289702341-O-Magnum-Mysterium-Band.pdf

MORTEN

LAURIDSEN

o Magnum

Mysterium

for Concert Band Transcribed by H. Robert Reynolds Score •

Composer Morten Lauridsen is most noted for his seven vocal cycles-Les Chansons des Roses, Madrigali, Mid-Winter Songs, Cuatro Canciones, A Winter Come, Nocturnes, and Lux Aeterna­ and his series of a cappella motets which are regularly performed by distinguished ensembles and vocal artists throughout the world. His "0 Magnum Mysterium" and "Dirait-on" have become two of the most performed and recorded compositions of recent years. The Nocturnes have been recorded by Polyphony, conducted by Stephen Layton, with the composer at the piano, on "Lauridsen - Nocturnes" (Hyperion). Mr. Lauridsen (b.1943) is Distinguished Professor of Composition at the University of Southern California Thornton School of Music and served as Composer-in-Residence of the Los Angeles Master Chorale from 1994 to 2001. In 2007, Lauridsen was awarded the National Medal of Arts for his "radiant choral works combining musical power, beauty and spiritual depth that have thrilled audiences worldwide."

Morten Lauridsen's choral setting of "0 Magnum Mysterium" ("0 Great Mystery") has become one of the world's most perfomed and recorded compositions since its 1994 premiere by the Los Angeles Master Chorale conducted by Paul Salamunovich. About his setting, Morten Lauridsen writes, "For centuries, composers have been inspired by the beautiful 0 Magnum Mysterium text with its depiction of the birth of the new-born King amongst the lowly animals and shepherds. This affirmation of God's grace to the meek and the adoration of the Blessed Virgin are celebrated in my setting through a quiet song of profound inner joy." H. Robert Reynolds has arranged the symphonic wind version of this popular work with the approval and appreciation of the composer.

Currently, H. Robert Reynolds is the Principal Conductor of the Wind Ensemble at the Thornton School of Music at the University of Southern California. This appointment followed his retirement, after 26 years, from the School of Music of the University of Michigan where he served as the Henry F.Thurnau Professor of Music, Director of University Bands and Director of the Division of Instrumental Studies. In addition to these responsibilities, he has also been, for over 20 years, the conductor of a professional ensemble, The Detroit Chamber Winds and Strings, which is made up primarily from members of the Detroit Symphony. Professor Reynolds is Past President of the College Band Directors' National Association and the Big Ten Band Directors' Association. He has received the highest national awards from Phi Mu Alpha, Kappa Kappa Psi, the National Band Association, and the American School Band Directors' Association, and he was awarded the "Medal of Honor" by the Mid-West Band and Orchestra Clinic. He received the Citation of Merit from the Alumni Association of the School of Music at the University of Michigan for his contributions to the many students he has influenced during his career, and an award from ASCAP for his contributions to contemporary American music. Robert Reynolds has conducted numerous premiere performances and has conducted at Carnegie Hall and Lincoln Center (New York), Orchestra Hall (Chicago), Kennedy Center (Washington, DC), Powell Symphony Hall (St. Louis), and the Academy of Music (Philadelphia), has been a featured conductor and lecturer at international conferences in Austria, Norway, Belgium, England, Holland, and Switzerland. He has been a master teacher throughout Europe, where he has also been a featured conductor and lecturer at international conferences, and has conducted in many of the major cities of Japan. He has conducted recordings for Koch International, Pro Arte, Caprice, and Deutsche Grammophon.

o Magnum Mysterium

o magnum mysterium, et admirabile sacramentum ut animalia viderent Dominum natum, jacentum in praesepio! Beata Virgo, cujus viscera meruerunt portare Dominum Christum. Alleluia!

ogreat mystery, and wondrous sacrament, that animals should see the new­ born Lord, lying in their manger! Blessed is the Virgin whose womb was worthy to bear the Lord Jesus Christ. Alleluia!

