505 Great Piano Intros
March 29, 2017 | Author: sunupnow | Category: N/A
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505 Great Piano Intros Selected and edited by Kirk Miller
Copyright © ~ool Ekay Music Inc., 333 Adams Street, Bedford Hills, NY 10507
CONTENTS INTRODUCTION .....................
Ballad .......................... Medium Tempo ..................
.............. 49
Up Tempo .....
.............. 92
Latin ........
............ 114
Waltz .........
.............. 151
Blues .........
................ 161
Country .......
................ 167
Ellington ......
................. 174
SONG SUGGESTIONS INDEX ...................................
183
Song Suggestions Index KEY TO CATEGORIES
U-Up Tempo
B-Blues
B-Ballad
L- Latln
C- Country
M-Medium Tempo
W-Waltz
E- Ellington
After You’ve Gone M 89, U 113
Cheek To Cheek M 80
Ain’t Misbehavin’ M 71, M 80, M 83
Chelsea Bridge B 30
Alexander’s Ragtime Band M 53
Confirmation U 108
All Or Nothing At Al1 B 44
Conga Brava E 176
Alt The Things You Are B 32, BL 163, M 69
Corcovado L 126
Alone Togetheì U 105
Crazy Rhythm M 68
Amapola L 150
Could I Have This Dance? C 172
Am I Blue? M 54, M 57
Danny Boy B 8
Amor Verdadero L 126
Darn That Dream B 22
Angel Eyes B 37
Days Of Wine And Roses, The M 55
Anthropology U 107
Desafinado L 148
As Time Goes By B 14
Don’t Blame Me B 43
Autunm In New York B 27
E1 Manisero (The Peanut Vendor) L 126
Autumn Nocturne B 38
Embraceable You B 17, B 38
Baubles, Bangles, And Beads W 157
Exactly Like You M 86
Beautiful Love U 105
Foggy Day, A M 62
Besame Mucho L 126
Freight Train U 107
Bewitched, Bothered And Bewildered M 55
Garota de Ip~~ema L 126 (see also Girl From Ipanema, The)
Blue Eyes Crying In The Rain C 170 Blue Moon M 67 Blue Skies U 96 Blues In rpne Night BL 165 Bluesette W 152, W 155, W 159 Body And Soul B 42, M 77 Brasil L 126 Can You Read My Mind? B 16 Candy M 72 Caravan L 123 Chattanooga Choo Choo M 85
Gentle Rain L 126 Georgia On My Mind B 45 Get Happy M 88, U 94 Gimme Some Lovin’ M 82 Girl From Ipanema, The L 116, L 118, L 125 (see also Garota De Ipanema) Guantanamera L 123, L 126 Hallucinations U 108 Happy Trails C 171 Have You Met Miss Jones? M 90, U 97
Here’s That Rainy Day I~ 21, M 61
It’s Only A Paper Moon K! 54, I~1 75
How Deep Is The Ocean? I~ 23
It’s You Or No One B 24
How High The Moon IJ 101
Jeepers Creepers N 72
How Insensitive I_ 124
Jersey Bounce ltl 78
Can’t Give You Anything But Love M 59, ~ 87 Didn’t Know What Time It Was B 39, BI_ 163 Don’t Stand A Ghost Of A Chance With You ~ 18
Just In Time I~ 25 Kansas City N 56 Kentucky Waltz C 172 La Guarapachanga L 126 Lady Of The Lavender Mist ~ 178
Get A Kick Out Of You M 72, I~ 76
Laura L 119
Got Rhythm M 80, IJ 112
Leroy Brown ~! 56
Gotta Right To Sing The Blues BI. 166
Let Go I. 122
Had The Craziest Dream I~ 55
Let’s Catl The Whole Thing Off ij 100
Love You IJ 98
Like Someone In Love B 25
Remember You M 55, ~ 79
London By Night B 29
I’ll Be Seeing You I~1 61
Long Ago And Far Away 1~1 71
I’ll Remember April IJ 101
Longer I~ 19
I’lt Take Romance W 154, W 159
Looking Through The Eyes Of Love B 19
I’m Alt Smfles W 158
Love For Sale L 148
I’m Beghming To See The Light ~ 81
Love Me Or Leave Me B 47, I~1 51
I’m In The Mood For Love B 10, I~ 46
Love Walked In IJ 99
I’ve Found A New Baby IJ 102
Ma~~hattan BI. 164
I’ve Got A Crush On You B 9
Man I Love, The IB 18
I%e Got The World On A String I~l 84
Mas Que Nada L 126
I’ve Got You Under My Skin I~ 24
Meditation I. 125
If I Had You B 38
Memories Of You I~ 11
Imagination I~ 34
Mood Indigo I~ 40
In A Mellotone E 180
Moody’s Mood For Love B 38
In The Mood M 78
Moon Mist E 177
In The Wee Smatl Hours Of The MorrUng B 29
Moonglow I~I 63
Indian Surnmer I~ 10
My Fumay Valentine B 26, B 35, B 37
Indiana IJ 97
My Heart Stood Still B 17, B 20
Isn’t It Romantic? [~ 36
My Romm~ce B 31
It Could Happen To You [~ 34
Nearness Of You, The B 36
It Might As Well Be SprU~g B 33
New York State Of Mind I~1. 162
More BL 164
Nica’s Drean~ l. 148
Sweet Lorraine 13 38, N 91
Night Ax~d Day IJ 98
Take The "A" Train ~1 81, E 179
Night In Tm~isia, A ij 109
Tangerine I~ 57
Oh, Lady Be Good M 80
Tea For Two l_ 121
On Green Dolphiia Street ij 106
Tem~essee Waltz C 169
On Tt~e Road Agaia C 168
That Old Black Magie Ij 93
Once Upon A Summertime I~1 156 One For My Baby M 64
There Will Never Be Another You N 60, M66, IJ 99, IJ 106
One Note Samba 1_ 149
There’s A Smalt Hotel 13 29
Our Love Is Here To Stay ~I 77
Things Ain’t What They Used To Be E 182
Our Waltz W 152
Till There Was You 13 13
Perfidia I. 126
Tirne After Time 13 29
Pim~o Maia W 153
Time For Love, A 13 11
Polka Dots And Moonbeams B t7, 13 28
Too Marvelous For lATords 1_ 115
Preacher, The ~ 57
Triste I_ 120
Robbin’s Nes~ ~ 78 Rosetta Ij 110
Try To Remember W 160
’Romad Midnight 13 35
Walkin" The Floor Over You C 173
’S Wonderful ~1 58, I~1 74, Ij 95
Warm Vatley E 175
Satin Dolt 13 9, M 76
Wave I_ 124
Scrapple From The Apple ij 108
Way I Want To Touch You, ~fhe I_ 119
September In The Rain M 66
Way You Look Tonight, The M 68, ~ 70
Sister Sadie IJ 111
What Is This Thing Calted Love? I_ 117, l_ 126
Slighfly Out Of Tune (See Desafi’nado) Soli~ude 13 41 Somebody Loves Me 13 21, Fl 59 Someday My Prince Will Come W 154 Someone To Watch Over Me 13 9, 13 20 Sometimes I’m Happy Il! 73 Song Is You, The Ij 103 Soul Eyes 13 37 Speak Low lta 65 Spring Is Here 13 48 Stella By Starlight ij 106 Stompin’ At The Savoy ~ 81, ij 104 Stormy I_ 119
Up Where We Belong 13 15
What’s New? 13 12 Where Or When ~1 70 Witt You Still Be Mù~e? IJ 106 Witchcraft N 70 Yesterdays 13 26 You And The Night And The Music 13 23 You Are My Sunsbh~e C 168 You Don’t Know What Love Is 13 37 You Do Something To Me ~I 79 You Must Have Been A Beautiful Baby I~1 50 You Took Advantage Of Me I~l 52 You’re The Top ~1 58
INTRODUCTION
How Do You Start? nyone who has performed a song in front of an audience knows just how important a musical introduction to it can be. An intro sets the mood of a piece, establishes a key, and prepares the listener for what’s to come. Most commonly, an intro will present m~ important piece of melodic material--the last part of the chorus of a song, for example--to establish a theme. While this can be a very effective technique, an intro can be any number of tt~ngs. It can serve as a cue for other musicians or performers (see Hyman, p. 50); it can establish a characteristic "groove" (Scivales, p. 132); or it can suggest extra-musical clues, such as clock tower bells (Morris, p. 29). An intro can even be deceptive, begirming in one tonality and leading into another (Morris, p. 69). Indeed, there are as many ways to introduce a song as there are piano players in the world. (And at last count there was no shortage!) But the truth is, sometimes the greatest hurdle to creating a successful performance is starting out in the right way.
