandoval Transcribed and Arranged by Matt Amy

Solo - play if no second acoustic Guitar

Steady Flamenco (q=100)

   

Soprano Sax



F#m11(b9) 

  

   





F#m11(b9) 



3

3

3

f

    

  

              F#9       

F#m11(b9) Ad lib

3

3

3

3

F#9

    

 

3

 3

3

3

3

F#9 3

F#9                      F#m11(b9)  

 

13

  

21

 

3

3

3

3

3

3

                 3

Free Bolero (around q=140) - Follow Flugel Solo To Clarinet

3

3

3

3

 

3

3

     



3

3

3

3

          

9 F#m11(b9)

3

3

   F#9







   3



2 A Mis Abuelos

1st Alto Sax

29

Clarinet - Play if no strings

   



p

  



mp









 







 

 







 





37 8va opt

  





 

p



rall.

Double Time Flamenco ( q = h )

  



  



(4)                                  (h=110)

44

Clap! To Alto Sax

(8)  Get ready to play                       

1.

(6)

      54

      

Mambo (Same Tempo)

ff

            

2.

(8)



 

         



                             1.

2.



A Mis Abuelos

63

 

   







    



      

71

    ff

 





   87

f

  



 

Open Trumpet Solo

On Cue

  

    

     





        



         

1st Time only



 

f

    

                



mf

 

79

3

1st Alto Sax

   

             

 

             

    

  

95

                                                                     



4 A Mis Abuelos

1st Alto Sax Flamenco - Open Guitar Solo

   Clap!                     103

        (4)

  3                                  107

On Cue

  

          

                    f

    

 

  ff

       ff

          

                              Open Trumpet Solo

Time Only    1st    

 





  

A Mis Abuelos



                131

Backings on cue

139

  

Solo Continues

  

  

f

147

5

1st Alto Sax

  

  

    

  





             

                 



     

  





  



                 

                

                              155

ff



                

mf



     ff

2nd Alto Sax As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval Transcribed and Arranged by Matt Amy

Steady Flamenco (q=100)



   



9

Free Bolero (around q=140) - Follow Flugel Solo

13

 





 

29

Clarinet - Play if no strings

    



p

  

 





21

37

To Clarinet



mp









 





 













8va opt

 p





 rall.

 



  



  





2 A Mis Abuelos

2nd Alto Sax

Double Time Flamenco ( q = h ) (h=110)

(4)    Clap! To Alto Sax                     

44

(8)  Get ready to play                            

1.

(6)

      54

ff

         

  71

  ff





         



                        

              

 

Mambo (Same Tempo)

63

2.

(8)

2.

1.

    









mf

      



        

            

    

 

f

 



  

         

      

     

  

A Mis Abuelos

    87

3

2nd Alto Sax

Open Trumpet Solo

  



On Cue

   f



        

  



79 1st Time only

                



   

 

              

 

    

95

                                                                     Flamenco - Open Guitar Solo

     Clap!                        103



        (4)

     3                                107

On Cue

  

          

 

     

        ff

4 A Mis Abuelos

2nd Alto Sax

                 

  

f

ff

             

                                   

Open Trumpet Solo

1st Time Only

 





                 131

Backings on cue

139

Solo Continues

      f

147

  

  

  

       

  



 

          

                



        

 

  



             

              

                              155

ff



              

mf



    ff

1st Tenor Sax As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval Transcribed and Arranged by Matt Amy

Steady Flamenco (q=100)

 

Solo - play if no Guitar or soprano



Flute

E9                     

Em11(b9) Ad lib



3

f

Em11(b9)

 

     

3

3

E9

    



 

3

  3  

Em11(b9)



3

3

3

3

3

3

3

3

9 Em11(b9)

E9

3

3

3

3

3

                    Em11(b9)

3

13

 21



3

Free Bolero (around q=140) - Follow Flugel Solo

3

3

3

3

 

3

3

3

3

           E9

3

3

     



          3

3

   E9





   3



2 A Mis Abuelos

Play if no strings

29



 







p



  37

1st Tenor Sax





 









mp

 















8va opt

rall.

 



 

p

 





  





Double Time Flamenco ( q = h ) (h=110)

(4)                                 

44

Clap! To Tenor Sax

                          1.

(6)

     54

ff

2.

(8)

Mambo (Same Tempo)

       

             



Get ready to play

(8)

        

 



                            1.

2.



A Mis Abuelos

63

  



    



     

71



        

   ff

 



f

On Cue

  

         

       



         





       



f

Open Trumpet Solo

 1st Time only   

    87



   



              79





mf

  

   

3

1st Tenor Sax

   

                 

 

               



      

                                       95

                               



4 A Mis Abuelos

103

1st Tenor Sax Flamenco - Open Guitar Solo

    Clap!          107

     

       

   

(4)

On Cue

 3                                           

           

     

 

                    f

   ff

        ff

           

                                         

Open Trumpet Solo

1st Time Only

131

Backings on cue

 



                  

  

 

                



A Mis Abuelos

139

Solo Continues

       f

147

5

1st Tenor Sax

   

  

  

       

 

          

                 



        

 

  



             

               

                               155

ff

mf



      ff

2nd Tenor Sax As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval Transcribed and Arranged by Matt Amy

   





9

Steady Flamenco (q=100)

Free Bolero (around q=140) - Follow Flugel Solo

13

 





 

29

Play if no strings

    



p

  

 





21

37

To Clarinet



mp









 







 











8va opt

 p





 rall.

 



  



  





2 A Mis Abuelos

2nd Tenor Sax

Double Time Flamenco ( q = h )

(4)                        (h=110)

44

Clap! To Tenor Sax

                                (6)

      54

ff

1.

Mambo (Same Tempo)

        

              63

      71







ff

  



    

mf

2.

(8)

 



Get ready to play

  

(8)

      



                          2.

1.



                          





    







f

 

  



  

       

      

     

  

A Mis Abuelos

       79

87

3

2nd Tenor Sax

Open Trumpet Solo

1st Time only

On Cue

    f





          

  

      

               

               



     

 

                                       95

                              103

Flamenco - Open Guitar Solo

      Clap!                   107



       (4)

On Cue

        3                               

           



     

        ff

4 A Mis Abuelos

2nd Tenor Sax

                       f

  

ff

             

                                         

Open Trumpet Solo

 

1st Time Only

131

Backings on cue

139

Solo Continues





                       



f

147

  

   

     

  

  



 

           

 



  

                 



         

 



  



               

                 

                                   155

ff



               

mf



    ff

Bari Sax As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena)

By Arturo Sandoval Transcribed and Arranged by Matt Amy

    13

 

Steady Flamenco (q=100)



Free Bolero (around q=140) - Follow Flugel Solo



21



29



   



37

 

44



9

rall.



Double Time Flamenco ( q = h ) (h=110)

(4)       Clap!                 (8)  Get ready to play                        (6)

1.

(8)

2.



2 A Mis Abuelos

      54

Bari Sax

        

Mambo (Same Tempo)

ff

1.

         

 

 





  



mf

71

        

  ff

                

79

Open Trumpet Solo

 

1st Time only







    





2.





      

 



                          



63

          

 

f

 



  

           

       



        



  

87

3

Bari Sax

A Mis Abuelos

On Cue

   f

         

     

              

                



         

95

                                                                  103

Flamenco - Open Guitar Solo

      Clap!                    

 

        (4)

    3                               

107

 



On Cue



           



      

        ff

4 A Mis Abuelos

Bari Sax

                 

 

            

  

f

ff

                                   131

 

139

   



                    

Solo Continues



f

147



   

   



  

 

            

                

  155

 



Backings on cue



 

 



               



         

 



  



               

               

                    

ff

  



Open Trumpet Solo

1st Time Only

     

f



    ff

1st Trumpet As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena)

By Arturo Sandoval Transcribed and Arranged by Matt Amy

   



Steady Flamenco (q=100)

Free Bolero (around q=140) - Follow Flugel Solo

13

  



21



29



   



37

 



9

rall.



Double Time Flamenco ( q = h ) (h=110) Clap!

(4)                               

44

(8)  Get ready to play                        (6)

1.

(8)

2.



2 A Mis Abuelos

54

     

1st Trumpet

  3    3 

Mambo (Same Tempo)



          



63





   



3   3  

ff

        









  3    3 

71 



  

1.

2.



   





3   3  



ff

       





      

   

  

Open Trumpet Solo

1st Time only        

79 

87



                       f

        

   



On Cue

  



          

        3

3



 

 

A Mis Abuelos

3

1st Trumpet

                                           95 

                               Flamenco - Open Guitar Solo Clap!