Instru mentation 4 4 1 1 4

4 4

3 1 1

2 2

2 1

Flute 1 Flute 2 Oboe 1 Oboe 2 Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone Baritone Saxophone

3 Trumpet 1 in Bb 3 Trumpet 2 in Bb 3 Trumpet 3 in Bb 1 Horn 1 in F 1 Horn 2 in F 1 Horn 3 in F 1 Horn 4 in F 2 Trombone 1 2 Trombone 2 2 Trombone 3 3 Euphonium 4 Tuba Timpani Suspended cymbal

Transposed score Duration: ca. 6 min.

First printed in 2003.

o Magnum Mysterium Adagio, moIto legato e espressivo(.1

=

r.-,

Flutes ~

~Atempo

66-72) rit.

a2

1J

Morten Lauridsen transcribed for band by H. Robert Reynolds

­

~

Ii ----r----t

mp

r...

~

Oboes tJ

r.-,

fl ~

p r...

~

Clarinets in BI> 2 p

~

....

-

..

3

--

41-

~

p

~

1

14

p

OJ

I",;"~

~



~

.

­

"­

~

fl

Bass Clarinet in BI>

-~

r... '

.....

r...

.­

-~

('\

~

,.;

-P

1'0

p

Bassoons

--

r...

:

2

p ~

-

~

1 ~

~r...

-----

~

P

Alto Saxophones

-

r...

JJ

2 OJ

,

P r...

fl

Tenor Saxophone ~

p

Baritone Saxophone

--

r.-,

fl

f.J"

p

Adagio, molto legato e espressivo (.I = 66-72) rit. bIH.

[oJ

~

-

fl

1 ~

2

~Atempo

r...

~

Trumpets in BI>

:­

-

r...

-

-

p r...

~.. OJ

--

p

Horns in F

r...

fl

3

--­

-~

OJ

P r...

fl

4 OJ

.Q.

-

:

1

',--

p

I~

~

~

P.

fL

fL

~



r... ~

~

I~~~

~

.Y

~

p

--

:

Trombones 2

-­

r...

,.;

p r...

:

3

p

n.

.

.:

""--­

--

r...

:

Euphonium

·t

r--n

p

r...

:

Timpani

Suspended Cymbal

r...

:

Tuba

~

..

4

r...

'I

.11 ',,"

© Copyright 2003 Songs of Peer, Ltd,

International Copyright Secured, Printed in the U.S.A.

All Rights Reserved.

2 9 I'l

.

?'

~.

1 ~

Fl.

--== "'!!c::=

~

--== "'!! ;:-

~

~

0/

mp-==

~

r.,

r.I

r.I

r.I

r.,

r.I

r.I

r.I

>mp

-

-------

2

~

rl.1.

~

>mp

~

~

1

Ob.

>mp

"'!!

Il

?

-------

2 0/

-~

~

1

~~

mp-==

OJ

~

Cl. 2

1:

mp-==

/J

~

IOJ

mp-==

>mp

~

#

"'!! x-

===- mp

"'!!

===- mp

"'!!

===-

3 0/

-

Il

B.CI.

mp-==

~

OJ

~

:

1

~

I~~ ~ ~ ~

~

mp-==

Bso. :

2

-e-

mp-== ~

"'!!

~~

~

A. Sax.

mp-==

~

p..

I"-

.

mp

-u~

-.I-

~

l3l' -or'

mp

~

-.I-

-

~

"'!!

==--

r.I

~r.,

-.I-

...

-or

r.I

;;~ -Y'

~r., Pr- -c.

~r.,

o·

==-- mp

P~

~~:- f r.,P

r.,

"'!!

r.I

r.,

~mp

,.,

-'

1

~ I~'

r.I

r.,

~mp

r'!f

~. ~~~

~.

-

~r.,

----

P'­

~

~

Il

--;­

~

r.I

P r.I

P

~

~

P

r.I

r.I

2

I~

mp---==

#~

_r---....

Il

mp

r.,P

....-------

r.I

T. Sax.

mp--==

0/

r-;

Il

~

"'!!

~

===-- mp

p.

-e-

~r.,

~

P r.I

B. Sax.

mp--==

,OJ

1

~

~#

~p.~

mp--==

~

Il

-

"'!!

"'!!

