Pa a a _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 3 Bourre§,e (from Cello Suit e no. 3 BWV 1009)
4
Bag atell a op. 73 no. 3
5
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---- ----- ------- ------------- ----- ___________ ___6
Colecci6n 12a de Ejercicios)____ _ _ _ __
_____ __ __
Steely Blue ......................................................................... Garden Steps.................
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... ... .. ..... ................................................... ........................ 8 .. . . ..
...............................................................
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........ ..... . ...10
......................................................................12
Buen augurio ...
..........................................................14
Technical Suite (Exercises) ........................................................................................
.......................15
ern ative pieces for this grade (2010-2012): ':1on. 3 ~o
• er
2 cia
.LaII
Mascarade (from Le petit livre de guitare vol. 2)
Les Productions D'OZ DZ12
Etude 6 or 7 Cfrom Etudes simples 2e serie)
Eschig ME7998
Le Grand Brasseur (from 25 Etudes esquisses)
Mel Bay 95430
Berceuse (from Twelve Inventions for Guitar)
obinson
Robinson's May (from Easy Pieces from Shakespeare's Time vol. 2)
ollory
Summer Solstice Song (from The Real Guitar Book vol. 2)
or
Etude no. 18 op. 35 (from Complete Studies for Guitar)
Trad. arr. Hartog
El noy de Ia mare (from Tapas de Espana)
Trad. Scottish arr. Fiorentino
Bonnie Laddie, Highland Laddie (from Celtic Music for Classical Guitar)
Holley Music Holl S007 Universal UE16693 Camden Music CM192 Chanterelle 491 Alsbach Educa 10591 Carisch ML2601
Pi eces Three pieces to be performed, chosen from the pieces included in this book or from the alternative piece(s) listed "'or th e grade, to form a balanced programme. Full details of alternative pieces are given above and in the current Guitar Syllabus. One piece may be replaced by the candidate's own composiNon of a similar length and standard -:o th e other pieces chosen.
Technical work ee inside back cover for details.
Supporting tests vo t ests to be chosen from Aural, Improvisation, Musical Knowledge or Sight Reading at candidate's choice. ee th e current Guitar Syllabus for details.
rtant idat es and teachers must refer to the Information & Regulations booklet for all examination requirements regul ations. Syllabuses and further information can be obtained from your Trinity Guildhall Centre Representative i ity's Head Office.
Guitar Grade 4 Pieces & Exercises for Trinity Guildhall examinations
2010-2015 \
Published by: . Trinity College London 89 Albert Embankment London SE1 7TP UK T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E
[email protected] www.t ri n ityg u i ld ha ll.co.u k Copyright© 2009 Trinity College London
Unauthorised photocopying is illegal No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the publisher. Music processed by Artemis Music Ltd. Printed in England by Halstan & Co. Ltd, Amersham, Bucks.
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ostalgia Cees Hartog (bo rn 1949)
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Candidates choosing Option ii) Tec hnica l Su ite in the Technica l Work section of the examination must prepare
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1. Arabesque (slurs)
To be prepared ap oyando or tirando at candidate's choice .*
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2. Clair de Lune (half barre and arpeggios)
To be prepared tirando.
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either i) Scales a
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As given in Guitar & Plec rum Guitar Scales & Exercises from 2007 Sca les The following scales to be performed wit h dyna mi cs, right hand fingering pattern and rhythmic ' e cs (See current Guitar Syllabus for examples of rhythm ic styles). Can didate's choice of apoyando or '"ira ~
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A major (two octaves),f, im fingering. Straight rhythm E major (two octaves), mf. im fingering. Straight rhythm B natural minor (two octaves),p , ma fingering. Straight rhythm B harmonic minor (two octaves),f, ma fingering . Swing rhythm B melodic minor (two octaves),p , ma fingering. Swing rhythm Arpeggios The following arpeggios to be performed '"!f'and tirando : D major (two octaves) B minor (two octaves) Dominant 7th in the key of D (two octaves, starting on A)
or
ii) Technical Suite
Exercises Candidates to prepare all of the following exercises, printed in this book:
1. Arabesque (slurs) 2. Clair de Lune (half barre and arpeggios) 3. Espana (scales) 4. Skyline Melody (full barre)
All pieces in this volume have been edited with regard to current concepts of performance practice. Dynamics a'"' fingering have been suggested to assist candidates and thei r teachers in developing their own interpretat ions. Recommended metronome markings are given as a useful, but not definitive, performance guide for all pieces.. Those without square brackets are the composer's own indication of the appropriate speed for the music. Repeats of more than three bars should be omitted unless instruct ed otherwise in the syllabus or Trin ity music book, but all da capo and dal segno instruction s should be observed. Every effort has been made to trace and acknowledge the copyright owners. If any right has been omitted or if any detail is incorrect, Trinity College London apologises and will rectify this in any subsequent repr ints following notification.
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