A
This book is designed to offer piano players a source of intros from which to draw for a variety of musical settings. While we’ve Included categories specific to well-established styles--Latin, countmd, waltz, etc.--the majority of the pop and jazz intros are divided into three broad classifications: ballads (for slower tunes), medium tempo (for many swing tunes and otheì moderately-paced songs) and up tempo (for faster songs). This will allow the individual player to select intros based on tempo, since many of the intros can be adapted to fit different styles. However, this is not to say that an intro found in the ballad categor~ for example, has to be used for a ballad: the categories (and tempo indications) contained herein should be used simply as guides. We’ve also included a special Ellington category that will allow you to play in the style of this great jazz master. And since transposition is so often a factor in performing, we’ve set each example in three keys. In addition, our arrangers have provided suggestions for tunes that work well with a particular intro, which we’ve organized into a handy index for quick reference. Naturally, these are simply suggestions--most of these intros are "generic" and can be used for m~y number of tunes. Ultimately, this book will best serve as a way to help you develop your own personally-styled intros and arrangements.
Ballad
7
DICK HYMAN . Some old songs are sung out of tempo. The introduction should therefore be out of tempo and might use the last four bars of the chorus.
Song Suggestion: Danny Boy
Gently flowing G~dim7 Am6 Fm6/A~ C/G
G7 C/G Bbdim7 D7/A F/G G7 C
Gently flowing Fl~dim7 Gm6 Ebm6/G~ Bb/F F7 Bb/F Abdim7 CT/G E~/F F7 Bb
(í~
Gently flowing A~dim7 Bm6 Gm6/Bb D/A A7 D/A Cdim7 E7/B G/A A7 D
Verses of show tunes are often out of tempo. Singers might require only a bell tone for some songs.
Song Suggestions: I’ve Got A Crush On You ~ Someone To ~Vatch Over Me
Song Suggestion: Satin Doll
3
Swinging ballad (~ = 110i ~ = ~’,~ 3
Swinging ballad (J = 110) ~ = J J~ D7
///
B~6/9
~
3
9
This is an out of tempo intro for ballads. Song Suggestions: Indian Summer ¯ I’m In The Mood For Love
Rubato Gmaj9/B
Rubato Fmaj9/A
D7/A
C7/G
Gmaj7 G6 B7/Fgt
Fmaj7 F6 A7/E
Em7
Dm7
A7
D9
G7
C9
rit.
Rubato Abmajg/c E~7/B~
Abmaj7 Ab6 C7/G
Fm7
Bb7
E~9
Song Suggestions: A Time For Love ¯ Memmqes Of You
F9/A
Rubato B~
Dm7/A Gm7
Ebmaj7/Bb
F9 Bbmaj7 B~,6/9
J
j
rit.
Rubato G
Bm7/F~ Em7
I~..~..~ ,~,__rìj~ I
Rubato C
D9 Gmaj7 G6/9
Cmaj7/G
rit.
,
1
I
G9/B G9 Cmaj7 C6/9
Em7/B Am7 Fmaj7/C
I
11
For in-tempo baltads that start on beat 3. Song Suggestion: What’s New?
BaHad in tempo
Ballad in tempo G9
Ballad in tempo
Song Suggestion: Till There Was You
Ballad in tempo (arpeggios) E~maj7 B~gsus4
Ballad in tempo (arpeggios) D~maj7 A~gsus4
Ballad in tempo (arpeggios) Cgsus4 Fmaj7
F6
E~maj7
B~9sus4
D[,maj7
A[,9sus4
Fmaj7
C9sus4
13
Song Suggestion: As Time Goes By
Ballad (.I = 100) Fm7
Ballad (J = 100) Em7
Ballad (l = 100) Gm7
E~,maj7/G
Dmaj7/F~
Fmaj7/A
A~6
G6
B1,6
Adim7
Fm7
E~13
BM3
G~dim7
Em7
DI3
Al3
Fl3
C13
Bdim7
Gm7
PRESTON KEYS Song Suggestion: Up Where We Belong
Slowly D~,
Slowly C
Slowly B~,
G~,
D~,/F
C/E
BI,/D
F
Et,
Ab9sus4
G9sus4
F9sus4
Db
C
B~,
Gb
Ab7sus4
Db
C/E
F
GTsus4
C
Bt’/D
Eb
F7sus4
Db/F
15
Song Suggestion: Can You Read My Mind?
Slowly c
D7/C
c
D7/C
Slowly B~
C7/B[,
Can You Read My Mind? conth~ued
D
D
~
Song Suggestions: My Heart Stood Still o Polka Dots And Moonbeams ¯ Embraceable You Fin9
B~’7(ï3)
Eb
~f
Slowly Dm9
G7 ( b 193 )
C
o
Slowly
Gm9
c7(ï3)
F
Song Suggestions: The Man I Love ¯ I Don’t Stand A Ghost Of A Chance l/¢ith You
Delicately G7sus4
Cmaj7
Delicately F7sus4
B~maj7
Delicately Ag7sus4
D~maj7
Song Suggestions: Looking Through The Eyes Of Love ¯ Longer
Moderately Ebmaj9 A~add9/E~ Eb
Moderately Bb Bbmaj9 E~add9/B~’
Song Suggestions: Someone To Watch Over Me ¯ My Heart Stood Still
Slowly Abmaj9/G
Slowly Fmaj9/E
A~dim/G
Fdim/E
E~
C
F
Song Suggestions: Here’s That Rainy Day ¯ Somebody Loves Me
Softly Bm7
Softly Am7
Softty Cm7
Abl3/Gb
CM3/Bbb
F6
Ab6
C7(~59 )/E
Eb7(~59 )/O
F6/9
Song Suggestion: Dat~l That Dream
Slowly Fadd9 Dm7
Gm7
E~,13 B~m7
Am7
Dm7
Gm7
C B~ Am Gm F
Fm7
B~ A~ Gm Fm E~
~iíJJ i~
Slowly Ebadd9 Cm7
Fm7
DH3 A~,m7
Gm7 Cm7
I,
Slowly Gadd9 Em7
Am7 3
Fl3 Cm7
Bm7
Em7
Am7
D C Bm Am G
t
ANDY LAVERNE Song Suggestions: Hozo Deep Is The Ocean? ¯ You And The Night And The Music
Ballad F~m76~) B7(~~) B7~~,9)
~’ ~-
A9(~ 5) A7(~9)
Dm7(l,5) G7SU~~ G7t~ Cm6/9/G G7~I93CmlI
Song Suggestions: My Funny Valentine ¯ Yesterdays
Ballad Em11~~,5) A7~I93
Dm9
Ballad Dmll(~5)
,~7~9 ~ ~~3
Cm9
Ballad Gmllt~, 5) ,~7~ 9
Fr~9
NOREEN LIENHARD Song Suggestion: Autumn in New York
Ballad Fm7
Ballad Gm7
Gm7/F
C9(~11)
Cm11
Bl’m11
Am9
27
Song Suggestion: Polka Dots And Moonbeams
Rubato A13dt9) DT~~ GI3 C7(~9) Fm7
Rubato B13(~9) E7t~ Al3 D7(~9) Gm7
B7(~5) BM3 E~,maj9
C17(~5) C13 Fmaj9
Rubato Ft~13(~9) B7t95 El3 A7(~9) Dm7
,8
G~7(bS) 013 Cmaj9
JOHNNY MORRIS Bell tone octaves provide a c]ock tower effect.