~-

f

mp-==

"'!!

mp

P

rit. ~

r.,

r.I

r.,

r.I

r.,

r.I

===- mp

~- ~

Tpt. 2 I~

Il

3 0/

mp--==

1

IOJ

>mp

---

.~

~

.----

-

~r.,

-------

==-- mp

mf

mp--==

fl

-------

"'!!

~

Il

>mp

r.,

P

r.I

r.I

2

I~

Ho.

mp-==

"'!!

~

3 I~

Il

-

mp-==

"'!!

mp--==

"'!!--

===-- mp

r.,

-----

u~mp

~

~.

:

1

~

~

~~

===-- mp i-

.

'--

-e-

mp Tbo.2

:

3

:

,.,.

r-;

mp

Euph.

:

Tba.

:

Timp.

:

r-; r-;

~

~

-e-

mp-==

Susp. Cym.

.

:-I

;.:

"'!!

,4 'II

r.I

P

r.,

4 OJ

P

p.

mp I"-

===-- mp

c:.

--­

~

r.I

;,'- --'

~r., Pr- -c ~

r.,

P r.I

r.,P

r.,

r.I

r.I

P r.I

P r.,

r.I

r.,

r.I

T!

r.I

19[9 1

poco rit.

".

3

[Q] A tempo

I)

Fl. 2

-

I)

1

-

I)

Ob. 2

liT

fl

liT

(under trumpet solo)

pp

-

fl

Cl. 2 liT

pp

fl

3 I)

.

f4

­

pp

~

1

-.:c

liT pp

~

pp

Bsn.

=

pp fl

~

-



1 liT

A.Sax.

II-

....

:

2

pp

fl

2

--.:r

....

i'~

..:-­

--------

~

pp

"'=

---­

4 '

....

~

:

-

~

"-'

...

4

-

B.Cl.

--

---

----=

-~

---

---

'" --~

fl

T. Sax.

rv

pp

....

fl

B. Sax. ~~

pp

19[9 X solo 1 II)

Tpt. 2

-

n .

.

..::­

= poco rit.

[Q] A tempo -~

..--0:'

'"

--­

pdolce

II)

3

I)

1

I I)

2

I)

Hn.

3

I)

4

II)

1

:

Tbn.2

:

3

:

Euph.

:

Tba.

:

Timp.

:

Susp. Cym

:u-

.ll

'Z

4 ~7

~

.,;'

nrp--===

mf r-

~

1':\

~

1 ~

Fl.

J'L

==-nrp 1':\

-----­

2 ~

. 1-

.

nrp~

~

n

=-nrp

~

I':\~

~

~

OJ

Ob.

~

nrp~

~

2

""it­ ~

----

-------

1 ~

-

..-,--

~

CI. 2 OJ

~

1-

nrp

11!l

-

==-nrp 1':\

------­

..

nrp

nrp~

mf

===-

nrp

mf

==- nrp

----

,~

3 ~

nrp--===

~p

..

1':\

~-t

~

~p

t:I

-;

~~

B.CI. ~

OJ

1

:

2

:

1"=

o·

~

I~~ ~

n OJ

-

;---....

2 ~

i-;=;'

nif

nrp--==

mf

...-

..-

~

~

~

1

OJ

----

-;

....

.

nrp--==

mf

.".

-

~

~--



=-nrp

-p-'

l"-

-

mf

~p 1':\

'-'

~~

.~

;----('

~

.e

;--

==--p

----0

~t:I ~

==-p .---1':\

--

­ .--­

.e

===-nrp

==--p

.-----.0 ==-p 1':\

~ ~p

[EJ~ p;

,-...