                           103

107

  





  

 3 

mf

        

       (4)

             

On Cue



                   



ff



                      f

ff



                                      Time Only    1st  

Open Trumpet Solo

 





  

4 A Mis Abuelos

131

  

1st Trumpet



 



139

  



   

    





   

  

 





    

    



Backings on cue

Solo Continues



   

  

   

          

   

          

  





  

  









f

147

 

                           

                           155

ff

     

f



     ff

2nd Trumpet As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval

    13

 

Steady Flamenco (q=100)





21



29



    



 

44



9

Free Bolero (around q=140) - Follow Flugel Solo

37

Transcribed and Arranged by Matt Amy

rall.



Double Time Flamenco ( q = h ) (h=110) Clap!

(4)                              (8)  Get ready to play                        (6)

1.

(8)

2.



2 A Mis Abuelos

2nd Trumpet

        54

Mambo (Same Tempo)

 3   3 



   

ff

      

   71



 3   3 



ff

  

  

       79

87

  



2.









3

1.

        

63



3

     



      



     



Open Trumpet Solo

1st Time only





                    f

        

3

 



   



On Cue

  



3

     

         

        3

3



 

 

A Mis Abuelos

3

2nd Trumpet

                                         95

                            Flamenco - Open Guitar Solo

     Clap!                    103

107

 

On Cue



  

 3 

mf

          

    (4)

             





                   



ff

                 



f



ff

                                     Open Trumpet Solo

Time Only    1st    

 





  

4 A Mis Abuelos

131

  

 





   

    







   

    





   

    



Backings on cue

  139

2nd Trumpet

Solo Continues



   f

147

  

  



  



  









  

          



             

  

             



                 

155

                      ff

     

f



     ff

3rd Trumpet As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena)

By Arturo Sandoval Transcribed and Arranged by Matt Amy

Steady Flamenco (q=100)



    Free Bolero (around q=140) - Follow Flugel Solo

13

 



21



29



    



37

 

44



9

rall.



Double Time Flamenco ( q = h ) (h=110)

(4)       Clap!                          (8)  Get ready to play                        (6)

1.

(8)

2.



2 A Mis Abuelos

54

3rd Trumpet

      

 3    3    

Mambo (Same Tempo)

ff

       

 3    3    

71



  



  

  

ff

87



2.







   

  

1.

        

63



3 3      

   

  

79



    





    

  

Open Trumpet Solo

  



                     

         

On Cue

f

               

  



1st Time only



3 3      



       3

3

      

A Mis Abuelos

3

3rd Trumpet

95

                                                                  103

Flamenco - Open Guitar Solo

    Clap!          107

 



          

   

       (4)

             

On Cue



      



 3 

mf

                   



ff



                  f



ff

                                  

4 A Mis Abuelos

3rd Trumpet

   1st Time Only    

Open Trumpet Solo

131

 

  139



   

    







   

    





   

    



  



Solo Continues

 



    





Backings on cue

  

  



  



   

f

   









147

   

          



                 

   

          



                 

155

                         ff

     

f



    ff

4th Trumpet (Arturo) As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval Transcribed and Arranged by Matt Amy

Steady Flamenco (q=100)

    13





9

FLugel Horn



Free Bolero (around q=140) - Follow Flugel Solo

        

  

    

    

21

   



  

        



  



37

         





  



      



   



3

  

 

 

 

       



         

mf

3

    

  



3               

         

29



         



  

Warm



3

3

 

  

  

rall.

 

        

2 A Mis Abuelos

4th Trumpet (Arturo) Double Time Flamenco ( q = h ) (h=110)

44

       

To Trumpet

        54



   3   3   

Mambo (Same Tempo)

ff

         

        63



 

 3   3 



   



  

71



   3   3 



  





      



2.

3

3

         

 





  

  

   

  



2.





ff

    1.

 3   3 

 

  



1.

Solo - Opt 8va

f



3

3

          

79 Open Trumpet Solo Gm7

         Eb7

     

87

3

4th Trumpet (Arturo)

A Mis Abuelos

C7

F7

   

A7

   

   

D7

Eb7

   

                      f

        3

   

D7

   

  

         

On Cue

               

Bb7

3

       

95

                                       

                                   



4 A Mis Abuelos

103

4th Trumpet (Arturo) Flamenco - Open Guitar Solo

   Clap!                     107

  

On Cue



             



           

        (4)

 3 

mf

                    



ff

                  



f



ff

                                   Open Trumpet Solo

        F#7(b9)

F#7(b9)

      131

  

Backings on cue

F#7(b9)

  



F#7(b9)







 

         

 

 

Gmaj7(#11)

   

Gmaj7(#11)

   



Gmaj7(#11)



Gmaj7(#11)





 

      

   

















 

 

139

Solo Continues

F#7(b9)

  









F#7(b9)

         

Gmaj7(#11)





Gmaj7(#11)



   

147 F#7(b9)

  

5

4th Trumpet (Arturo)

A Mis Abuelos



 



G%



   

3    





Gmaj7(#11)

Gmaj7(#11)

  











155









      As Arturo

F#7(b9)







1st Trombone As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval Transcribed and Arranged by Matt Amy

Steady Flamenco (q=100)

  13





Free Bolero (around q=140) - Follow Flugel Solo



21



29









37





9

rall.



Double Time Flamenco ( q = h ) (h=110)

Clap! (4)                                

44

Get ready to play (8)                         (6)

1.

(8)

2.



2 A Mis Abuelos

1st Trombone

          54

Mambo (Same Tempo)

  

   



       





ff

    

   

   

    

        

  

        

63

   



     

    2.

1.



  



                 

mf

  

71

   

 



   

  

 

        

 

       



ff

   

     79

      



Open Trumpet Solo 1st Time only







 

   

    



 

  

A Mis Abuelos

3

1st Trombone

                         87

f

 

3              

On Cue

    



   

        3



3

 

 

                                           95

                             Flamenco - Open Guitar Solo

Clap!                        

103



107



mf

  

On Cue



  





          

 

  

 

   

  f





    

     

     



 (4)



        ff

     

   



       

  

  



Get ready to clap

ff



 

4 A Mis Abuelos

1st Trombone

    

Open Trumpet Solo

1st Time Only

131







139

Solo Continues



 

  

   

 

f



147







                     



 

  

ff

  

 

                           

                      155





   







     

    





    

    



  





Backings on cue





 

    f



     ff

2nd Trombone As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval

Steady Flamenco (q=100)

  13







21



29











44



9

Free Bolero (around q=140) - Follow Flugel Solo

37

Transcribed and Arranged by Matt Amy

rall.



Double Time Flamenco ( q = h ) (h=110)

(4) Clap!                                 Get ready to play (8)                         (6)

1.

(8)

2.



2 A Mis Abuelos

2nd Trombone

                54

Mambo (Same Tempo)

         

  

   

ff



   





   

    

      

    

      

63

 

      2.

1.







                 



mf

  

71

 

 

  

  

 

    

 

       

   

ff

   

79

   

Open Trumpet Solo

      

1st Time only









   

        



  

3

2nd Trombone

A Mis Abuelos

                         87

3            

On Cue

f

      

    

         3



3

     

                                          95 

                           103

Flamenco - Open Guitar Solo

Clap!                         

107 On Cue

  mf

  

  

  



          





 



  







f







   

     





(4)

        ff

     

   



      

  

   

     

Get ready to clap

ff



 

4 A Mis Abuelos

2nd Trombone

1st Time Only     

Open Trumpet Solo

131



Backings on cue







139



  



 

  

     

    



 

 



   

  



   

    

Solo Continues

  

  





  



  



 



f

147

 

          



             

 

          



             

                      155

ff

    f



     ff

3rd Trombone As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval

 

Transcribed and Arranged by Matt Amy



Steady Flamenco (q=100)

Free Bolero (around q=140) - Follow Flugel Solo

13





21



29









37



44



9

rall.



Double Time Flamenco ( q = h ) (h=110)

(4) Clap!                                 Get ready to play (8)                         (6)

1.

(8)

2.



2 A Mis Abuelos

3rd Trombone

                54

           

Mambo (Same Tempo)

   

   

ff



   





      

  

      

  

       

63

71

 

   



       2.

1.