Song Suggestions: In The Wee Small Hours Of The Morning ¯ London By Night There’s A Small Hotel ¯ Time After Time
Slow ballad C6/9
G9
C6/9
G9
Slow ballad D6/9
Slow ballad Bb6/9
A9
D6/9
A9
F9
Bb6/9
F9
TOM NELSON Song Suggestion: Chelsea Bridge
Ballad B[,maj7/F F7(~9)
3
B~,maj7/F
F7(~9)
B~maj7/F
F7(~9) B9 B[,maj~/9
~ sy
-.î:~,~, ~ i~>~
~0
>~"
I
>~1
I
>i
~~>~
F7
Song Suggestion: My Romance
Em7
FmajT(~ll) Em7 Fmaj7(~ll) Eaug
Am7 BI, maj7(~ll)
Am7 B;maj7(~ll)
E~maj7
A~maj7
Aaug
D7(13) G7(13) D~7(~9) C6/9
G7(13)
C7(13) G1~7(~9) F619
Ballad
rit.
delicately
L
Bm7 Cmaj7(~ll)
Bm7 Cmaj7(~i1)
Baug
IL
Bl’maj7
Ballad
~4~
~F
A7(13) D7(13) AI,7(~9)
G6/9
,!. ~),r~, o,~,,,~o delicately
L__J L__J
31
Song Suggestion: Al1 The Things You Are
D~,m7
CV~~
Fm
legato
Ballad, even ~’s E~/B~ E~m/B~
Bl, maj7 G7~95
Cm9
E~m7
F~13 Fl3
D7~~
Gm
E7~~
Am
legato
Ballad, even .b’s F/C Fm/C
3,2.
Cmaj7 A7~~
Drn9
GII13 GI3
Fm7
Song Suggestion: Might As Well Be Spring
Ballad, even eighths Cmaj7 G9 Cmaj7
,~~:~_,,
. ..,,
G9
~~
Fmaj7(l!ll) E~7(~lI)
~" ~
, ~ ~ .....
Ballad, even eighths Dmaj7 A9
Dmaj7
A9
Ballad, even eighths B~maj7 F9
B~maj7
F9
Gmaj7(~I1) F7(~11)
E~maj7(~ll) D~7(tlll)
Em/Dm7 D~ 9(1t9)~~~
~~~.
Cmaj7
, b~ ~ . .....
F~m/Em7 E~9(~9;~[~
Dmaj7
Dm/Cm7 C~9(j!9)~~
B~maj7
Song Suggestions: Imagination ¯ It Could Happen To You
Ballad, even eighths E~maj7 Fm7
Ballad, even eighths Fmaj7 Gm7
Gm7
Am7
C7t99
DTt~
Fm7~~
Gm%1
B~7t193
E~maj7
E9(13)
c7t~9s
Fmaj7
F~9(13)
Cmaj7
CI19(13)
,J
Ballad, even eighths Cmaj7 Dm7
Era7
A7t99
3
4
Dm7~~
G7t193
Song Suggestions: My Funny Valentine ¯ "Round Midnight
Ballad, even eighths Cm9
A7613)
Ballad, even eighths Dm9
B7613)
Ballad, even eighths Bm9
G~7(b13)
Dm7(b 5)
Em7(bS)
G(~~] )
A(~~ )
35
Song Suggestions: Isn’t It Romantic? o 1he Nearness of You Ballad F6/9 B~9(1111)
A9(13) Dg(~II)
Ballad G6/9
B9(13)
Ballad Eb6/9
C9(gtll)
Abg(~ll)
G9(13)
Eg(III1)
Gmll D~9(~I1) C13SttS94 C13(~9) F
F/C
Amll
E~9(~11) D13S~49 D13(~,9)
G
G/D
Fmll
Cb9(~11) Bbl3SUS~ Bbl3(b9)
Et,
Et,/B~
M-~q
ALAN SIMON
1
Works for tunes that begin in the tonic minor. It begins on the IV chord of the relative major key. Song Suggestions: Angel Eyes ¯ You Don’t Know What Love Is ¯ My Funny Valenti~le ~ Soul Eyes
Fm9
with pedal
Slowly E~maj7(6) Bb/D
Cm7
F7sus4
Bbmaj9(6) E~maj9(6)
Am7(b5)
D7(~4)
Gin9
o
with pedal
Em7~5)
A7(~4)
Dm9
This medium walking ballad intro starts on the flat 5 and descends chromatically. For songs that begin on the tonic. Song Suggestions: Autu~nn Nocturne ~ Sweet Lorraine o If l Had You Moody’s Mood For Love ¯ Embraeeable You
Medium ballad Em7(b 5) Eb m7
Dm7
G7~~93
Cru7
F13
Bbmaj9
El3
Amaj9
’:~,~~, , ,-~~~í~, ~ ,..
Medium ballad D~rnT(~5) Dm7
C~m7 F117~~3
î ~’"’~ " ~-,~""’~í~"(f’~ t-;í_.~,d;"i
Bm7
~ ~"~~í~ í~~~ ~~~ ~~’>,~ ~’.i:~~~~
+
LOU STEIN Song Suggesfion: I Didn’t I(now What Time It Was Ballad Daddg/E
Bm9 E7~~ Amaj9
Ebg(~II) Eb9 D9(,~ll)
Dmaj7(~ll)
E~mll
AH369)
D~inaj9
D~,maj6/9 E7(no5) Amaj7
Ballad DI, add9/EI,
Ballad Eadd9/F~t
C#m9 FII7! ~ Bmaj9
Emaj7(~ll)
Fmll
Bb1369)
E~,maj9
Song Suggestion: Mood Indigo
Ballad Bm7 /,
.....
E7~n9
~ ~ , ., -_.,- ,.
Am7 o
D7~~ ~,,~ . o .....
Gm7
C9(~1I) .-,., ,.,
- ~ ,i ~ ~~’ "’L:~ idi II .,kis~~.~ ~~,,
Gin9 C9(~!11) Fmaj7 ~- ~-
,,,,~
i~ ~ f "
Song Suggestion: Solitude Ballad Gmaj7
G7(~, 5)
A9(13)
Ballad Fmaj7
F7(~5)
E7(~5)
E~maj7
Dm9 G9 Gin9
G9f13)
Ballad A~,maj7
Emaj7
A~,%,5)
Gmaj7
G7(~,5)
E[,TL~ 5)
Am7¢5)
D7~~ D9
E~,9(£5) D9(115) DI,9(~t11) CI3 F6
G~,maj7
Gt,7~,5)
Cm765)
41
Song Suggestion: Body and Soul
Slowly Dm9
Gm9
Dm9
Gm9 Eb(~ll) Dm9
Gin9
Dm9
G13 G(~5) C6/9
Song Suggestion: Don’t Blame Wie
Ballad Era7
Cmaj7
,.!
-9: C
!
~J
z
Ballad Dm7
GI3(~,9) A7(H3)
Cm7 F1369) F7(~5) A[,9(~ll)
GT~~
B[,maj7
J
Ballad Fm7 B~,13([,9) B[,7(~13) Ebm7 A1,13(~9) AI,7(~5) Cb9(~ll) B~,7t~
A9(~11)
A~,7t~
D~,maj7
4.:
Song Suggestion: All Or Nothing At AII Ballad E~’/B~
D~’/B~
G7(Ies)
C7!~
C~’/B~’
F7(I5)
B!’
