47 Killer Arpeggios Every Guitarist Must Know

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47 Killer Arpeggios Every Guitarist Must Know

Don J MacLean

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© Copyright 2005, Don J. MacLean. All Rights Reserved. International Copyright Secured. No part of this book may be reproduced or transmitted in any form or by any means, mechanical or electronic, including photocopying, recording, or by information storage and retrieval system—except by a reviewer who may quote brief passages in a review to be printed in a magazine or newspaper—without permission in writing from the publisher. For information, please contact Agogic Publishing 406-109 Tenth Street, New Westminster, British Columbia, V3M 3X7. Text editing by: Jeneane McKenzie ISBN 1-896595-42-1 Agogic Publishing 406-109 Tenth Street, New Westminster, British Columbia, V3M 3X7, tel. (604) 290-2692, fax (604) 540-4419. Contact the author at [email protected]. Visit us on our website: http://www.agogic.biz for free downloads and product information.

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47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

About the Author Don J. MacLean is an active freelance guitarist, composer and educator. His musical training includes studies at the Royal Conservatory of Music, Humber College, and York University, where he obtained his B.A. (Dbl. Hons. Maj.) in music and psychology. His twentyfive years of teaching, performing and composing have made Don a highly sought-after expert for workshops, seminars and master classes. Don J. MacLean is the author of: The World of Scales: A Compendium of Scales for the Modern Guitar Player The World of Scales: A Compendium of Scales for all Instruments Guitar Essentials: Chord Master Guitar Essentials: Chord Master Expanded Edition Guitar Essentials: Scale Master 1 Guitar Essentials: Scale Master Expanded Edition Guitar Essentials: Improviser Guitar Essentials: Music Theory Music Essentials: Improviser Absolute Essentials of Music Theory Absolute Essentials of Music Theory for Guitar Absolute Essentials of Guitar Guitar Quick Start Fit Fingers Book 1 Fit Fingers Book 2 Quick Tips for Faster Fingers Quick Tips: Guitar Chords 101 Quick Tips: Guitar Technique 101 Mega Chops: Scale Mastery Beyond Hanon Mega Chops: Guitar Technique Volume 1 Mega Chops: Guitar Technique Volume 2 Mega Chops: Guitar Technique Volume 3 21 Secrets to Learn Any Song Super-Fast Top 30 Most Powerful Guitar Technique Exercises of All Time

47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

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Introduction Welcome to the Special Report: 47 Killer Arpeggios Every Guitarist Must Know. Arpeggios are formed when you play the notes of a chord one-by-one. Let’s face it. Arpeggios sound cool. When you play them slow, they sound great. Rifle them off, and they sound amazing. In this report you will discover 47 killer arpeggios that you must know. Some of these arpeggios are easy to play, while others are quite tricky. Most of these arpeggios require a bit of stretching, while others require some very serious stretching. The best way to learn these arpeggios, is to pick one or two arpeggios to start with and practice them for a week. The following week, add an additional one or two arpeggio(s). As you add these additional arpeggios keep practicing the ones from the previous week. Repeat this process.

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47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

How to Read the Music Notation Contained in this Report Guitar music can be notated in four different ways: standard notation, tablature, rhythm/slash notation and neck diagrams or grids. What follows is a quick overview of the notation you will encounter in this book.

Neck Diagrams/Grids The following fretboard diagrams represent isolated sections on the neck of the guitar. The vertical lines represent the strings, while the horizontal lines represent the frets. The strings are numbered from the thinnest (1), to the thickest (6). To save space, only the applicable portion of the neck will be shown for each arpeggio. So, instead of showing all of the frets on the guitar, we will just show a representation of the portion of the neck we need. Neck diagrams or grids are the main form of notation used in this book. This form of notation will enable you to “see” the arpeggio patterns.

Frets

F R E T S

⇒ ⇒ ⇒ ⇒ ⇒

6 5 4 3

6 5 4 3 2 1

2 1

⇑ ⇑ ⇑ ⇑ ⇑ ⇑ STRINGS

47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

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How to Read Arpeggio Diagrams All of the arpeggios shown in this book are presented in neck diagrams. E min

Play these notes one at a time.