                 



mf

  

  









      

  

       



ff

   

    





          

 

3

3rd Trombone

A Mis Abuelos

79

Open Trumpet Solo

1st Time only          

87



On Cue

3

                     

            

f

    

  



       

 

   

    

 

                                         95

   Get ready to clap                         103

Flamenco - Open Guitar Solo

Clap!           

   107

On Cue

mf

  

  

  

       



           





       

       

  

    



(4)

        ff

4 A Mis Abuelos

3rd Trombone

 



f





       



    

    

     



   

131

Backings on cue









139

 



   f

  





    





    

    





     

    



  



  

          

  

          

147

  

  

ff

  

  

   

                           

                     155



   

Solo Continues



ff



Open Trumpet Solo

1st Time Only

 

     

    f



      ff

Bass Trombone As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval Transcribed and Arranged by Matt Amy

Steady Flamenco (q=100)

 

13





Free Bolero (around q=140) - Follow Flugel Solo



21



29



 



37





9

rall.



Double Time Flamenco ( q = h ) (h=110) Clap!

(4)                            

44

Get ready to play (8)                         (6)

1.

(8)

2.



2 A Mis Abuelos

Bass Trombone

           

              54

Mambo (Same Tempo)

ff

  





63

    

  

      

    

       

     

  

 

     

  

2.







                 



mf

71

ff

  

       

Open Trumpet Solo

1st Time only







        

 



             79

1.

   



        

    



       



  

87

3

Bass Trombone

A Mis Abuelos

On Cue

                     f

        

    

 

3

                

         

95

                                       Get ready to clap                             

Flamenco - Open Guitar Solo Clap!

103

                      107

On Cue

mf

   

 

  

  





             





   

  

    (4)

  

      





         ff

                 f

    

ff



   



  

4 A Mis Abuelos

Bass Trombone

1st Time Only     

131

 







    





    

    





   

    



Solo Continues



  f

  

    

Backings on cue



139

 

  



Open Trumpet Solo

  





  

  

   

 

          



             

 

          



             

147

155

                    ff

    f



     ff

1st Guitar (Acoustic) As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena)

By Arturo Sandoval

Steady Flamenco (q=100)

Transcribed and Arranged by Matt Amy

E9

Em11(b9) Solo

Em11(b9)

             



                                 E9

mf

               

                             

Em11(b9)

               9 Em11(b9)



               13



 

Free Bolero (around q=140) - Follow Flugel Solo





AmFill in melody

D

Flugel



     

    



F

    

   B7

    

E9

Em11(b9)

E9

E9

              

                 

 

   G7Similar

 



        



 

    





E

NC

   

     

C7

                 

Em11(b9)



3

             3

3

2 A Mis Abuelos



21







Am Fill in melody

D

 

    







    

B7





Em7(b5)

Am7(b9)





Dm7(b5)

G13(b9)

37







Am7

D9

    

  



   



F

    

 



C7

E7







    

    

Dm%

 

  



B7

   

E11(b9)





E7(b9)

     

   



G7



Cmaj7



C7

  



 

    

    

    

3



         

 

3

NC



  

  

  

       



    

      



    

    

  



G7







 

  

   



  

    

    

29

 

    

F

     

  

    

 

1st Guitar (Acoustic)

rall.

 

 



 

 E

    





        

A Mis Abuelos Double Time Flamenco ( q = h ) (h=110)

44

  

3

1st Guitar (Acoustic)

    

Em11(b9)

Build Rhythmically

           

  

  

       E9

           

               E9

 







54 Mambo (Same Tempo) Fm7









               Bb13



     

      

          

1.

2. E9

Em11(b9)

  









         

Eb7(sus4)

Eb9

Ab13

C7(b9)                                  Dbmaj7

G13

Db9(#11)

63 Cm7(b5)

F7(#5b9)

Eb7

Eb13(b9)

               

C7

   

   

Db7

C

Bbm7

 

1.

2.

C7(b9)

 

   

     

Abmaj7

Gm7(b5)

C7(b5#9)

 

4 A Mis Abuelos

1st Guitar (Acoustic)

71 Fm7

Bb13

Dbmaj7

G13

            Db9(#11)

             Open Trumpet Solo

          79

Fm7

Bb7

Ebmaj7

Dbmaj7

G7(#5)

95Fm7

Bb7



On Cue

   



   

Dbmaj7

       

   

       

G7(b5(#9)

   

   

      

    

Db7

C

Ab7

   

   

       

    C7

87

  

Ab13

Eb9

Eb7

G7

       

 

C7

Bb7

Fm7

Db7



Eb7(sus4)

Db7



  

Ebmaj7

 



Ab7

   

C7

    

 

  

C7 Dbmaj7(#11)

   

 

C7 Dbmaj7(#11)

  

C7

     

   

Ab7

   

    

C7(b9)



A Mis Abuelos

Flamenco - Open Guitar Solo

103

    

E7(b9) Solo (if no 2nd guitar)

107

5

1st Guitar (Acoustic)

 

 

Fmaj7(#11)

 

 

On Cue

E7(b9)

 

E7(b9)

 

E7(b9)

 

E7(b9)

 



















 





 





 













Fmaj7(#11)



Fmaj7(#11)



Fmaj7(#11)



Fmaj7(#11)



























  





F%











F%











F%













F%





















  

Open Trumpet Solo

    

E7(b9)

E7(b9)

 





 

 

 

 

 

 

Fmaj7(#11)





Fmaj7(#11)

















  

6 A Mis Abuelos 131

1st Guitar (Acoustic)

Backings on cue

 

E7(b9)

  E7(b9)

   

139 Solo Continues E7(b9)

    E7(b9)

147E7(b9)

    E7(b9)

155 E

 

     

      































Fmaj7(#11)



Fmaj7(#11)



Fmaj7(#11)



Fmaj7(#11)



Fmaj7(#11)



Fmaj7(#11)











           

                       mf















F%



F%

 F%



F%

 F%



F%



     ff

2nd Guitar (Acoustic) As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval Transcribed and Arranged by Matt Amy

Solo - as recording



Steady Flamenco (q=100)

 



3

f

F#m11(b9) 

    

 

F#m11(b9)



F#9                   

F#m11(b9)

 3

3

3

3

F#9

    



3

3

3

3

 

3

 3

3

F#9

3

F#9

          F#m11(b9)



13

 21





3

3

3

3

3

3

                 3

Free Bolero (around q=140) - Follow Flugel Solo

3

3

3

 

     

 3

3

3

3

3

3

            

9 F#m11(b9)

3

3

3

   F#9





   3



2 A Mis Abuelos

2nd Guitar (Acoustic)



29





37



rall.



Double Time Flamenco ( q = h ) (h=110)

44

(4)                                Clap!

(8)  Get ready to play                       (6)

     

54



1.



Mambo (Same Tempo)

2.

(8)

1.



63



71





   

  

2.





A Mis Abuelos

     

79

87

 

95



Flamenco - Open Guitar Solo

     103

107



E7(b9)

Solo

   

End Solo

   

   

  

  



Backings on cue



Solo Continues

 

   





147

Fmaj7(#11)

 Open Trumpet Solo

139





On Cue



131

  



Open Trumpet Solo

On Cue

   

3

2nd Guitar (Acoustic)



155



Piano As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena)

  13

Steady Flamenco (q=100)

By Arturo Sandoval Transcribed and Arranged by Matt Amy





9

Free Bolero (around q=140) - Follow Flugel Solo







21





29





37

 44

rall.



Double Time Flamenco ( q = h ) (h=110)

(4)     Clap!                                (8)  Get ready to play                       (6)

1.

(8)

2.



2 A Mis Abuelos

54

Piano

Mambo (Same Tempo)

              



Bb13

Fm7

  

Eb7(sus4)

Eb9

Ab13

    

C7(b9)                                  Dbmaj7

G13

63 Cm7(b5)

        Eb7

       71 Fm7

Db9(#11)

C7

Db7

F7(#5b9)

   

Eb13(b9)

   

Bb13

             





Dbmaj7



 

Bbm7

 

Db9(#11)

         

2.

C7(b9)

 

   

     

Abmaj7



Eb7(sus4)

Gm7(b5)

   Eb9

 G13



1.