B~,7I~
Gmg~~
Et, maj9 Cm7
C~,97!’5
Fm7
A~m9~~7)
A~’m7
Fm9 B~(~9) Et, maj7 O
A7(~s)
Ballad C/G
E7(;~5)
D7~~
G7(~5)
B~’/G
A7t9~
A~’/G
D7(~S)
Fraai9 Dm7
C7t~
G
GTt~
Emg~~
Cmaj9 Am7
Gm7 Gm9 C7(~,9) Fraai7
"7~~
Dm7
Fmg(~7)
Fm7
Dm9 G7~9) Cmaj7
Song Suggestion: Georgia On My Mind
Ballad A~,maj9 A~,m(l~7) At, m7 Gm7
G~m(;~7) G~m7
GH3
J, ,r’;_~J ~,,~
Ballad D~maj7 D~,m(~7) D~,m7 Cm7 Ct, m(~7) CI, m7 B~,m7 G~,9(~II)
Ct,13
E~,7(t~9) E~,7t ~ A~,maj7
J~,J ~J
45
Song Suggestlon: ISn h~ The Mood For Love Rubato D~maj9 B~m9
~11~
.......
Am9
Rubato Ebmaj9
1.6
Fmll
Bb9
I I
II
Gm7
I~ ..-.
E9
~r’
Em7
Dm11 G9
Cm9
~l.
Fm7
I I I I I I I "flV
~ I ~ ! .....
Rubato Cmaj9
~
E~,mll A~9
Eb9
FII9
~ /
Amaj7
I ~ ~"
E~m11 AM3
#
/
D~maj7
I°
II
Abmaj7 Dm11 G13 Cmaj7
Bmaj7
Fmll B~,13 Ebmaj7
I ~j+d~~ ~~ I /
It
Song Suggestion: Love Me Or Leave Me
Medium slow Fm Bbm7
Medium slow Em Am7
Fm
Em
B!,m7
Am7
Abmaj7
Gmaj7
Ab7(bS)
G7(~5)
G765)
F~7(~5)
C769) C7(~5)
Fm9
B7(b9) B7(~5) Em9
I I
Medium slow Om Cm7
Gm
Cm7
AT(bS)
D7(bg) D7(~5)
Gm9
4
Song Suggestion: Spring Is Here
Slow ballad Dm7d,5) G7~95 G70o9) Cm7
Slow ballad EmT(~5) AT~~ A7(b9) Dm7
Slow ballad BmT(~5) E7~~ E7(b9) Am7
F71I
Eb7sus4 Db/E~,
G71~
F7sus4 E~/F
D7t~
CTsus4 B~/C
,I
48
E9(~5)
E~13sus4 E~7(~9) A~,maj9
F~9(~5) FI3sus4 FT(bg)
C~9(b5) Cl3sus4 C7(~9)
B~maj9
Fmaj9
Medium Tempo
DICK HYMAN For rehearsing a chorus line, still the best way to get their attention is the ancient "Schubert," named for the producer of early Broadway musicals. Song Snggestion: You Must Have Been A Beautiful Baby
120 G7
F/A A~dim7 GT/B
120 F7
,J = 120 D7
,~~.. L’--L
l,,,-,-, :_r ~0
Eb/G G~dim7 FT/A
C/E
b.
E~dim7
D7/F~
~_.
,~
,,
, ~ ~ ~~ ,, ~ ~ ~ ,,
Song Suggestion: Love Me Or Leave Me
Bluesy (~ = ~ .~) B~dim
Bluesy (~ = l.~) Cdim
G~7
B~
Ab7
F
F
Cdim
G
B~
~ ~M I..JJ~:
Ab
G
JJ -
[¢
Bluesy (.~ = d Fdim
E~
D~7
C
Fdim
E~
D~7 C
5
Song Suggestion: You Took Advantage Of Me
100 (d~ = E~maj7
Edim7
E~maj7
Edim7
D~m~7
Ddim7
3
BUmaj7 3
Fmaj7
F~dim7
C9
Song Suggestion: Alexander’s Ragtime Band
F
D7
G
E7
G7
F
G
132 (~ =
F7
E~ ,1 = 132 (~ =
,,. -.
~î~í. ~,
Bb7
Song Suggestions: Am I Blue? ¯ It’s Only A Paper Moon
F/c
DTt~
F6
Gm765)
F~Frl ’ ~
E~6
Fm70~5)
’/ , v I I F I~ ,t
.I = 100 (~ = ,~.~) A[’/E~’
.." b tY h ~’!
î’
F71~
B~,m7(~ 5)
E~765) D7(~5) D~765)
F6
F D~7(~5) C7([,5) Cb765)
E~6
PRESTON I
A
A
D7 Abmaj7(~l~)
Am/D
Gmaj7
Medium swing
Ab/Eb
Bbm/Eb A >-
E~7 Amaj7(~ll)
Medium swing
Bg/F A
~~’
~
’v’v,
,
.
Cm!F ~
A
l
/
F7 >
B~/F
~ ’I
_. I, .....
A
>
’ P ’ p~
~
F7 A
~
I._
~ ’P’" ’;~~ i"P’~ ~ k~ ’i"p’~ ’p" I"k~’~ B~/F
Cm!F
F7 Cbmaj7(~11)
i
Bbmaj7
Bg7
Bb7
Bb6
C7
C7
C6
A
Medium swing Dm7/G
DmT/G
,6
Ebmaj6/9(~ll) Db9~193
CT/B~
C7 ti93
AA
Medium swing Gm7]C
Gm7/C
E~maj7/B~
07
G7
G6
FmajT/C
Fmaj6/9(~li) Eg9~193
D7]C
D7tI93
Song Suggestions: Body And Soul * Our Love Is Here To Stay
Dm9 E~m9 Cm9 Bm9 Bb7(~ll)
Slow swing Dm7
Dm9
C~m9 Dm9
Bm9 Al~m9 A7(~11)
3
Slow swing Fm7
Fm9
Em9 Fm9 Dm9 Cl~m9 C7(~11)
77
Song Suggestions: Jersey Bomlce o In The Mood ~ Robbin’s Nest
Có
F6 F~dim7
C6/E
Medium swing
E~6/G
D9
A~6 Adim7
Eb6
3
Eb6/G
Medium swing
B~6
78
B~6
, r’f-I
A~6 Adim7
B~6/D
B~6/D
E~6
p~’ o-’~--~-
..4
E~ó/G 3
,, ~. ~, ,. , r’n, ,,~----------~,J
Egó
GI3
¯
Edim7
B~6
C9
~.
¯
¯
b. b . /
F9
E~6 Edim7
.
Abó Adim7
b , ~
BH3
Bb6/D
3
Eb6 Edim7
Fl3
~ ~. _
Song Suggestions: You Do Something To Me , I Remember You
Slow swing E~
Slow swing F
Slow swing C
D/E~
E/F
Fm9/E~
Gm9/F
Dmg/C
Bbl3(b9)
C13(t,9)
G13(b9)
ALAN SIMON Here’s a Count Basie-style intro for any medium or up tempo swing tune beginning on the tonic.
Song Suggestions: Oh, Lady Be Good o Cheek To Cheek o Ain’t Misbehavin" o I Got Rhythm Medium or up-tempo swing (d~ = ~ d~) 06 G~dim7 Am7
D9(13)
repeat 3 times
Medimn or up-tempo swing (d~ = F6
8o
F~dim7
Gm7
C9(13)
repeat 3 times
Another Cotmt Basie-style intro. Song Suggestions: Take The "A" Train ~ Stompin" At The Savoy ~ I’m Beginning To See The Light
A~ó
Abdim?/Cb
B~7
E~7
C6
D7
G7
D Gadd9
Bbdim7/Db
B~6
C7
B~ E~add9
CdimT/Eb
F7
C Fadd9 Bb6
C G~7 F
Eb?