==--P

=-nrp

---

~~~

~p

n·

--~

t:I

~

-~

==- nrp

nif ..r

:...-------

~ ~

n

=-nrp

==--nrp

nrp--===

Tpt. 2

l"-

.

mf

Tutti

-------

"p-.

~-

nrp--====

nrp~

f

~

=-nrp

B. Sax. ,~

r~·

mf

nrp~

-~

--4.-

T.Sax.

...-

~

-~

~

~

nrp

Bsn.

A. Sax.

~.

-

~

~t:I

--;-­

~

===-

-"

~

~

~

mf

nrp~

J'L

f':\

-

-------

~

=-nrp

f':\ ____

~

3 OJ

mf

nrp--===

~

1

t:I

If)

­

~

2 OJ

Hn.

=-nrp

f':\

n

1':\

3

.~

OJ ~

'7\.---,---­

4 OJ

1

:

"'"

Tbn.2

:

~

3

:

Euph.

:

Tba.

:

Timp.

:

Susp.Cym.

."

1':\

-

.­

t:I

t:I

-

3 2

,4 '4

.~

f':\~

T1

5

[KJA tempo

rit.

35 1\

poco rit.

A tempo

0)

FI.

1\

2

:{'1)' OJ

1\

1

Ob.

10) 1\

2

It)

,.-----....

1\

----

1

====--

[OJ 1\

Ct. 2

10)

v

v=

1\

3

~.

-.t

""

1\

B.Ct.

~. ~

s· ~

:

1

--...---

pp

n

---

A.Sax.

pp

,,-"-c.

£

2

T.Sax.

"

3

=

pp

.........

u

1£

....

~

~

'"

1 ~

./'

---

;:J

--­ --.

~

pp /~

~

pp

~

rit.

~

u

.

------

=

" fO)

IFlA tempo

poco rit.

A tempo

10)

-

1\

Tpt. 2

pp

.<

~5

1

-

pp

~

B.Sax.

=

10)

"

---

t---.o.

.--­

:

It)

-

v

;,;.'--pp

:

pp

1

---

-

1---

1\

---

pp

Bsn. 2

-

t)

" 0)

1 2

" "t)'--

,

~.o I OJ

Hn.

3 4

" "

10)

1

:

Tbn.2

:

3

~ ..

Euph.

:

Tba.

:

Timp.

:

Susp. Cym.

­

I 0)

,3 ';':

6

G

rit. 43 Ii

I"-

I"-

l"-

1 OJ

FI.

~

F

-

pp--=== cresco

1\

...

~

F ~ ~

I"-

....

...

....

2 OJ

pp--== crese.

1\

1

Ob.

r-:rf1

1\

pp-== cresco

""

OJ

1\

---------

CI. 2 ·OJ

-

~

-

--===

cresco

-==

cresco

-=

cresco

------

ii

f>-

f

-:--...•

..

~

n

-

~

~

B.C\'

I

-'ir~

~=

1

~

2

:

Bsn.

1

-==

cresco

-==

cresco

1\

ii

....

".-==

--===

f:::--..

r---.

-= -=

r---.

­

-= ­

--=

...

....

~

-

f---

~----------

­ ....

....

~

f

.--,-...

,-

:eo

'---

f

,-----....

...

~

...

~

crese.

-=

'-"

~ ~ ~ ~

f

....

-==

I'"

A.Sax.

~resc.

~

I"-

f

r-­

.~

4

--==

~

f

-

3 OJ

Iii

F

F to-

­

f~

~-

1\

4

I"-

f

crese.

2

OJ

F

molto riL ~-~

F~ii~F~

~

~

~

pp--===

A tempo, deliberamente ~

~

.

....

U~ ~

a-­

v

-=

...... -=

~

~

-

-

-"'­

"

-==

f~

~

2 OJ

-===

~

crese,

-==

f

f1

i

~

T.Sax. OJ

1\

B. Sax.

,'"

r-­

-==

cresco

f

-==

cresco

;~

4;

..

~

1 OJ

Tpt. 2

f1 :61.1> Il!

1\

rit.

~

....

..,

* ·it

2

'--­

lunga

1\

Ob.

t:\

-

'"'­

~

-

lunga

"

t:\

t:\

17'.

.­

--

-

0)

1

Cl. 2

" 10)

___ 1-/

-~

V

t:\

.

v

....

3'

-~

" ....

0)

~

~

..,r

.., ....

~

3Y

r.'\

~

3

i1

....

~ ~

-.:T

....

~

y:

7i~

-'oJ

-&

-

==-1

A.Sax.

2

" 10) " 0)

1\

T.Sax.

-~

~nte

t:\

?:t

:4

?7

6-

-==-­

pp

6-

?7

lunga