C

 

   

Db7



 

Ab13

    

 C7

C7(b5#9)

 C

                 

A Mis Abuelos

79 Open Trumpet Solo Fm7

           





Db7

   

87Fm7On Cue

   



Bb7

   

    Bb7

Ebmaj7

   

95 Fm7

Bb7

Dbmaj7

G7(b5(#9)

               

   

C7

G7(#5)

       

Eb7

G7

Dbmaj7

       

   

Db7



  

Ebmaj7

 



Ab7

   

C7

    

 

  

C7 Dbmaj7(#11)

   

  

   

 

C7 Dbmaj7(#11)

   

C7

     

Ab7

Ab7

   

    

C7(b9)

Flamenco - Open Guitar Solo

  Tacet 1st time        103

3

Piano

  

  

  

Sparse - Build with Guitar Solo

       E7(b9)

   

Fmaj7(#11)

   

   

 

4 A Mis Abuelos

107



Piano

On Cue

               Montuno

            

                

Fmaj7(#11)

                

              

                 

Fmaj7(#11)

E7(b9)

E7(b9)Ad Lib

E7(b9)

 

Continue Montuno

E7(b9)

 





















 

  

F%                  

    

F%                



Fmaj7(#11)



Fmaj7(#11)











F%













F%























Open Trumpet Solo

  

E7(b9) Continue Montuno

E7(b9)

 













 

 

 

 

Fmaj7(#11)





Fmaj7(#11)

















  

A Mis Abuelos

131 Backings on cue E7(b9) Continue Montuno

 



E7(b9)

  139

5

Piano







 

 

 

 



Fmaj7(#11)



Fmaj7(#11)



Fmaj7(#11)



Fmaj7(#11)



Fmaj7(#11)



Fmaj7(#11)









 

 

F%



F%



 

 

 

Solo Continues

E7(b9)

 

E7(b9)

 

147 E7(b9)

 

E7(b9)

 

   

   

   

   

   

   

















   

   

                                 155 E

Col 8vb

mf

F%



F%



 

F%



F%



 



   

   

     ff

Bass As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval Transcribed and Arranged by Matt Amy

Steady Flamenco (q=100)

 

13





Free Bolero (around q=140) - Follow Flugel Solo



21



29









37



   

44

Double Time Flamenco ( q = h ) (h=110)





9

rall.

1.



   

2.





2 A Mis Abuelos 54

Bass

Mambo (Same Tempo)

Fm7 Bb13 Eb7(sus4) Eb9 Ab13 Dbmaj7                                     

          

G13

Db9(#11)

     63 Cm7(b5)

C7

Eb7

    

   

Eb13(b9)

    

   

Bb13

     

     

Dbmaj7



    

79

Open Trumpet Solo

     

   

   

Bbm7



    





 Eb9  

            Db9(#11)

   

     

C7(b9)         2.



   Gm7(b5)   

Abmaj7

      



 

  

Eb7(sus4)

 G13

        

C 1. C7(b9)

F7(#5b9)

          

71 Fm7

Db7(#11)

C7





Db7(#11)

   

   

   Ab13

    C7(b5#9)

       

         C



   

    

  

A Mis Abuelos

87 On Cue Fm7

     

   

Bb7

Dbmaj7

     

   

G7(#5)

95Fm7

     

   

Bb7

     

   

Dbmaj7

Flamenco - Open Guitar Solo

     103

3

Bass

E7(b9)











G7(b5(#9)



Ebmaj7

   





Ebmaj7

   



   

  





  

Fmaj7(#11)

   

C7

   

C7 Dbmaj7(#11)



Ab7

       

  

C7 Dbmaj7(#11)

   



   



Ab7

   

     

C7(b9)





   



Sparse - Build with Guitar Solo

107

On Cue

E7(b9)

 

E7(b9)

 

  

  









  

  





Fmaj7(#11)



  



  

Fmaj7(#11)





F%



  





  



F%

4 A Mis Abuelos

Bass

E7(b9)

  

E7(b9)

  

 

 







  



  



    

E7(b9)

 

  

  

131 Backings on cue E7(b9)

 

E7(b9)

 

  

  



















  

  

  

  











  



  

Fmaj7(#11)

Open Trumpet Solo

E7(b9)

Fmaj7(#11)



Fmaj7(#11)



Fmaj7(#11)

  





  

Fmaj7(#11)



   

  

Fmaj7(#11)



F%



  





  





  



F%









  



  



  

F%

F%

  







A Mis Abuelos

139

Solo Continues

E7(b9)

 

E7(b9)

 

147 E7(b9)

 

E7(b9)

  155

5

Bass

           

 







  



  



  



  

 







  



  



  



  

Fmaj7(#11)

Fmaj7(#11)

Fmaj7(#11)

Fmaj7(#11)

                    

 





     

f



  



  



  



  

F%

F%

F%

F%



 





     ff

Drums As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval

  13

Transcribed and Arranged by Matt Amy



Steady Flamenco (q=100)

9

Free Bolero (around q=140) - Follow Flugel Solo



 21



29









37



rall.

Double Time Flamenco ( q = h ) (h=110)

  

44





1.



    2.

  Fill      

2 A Mis Abuelos

 

Drums

Mambo (Same Tempo)

                               

54

    

   

(8)          

1.

   

(6)

    (4)

2.

(8)

                              63

 











(6)













    (4)



                              71

   











(6)













 

Open Trumpet Solo











(6)

















    (4)

    

                               

79



(8)

  

  

   

    

(4)

  

  

  

A Mis Abuelos

87

3

Drums

                               

On Cue











(6)











    (4)

    



                              95

  103







Flamenco - Open Guitar Solo

  Ad Lib cumbals - very sparse      





(6)

 





 







  

         



                              107

 

On Cue











(6)













  

(4)

 

  





  



    (4)





(8)





4 A Mis Abuelos

Drums

                               

 











(6)











    (4)





131











(6)

















    (4)



(8)





Backings on cue

                             

 



Open Trumpet Solo

                               

 



(8)











(6)













    (4)





(8)





  

A Mis Abuelos

5

Drums

                              139

Solo Continues

    (4)

  (6)              

  (8)             

  (2)                  

  (4)                   

   (6)                  

  (8)                   

f

147

                                 155

mf



      ff

Auxiliary Percussion As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval



Steady Flamenco (q=100)

   13

Transcribed and Arranged by Matt Amy

Free Bolero (around q=140) - Follow Flugel Solo



 21



29









37





9

rall.



Double Time Flamenco ( q = h ) (h=110)

                                  44

     (6)

1.

   

(4)

          (8)

2.

    (8)

2 A Mis Abuelos

Auxiliary Percussion

                       54

Mambo (Same Tempo)

     63

    

  

   

 





  

  

(6)

         

1.

   

(6)

  

 

  





2.

(8)

    





71

                      











(6)













 

Open Trumpet Solo











(6)













(8)

    (4)



(8)





    (4)

    

                       79

    (4)

  

  

   

    

(4)

  

  

 

A Mis Abuelos

87

3

Auxiliary Percussion

On Cue

   

                      



95

    



  

  





   



(6)

  

(6)

   

   







    

   

  



(4)







  

  

    (4)

    

Flamenco - Open Guitar Solo

                                   103

107

   

                     On Cue

      





  



   

   



(6)

  

(6)

   

   









   

  



(4)









(8)





    (4)





(8)





 

4 A Mis Abuelos

Auxiliary Percussion

                       

   

 



Open Trumpet Solo

131











(6)















(4)

(8)





                    

   

 





139

Solo Continues

Backings on cue

  



 

  

  



(6)

 

  

  

   (6)              f





 







   

 

(4)

(8)





    (4)

   (8)            

    (2)     (4)                                            147

  

 (6)     

   

                

155



 

    

   

  

 (8)          

     ff

Violin I

As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena)

By Arturo Sandoval Transcribed and Arranged by Matt Amy

Steady Flamenco (q=100)

  13





Free Bolero (around q=140) - Follow Flugel Solo





9



21

 29

               p

         mp

37

rall.

 



p





 





Double Time Flamenco ( q = h ) (h=110)

  Clap!                      44



     (6)

1.

   

    (8)

 



    (4)

       2.



   

    (8)



2 A Mis Abuelos

     

54



Violin I



Mambo (Same Tempo)



63



71





   

      

79

87







   

103

Flamenco - Open Guitar Solo

107



On Cue



  

 

Backings on cue





Solo Continues

 

   



  

147

  



Open Trumpet Solo

139





On Cue



131

2.



Open Trumpet Solo

95



  

1.



155



Violin II As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval

 



Steady Flamenco (q=100)



Free Bolero (around q=140) - Follow Flugel Solo

13





9

Transcribed and Arranged by Matt Amy



21

 29

               p

         mp

37

rall.

 



p





 





Double Time Flamenco ( q = h ) (h=110)

    Clap!                        44



     (6)

1.