A~6
E~m7r~5~/A
G7
C6
B~9
E~7f95
E Bb7 A
GmT~5)/CII
F?
D9
GT!~
D Ab7 G
Fm?(bS)/B
C9
FTt~
LOU STEIN Song Suggestion: Gimme Some Lovin’ Medium rock A~7
Medium rock G7
G7
G7
F7
,-
G
’ n, ì~
o
Medium rock C7
C7
Bb7
B~7
C7
C7
Bb7
c
Song Suggestion: Ain’t Misbehavin" Medium swing E~maj9 CmII
~
Fin9
BH3
J
B~9
Ebmaj9
CmH
B7
Bb9
I
F7(~5) Bt,6/9
Eb
! Medium swing D~maj9 B~mll
E~m9
At,13 A~9
D~,maj9
B~,mll
A7
A~9
8:
Song Suggestion: I’ve Got The World On A String Easy swing Em7
Cmaj7
Easy s~~äng Gm7
Dm7
Dtldim
Ebm7(~9)
Fttdim
Dm7
(DmI1)
Dm9
G7
Fin7
(Fmll)
G9(13)
CC~9
Fin9
B~9(I3)
Song Suggestion: Chattanooga Choo Choo Easy swing Eb9
Ab6
Eb Eb7
Ab
Easy swing C9
C
C7
F
Easy swing F9
F
F7
Adim
F6
B~
Bdim
Cm7
F~diin
C6/G
Am7
C6
Bdim
F6/C
F6
B9
B9
Eb6
F~dim
Bb6
Eb6/Bb
Adim
Dm7
Bb9 Bbl3(b9) Eb6
G~9
G~9
G9
G9 G13(~9~ C6
C~9
C~9
Bb9
C9 C13(b9)
C9
F6
8
Song Suggestion: Exactly Like You
Easy swing Cmaj9
Ebdim7
Dm11
Cmaj9
G13
~; .. ~’~.___~. ~ .~~~
E~dim7
Dmll
G13
l
C
C7
F
Fm
C/G
Easy swing B~m~9 D~~m7
B~
Easy swing Egmaj9
BU7
G~dim7
E~
FmlI
BH3
E~/G
D/G
D~’/G
Cmaj7
Song Suggestion: I Can’t Give You Anything But Love Medium tempo At,13
G~,13
G1’13
A[’13
Medium tempo BM3
Bbl3
Al,13
EI3
AM3
Ab13
Bb13
F~13
GM3
El,13sus4 Eb13(9)
A~13
F13sus4 F13(9)
Medium tempo G13
G13
Fl3
FI3
GI3
Ebl3
Fl3
D13sus4 D13(9)
8~
Song Snggestion: Get Happy
Medium fast Dr’ 6/9
Db
D~/F
D~/F
G~
G~
Gdim
Gdim
D~/A~
Medium fast C6/9 C/E
F
F~dim
A7
Am7
F/G
A~7
Ab13(~9) Dbmaj7
,
¯
,~~í~
B~m7
G~/A~
Ab7
G7
B7
B~7
BH359)
E~maj7
.I C
C/E
F
F~dim
C G13d’9) Cmaj7
C/G
3
Medium fast EVG E~6/9
E~
E~/G
A~
A~
Adim
Adim
A~/B~
Cm7
E~
Song Suggestion: After You’ve Gone
Medimn fast B~maj7
Dm7
Bdim
E~m7
G7
C9 F7t~
Medium fast A~6 ASmaj7
Cm7
F7
Medium Nst Cm~7 C6
Em7
Cru7
A7
Bbm7
Adim
B~m7
A~
C~dim
Dm7
F711
B~9 E~,711
Fm7
Dm7
C
Dbm7
A719~
D9 G7t~
Ab7
B~,maj9
Gt,7
A~m~9
B~7
Cmaj9
8~
Song Suggestion: Have You Met Miss Jones? Easy lilt F6/9/A
F~/~/A
Fg]A
Gm7
Gm7
Easy lilt Eb6/9/G
E~~/9/G E~’9/G
GmT~,5~
Fm7
Fm7
Easy lilt G6/9/B
G6/9/B
Am7
B~9/D
Am7(~5)
D~9]F
Eb6/9/G
E~~/9/G C~’9/E~
D9/F~
G6/9/B
Gm7
F6/9/A
F~[9/A
Fm70~51
Am7
G9/B
C9/E
G6/9/B
E~9/G
Gm7/F
Cg/E
Fm7
FmT/E~, B~9/D
Am7
Am7/G D9/F~
C9/E
Fraai7
Bbg/D
E~,maj7
D9/Ft~
Gmaj7
Song Suggestion: Sweet Lo~~’aine
Medium tempo G~mll Cb7 Fm7 Gin7
F~7
Gm7
G~,m7 C~13 Fm7 Bgl3sus4 Bb7(~9)
m m, I ,.,.. ~ r1’1~~~,, ~J , I ,, ~ ~ ’,’-ï-’~ ’, ld’,~~~ I I ~’’11 I~ ’,[~)~~-~ ’~~2
l~~~ b ,~ ~ ,, ,,,,a,~, q
~« ~t~ r l "" ~~
Medium tempo Cm7 C~mll FW B~m7
(~ b
t,~ ~ I L
A7
,./
Ib
’,
,,
II ,
! " ~ ~ II*
I~
Cm7
,
E~maj7
C~m7 F~13 B~m7 E!,13sus4 E~70,9) A~maj7
b~ ~ I L
~
~
II /
91
Up Tempo
9:z
~ DICK HYMAN To set up songs with a pickup quarter note in the melod~ a good idea is to leave the final beats of your intro silent.
Song Suggestion: That Old Black Magic
120 (~ = Eb6
120 (.~ = ~ .b) F6
B9
B,~
C9sus4 C9
C~9
C9
F6
A
~í,;.,~:~ ~ ~~ ~ ,~.~.,-r~77~ ~ ;.
120 (~ = C6
G9
C6
G9sus4 G9 AA
í’í’lrr’l,
93
This "vamp-til-ready" was called "the Cantor," after the theme song to Eddie Cantor’s 1930’s radio show.
Song Suggestion: Get Happy
126 B~6 B~6/F Cm7 F7
126 Eb6 E~6/Bb Fm7 Bb7
126 C6 C6/G Dm7 07
94
Song Suggestion: "S Wonderful
170 (~ = Gm7
C7(~9)
F9G5)
B~769)
Edim7
E~
F7(b9) B~7
II
170 (,IJ = Em7
A7(~9)
170 (J~ = ~ d)) Am7 D7(~9)
D9(~5)
G7G9)
G9(~5)
C769)
C
C~dim7
F
Flldim7
D769)
G7
G7(~9) C7
95
t
PRESTON KEYS Song Suggestion: Blue Skies
With a beat C/E Cdim/E~ DmT(no5) Cdim/E~ C/E
Cdim/E~ C/E
E7*
Dm7 Gl3âdd9 Cmaj9(6)
With a beat B~/D B~dim/D~ Cm7(no5) B~dim/D~ B~/D B~dim/D~ B~/D D7. Cm7 F13add9 B~,majg(6)
~J
o
*Can also go to Gm
With a beat E~/G E~dim/G~ Fm7(no5) E~dim/G~ E~/G E~dim/G~E~/G
G7 * Fm7 BH3add9 E~maj9(6) o
*Can also go to Cm
96
í
_AN DY LAVE RN E Song Suggestions: Have You Met Miss Jones? o indiana Swing F6/9
Amn
Swing G6/9
DT(t~)
Gmll
Db7(~ll) C7(~1I)
Bb7(~ll)
DT(~~ )
F
E7(t193)
Amli
A7(t~3)
Eb7(~ll) DT(~ll)
C7(~11)
G
DI3(II )
~I~~:öo Fmli
C~7(~ll) Bb7(~ll)
)~ Gmll
~5 C7(~9)
F7(~9)
Bbl3(~i)
A~,7(~ll)
Song Suggestions: Night And Day . I Love You
E~,maj9(add 6 )/B~
AH365)
BrisMy F6/9/C
D13(~ i )/C
G13
C13(~~ )
Cl3sus4
Fmaj7
Cl3(~ ~ )
Fmaj9("dà 6)/C
Briskly D~6/9/Ak
D~, maj 9(a’:kì 6 )/Al,
98
Gmaj7
BH3(~ 95 )/A~
G!,1365)
AH3sus4
Fl3
AH3(~ 95 )
B~,13(~ ~ )
Ebmaj7
Song Suggestions: There Will Never Be Another You o Love Walked In
Briskly E~,6/9/BI,
B~13(~ ~ )
E~maj9(6)/B~
B~7(~ ~ )
Briskly Fmaj9(6)/C
C7(~ ~ )
F13
G7(~ 95 )
C13
Briskly GI3(~ ~ )
Cmaj9(6)/G
99
1
asic ii7 V7 vamp _~O H INvi7 NY/V~ORRIS
se as separate 2-bar intros or combine them to make 4 bars or longer
Song Suggestion: Let’s Call The ~Vhole Thing Off
Fast F
Dm7
Gm7
C9
Fraai9
Dm7
C9
Gin9
OF
Play 4 times
Play 4 times
Fast
Et,
Fast
A~
Cm7
Fm7
Fm7
B~9
B~m7
E~maj9
E~,9
Cru7
. .i,i.~
,
A~maj9
Fm7
O?"
