4 Pinocchio - Score

May 9, 2017 | Author: Jorge Hernán Hoyos | Category: N/A
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Ferrer Ferran

Pinocchio Symphonic Suite Concert Band

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© Copyright 2010 by Ibermúsica Exclusively Distributed By:

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Biography & Program note Ferrer Ferran was born in 1966, in Valencia, Spain. When he was only fifteen years old, he had already graduated as a pianist and percussionist. He also obtained diplomas in the fields of chamber music and accompaniment. He received a degree in composition and conducting from the Royal Academy of Music in Great Britain. Ferran has performed all over Spain as a soloist, together with chamber ensembles, and accompanying great international soloists. He works with a number of Spanish symphony orchestras. Furthermore, he is active as a composer, pianist, conductor, and teacher at the Conservatorio Superior de Música de Valencia in Spain. Ferran specialises in composition and accompaniment.

Ferrer Ferran

He has written many compositions, inter alia for ensemble, choir, chamber orchestra, and symphonic wind orchestra – the premières have mostly been performed by renowned ensembles. Various works from Ferran’s pen have been selected as test pieces for important contests and festivals. He has won various composition awards and accolades as well, such as the one given by Juventudes Musicales de España (Young Musicians of Spain). He also won a number of prizes in Corciano (Italy). Ferran’s compositions have been released by publishing houses in Spain, France, and the Netherlands. Since 2002, his works have been published under the label Ibermúsica.

Pinocchio The Adventures of Pinocchio by Italian author Carlo Collodi is considered a classic of children’s literature and has spawned many derivative works of art. Spanish composer Ferrer Ferran’s symphonic suite is a musical version of the story. It takes us through the mischievous adventures of Pinocchio, a wooden marionette who finally becomes a real boy with a loving heart. Collodi’s novel has received a great deal of critical attention; whether seen as a political allegory or a satire on the strict education of the times. Most critics would agree with Italian philosopher Benedetto Croce:“The wood out of which Pinocchio is carved is humanity itself. It is a fable of human life; a forceful struggle between good and evil, sin and repentance, temptation, easiness, generosity, selfishness and altruism.” This suite consists of four movements: I. Pinocchio, Geppetto and the Talking Cricket II. The Fairy with Turquoise Hair III. The Field of Miracles IV. The Land of Toys, The Terrible Dogfish, Finally He Becomes a Boy The clarity of scene and rich colours are just spectacular. Ferran’s music is dramatic, passionate, intense, sweet, fascinating, and reflective. Each movement of the work is accompanied by a short text for a better understanding of the development and therefore a better performance.

I. Pinocchio, Geppetto and the Talking Cricket Bar 1: Always remember that true magic lies in our hearts… Bar 7: Once upon a time a kind old woodcarver named Geppetto carved a new wooden puppet. Bar 13: But not just any new puppet; a puppet like no other. Bar 21: This is the way the story of Pinocchio begins. Bar 25: Pinocchio talks and is able to move on his own. He is a puppet with a loving heart… Bar 32: … and feelings. Bar 36: Pinocchio is a lively, happy-go-lucky puppet boy with a simple wish: to become a real boy. Bar 42: His youthful innocence gets him involved in all kinds of astonishing adventures.The Talking Cricket, his guardian angel and “conscience” keeps a watchful eye on him.

II. The Fairy with Turquoise Hair Bar 1: The Fairy with Turquoise Hair protects Pinocchio. Bar 12: Pinocchio is upset. He’s always drawn into frightening adventures. Bar 16: But the Fairy is always by his side. Bar 21: Pinocchio thinks of his father. He misses him very much. Bar 29: Unfortunately, he hasn’t learnt his lesson well enough. His friends again tempt him into making the wrong choices. Bar 34: And the Fairy rescues him once more. Bar 37: The Turquoise Fairy is so kind to him that he would wish her to be his beloved mother. Bar 62: Pinocchio regrets what he has done. He is not a bad boy, but temptation easily overrides his good intentions. Bar 78: Feeling sorry for him, the Fairy helps him and forgives him.

III. The Field of Miracles Bar 1: As Pinocchio hurries homewards, he meets a fox and a cat. Bar 15: The two malevolent scoundrels hatch a plot, telling Pinocchio that if he plants his gold coins in the Field of Miracles, they will grow into a money tree. Bar 38: Off they all go to the Field of Miracles. Bar 57: Pinocchio is greatly frightened. Two bandits try to rob him and to murder him. Bar 75: He escapes with the assistance of the Fairy, and promises her to study and to behave himself. Bar 80: The Fairy promises him that, on the morrow, he will cease to be a marionette and become a boy. Bar 84: A queer sound can be heard, soft as a little bell, and muffled like the buzz of a trumpet. Bar 85: A wagon arrives. It is drawn by twelve pairs of donkeys. Bar 112: Once more Pinocchio is tempted by his best friend, Lampwick, into accompanying him to the Land of Toys. He agrees, forgetting all promises to the Fairy.