   

    (8)

 



    (4)

       2.



   

    (8)



2 A Mis Abuelos

      

54



Violin II



Mambo (Same Tempo)



63



71





   

      

79

87

   

  

Flamenco - Open Guitar Solo





On Cue

  



Backings on cue





Solo Continues

 

  

107



Open Trumpet Solo

147





  

139

  





131





On Cue

 103

2.



Open Trumpet Solo

95



  

1.



155



Viola

As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval

 



Steady Flamenco (q=100)

Free Bolero (around q=140) - Follow Flugel Solo

13



9







21



29

               p 37



Transcribed and Arranged by Matt Amy

       



mp

rall.





p

44







Double Time Flamenco ( q = h ) (h=110)

   Clap!               (6)

1.

 

     

   





   

    (8)

 

    (4)

       2.



    

    (8)



2 A Mis Abuelos

    

54

Viola



Mambo (Same Tempo)



63



71



   

    

79

87

 

  

103

Flamenco - Open Guitar Solo







On Cue

  

 

Backings on cue



Solo Continues

 147

  

107



 Open Trumpet Solo

139

  



   





On Cue



131

2.



Open Trumpet Solo

95

 

  

1.



155



Cello As recorded by Arturo Sandoval...

Mis Abuelos (Malaguena) By Arturo Sandoval

Steady Flamenco (q=100)



  Free Bolero (around q=140) - Follow Flugel Solo

13





9

Transcribed and Arranged by Matt Amy





21



                29

p

37

 







 



        



mp



 

rall.





p

44

Double Time Flamenco ( q = h ) (h=110)

Clap!                       



    (6)

1.

   

    (8)

    (4)

       2.

   

    (8)



2 A Mis Abuelos

      

54

Cello



Mambo (Same Tempo)



63



71



       

      

79

87

   

  

103



   131

Backings on cue

139

Solo Continues

147



  

107



On Cue





  



Open Trumpet Solo



  











On Cue

Flamenco - Open Guitar Solo

2.



Open Trumpet Solo

95

   

  

1.

  

155



As recorded by Arturo Sandoval...

Mis Abuelos

By Arturo Sandoval Transcribed and Arranged by Matt Amy

(Malaguena) Steady Flamenco (q=100)

1st Alto Sax



    

2nd Alto Sax







    

F#9 

3

f

               

3

3

3

3



    

    

F#m11(b9)





Solo - play if no Guitar or soprano Em11(b9) Ad lib

3



     



  

F#9

 

3







                

E9



Em11(b9)

     

3

E9

 















    













    





































    

FLugel Horn

3

3

3

3





     



3



  



f

3



3

1st Trombone



 













2nd Trombone



 













3rd Trombone



 















 













1st Guitar (Acoustic)

 

Em11(b9)



         

 

    

mf



E9

              

Em11(b9)

    

E9

        

Solo - as recording

    

F#m11(b9)

    

     

 





    

                

F#9



Em11(b9)

    

F#m11(b9)

E9

     

              

3

        

F#9

3

     

 





 













 















 













Auxiliary Percussion

 

 













Violin I



 













Violin II



 













Viola



 















 













2nd Guitar (Acoustic)

Piano

Bass

Drums

Cello









3

Solo



Bass Trombone

3





3



     





    

3rd Trumpet



    



To Clarinet

   

2nd Trumpet

4th Trumpet (Arturo)

Flute





    

2nd Tenor Sax

1st Trumpet

 

To Clarinet



Solo - play if no second acoustic Guitar F#m11(b9) Ad lib





1st Tenor Sax

Bari Sax

 Soprano Sax   

3

f

3

3

3

3

3





  

 





 

3

2

A. Sax. 1



  

A. Sax. 2



T. Sax. 1

Tpt. 1

3

3

3

3

3

3

3

3

F#9 3

3

3

          

 3

3

3

3



          3

3

3



Em11(b9) 3                        3

9 F#m11(b9)

3

3

E9

3

3

3

          

F#9

          3

3

3

  

 Em11(b9)



          3

3

3

 

E9

          3

3

3

  

F#m11(b9)                       3

3

3

3

3

3

3

F#9







Em11(b9)                       3

3

3

3

3

3

3



E9



























  













  













  













 























  

Tpt. 3

 Tbn. 1





Tbn. 2















Tbn. 3





























B. Tbn.

A Gtr. 1

A. Gtr.

Pno.





Em11(b9)



 

    

F#m11(b9)

    3

3

E9

     

     3

3

3

3

3

                        3 

F#9

         3

3

Em11(b9)

    



 



           



          3

3

              

    

F#m11(b9)

3

E9

3

F#9

          3

3

3

  



Em11(b9)

     

3

F#m11(b9)

3

3

3

3

F#9





































Aux. Perc.

 













Vln. I















Vln. II















Vla.





























Dr.

Vc.







Warm



mf







Bass



     

3                       3

 





Tpt. 2

Tpt. 4

                       

F#m11(b9)

  

T. Sax. 2

B. Sax.

  

3

A. Sax. 1

















  



































  

















 

















  

















  

















  















T. Sax. 1

T. Sax. 2

Tpt. 1



Tpt. 2

Tpt. 3

Tpt. 4

Free Bolero (around q=140) - Follow Flugel Solo To Clarinet



A. Sax. 2

B. Sax.

  

13

  















 





















 



 

 



 



 

3

           

 Tbn. 1

















Tbn. 2



















Tbn. 3





































B. Tbn.





Flugel



A Gtr. 1







Am Fill in melody











A. Gtr.



Pno.



















D





















G7 Similar

     









C7

     













Aux. Perc.

 

Vln. I







    





F

 



 

 

B7











E

    

 



3

3

      

NC

   

















































































Vln. II



















Vla.





































Dr.

Vc.















Bass







3

3



 

3

4

A. Sax. 1



















  



































  

















 

















  

















  

















  

















A. Sax. 2

T. Sax. 1

T. Sax. 2

B. Sax.

Tpt. 1



Tpt. 2

Tpt. 3

Tpt. 4

21

  



  





































 



 

 













     



















Tbn. 2



















Tbn. 3





































B. Tbn.







A Gtr. 1







Am Fill in melody

D

    

A. Gtr.



Pno.























G7

















F

     













Aux. Perc.

 

Vln. I

    

  B7



 

 

   











E7

NC

    























































































Vln. II



















Vla.





































Dr.

Vc.









    

 C7



Bass



    



3

3

 Tbn. 1



3







3



5

A. Sax. 1



A. Sax. 2

29

Play if no strings

   



   



p



   

T. Sax. 2

B. Sax.

Tpt. 1











































































p































p















































Play if no strings

 p











mp

mp

mp



mp















  

















  

















  



















  







































Em7(b5)

Am7(b9)



 A. Gtr.



Pno.

Dm%

    

    

   

    













































Dm7(b5)

G13(b9)

Cmaj7

E11(b9)

E7(b9)

































 

   

   







































































 

















Bass





Vln. II

Vla.

Vc.





A Gtr. 1

Vln. I







Aux. Perc.





Tpt. 3

Dr.



 

Tpt. 2

Tpt. 4



Play if no strings

Play if no strings





T. Sax. 1































































































































































































p

p

p

 p









mp

mp

mp



mp



6

A. Sax. 1



37

     

A. Sax. 2

rall.

8va opt

 p





















































































8va opt

   

T. Sax. 2

B. Sax.

Tpt. 1





Tpt. 2

Tpt. 3

Tpt. 4

  

 p



8va opt

 p























  















  















  















   



8va opt

p

T. Sax. 1





A Gtr. 1



 Am7













































D9

    

G7































C7

   

F

    

    

     



 



 

 







 



 

 







B7















  























E

   

    



    

A. Gtr.

















Pno.

















































 















Bass

Dr.

Aux. Perc.

Vln. I





Vln. II

Vla.

Vc.









































































































p

p

p

 p





7

Double Time Flamenco ( q = h )

A. Sax. 1



  

T. Sax. 1

  

T. Sax. 2

Tpt. 1



  

  

Tbn. 3

A Gtr. 1





  



Clap!

 

Clap!



Aux. Perc.

 

Vln. I



Vln. II



Vla.

 

Clap!

 



 







Clap!

Clap!

 



Clap!









  

  



 



 



(6)





1.