O0
Fm9
B~9
,
¯
B~m9
El,9
.
Pedal Tone In[ro
Song Suggestions: How High The Moon o I’ll Remember April Up tempo G6/D B~dim7/D Am7/D B~dim7/D
G6/D B~dim7/D Am7 B~dim7/D G6
D7(~9)
Up tempo B~6/F D~dimT/F CmT/F DgdimT/F Bg6/F DgdimT/F Cm7/F D~dimT/F Bb6
~,~,!,~:,,.,J ¯
l
,!
|
.,. I
.11 .~_.4.
!
,I
I~
~. ~ ,
C7(~9)
Minor key Intro leading to tonic.
Song Suggestion: I’ve Found A New Baby
Up tempo Dm6
GdimT/D
Dm6/A
Up tempo Fin6
Up tempo Cm6
)2
Dm6 Bbdim7/A
Faug/A Dm6/A
BbdimT/F
FdimT/C
Fin6 Dbd1~nT/C
Cru6
Dm6/A
B~dim7/A
B~9
Dm6/A C~dim7/A
A9
Fm6/C
AbdimT/G Cm6/G
D~dim7/C Fm6/C EdirnT/C
AbdimT/G
Cm6/G BdimT/G
TOM NELSON Song Suggestion: The Song Is Fast swing Cmaj7~~h~)
Cmaj7(~I1)
E~maj7(~II)
G7sus4
G7sus4
B~7sus4
Cmaj7(~ll)
Cmaj7(~II)
Cmajg(6)
E~,maj7(~ll)
E[,majg(6)
Fast sMng Bbmaj7(~I1)
F7sus4
B;maj7(~ll)
L~ i:,1’ ,,.~
t
B~majTdíll)
F7sus4
Bt, maj7(~ll)
B!,majg(6)
Song Suggestion: Stompin’ At The Savoy Fast swing F6/9 A
F% A
F%
A
A
A
A
C7(~í9)
Fast s~fing E~6/9 A
D~6/9 A
A
A
A
E~6/9
Gb6/9
A t, 6/9 G~, 6/9 B~,7(~9)
r I~~ Fast swing
G% A
F6/9 A
A
A ~)A
A
A
~
A
IA
B~,6/9 D7(~9) A
)4
G6/9
Song Suggestions: Alone Together * Beautiful Love Fast swh~g Esus4/Dm
Dm9(~6) o
3
A
Fast swing Dsus4/Cm
Cm7sus4
A7~ ~
A7(~9)
G7~~95
G7(~t9)
Cm9(~6)
10
ALAN S I/’,AO N This h~tro uses a V pedal and can be used for any tune begimfing on the tonic.
Song Suggestions: Will You Still Be Mine? ¯ On Green Dolphin Street There Will Never Be Another You . Stella By Starlight
Fast F13(b9) F7(~9) F130o9) FI3fl]
F13(~9) F7(~9) F7~~ F7(~9) F13(b9)
Eb
Bb pedal
Fast G13(b9) G7(t~9) G13(b9) G13~~9
G13(~9) G7(~9) GT~l~ G7(~9) G13(b9)
F
C pedal
Fast D13(~9)
G pedal
"~o6
D7(~9) D13(b9)
c
Circle of fifths progression. Song Suggestions: Anthropology e Frefght Train
D7(b9) G7(b9)
C7
F7(b5)
10
This is Bud Powell style bebop, with the V as a pedal tone. Song Suggestions: Hallucfnatfons ¯ Confirmation * $crapple Froín The Apple
Fast F/C ~
r ~J L..J
C pedal
Fast
o
D pedal
Fast Eb/Bb
B b pedal
~a
~
t
LOU STEIN Song Suggestion: A Night h~ Tunisia
Be bop medium tempo C7 C7(~5)
C7
C70,5)
C7
Fmaj7
C7(~5)
.Ij
Be bop medium tempo B~765)
B~7
B~7(b5)
B~7
B~70,5)
E~maj7
o
Be bop inedium tempo D7 D%5
D7
D765)
D7
D7{~5)
Gmaj7
o
Song Suggestion: Rosetta
Fast
F
[~
F7
F Db9 C9 F
F
B~
[~
ii
G~
G
l 110
F~~
G7
C
~
G~m
Cm
:’ir
Db
G
C
A9
Ab9 D~
G Eb9 D9 G
Song Suggestion: Sister Sadie
Swing Eb6
D7/F~
A7/E
G7
8
J ,J ,! :_J Cm7
C~dim
B~
F7 B~
,J Swing Db6
~ ~ ,~
~
G7/D
~, . ~
A!,
C7/E
"
. k.~’~’,-,- ,
....
F7
~
-
~
B~m7
S~,Ang F6
Dm7
D~dim
~z FItF{~’í:’,
C
G7 C
C
LZ IZf[’iL-J ~~í,íiirí. 3
"
Song Suggestion: I Got Rhythm Fast swing B~/D
C~dim
Fast swing A~/C
Bdim
Fast swing C/E
D~dim
Cm7
C~dim
B~m7
Bdim
Dm7
D~dim
F
c
112-
C/E
F
F~dim C/G
G13
Cmaj9
Song Suggestion: After You’ve Gone StHde A~
A~
At,7
Fm7
B~m7
D~/F
E~7
A~
Eb7
E7
E7 A~/E~ N,C.
E1’7
A~
S/ride F
F
Stride B~
Dm7
F7 B~/D
Gm7
B~7 E~/G
C7
Gm7
C~7 F/C
Cm7
C7
F
C~7
N.C.
F7
F~7 B~/F N.C.
C7
B~,
F
F7
F~7
F7
B~
11.-"
13tin
114
t
DICK HYMAN This intro presents a motif that can be incorporated into the arrangement.
Song Suggestion: Too Marvelous For Words
120 (~ = ~~) Cru7
F9(a~d 6)
Chorus: Cm7
2>-
F9(add6)
>
>
F7(~, 9)(add 6 )
L
120 (~ : Am7
D9(add 6)
D 9(add ó )
Am7
Chorus: Am7
D7(b 9)(add 6 )
11
Song Suggestion: Too Marvelous For Words con~nued 120 (~ = da5) Gm7
c9(add ó )
Choros: Gm7
C 9(a~à 6 )
C 7(~ 9)(a~á 6 )
Gm7
Song Suggestion: GirI From Ipanema Bossa Nova (d = 120) A~maj9 B~m9 Bbm9/Eb
Bossa Nova (d = 120) Ebmaj9
Bossa Nova (~ = 120) Fmaj9
Fm9
Gm9
Fm9/Bb
Gmg/c
This intro can be used for Latin D-mes and up-tempo songs. Song Suggestion: What Is 7bis 7hing Called Love?