~ente

t:\

lunga

­

=d

~ente

t:\~

?7 ­

~iente

lunga

t:\

t:\

r.'\

t:\

~

lunga

:

2

I~

0&­

r.'\

~

/u

:

Bsn.

/= .==--

?:t

t:\ lunga

t:\

'"'

..,..

/

6­

0&-

......

?:t

-.:T

~

B.C!'

===- pp .... ===- ;p

r.'\

t:\

==-­

Hom 1 cue

r.'\

-

t:\

'"

'" lunga

'"

'" lunga

"'.

'" lunga

'"

r.'.lunga

pp

==-­

==niente

Hom 2 cue

r.'\

pp

==-­

====-;iente

Hom 3 cue

- ­

r.'\

.

fL-r==-1\

B. Sax.

,.

(i\)

•

--=

..

-

.

==--

W 7:

63

-----

solo

OJ

pdolce

1\

Tpt. 2

pp

t:\

==n-iente

Hom 4 cue

'"'­

pp ~rit.

==nienle

lunga

like tolling bells

===-

t:\

t:\

'"'

lunga t:\

t:\

:::::

­ 0)

lunga

1\

3

10)

2

Rn. 3

--

solo

fI

1

•

mp r.'\

= =

oJ

-

4

..

u~

OJ

:



p

'"

~

17\

~

r.'\

'"

~-;:~

17\

:

Euph.

,J

-

~

solo .~-

mp dolce

....

~

-

~

===-

pp

pP

}Jp

---- -'. ====-

===-mente

'"'

t:\~

t:\

t:\

:=-,

~

?:t

?:t

'"

\l~::g~

4

~niente

r.'\

t:\

=J

U-

nienle

17\

17\

lunga

17\

17\

t:\

17\

=­

Susp. Cym.

-

r.'\

~

===­

pp

====-

pp

===­

pp

~ente

==-.......

r.'\

t:\lunga

'"

'" lunga

===;a..'e

r.'\

...==-......

I

I

I

r.'\

I-

lunga t:\

t:\

17\

_.

lunga

-&

)..

.-

:

..

lunga

,J

B.el. cue PP

Timp.

lunga

==;-iente

~

p non solo

:

Tba.

lunga

p

-=f'= - "

~

P

pp

pp

~

p

3

===-

~

"­

/

t:\

r.'\

-

-====­

r.'\

--=

~

,-

-

n

fI

----

r.'\

-=

t:\

.£L

mp

0)

Tbn.2

r.'\_~ [-:;--..,

--

~ i~

'"'

r.'\

­

I

-

I

I

0

lunga I

t:\

II

o Magnum Mysterium

Flute 1

Morten Lauridsen transcribed by H. Robert Reynolds Adagio, molto legato e espressivo (~ = 66-72)

A

13

poco rit.

18

=

II

~ A tempo

2

2

mp A tempo

poco rit.

A

molto rit.

U

f © Copyright 2003 Songs of Peer, Ltd.

International Copyright Secured, Printed in the U,S.A.

All Rights Reserved.

Flute 1

2

54

--====== ====-mp 63

[!]

~'~~~IJ!)~I~~_~~6~~~~_1!~:'~::::~_~.. ~=-_~_~~~_~dt~~~rit~.~=~~2~-±EL~~ _

f

o Magnum Mysterium

Flute 2

Morten Lauridsen transcribed by H. Robert Reynolds

Adagio, molto legato e espressivo

'~I\I; 5

(.J = 66-72)

r!'

IF

rit

I{-£- J

;??fr

i

r."\

r r

A tempo

poco rit.

3

1­

II

[QJ A tempo

II

4

'II

1­

1#

mp

r [!]A tempo

::::=- mp

A tempo

motto rit

~

ill

I'

2

IF

A tempo, deliberamente

motto rit

II .

-====

2

poco rit

rit

F

6

rit 2

II

© Copyright 2003 Songs of Peer, Ltd.

International Copyright Secured. Printed in the U.S.A.

AU Rights Reserved.

lunga r."\

-74

o Magnum Mysterium

Oboe 1

Morten Lauridsen transcribed by H. Robert Reynolds

Adagio, molto legato e espressivo I, 3 rit.

=J--

~!lll

(J = 66-72)

il

lAJA tempo

f.'\

4

9

13

35

[!] A tempo

poco rit.

A tempo