(4)

  











(4)

















(6)

















(8)

















(4)

















(6)

















(8)





  











(4)

















(6)

















(8)





























(8)











  



















(4)

















(6)

















(8)







 





 









  



















(4)

















(6)

















(8)





  











(4)

















(6)

















(8)

















(4)

















(6)

















(8)







  



   

 











 







  







  



 



 

 







 

 

 





  

 

  







  







 





 









 

 













(4)

















(6)

















(8)

















(4)

















(6)

















(8)

















(4)

















(6)

















(8)

















(4)

















(6)

















(8)













E9







     

  





            











   



Em11(b9)



   





(4)

(4)

 

 

 

     

 

 

E9

          

 

(6)

(6)

 

 

 









 

(8)

 

(8)























 





 

 





 







 

 





  















 

 



 













 













(4)

















(6)

















(8)





















(4)

















(6)

















(8)





 















(4)

















(6)

















(8)

















(4)

















(6)

















(8)

















(4)

















(6)

















(8)















(8)

















(8)







 











(8)

















(8)

















(8)

















(8)

















(8)

















(8)







Get ready to play

 

Get ready to play

  

Get ready to play

  

Get ready to play

 

Get ready to play

 

Get ready to play

 



    









(8)

















(8)

















(8)

















(8)







Get ready to play

 

Get ready to play

  

Get ready to play

  

    

Get ready to play



   

 

Get ready to play

  

            







Get ready to play

 

 

        

 

(8)

 

(8)



 



 Fill      

  







Get ready to play









 







Get ready to play

E9





2.

            





  

    













 





  









  

 





  







  

   











  



  

 



  Clap!  

 

  





 

Clap!





 

 



 

  Clap!    

  







Clap!

 

 

To Trumpet

Clap!

Clap!





 



Em11(b9) Build Rhythmically





 

        









  



Pno.

Bass



 

Clap! To Tenor Sax

 



Vc.



Clap! To Tenor Sax



A. Gtr.

Dr.

 

     

Tbn. 2

B. Tbn.

Clap! To Alto Sax

  Clap!        

Tpt. 3

Tbn. 1

  

  Clap!    

Tpt. 2

Tpt. 4

(h=110)

44

  

A. Sax. 2

B. Sax.

   Clap! To Alto Sax        

   











(8)















(8)

















(8)

















(8)

















(8)







8

A. Sax. 1



     54



ff

 



A. Sax. 2

T. Sax. 1

T. Sax. 2

Mambo (Same Tempo)









ff

 



 



 

     



 



 



ff

 

    

           

ff

   ff      Tpt. 1  

B. Sax.

    

 









 



Tpt. 3

Tpt. 4

Tbn. 1

A Gtr. 1

A. Gtr.

Pno.



Aux. Perc.



  

   ff

  

  

  

ff

ff

ff

       

Fm7

Fm7

        

Vln. I

  



      

    

     

3







3







 



3



 





3





 





 

  

  







 

Bb13

         











  



Eb7(sus4)



  

  

         





Bb13







  



  



  



   



  





  





  





  





3





3





 

       



    



  3



  







 



 



 



    

   

    

                           





     

 









 





  





3







3





  







  

  



      

 

   

 







   

 







  

   







   

  



        





  

  







 



  





 

 Ab13



 

Ab13











G13



Db9(#11)





 

  



Dbmaj7













Dbmaj7

   



    

 

   

C7

Db7

 G13

 



 

G13

Db9(#11)





C7(b9)







 

Db9(#11)

     



C

 

 

Db7

C7

   

C

Db7(#11)



  

C7(b9)

 



 

  

C



 

C7(b9)





(4)

















(6)

















(8)

















(4)

















(6)

















(8)





























































     



     







 



 

     





 







Solo - Opt 8va





 







 

 



   

C7

  

C7(b9)

  

      

 

   



C7(b9)

    



f





C7(b9)

  











 





 

3

Dbmaj7

     





     





    











3



   

  



Ab13





  



    





       

    



2.

 





 

         

 

  

      





 

    

         

1.





       

 







 

    

  

 Eb9  





3

                    



Eb9

Eb7(sus4)

        

       

  

Eb7(sus4)

                   





     

 

 



Eb9

 Bb13

 

       



  







3

      

  

  

         

   

Vla.

Vc.

   

    

Vln. II

 

3

   

       



  

3



ff

      



 

3



Fm7

Dr.





      

Bass

 



       





ff

ff

B. Tbn.

   



    

Tbn. 3

 



  

Tbn. 2



   ff

Tpt. 2

 



      







(8)







(8)





   

9

A. Sax. 1



A. Sax. 2

T. Sax. 1

63











 

  

T. Sax. 2



 



B. Sax.

 







 

   



 



  



mf

mf

 

mf

   

  

 

 

  

mf

mf

























































 

  



  



 



 





 





 





 



 





 



 

f

f

 



 



  



  



  



 





 



 





 





 



 



  





 

f

f

f

  



















Tpt. 2





















Tpt. 3





















Tpt. 4

 





Tpt. 1

 



 



Tbn. 2

    



Tbn. 3

    



B. Tbn.

  



Tbn. 1

A Gtr. 1

A. Gtr.



Cm7(b5)

    



   

   

Dr.

Aux. Perc.



mf

 

mf



  







 





  





 





 

F7(#5b9)



F7(#5b9)





 

 





3









  

 

 

 

  















 

 





  



 



 



   







 



 





 



 



 



   







 



 



  



 



 



   







 





  



 



 

 



   







 



 













Bbm7



Bbm7





F7(#5b9)

  



Bbm7





 

 

 

  































 



 

     



 

mf





Cm7(b5)

Bass

 

mf







Cm7(b5)

Pno.

 

3



 



Eb7



Eb7



























3





 









Eb7

  





 







 







  













 





 





 







 









 







 





Abmaj7





Gm7(b5)



C7(b5#9)



Abmaj7



Gm7(b5)



C7(b5#9)



Gm7(b5)



C7(b5#9)





Eb13(b9)



Eb13(b9)







 

3

















Eb13(b9)











 











Abmaj7

 





 

















(4)

















(6)

















(8)

















(4)

















(6)

















(8)



















Vln. II

   

















Vla.

  

















   





















  



Vc.





  

Vln. I



10

A. Sax. 1



71



T. Sax. 1





T. Sax. 2





B. Sax.

Tpt. 1

  



Tpt. 2



Tpt. 3



Tpt. 4

Tbn. 1

 













 ff 



ff

ff

ff





A Gtr. 1

A. Gtr.

Pno.

Bass

Dr.

Aux. Perc.



    ff 



  

 



 

    



         

ff

Fm7





 

   



 





 

  3  

 

 



  





 



           

  





  





 









 













   

  

 



 









 

  







  













 

 



 

 



   

   







   









 







3

 



3



 



3





3





 





 























Eb7(sus4)



Eb7(sus4)









 

 

  



 











Bb13

   



 



3





 

 

  

















Eb7(sus4)



Eb9



 



3



























 



   











Dbmaj7

 







  











 















G13



 

 



G13





Db9(#11)



Db9(#11)











 



 





 



 

 

 



 



  

   







 

 



 

 



C  



 







C7

 

Db7



C7

 

Db7

 





G13





 

Db9(#11)



  

 





 

 







 



 





Ab13



 











Dbmaj7







 Ab13







Eb9

 

3

Dbmaj7











 











 

  



 

 



















 



  

   

 





 







  









 



  







 





3



 

  













 

  

 

3















    



 









   

 





 

    

     







 









 









   









Ab13

 





 



 













Eb9

 







     







 

 



3







 

3

 









 





3







   



 

 

 





3







 







  



 







 

Bb13







3





 

 

 

 







Bb13







Fm7



 



     

3

 



 Fm7



  







       

 

      

 

ff







  

 

ff

 

   



    

ff

      

 



      



ff

ff

B. Tbn.

 

ff

 

Tbn. 3



    

  

 

Tbn. 2



ff



A. Sax. 2

 





C

 

 





C7















(4)

















(6)





















(4)

















(6)









 

 



Db7(#11)

C

 









   

              

 

 

 



 

     

   

















Vln. II

  

















Vla.

  

















   

















Vln. I

Vc.





     

11

A. Sax. 1



Open Trumpet Solo

79 1st Time only     



















 

  























  























  





















  



















 



















 









































    1st Time only     Tbn. 1  

 















 















































 

1st Time only

A. Sax. 2



T. Sax. 1

 

T. Sax. 2

B. Sax.

1st Time only

1st Time only

  



  

Tpt. 2







Tpt. 3





  

Tpt. 1

Tpt. 4



1st Time only

 

A. Gtr.

Pno.





Aux. Perc.