154 B~majI1(~,9)
BbmajT(b9)
154 CmajlI(b9)
Cmaj7(bg)
154 Fmaj11(~9)
FmajT(~9)
t
PRESTON KEYS Song Suggestion: The Girl From Ipanema
Bossa Nova Gadd9
Fadd9
Gadd9
Fadd9
Gadd9
o
Bossa Nova Aadd9
Gadd9
Aadd9
Gadd9
Aadd9
!
k~" ,,
I ~J. I) F ~ I,,
BossaNova Fadd9
E~add9
I ~J. I) r ~ II ,,
Fadd9
Ebadd9
Fadd9
Song Suggestions: Laura ¯ The Way I Want To Touch You o Stoí~~y Bossa Nova Bm7(~ 5)
B~m6
B~m6
F/A
Bm7(~ 5)
G~dim7
F/A
G~dim7
Gin7 C7
F
Bossa Nova C~m70o5)
C~m7(b 5)
Cm6
Cm6
G/B
G/B
B~dim7
A~dim7
Am7 D7 G
Bossa Nova A~m6
Am7(~5)
Am7(~5)
A~m6
E~/G
F~dim7
E~/G
F~dir~~7
Fm7 B~7
E~
~
NOREEN LIENHARD Song Suggestion: Triste Latin B~m7
E~7
A~in9
D~7
B!,maj7
G~m9
120
G1’7(I*9)
Latin Gm7
C7
D~m9
E;7(~9)
Cmaj7
Fin9
Bmajg(;5/
C~lmaj9(b 5)
B~
C
B~7
Gmaj7
G~maj9(bs)
G
J OHNNY MORRIS
1
This is a Cha Cha intro with a il V9 pattern.
Song Suggesfion: Tea For Two
Song Suggestion: Let Go
Cha-Cha-Chà Am
Eaug
Am7
D7
ramp
Cha-Cha-Chà Bm
F~aug
Bm7
E7
vamp
Cha-Cha-Chà Gm
Daug
Gm7
C7
Latin beat C7 (V of Fin)
Song Suggestions: G~lantanalllera ¯ Caravan
Latin beat D7 (V of Gin)
D7(#9)
Latin beat B~7 (V of Ehn)
B~7~9)
~ J J j’-qj J
TOM NELSON Song Suggestions: Wave * How Insensitive Bossa Nova Dm
Bossa Nova Em
A
Bossa Nova Cm
:>
A
:>
3
Song Suggestions: Meditation ¯ The GirI From Ipanema
Bossa Nova D6/9
~%
E~6/9
~~~/~
D6/9
~%
El, rílajl3
~/~~
Bossa Nova
B~q9
O6/9
Bbó/9
Ornaj~3
1:
RICCARDO SCIVALES Following are some piano intros relath~g to widely used Latha rhythms and styles. Some of these intros can be used to start well-known pieces like: Guantanamera ¯ Amor Verdadero ¯ What Is This Thjng Called Love? Perfidia ¯ Besame Mueho ~ El Manisero (The Peanut Vendo~9 La Guarapachanga o Garota de Ipanema Gentle Rafn ¯ Brasíl ¯ Mas Que Nada ¯ Corcovado Other intros are more generic and can be applied to various situations.
D)
Cha-cha-chà (,I = ca. 116) F B~ C7 B~
Cha-cha-chà (J = ca. 116) C F G7 F
126
F
C
C
G
(Gm C7
(Dm
F)
G7
c)
v
Merengue (J = ca. 144) G7@9)
Cm
G7¢9)
G7
oo
o~
r’
Merengue (~ = ca. 144) Dm
Merengue (J = ca. 144) F~7@9)
~
Bm
~
(Cm
i~
r’
Cha-cha-chà (d = ca. 138) Cm7
F9
Cm7
F9
mf cresc.
with pedal
Cru7
F9
Cha-cha-chà (.~ = ca. 138) Dm7
Dm7
G7{~9)
G9
Dm7
G9
A7(#9)
(Cm7)
G9
(Dm7)
BH3 A7(~5)
J
8vb
Cha-cha-chà (J = ca. 138) Em7 A9
-"- ¯
~.~ "..;’.’+~ ~+. ~ "I ~ j J with pedal Em7
AH3 G7(#5)
"I ,,’: .++ J
A9
A9
-C-’
J
8vb -
Era7
- ~.ì_~» ! "1 ~ _j
I ?~"~~’-~~
B7(~9)
j
I
~,-,J
8vb _ _
C13 B7(~5)
(Em7)
Cha-cha-chà (J = ca. 130) C7(I3) F9add~9 B!,903)
C7(13)
F9ad~~9 B1~9(13)
Cha-cha-chà (./ = ca. 130) D7(13) G9aCu~9 C9(13)
D7(13)
G9a~t19 C9(I3)
Cha-cha-chà (./ = ca. 130) B~,7(13) E~,9adâ~9 A!,9(13)
B~’7(13)
E~’9adá~9 A!’9(/3)
F9~dd~9 C7(13)
F9aoà~9 B~,9(13)
B!,9~~53 B[,m9 EI,9(13)
G9aâdtl9
D7(I3)
Ggadd~9 C9(I3)
E~,9adá~9 B~,7(13)
A1,9~~53 A~m9 D~,9(13)
(Gm7 C9)
D7(~9)
C9~~53 Cm9 F9(13)
E7(~9)
G9add~9
(Am7 D9)
E~,9add,~9 At,9(13)
C7(~9)
Fga~à~9
EI,9aeal~9
(Fm7 B!,9)
Guajira (J = ca. 118) Dm
Gm
A7
C
Dm
B~
A7
(Dm)
I í #í I I ~í Fl
),.Ij j
Guajira (J = ea. 118) Em
_~, -----
Am
8vó sempre
Guajira (J = ea. 118) Cm
Fm
G7
Cm
B~’
Al’
G7
2
rír .....llrl
í«
O;d’, ,~’~ ~, ~ J. 4
8vb sempre
"~3o
r-ï , ~~r, r .. , .- .~, i~_~ Iii J ~’
.’"., , ’~.~r’~, ,
11 I I I~~I I LW
(Cm)
Mambo (,J = ca. 88) C9
B~I3
C9
Mambo (J = ca. 88)
B~13
C9
B~13 C9
C13
DM3(b5)
C13
Mambo (,1 = ca. 106) G7
F/G
G
F/G
(G7)
G]A
¯j A 8v~ sempre
G/A
~
G
~
Et,
F
(A7)
fS
Mambo (,I = ca. 106) F
F
EVF
cFesc,
L
(F7)
Salsa (d = ca. 106) C F G
C
F6
G
C
(c)
Salsa (d = ca. 106) D G A
D
Gó A
D
G6
D
Salsa (J = ca. 106) F $
1
B~
E~6
D
(D)
B~
(B~)
F 3
3
E1’6 3
~A
3
~F
II~. G7sus4/F>
Gsus4
Bm755)
Latln Jazz (Fusion) d = ca. 112 Cm7(!,5) F7 B~m7
i~ I ’,~J
134
El,7
Gm7(~5)
(Dm70~5))
Bolero (J = ca. 106) B7 E7
Am9
(G)
D13
Tirnbales:
V
Bolero (J = ea. 106) C~7
Bolero (J = ca. 106) A7 D7
Bm7
Gin9
EI3
C13
(A)
(F)
Bolero (l = ca. 96) D
E~7(~5)
~
Eb7(~5)
h
Dm
A
Bolero (d = ca. 96) E
F7(~5)
Bolero (,1 = ca. 96) C
..... ^ , D~7(~,5)
D
A (Dm)
A
F7(~5)
A
E
Em
(Era)
Db7~,5)
C~m
C
(Cru)
Rumba (commercial, hot folk) Slow to fast tempo F6 C9
C7
F6
C7
(F)
8~~
Rumba (commercial, not folk) ~low to fast tempo G6 D9
,~~
,--,
~
~,,
D7
--.