~~~"§&1~~2~~Ir=Er~ft~-~~IB~I_~~3~~¥4~~~_~~~=~~~~

rit.

43

© Copyright 2003 Songs of Peer, Ltd.

International Copyright Secured. Printed in the U.S.A.

All Rights Reserved.

o Magntlm Mysterium

Oboe 2

Morten Lauridsen transcribed by H. Robert Reynolds

Adagio, molto legato e espressivo

~I

2

~~)I'I'

(J = 66-72)

IAl A tempo

rit.

~

II

4

II

9

~~I'I'I

1­

F

mp 13

2

~~h, r

F

I

I

--========

11if

rit.

1­

~mp

19

[9

~I:,I) ~~

[Q] A tempo

poco rit.

3

4

1-

I, I

2

11if

F-= II

* mpF ~

II -

J

*

==-mp

[!] A tempo 3

II I

poco rit. A tempo

II

1­ pp-=::::::::. cresco

rit.

A tempo ~

50

-===

[Q] A tempo, deliberamente

f

r

F IF

62

~~I'I'

-

molto rit.

r

J F IF

~

~~"I"~ r r r I r ,F *

molto rit.

r

II ­ ===-

mp

2

r

rit.

I

=

~

** 6

rit.

2

lunga ~

II © Copyright 2003 Songs of Peer, Ltd.

International Copyright Secured. Printed in the U.S.A.

All Rights Reserved.

o Magnum Mysteriunl

Clarinet 1 in BIJ

Morten Lauridsen transcribed by H. Robert Reynolds

,-I .

Adagio, molto legato e espressivo

Ir

p

(J = 66-72)

rit.

Fa

r

mp -==:::::::::::::-=

mf

r r

I

9

rit.

t:'I

r IFCJ?J

26

'·8

ci

II ­ mp­

34

© Copyright 2003 Songs ofPeer, Ltd.

International Copyright Secured. Printed in the U.S.A.

All Rights Reserved.

=

2

Clarinet 1 in Bp 46

[gJ A tempo, deliberamente

'~I.cf

59

69

IE

Q

molto rit.

r r

--===-:

A tempo

;::::::::-=:::::::

..0..

I

ff

s=??J

-----,.

__ - ..

Clarinet 2 in B~

o Magnum Mysterium

Morten Lauridsen transcribed by H. Robert Reynolds

Adagio, molto legato e espressivo

'~I i pis:(=j 5

Ij

(..I = 66-72)

J J

rit.

1J31

t:'\

JWL]

:Al A tempo

9

13

Ai-A........"

~----

rit.

© Copyright 2003 Songs of Peer, Ltd.

International Copyright Secured. Printed in the U.SA

All Rights Reserved.

2

Clarinet 2 in Bp 46

~A

~~I &: f

molto rit.

tempo, deliberamente

-VA

r r I t r r r Ir ::::::=-

68

mp

r -=::::

A tempo ~~

1° ff

i

Clarinet 3 in BI>

o Magnum Mysterium Morten Lauridsen transcribed by H. Robert Reynolds

Adagio, molto legato e espressivo (~ = 66-72)

rit.

~ * =cl:W-=r-:=jr-:-=-~-~$-=L-r:t~~c=-_c=-c=J

5

10

19

poco rit.

1m A tempo

24

28

38

poco rit.

© Copyright 2003 Songs of Peer, Ltd.

International Copyright Secured. Printed in the U.S.A.

All Rights Reserved.

2

Clarinet 3 in BI:> 46

[Gl A tempo, deliberamente

molto rit

69

lunga

-e-

niente

===­

o Magnum Mysterium

Bass Clarinet in Bp

Morten Lauridsen transcribed by H. Robert Reynolds

Adagio, molto legato e espressivo(J = 66-72)

~

~T~·. #f1.

:J J=t

p

7

&~ ii~Dr= . ]1 J,--,3=:f=.

IAl A tempo

rite 1":\

.;§

I U~-e-

:r=4*:-%-

I

~

2

l If'·

mp

14

pp 21

A r ..rHln""

rite

00

2

# II'

1":\

3P

21£ JJI=i.=TI ~

mp

==-p poco rite

36

*3'

rite

43

49

·dttj -.:::::::: cresc.