7th fret ⇒ Here is the same arpeggio shown in tab:

A Quick Overview of Tablature In tablature, each horizontal line represents a string. The strings are numbered from the thinnest (1) to the thickest (6). The numbers on these lines represent the frets that you need to place your fingers on. One bar or measure

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47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

Bar lines

How to Play Arpeggios There are two approaches you can use to play arpeggios: alternate picking or sweep picking.

Alternate Picking Alternate picking is the most common and efficient way to play notes on individual strings. This technique is great for scales. Alternate picking requires that you strike the first note with a down-stroke (≥) and the next note with an up-stroke (v). The pattern is repeated for each successive note. Below you will see an E minor arpeggio played with alternate picking.

Alternate Picking Exercise # 1

Sweep Picking Sweep picking is used primarily for arpeggios. An arpeggio is produced by playing the notes of a chord one-by-one. Arpeggios are often played with just one note per string. Instead of using alternate picking to play arpeggios, sweep picking is more efficient. In sweep picking, you use as many continuous down or up-strokes as possible. If the arpeggio changes direction, you then reverse your picking. Here is how it works: In Sweep Picking Exercise #1 you will see an E major arpeggio. In this fingering for the arpeggio, there is one note on each string. The way to play this is to use one continuous down-stroke for strings 5-1 and then one continuous up-stroke for strings 2-4. Sweep picking gets its name from the way it looks when performed—it looks like you are sweeping across the strings with your pick.

47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

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Sweep Picking Exercise # 1 E minor arpeggio Perform this arpeggio with sweep picking. You should find this to be easier than playing the arpeggio with alternate picking.

Sweep Picking Exercise # 2 In some arpeggios you will need to play two or more notes on a string. To do this, use alternate picking on the strings that have two or more notes and sweep pick the rest. E minor arpeggio

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47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

Moveable Arpeggios Moveable arpeggios are as their name implies—moveable. This means that you can take one arpeggio shape and move it up or down the neck of the guitar to produce any desired arpeggio. Here is how it works. The black notes in each arpeggio represent the root notes. The root note indicates the letter-name of the arpeggio. All you have to do is line up one of the root notes in an arpeggio. The others will automatically line up. If you take a major arpeggio and position it so that the root note is on a C, you will have a C major arpeggio. Move the same arpeggio shape so that the root note is on an F and you will have an F major arpeggio. When you first start to practice arpeggios, you should practice them ascending and descending. Once you have nailed down the fingering, you can start to experiment with different melodic patterns. To understand how chords are built and therefore arpeggios, see the Absolute Essentials of Music Theory for Guitar (ISBN 1-896595-32-4).

E A D G B F C B E A G C F D B A D G C E F B E A D C F G B E D G C F A

E F G A

C major arpeggio This arpeggio is played with your first finger on the 8th fret.

C Major B C D

E A D G B E 6 5 4 3 2 1

47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

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Now move this same arpeggio shape so that the sixth root is on the first fret. Since the root note is on the note F, we now have an F major arpeggio.

F Major E A D G B F C B E A G C F D B A D G C E F B E A D C F G B E D G C F A

E F G A B C D

F major arpeggio This arpeggio is played on the 1st fret.

E A D G B E 6 5 4 3 2 1

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47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

The Arpeggios

47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

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Major All of the arpeggios contained in this report can be played on any fret. The black notes represent the root notes. The root notes indicate the letter-name of the arpeggio. Position the fingering on the appropriate fret for the desired arpeggio.

Major 7th

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47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

Minor

Minor 7th

47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

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Augmented

Diminished 7th

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47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

Dominant 7th

47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

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Some Monster Arpeggios Dim 7

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Major

47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

Minor

Minor

Major

47 Killer Arpeggios Every Guitarist Must Know

© 2005 Don J. MacLean All Rights Reserved International Copyright Secured

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