__.
G6
D7
,.-,
,,
~.,
(G)
~,,
t ~
>
>
~~
>
>
>
Rumba (commercial, not folk) Slow to fast tempo B~,7
F(tb~’~’"" ~J I~ J I’ J;l"l
I
E~6
L/" I) 1 2 I
BW 2I
(E~) ~,’1 I
>
Son-Montuno (~J = ca. 96)
C~ ~
~
~ tim~.
F
(F)
Son-Montuno (¢/ = ca. 96)
Son-Montuno (~ = ca. 96) Eb6 Ab Bb
Et’
(Eb)
Guarapachanga (~ = ca. 100) Fm B~ Fm B~7
[ 1. E~,6
B~,7
~~,~, ,. +. ~~._~,,~ ~~ ~ ............. £_, ... I .~.~. ,,, j o. +,++_._ -~’~’
"~. - ~. -
’f
- f"
’!. - !. -
Cumbia (commercial, not folk) J = ca. 96 Gm F
Gm
(Gm)
8vb sempre
Cumbia (commercial, not folk) ~ = ca. 96 Am
G
3 times Am
(Am)
8vb sempre
Cumbia (eom~ne~’eial, not folk) J = ca. 96 Fm E~
8vb semp»e
3 times Fm
(Fm)
Tango (.J = ca. 170) Cru6
D
D7
(Gm)
E7
(Am)
C7
(Fm)
8vb sempre
Tango (.~ = ca. 170) Dm6
f
E
>
8vó sempre
Tango (,J = ca. 170) Bt, m6
8vb sempre
C
Tango (modern) ¯ ~ = ca. 120 Asus4(add!’9)
Aaug(adä~9) A7(1,9)
Asus4(add~’9)
Aaug(adà~’9) A7@9) 5__
(Dm6)
5
Tango (modern) ¯ ~ = ca. 120 BSUS4(addl’9)
Baug(addl’9) B7([,9)
Tango (modern) J = ca. 120 Gsus4(add~9)
Gaug(a~d!’9) G7([,9)
Bsus4(aó~~ 9)
Gaug(add~ 9) G7@9) (Cmó)
Bossa-Nova (,1 = ca. 126) Fmaj9
Gt,7(1,5)
Bossa-Nova (,,I = ca. 126)
Gmaj9
A~7(~5)
/L.,~ J _bJ"~ N--bJ _bJ J
\1--’’ "-""" _~ "/ _-J _~ _~ "/ _~ _~ _’j _~ _~ _~
Bossa-Nova (,,! : ca. 126) E~maj9
,,.~~,... ~ ?~~.~~~~.~ i,~,~ ~l-’-î:J’, .".-- .~ ,’,. J-Z... E;majT(]3)
JbJJ
J j ./J ,Jb, , .,~J J F~7(115)
(E~,maj9)
14
Bossa-Nova (.~ = ca. 126) Am7
BI,9(~ll)
(Am7)
C9(~11)
(Bm7)
A~,9~~II)
(Gin7)
8vó sempre
Bossa-Nova (d = ca. 126) Bm7
Bossa-Nova (d = ca. 126) Gm7
8vó sempre
~4
Samba (,J -- ca. 92) G
Am
Samba (~! = ca. 92) F
F
Gm
Gm
Samba (J = ca. 92) A
Bm
(F)
Jazz/Fusion Samba 2 = ca. 96 Gm7
8vb sempre A~maj7 ~>-
Jazz/Fuslon Samba d = ca. 96 Am7
8 ,b sempre B~maj7 ~>
~~
~
~
,>, (Am7)
Jazz/Fusion Samba ,~ = ca. 96 Fm7
q~’~a j7
I~ ~ (Fin7)
Afro ~ ~. = ca. 54 (feel in three) F B~ 5
~
c ~
B~
4
ad lib.
(F)
h 5
opt. 8vb
Bt, ~
~
At,
ad lib.
(E~)
ALAN SIMON Song Suggestions: Love ForSale * Desafinado * Nica’s Dream
Montuno E[,9{t *o 1~
Montuno F9~n
Montuno
~8
r~b 9Itll
~’ 13
C/Db
t
LOU STEIN Song Suggestion: One Note Samba Latin G
Dm7
G
Dm7
G
Dm7
G
A~’/D
Lafin F
Cm7
F
Cm7
F
Cm7
F
G~/C
Cm7
F
Latin A
F
Cm7
Em7
A
Em7
",.I ’’í A
Em7
A
Em7
C C~7 GrdD F7/E~ C/E F
F
A
A
Em7
A
F J ’~ "J" ’ ",.i
B~/E
’"í~,I-
E EII7 Brn!F~ A7/G E/GII A
Song Suggestion: Amapola Lafin big hand E~6/9 D~6/9
Eb6/9
E~6/9
D~6/9 E~,6/9
D~6/9
Db6/9
Eb6/9
Db6/9 D6/9 E~6/9
Eb6/9 D~,6/9 D6/9 Eb6/9
Db6/9 D6/9
E~maj7
0
x, I
/b
...... ,.
Db6/9 C~6/9 D~6/9
,..., í ï’í Cb6/9
Dbó/9 C~6/9 C6/9 Db6/9
Fó/9
Fq9
9:b O
EW~ Fq9
)I
EW9
Eb6/9 E6/9 F6/9
Fq9 E~6/9 E6/9 F6b
D~maj7
Eb6/9 E6/9
Fmaj7
o
Waltz
1!
PRESTON I
A7(~9)
B~7(~9)
Song Suggestion: Once Upon A Smnmerti~ne Am
56
Caug/G~
C/G
F~m7~5)
F6
E755)
Song Suggestion: Baubles, Bangles And Beads Jazz waltz A~,maj7
A~’maj7
B~na7/E~
E~,m9
[ 1. At’taai7
AmajT/Ei’ Ai, maj7
Jazz waltz Amaj7
B~’majT/E
Amaj7
Em9
Il 2’Amaj7
Dm9
1!2.
Amaj7/Et,
Era9
[ 1. Amaj7
B~maj7/E
Gmaj7
AmT/D
Gmaj7
[I 2~~,maj7
Amaj7
BmT/E
Jazz waltz Gmaj7
At, majT/D
E~,m9
Gmaj7
Dm9
A~’maj7/E~’
I t. Gmaj7
TOM NELSON Song Suggestion: I’ln All Smiles Jazz waltz D7(~9)
Eb7
Eb7
D7(~9)
(.
?. D7
Jazz wallz C7(~9)
C7
158
D7(i19)
D~7
C7
DI, maj7
Jazz waltz F7(~9)
F7
D7
Ehnaj7
F7(~9)
G[,7
G~,maj7
Dgl3
F7 3
G~,7
F7(~9}
ALAN SIMON This waltz intro has a "Middle East" flavor (flat 2, sharp 4, flat 7) in the right hand over a I V I in the left hand.
Song Suggestions: I’II Take Romance ¯ Bluesette
Jazz waltz D
Jazz waltz A
A
E
D
A
F
A7l~93
E7 t~93
c7t~3
LOU STEIN Song Suggestion: Try To Re~nember Slow C6/9
C6/9
G7t~
G7(~5)
Db
C6/9
G7(5)
D~
D~
C6/9
Ct’
Bb6/9
Slow D6/9
D6/9
A7~t
A7(~51
D6/9
E!,
Dó/~
A7~~
A7dfs)
EI,
E~
D6/9
Blues
PRESTON I
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