January 30, 2017 | Author: Daniel Concepcion Roig | Category: N/A
Res
a anese arr. Sol lory
en e aco paf5ar Ia pa e c
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Minuet op. 21 no. 12
4
Landler op. 9 no. 4
6
Sakura _··-···-····--·····-····-··········-· ..... ... -··--·············· .... ·····----·-···· ·· ·· ···-····-·---·---- _ _ _ _ _ 8 Carratera resbaladiza .....
· · ····························-·-······-···--·--·· - -9
Valse noble (from Eight Short Pieces for Solo Guitar) .. Walking (from 8 Discernments) . ................................. Banjo Bill......... .
c.
............................._10
························-·· ..... . . . ·······-··-······-·11 ........... 12
...................
....... 13
Station to Station Technical Suite (Exercises)
............................. ................................. ......... 14
s for thi s grade:
-...c
e are f rom Guitar Duets Initial-Grade 3 2010-2015 published by Trinity Guildhall (TG 008091). Rondo Valse op. 44 no. 1 ado
· ·::. -
ory
Marchinha de Carnaval Danza Andaluza
ern ative pieces for this grade (2010-2012): Etude 1 Cfrom Etudes simples 1• serie)
Eschig ME7997
Gaelic Song 1 (from Twelve Inventions)
Holley Music Holl S007
Tazzolla
Artisane (from Play Piazzolla)
Boosey 9790060119712
:Jo :lesland
Turn to Dust (from The Real Guitar Book vol. 1)
e oy
Branle de Bourgogne (from Le petit livre de guitare vol. 2)
or - rad. Scottish arr. Fiorentino
Etude op. 60 no. 7 (from Complete Studies for Guitar)
e Valderrabano
Charlie is my Darling (from Celtic Music for Classical Guitar) Dance of the Dragon (from String Fingers) \ Soneto del primer grado (from Hispanae Citharae Ars Viva ed. Emilio Pujol Vilarrubl)
Camden Music CM191 Les Productions D'OZ DZ12 Chanterelle 491 Carisch ML2601 XYZ Huizen Holland XYZ1211 Schott GA176
Pieces - r ee pieces to be performed, chosen from the pieces included in this book or from the duets or alternative iece(s) listed for the grade, to form a balanced programme. Full details of duets and alternative pieces are iven above and in the current Guitar Syllabus. One piece may be replaced by the candidate's own composition f a simi lar length and standard to the other pieces chosen. If a duet (or maximum two duets) are chosen, the accompani ment must be played in the examination.
Technical work ee inside back cover for detailS.
Supporting tests -
o Lest s to be chosen from Aural, Improvisation, Musical Knowledge or Sight Reading at candidate's choice. ee he curren t Guitar Syllabus for details.
~ :KJ
-
an
i a es and teachers must refer to the Information & Regulations booklet for all examination requirements eg lations. Syllabuses and further information can be obtained from your Trinity Guildhall Centre Representative · · s Head Office.
Guitar Grade 3 Pieces & Exercises for Trinity Guildhall examinations
2010-2015 \
Pub lished by: Tr inity College London 89 Albert Embankment London SE1 7TP UK
•
T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E
[email protected] www.trinityguildhall.co.uk Copyr ight © 2009 Trinity College London
Unauthorised photocopying is illegal No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the publisher. Mu sic processed by Artemis Music Ltd. Printed in England by Hal sta n & Co. Ltd, Amersham, Bucks.
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sing Option ii) Technical Suite in the Technical Wo rk section of t he exami na tion must prepare th e fo llowing
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'ggery Pokery (scales) - o be prepared apoyando or tirando at candidate's choice.*
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Scales ic ~ 2 as:-: e allowing sca les to be performed with dynamics, right hand fingering pa ern and rh see current Guitar Syll abu s for exampl es of rhythmic styl es). Candidate's choice of apoyando or : ·"Cn _ _ specified: C major (t wo octaves), '"!f. ma fingering. Straig ht rhythm D natural minor (two octaves),p, ma fingering. Straight rhythm D harmonic minor (two octaves), '"!f. im fingering. Swing rhythm D melodic minor (two octaves),p, im fingering. Swing rhythm Arpeggio The following arpeggio to be performed if and tirando: Diminished 7th starting on A (one octave) Exercises The following exercises to be performed if and tirando: C major in broken 3rds:
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ii) Technical Suite
Exercises Candidates to prepare all of the following exercises, printed in this book:
1. Jiggery Pokery (scales) 2. Thurdles (broken chords) 3. Au Ia it (half barre) 4. Passagio (arpeggios)
All pieces in this volume have been edited with regard to current concepts of performance practice. Dynamics a-: fingering have been suggested to assist candidates and their teachers in developing their own interpretatio s. Recommended metronome markings are given as a useful, but not definitive, performance guide for all pieces. Those without square brackets are the composer's own indication of the appropriate speed for the mus ic. Repeats of more than three bars should be omitted unless instructed otherwise in the syllabus or Trin it y music book, but all da capo and dal segno instructions should be observed. Every effort has been made to trace and acknowledge the copyright owners. If any right has been omi tted or if any detail is incorrect, Trinity College London apologises and will rectify this in any subsequent rep rints following notification.
Ackerman ~iusic Oi293 ~i:3790G Tg - Guitar Exam Pieces - Grade 3
IIIIIIIIIIIIIIIllll Ill IIll J Ill
TG 008039 ISMN 9790570380350
GOGOO'J801259:J
0809-GTi~-cXAt·1
£o.L5 9 790570 380350