IV. The Land of Toys, The Terrible Dogfish, Finally He Becomes a Boy Bar 1: This great land is entirely different from any other place in the world. It is a beautiful land; a land full of light. Bar 11: It is composed entirely of boys. In the streets, there is such joy, such a racket. All the boys are playing. Bar 47: Some boys laugh, shout for joy, whistle with happiness. Bar 53: The squares are filled with canvas theatres, huge carousel horses and big wheels. Bar 79: Within a short while, Pinocchio has become a donkey. He is thrown into the sea. Bar 98: When the Fairy sees Pinocchio is about to drown, she sends a shoal of big fish to eat away all the donkey flesh. Bar 107: They naturally come to the bones – or rather, in this case, to the wood. Bar 115: Happy to be a wooden puppet again, Pinocchio swims as hard as he can toward a white rock. High on this rock stands a little goat beckoning the marionette to come to her. Bar 126: He is almost halfway over, when suddenly a sea monster sticks its horrible head out of the water, showing three rows of gleaming teeth. Bar 140: Pinocchio swims faster and faster. Alas! He is swallowed by the Terrible Dogfish. Bar 148: Wandering through the stomach of the dogfish, he finally meets his beloved father. “Oh, Father, dear Father! Have I found you at last? Now I shall never, never leave you again!” Bar 167: Pinocchio and Geppetto try to run out of the dogfish’s mouth and dive into the sea, but they fail. Bar 175: They finally succeed in escaping on their second attempt. Lifting Geppetto onto his shoulders, Pinocchio swims swiftly away. Bar 182: They reach land as soon as possible. Bar 198: After saving his father, and behaving like a good boy, Pinocchio is rewarded. He dreams of his dear Fairy, and wishes she would forgive him his mischief. Bar 205: At that very moment, Pinocchio awakes and opens wide his eyes. Bar 210: He sees that he is no longer a marionette, but that he has become a real boy!

Biografía & descripción de la obra Ferrer Ferran nació en Valencia, España, en 1966. A los quince años ya había terminado sus estudios de pianista y percusionista. Luego, obtuvo diplomas en el campo de música de cámara y acompañamiento, además de ser licenciado en composición y dirección por The Royal Academy of Music de Gran Bretaña. Ferrer Ferran ha dado conciertos por toda España, en calidad de solista, con diferentes conjuntos de cámara, pero también como acompañante de grandes solistas internacionales, y ha trabajado con varias orquestas sinfónicas españolas. Asimismo, es compositor, pianista, director y docente en el Conservatorio Superior de Música de Valencia, donde está especializado en las asignaturas de composición y acompañamiento.

Ferrer Ferran

En su haber tiene numerosas composiciones para conjuntos musicales, coro, orquesta de cámara y orquesta sinfónica de viento. Frecuentemente, sus obras son estrenadas por renombrados conjuntos, y varias de ellas han sido seleccionadas como piezas obligadas en importantes concursos y festivales. Ferrer Ferran ha recibido mucho reconocimiento y diversos premios por sus composiciones, entre ellos, el de Juventudes Musicales de España. En algunas ocasiones ganó premios en Corciano (Italia). Sus composiciones han sido publicadas por editoriales en España, Francia y Holanda. Desde 2002, sus obras son editadas por Ibermúsica.