Vln. I





      

       

Fm7



Vla.







F7











Fm7

     









Bb7













Bb7

 







 

 

 











Eb7









Eb7







 

  



 

  





Eb7

 







 

 

 









Ab7







A7







 

  



 

  

 







 







 

  

 Bb7



        

  





D7



Eb7







D7









1st Time only

      

Vln. II

Vc.

1st Time only

C7



1st Time only

      

Bass

Dr.

Gm7



      

Tbn. 3

A Gtr. 1



1st Time only

1st Time only

    

Tbn. 2

B. Tbn.

1st Time only



Db7







 Ab7























 

 

 G7





Db7







  

 

C7



Db7





 



G7













C7



C7







 



 



  





  





  









 

Db7









   













(4)

















(6)

























(4)

















(6)













C7

 

 

   

 

     

 

     

         

















 

    



















   



















     

















 

12

A. Sax. 1



 

A. Sax. 2



87 On Cue

f

 f

T. Sax. 1



 

T. Sax. 2



 

 



B. Sax.

Tpt. 1





f

f

Tpt. 2

  

Tpt. 3



 

Tpt. 4

 

 

Tbn. 2

B. Tbn.

A Gtr. 1

A. Gtr.

Pno.





Aux. Perc.





  

 



 





  













 

 

 

 





 



  

 



 





  









 



 







 



 



  













 

 

 











   

  

 





  



 

 











  









 



 





 





 

  



   

  



 





 

 



   

  

   



  

  



 

  

   

 



 

  

 

  



 

   

  

 





 











 



 



 











 

  



 



 





 





 

  



 

  



 













 













 



 











 



 



f



  

f





 



 



 



  



  

            



 



 

Bb7



























 Fm7



       

 





   



f

Fm7







 

  





Bb7

Bb7







 

 

 

  

















   



 



 

















 



  



     

 











  



 

  







 





  



 







  



 











 

  

 







  

 





 

     



Ebmaj7

  

  





 

Fm7

Dr.







   

Bass



  

f

    

   

 

 

f

    





f

    

Tbn. 3

 

 

f

    





f

 Tbn. 1 



  

f

 

 

  



Ab7







Ebmaj7





Ebmaj7

 



 

 

 

  



















  



3





3





3

3







Ab7







Ab7











 













Dbmaj7









Dbmaj7





 





Dbmaj7







G7(#5)

 







  

    



 









 

 

 

 

   





  



 

 

 













 



3



3

3

   3

   3

 

3

3

3

3

     3

      

3









  





 



C7





 

  





Dbmaj7(#11)



 

 

 

 



G7(#5)



 



  









3

 



 

 



   





G7(#5)



    



 



 

  



 











 



 

 









  





    





   

  

 



 



 





    







  

 



   

 



  

 







 







C7

 



 

C7



Dbmaj7(#11)

C7

Dbmaj7(#11)





  

 

C7





C7

 













(4)

















(6)

























(4)

















(6)















       

   



     

 

   

















Vln. II

   

















Vla.

  

















   

















Vln. I

Vc.



     

13

A. Sax. 1





95

 





 



   



 









 







  



 







   

A. Sax. 2



 





 



T. Sax. 1



 









 

T. Sax. 2



  









 

  



 







B. Sax.

 

 



 



 

 















 

   



  



  



 







Tpt. 1





   





  





 





   

 





  











 

  

   

 





 





   



 





  





 



   

 





  











 

  

   





 







  





 



 



  





   



 





 



 



  





   



   











 







   



  



 



























  



   



  



   





 

 

 

   

 

 

 

 











 







   



 





  

 



 



 











 







   



 













 



 





 







   

 









  

 

   





  

Tpt. 2



 









 

  



 







Tpt. 3



 









 

  



 











  





 



   

 











 



 







 



  





 



 



 

  



    







  

 



     Tbn. 1  Tpt. 4

 

     

Tbn. 2

Tbn. 3

B. Tbn.

A Gtr. 1

A. Gtr.

Pno.





 

     



     



Fm7

    

   











 



Fm7

Aux. Perc.



      

 

 





 



 



  



 





 







 



 







   



 









 



 







Bb7















  





Bb7

 





Bb7

 

 

 

  



















  







  





  



    

 













  





  



    

 













  





 



    

 



 



 

Ebmaj7











Ab7







 Ebmaj7





 





 

 

 

  





















 









Fm7

Dr.



 



   

Bass





 





Ebmaj7

 





Dbmaj7











Ab7





Ab7



 







   



Dbmaj7

 





Dbmaj7





  



 









  





 



  





 



  







Dbmaj7(#11)



  



 



  

 



  



 



C7



 

G7(b5(#9)





G7(b5(#9)















 







 





  

 



   









 



 

 

  



 





  



   





 



  







 



 



 











 



   











 





G7(b5(#9)

 



  









 



 



 





C7(b9)





 



 

  

 

C7



Dbmaj7(#11)

C7

Dbmaj7(#11)



 







  



C7(b9)



     

   

Get ready to clap



Get ready to clap



Get ready to clap



   

















 



  













(4)

















(6)



























(4)

















(6)













 



 



 

C7(b9)



Get ready to clap





 

 



 

   



















Vln. II

   



















Vla.

  



















   



















Vln. I

Vc.



14

A. Sax. 1



Flamenco - Open Guitar Solo

      Clap!                     103

Clap!        

A. Sax. 2

  

T. Sax. 1

  

T. Sax. 2

       

   

  

Clap!

 

   

Clap!

  

   











(4)











(4)













(4)

  











(4)















  



























(4)









(4)











(4)













(4)















(4)















(4)















(4)

















(4)

















(4)





      

  

   

     Clap! B. Sax.                     Tpt. 1



  

Tpt. 2

  

Tpt. 3

Tpt. 4

  Clap!       



  

Tbn. 1



Tbn. 2



Tbn. 3



B. Tbn.



A Gtr. 1

A. Gtr.

Pno.

Bass

Dr.













 



 

Vln. I



Vln. II



Vla.



Vc.



   

Clap!

   



   

  

Clap!

     

   

  

   

Clap!                      

                    Clap!

        

     Clap!

   

   

Clap!

  

  

Clap!

  

E7(b9) Solo (if no 2nd guitar)

  

E7(b9) Solo









  Tacet 1st time         

E7(b9)

  E7(b9)     

  

   







     

   

    

 

   

  

Sparse - Build with Guitar Solo





Sparse - Build with Guitar Solo



Aux. Perc.



 

       

 





Ad Lib cumbals - very sparse





  

Fmaj7(#11)



Fmaj7(#11)



 

 

 

  













Fmaj7(#11)





Fmaj7(#11)







 

 

 

 

   

  



 













 







  

107 On Cue



                     



         

   

 

 

                

 

 

 

  

 mf



mf

   mf

    mf

   

E7(b9)

  

End Solo

   

Montuno

   

E7(b9)

   

E7(b9)

   

    

















  

   

  

   

  

   

  

   











           

 

 

































   

 

     3           3              

          

            

          



           

 3 

mf

             mf

             mf

             mf            





Fmaj7(#11)





  

  

   

  

   

  

   



F%







  



  





 

    

 3 

    



 3 

    







E7(b9)





F%



E7(b9)

 

  





































(4)

 



 

 

 





















ff

        ff

     ff     

  

ff





    

 

    





Fmaj7(#11)





ff       

   

F%



ff

       ff

       



   

          

ff

   







   

Ad Lib



       





  

   

ff

         

E7(b9)

 

ff

      

   

                             ff        



     

(4)



 

     

ff

                         

 

  

                     

          





                    

          



 

                    

 

    



                  

    



  

     

 3 



F%          

          

         

 



Fmaj7(#11)





 

          

Fmaj7(#11)

                       







                                                      

3                 



         

  

           3      3              

    

F%          



Fmaj7(#11)



(6)









(6)









    

Fmaj7(#11)



ff



          

  



     



F%

  



















  





(8)







(8)





































































15

A. Sax. 1



   

A. Sax. 2

T. Sax. 1

T. Sax. 2

B. Sax.

Tpt. 1



A. Gtr.

Pno.