~

A tempo

~.QJ A tempo, deliberamente

U

molto rite A tempo

~flF~ ·1 '-' -===.ff

mf--=::::: rite

1":\

p

68

rit.

© Copyright 2003 Songs of Peer, Ltd.

International Copyright Secured. Printed in the U.S.A.

All Rights Reserved.

lunga

o Magnum Mysterium

Bassoon 1

Morten Lauridsen transcribed by H. Robert Reynolds

Adagio, molto legato e espressivo

(J = 66-72)

lEA tempo

rit.

~f.\

p

poco rit

A

::-0

rlr~'

r Ir

35

-:rvz,)~F'

poco rit.

In

r

pp

IF

o

A tempo, deliberamente

rit.

molto rit. A tempo

49

55

f If'

nif-=::::: 61

F fl

~ ~

2:~1,1> i

molto rit. [!J

II

5

rit f.\

11-

II

2

p © Copyright 2003 Songs of Peer, Ltd.

International Copyright Secured. Printed in the U.S.A.

All Rights Reserved.

...I

f It"

IC"

==-- mp

f

r i Ir' r I r

f

lunga

II

f.\

-

f.\

II

o Magnu.m Mysterium

Basssoon 2

Morten Lauridsen transcribed by H. Robert Reynolds

Adagio, molto legato e espressivo(~ = 66-72)

rit.

13

===-mp 19

[9

.2¥fj.

poco rit

[QJ A tempo

I: 3f r FI·@jJJ:IT Jf =e-t=~ .~

pp 27

::===- mp

mp--=== 33

[FlA tempo

rit.

poco rit

40

rit.

A tempo

cresco

-=::::::::

§~ A tempo, deliberamente

46

I~ 54

?ftl

d

-

molto rit. A tempo

If~

11!f-=:. 61

~

rit.

molto rit

f.',

2:~"1) r--r

~===-mp

t>=f=11r uP r If'" ::::1=1

f

00

r I r r Ir

ff~

[!!J~

Tow! J

0

-==

~

rit

:

II

5

f.',

lj-

-

II

lunga

2

p

© Copyright 2003 Songs of Peer, Ltd.

International Copyright Secured. Printed in the U.S.A.

All Rights Reserved.

f.',

1\

­

:

f.', ~

3

o Magnum Mysterium

Alto Saxophone 1

Morten Lauridsen transcribed by H. Robert Reynolds

Adagio, molto legato e espressivo (J = 66-72)

5

rit.

~Atempo

44 -=+h%:_~-_~_~=jg

:

- mp

14

19[Q

arC -

[!!j A tempo

poco rit.

tI·UST-·IJ =4

r~di· ---r . =t·(2r2Bt~~

--+

pp

-

1­

24

28

mp

-=====

====-mp

mf

32

37

rite

&-.,

====--

[E A tem...:,p_o----_

I~

G·

p I~r

=r:

poco rit.

r

If

pp

rite

t2i=as=t.~ .¥H~~ 5lI ~

cresco

© Copyright 2003 Songs of Peer, Ltd.

International Copyright Secured. Printed in the U.S.A.

All Rights Reserved.

Alto Saxophone 1 46

molto rit.

[Q] A tempo, deliberamente

'Hq23E} IW

2

@

ret

Od'd:£·.· r-=£~~ -=== ff

f

00

60

WH2t 41 64

5

('

A tempo

IF

p rit

­

Hom 1 cue

IFpp

I

-

d

o Magnun1 Mysterium

Alto Saxophone 2

Morten Lauridsen transcribed by H. Robert Reynolds Adagio, molto legato e espressivo

-#

(J = 66-72)

rit.

J1 ~ ~==E=# I d--kk~~ f.'\

~!

0

p

~Atempo

!

0_

I fSFPr ltd

7

13

rit.

====-- mp

19

~Q

~·.~gn" pp ~

4~u.. ~.... I tI}Sf Lr2ft( ~.. ~

+1' (7FI II t .@t:4 26

!!!J

poco rit

p A tempo

[EJ

r IMEJ r r If