Pinocchio Las Aventuras de Pinocho, gran clásico de la literatura infantil, fue escrito por Carlo Collodi. Ferrer Ferran describe este fantástico cuento en forma de suite sinfónica, tratando de trasladar a la imaginación, todas las aventuras, las proezas y las travesuras de esta simpática marioneta que logra convertirse en niño al demostrar su puro y bondadoso corazón. La novela de Collodi Las Aventuras de Pinocho ha sido interpretada desde diferentes puntos de vista. Unos han creído ver en esta obra una reivindicación política; otros han tratado de ver en ella una crítica contra los sistemas pedagógicos autoritarios. Pero Benedetto Croce decía : “La Madera en que está tallado Pinocho es la humanidad... Pinocho es la fábula de la vida humana, del bien y del mal, de los errores y de los arrepentimientos, del ceder a las tentaciones y los caprichos, así como del resistir y volver a levantarse, de la prudencia, de los impulsos altruistas y generosos.” Esta suite se compone de cuatro movimientos : I.- Pinocho, Geppetto y el Grillo que habla. II.- La Bella Niña de los Cabellos Turquesa. III.- El Monte de los Milagros. IV.- El País de los Juguetes. El Tiburón. Ya es un Niño. Una obra rica en color, juguetona y simpática, dramática por momentos y apasionada por otros, dulce y melancólica. La partitura esta acompañada de unas citas, facilitando, al intérprete, el entendimiento del desarrollo induciendo así una mejor interpretación. Esta composición de Ferrer Ferran está dedicada “a todos los niños que necesiten de esta magia para que vivan con ilusión y sean muy felices”.

I.- Pinocchio, Geppetto and the Talking Cricket (I.- Pinocho, Geppetto y el Grillo que habla) M-1: ...y la magia la llevamos siempre en el corazón. M-7: Geppetto, un dulce carpintero esculpía una marioneta más. M-13: Ésta no era una más. Tenía algo especial, algo diferente. M-21: Aquí comienza el cuento de Pinocho, una marioneta muy buena. M-25: Pinocho habla, se mueve, tiene corazón… M-32: ...y también sentimientos. M-36: Su carácter siempre es positivo, un niño con muchas ganas de vivir y de ser “niño”. M-42: Es tan niño que de travesuras se llena su vida. El Grillo que habla será su “Ángel de la Guarda”. II.- The Fairy with Turquoise Hair (II.- La Bella Niña de los Cabellos Turquesa) M-1: A Pinocho lo protegía La Bella Niña de los Cabellos Turquesa. M-12: Pinocho era inquieto, siempre se veía atrapado en alguna nueva travesura. M-16: Pero el Hada invariablemente estaba a su lado. M-21: Pinocho siempre recordaba a su padre Geppetto y lo echaba de menos. M-29: Pero Pinocho no escarmentaba y provocado por sus amigos iniciaba de nuevo otra travesura… M-34: ...y allí, de nuevo, aparecía el Hada para ayudar al querido Pinocho. M-37: Pinocho vio en La Bella Niña de los Cabellos Turquesa tan dulce persona, que soñaba con que ésta fuera su querida Mamá. M-62: Pinocho nunca hacía las cosas con maldad. Tenía un buen corazón. M-78: El Hada, al ver la buena fe de Pinocho, siempre lo ayudaba y lo perdonaba. III.- The Field of Miracles (III.- El Monte de los Milagros) M-1: El Zorro y el Gato, ¡dos granujas de cuidado! M-15: Éstos engañaron a Pinocho haciéndole sembrar cuatro monedas en El Monte de los Milagros. M-38: Allí estaba El Monte de los Milagros. M-57: Pinocho estaba atemorizado..., fue atracado y golpeado. M-75: El Hada le ayudo a escarparse. Pinocho le prometió convertirse en un muchacho dócil y obediente. M-80: ¡Mañana ya no serás una marioneta, te transformarás en un niño!. M-84: Se pudo oír un sonido de cascabeles y un repique de trompeta. M-85: Llegó el carro conducido por doce parejas de pequeños burros. M-112: Una vez más, Pinocho fue tentado de nuevo por su amigo Lucignolo, invitándolo al “País de los Juguetes”. IV.- The Land of Toys. The Terrible Dogfish. Finally He Becomes a Boy (IV.- El País de los Juguetes. El Tiburón. ya es un Niño) M-1: Este país no se parecía a ningún otro del mundo. Era hermoso y con mucha luz. M-11: Todos eran niños. En la calle sólo se veía alegría y alboroto. Todos jugaban. M-47: Algunos reían, otros gritaban, otros silbaban. M-53: En todas las plazas se veían pequeños teatros de tela, grandes tiovivos y norias. M-79: Pinocho después de convertirse en un burro es arrojado al mar. M-98: El Hada cuando vio que estaba en peligro de ahogarse, mandó una manada de peces para que lo devorara. M-107: Claro, hasta que llegaron al hueso..., o mejor dicho, a la madera. M-115: Nadaba con todas sus fuerzas para llegar a un peñasco donde había una bella cabrita que lo llamaba. M-126: De repente vio salir del agua una horrible cabeza de monstruo marino con tres hileras de colmillos. M-140: Pinocho, por muy rápido que nadara, no consiguió que el monstruo no lo alcanzara. Éste se lo tragó. M-148: Cual fue la sorpresa que recorriendo el gran cuerpo del tiburón, allí encontró a su querido Papá: ¡Por fin te he encontrado!, ¡Ahora no te abandonaré más, nunca más!. M-167: Subieron por la boca para dar el gran salto… M-175: ...y después de varios intentos fallidos, Pinocho con su padre montado a su espalda pudieron escapar. M-182: Nadaron velozmente hasta llegar a la playa más cercana. M-198: Pinocho, tras salvar a su Papá, tuvo un bonito sueño: el Hada le perdonaba todas sus travesuras. M-205: El sueño terminó y Pinocho se despertó con unos ojos enormes M-210: Pinocho ya no era una marioneta de madera, se había convertido en un niño como todos los demás.