  



  



 



   



 



f

     f        f

   

 



   

   

 



   

   



   



   



   















  





 

       

 

       



E7(b9)

 

 



 





  

ff

   

  

  

 



    

  

 

  f

 

 

  

 

  

 



  

  

 



  

  

 

f

f





Fmaj7(#11)









 





 



   



 



   



 



   



 



   



 



   



 















f

 



 

f

    



  

f

  

 

  

f





 



        F%



Fmaj7(#11)





 





 

       



  

   





ff

   

ff

   

ff

ff

ff

ff

ff

E7(b9)



 F%



  

























   

ff



Fmaj7(#11)



   

 

  



 

 

ff

 

  



  



ff

 



 





 



ff

 

 

  



 E7(b9) Continue Montuno



ff

f









   





 

 



 E7(b9)

   





 

    

   







f







Bass

Dr.

  

  

Tbn. 3

A Gtr. 1

  



Tbn. 2

B. Tbn.



  

Tpt. 3

Tbn. 1

  

  

Tpt. 2

Tpt. 4

     f          

   







F%

              

   

               

E7(b9)









(4)







(4)









       



 

  

       

  

  

       

  

  

  

       

   

 

  

       

   

  

  

       



   













 

 

  



      

  

     



  

  



 



   

  



 





  

  



 













       

 



            



  























 

    

      



 

    

      



 

    

        



 

    

 

        

    



     

 

    



       

 

    



       



 

    

        



 

    

        

  





  







  







  









Fmaj7(#11)



 



  

       

   



E7(b9)

 

  



 

 

         



F%







 Fmaj7(#11)







 







(6)









(6)









 F%





  

























Fmaj7(#11)







F%









(8)





(8)





 

Aux. Perc.

 

Vln. I



















Vln. II



















Vla.





































Vc.







16

A. Sax. 1



1st Time Only      

A. Sax. 2

T. Sax. 1

T. Sax. 2

B. Sax.

Tpt. 1

Open Trumpet Solo

1st Time Only      

Tpt. 2

Tpt. 3















 

  

  

 



















 

















 

 

















 

 



















 



















1st Time Only

     

1st Time Only

  

 

  

 

1st Time Only

1st Time Only

  













Gmaj7(#11)



















F#7(b9)

















Gmaj7(#11)

















 

 

















 



 



















  



 





















  

 

















 





 

1st Time Only



1st Time Only

1st Time Only

1st Time Only

 

E7(b9)

 

 



E7(b9) Continue Montuno



  

Vln. I



 

Vln. II



Vla.















 







 

 

 







Fmaj7(#11)













E7(b9)

 

 

 

   

Aux. Perc.







Pno.

Vc.

 







 



A. Gtr.







Tbn. 3

Dr.







Bass





Tbn. 2









A Gtr. 1





1st Time Only

   





 

Tbn. 1

B. Tbn.



 

F#7(b9)

Tpt. 4



  

1st Time Only     



 

 

  

 



  















 





 

 

 









 

  

Fmaj7(#11)





Fmaj7(#11)

 

  



E7(b9)







 











  









 







E7(b9)





E7(b9)

 





Fmaj7(#11)







 



















 



 





Fmaj7(#11)





Fmaj7(#11)

  





  





  





 











  













(4)

















(6)

















(8)

















(4)

















(6)

















(8)





         

















 













































 

















 

17

A. Sax. 1



    

  

   

  

  

   

T. Sax. 2



Tpt. 2

Tpt. 3

Tbn. 1

B. Tbn.

A Gtr. 1

A. Gtr.

Pno.



Dr.

 

 



 









 









  



  

 







 

  



  

 









  



   



 



 







 



 







 

 



  

 

 



 



 



 

    



 



 









 







 



 







 



 







 









 









 









 







































  







  















  















  







  















  









  

































  









  



Gmaj7(#11)









 













  

















  

















 

E7(b9) Continue Montuno











 

E7(b9)

 



Fmaj7(#11)











 





 

 

  





 

 

 



 

 













Fmaj7(#11)

 

 

Fmaj7(#11)















F%





F%









Gmaj7(#11)







  











  

















  

























  



E7(b9)













E7(b9)





E7(b9)

 









 

 









F#7(b9)



 

 



F%



  

























E7(b9)











  

 

 

  







Bass



 

 

  









 

 





Tbn. 3







  

Tbn. 2

 

 



  

F#7(b9)

Tpt. 4



  

T. Sax. 1

Tpt. 1

 

   

A. Sax. 2

B. Sax.

131 Backings on cue

   













































Fmaj7(#11)

















    F%











 







Fmaj7(#11)



Fmaj7(#11)

  

 







F%





F%

  





(4)

















(6)

















(8)

















(4)

















(6)

















(8)





















Vln. II



















Vla.





































Vc.









































Vln. I







 







Aux. Perc.





18

A. Sax. 1



 



 



 





 

   



 

 

 



 



 

  

  



 

 



 



 







 







 













 

  







  



  







  











 



E7(b9)



Pno.











 

  





A. Gtr.





  



Bass























  

  

Tbn. 3

Aux. Perc.



 

Tbn. 2

Dr.

 

    

 

 



 

F#7(b9)

A Gtr. 1

 



Tpt. 3

B. Tbn.



 

Tpt. 2

Tbn. 1

 



T. Sax. 2

Tpt. 4



 

T. Sax. 1

Tpt. 1

Solo Continues

   

A. Sax. 2

B. Sax.

139

   



















  









  









  







E7(b9)



E7(b9)



  





 

 







 Gmaj7(#11)

























 

 





 



Fmaj7(#11)





  

  



  

  

  





 

 





   

 









Fmaj7(#11)

  

  

Fmaj7(#11)

 









 





 





 





 





  





  





  





  









 





 







 





 



 





 









 











    





  



 











 

 



 

 





 







 



 





 





 





 



 





 





   





 



f



f

 f

f

F#7(b9)



  

f



f

  f



f



E7(b9)

F%





  



 

 

 







 

F%





F%

  













(4)













(4)



  



 









 









E7(b9)





E7(b9)

 

  



 



f

f

   

Gmaj7(#11)















Fmaj7(#11)

 



 









 







 

  





 









 









 

 







f



 









 

f







f



 



 



 



 











f





  









  





















 



   

   

  





(6)





(6)

  







As Arturo



 

 F%





 







Fmaj7(#11)





Fmaj7(#11)

  





 







 



   











   

   

F%





F%

   

  













(8)









(8)























Vln. II



















Vla.





































Vln. I

Vc.



 



19

A. Sax. 1



A. Sax. 2

T. Sax. 1

T. Sax. 2

B. Sax.

Tpt. 1





  

   

  

   

  

  

   

  



   



   

     

   

Tpt. 2

Tpt. 3

Tpt. 4

147

   



       

       



  

   

   



  

    

    



   





   

           

   



     

   

   



Tbn. 2





  

   

   

Tbn. 3



 

   

   

B. Tbn.





     

   

   

 



A Gtr. 1

A. Gtr.

Pno.





 



Bass





E7(b9)





3   



  



   

Tbn. 1





   

  

   



   

    

F#7(b9)    

  



Gmaj7(#11)



   





Fmaj7(#11)

       

             



   

      



    

        









   

   

       

      

  

   

      

   

    

        



                     





            



     



  

 

F#7(b9)

           



  

   

      

  

   

      

  

   

      

  

   

      

 







   

   



  

   

   

 

  

   

   

  

   

   

 



 



  



   

   

                        



   



Gmaj7(#11)



   

ff

  



ff

  ff

  



ff

  

      

  

   

      

    

    

         G%





 

ff

ff

 ff

  ff





   

   

      



  

   

      

  

   

      

 

  

   

      



 



  

155

  

            



  

  

E7(b9)

F%

  





                     



  

                       



  



Fmaj7(#11)

 ff



ff

ff

ff

 E

F%



                          mf                         mf                       

   



   

    



     

   

mf                            mf                           f                          f

     

                 

f

     

                  

f



ff

ff

 

     ff

     ff



     ff      



     



    



ff

ff

ff



                  

   

                  

f

   

f

   

                  

f

                       f                             



    



    



     



    



    

ff

ff

ff

ff

ff

mf

 E7(b9)





E7(b9)











  





        

           









  



 (2)      (2)     

Fmaj7(#11)





Fmaj7(#11)

        



F%





F%

           





  

 

 (4)         (4)        

E7(b9)





E7(b9)







  





        

           







  



 (6)       (6)     

Fmaj7(#11)





Fmaj7(#11)

        



F%





F%

           





  



 E

  





    

 (8)         (8)        

 

Col 8vb



                         mf                     f

                      

 

    



    



    



    

ff

ff



























Vln. II



























Vla.

























































 

  





Vln. I

Vc.

 





 

 









 



 





Aux. Perc.





 

  





 



 







Dr.









 

                

mf



ff

ff

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