Ferrer Ferran

Pinocchio Instrumentation



Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Bassoon 1 Bassoon 2 Double Bassoon * Eb Clarinet Bb Clarinet 1 Bb Clarinet 2 Bb Clarinet 3 Eb Alto Clarinet Bb Bass Clarinet Eb Contra Alto Clarinet * Bb Contra Bass Clarinet * Bb Soprano Saxophone * Eb Alto Saxophone 1 Eb Alto Saxophone 2 Bb Tenor Saxophone 1 Bb Tenor Saxophone 2 Eb Baritone Saxophone Bb Bass Saxophone * F Horn 1 F Horn 2 F Horn 3 F Horn 4 Bb Flugel Horn 1 Bb Flugel Horn 2 Bb Trumpet 1 C Trumpet 1 (subst. for Bb Tpt. 1) * Bb Trumpet 2 Bb Trumpet 3 Bb Trumpet 4 Trombone 1 Trombone 2 Trombone 3 Trombone 4 Euphonium 1 Euphonium 2 Bb Euphonium 1 & Bb Euphonium 2 & Bass 1, 2 Violoncello * Double Bass Harp Piano Timpani Mallet Percussion 1 Mallet Percussion 2 Percussion 1 Percussion 2 Percussion 3









Eb Horn 1 Eb Horn 2 Eb Horn 3 Eb Horn 4 Bb Trombone 1 & Bb Trombone 1 ? Bb Trombone 2 & Bb Trombone 2 ? Bb Trombone 3 & Bb Trombone 3 ? Bb Trombone 4 & Bb Trombone 4 ? Bb Euphonium 1 & Bb Euphonium 1 ? Bb Euphonium 2 & Bb Euphonium 2 ? Eb Bass & Eb Bass ? Bb Bass & Bb Bass ?

1 1 2 2 1 1 1 1 1 1 1 5 5 5 1 1 2 2 1 1 1 1 1 1 1 1 1 1 1 2 2 2 1 2 2 2 2 2 2 2 1 1 1 1 4 4 2 1 1 1 1 1 3 3 3

Partitura Flautín Flauta 1 Flauta 2 Oboe 1 Oboe 2 Corno inglés Fagot 1 Fagot 2 Fagot contrabajo Clarinete Mib Clarinete 1 Clarinete 2 Clarinete 3 Clarinete contralto Clarinete bajo Clarinete contrabajo Mib Clarinete contrabajo Sib Saxofón soprano Saxofón contralto 1 Saxofón contralto 2 Saxofón tenor 1 Saxofón tenor 2 Saxofón baritóno Saxofón bajo Trompa 1 Trompa 2 Trompa 3 Trompa 4 Fliscorno 1 Fliscorno 2 Trompeta 1 Trompeta Do Trompeta 2 Trompeta 3 Trompeta 4 Trombón 1 Trombón 2 Trombón 3 Trombón 4 Bombardino 1 Bombardino 2 Bombardino 1 Sib & Bombardino 2 Sib & Tuba 1, 2 Violoncelo Contrabajo Arpa Piano Timbales Téclados 1 Téclados 2 Percusión 1 Percusión 2 Percusión 3

Additional Parts 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 2 2 2 2

Trompa Mib 1 Trompa Mib 2 Trompa Mib 3 Trompa Mib 4 Trombón 1 Sib & Trombón 1 Sib ? Trombón 2 Sib & Trombón 2 Sib ? Trombón 3 Sib & Trombón 3 Sib ? Trombón 4 Sib & Trombón 4 Sib ? Bombardino Sib 1 & Bombardino Sib 1 ? Bombardino Sib 2 & Bombardino Sib 2 ? Tuba Mib & Tuba Mib ? Tuba Sib & Tuba Sib ?

* These parts do not appear in the score

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