2000 Symphony and Metallica.pdf
April 21, 2017 | Author: Gabriel Terra | Category: N/A
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THE CALL OF KTULU Words and Music by James Hetfield, Lars Ulrich, Clifford Burton and David Mustaine
,A.5
E5
EffifI HH^ tt 134
step: @= Eb @=cb @= Al O=Bb Tune down 1/2
D*S
ffiii*
D5
iffifi'u
B5
g
cs
Bb5
F5
ffi iffi+i"'ffi ffi'" 134
@= Dl O=Eb
Moderately Dm xGtr.
J
= 128
II
Rhy. Fig.
I
(Gtr.
I)
ryp (w/pick) let ring throughout
*Orchestra
m. for
gtr.
w/Rhy. Fig.
*Gtr.
(endRhy.ttr.t,
1
(lst
7 bars only)
III
9L-T
*Orchestra arr. for gtr.
Copyright @ 1984 Creeping Death Music (ASCAP) This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP) lntemational Copyright Secured All Rights Reserved
Amadd2/D#
(Gtr. II out)
Rhy. Fig. 2
(end Rhy. Fig. 2)
F----.
-..--.-F' w/Rhy. Fig. 2 (3 times)
Amadd2 Gh.
10
III
Amadd2/Dil
Amadd2iDf
Amadd2/D*
Dm Gtr.
w/Rly. Fig. 3 (3 times) Dm Dm(il5)
Dm($s)
II
Rhy. Fig. 3 (Gtr.
I)
(end Rhy. Fig. 3)
Dm
Dm(*5)
-----\
Amadd2/D#
Dm7
Amadd2
Amadd2/Df
Riff A
Amadd2/Df
Amadd2
Amadd2
(end Riff A)
Amadd2
Amadd2/D#
III
dRhy. Fig. 3 (4 times)
Dm
w/RiffB (3 times) Dm Dm(fs)
Dm($5)
Gtr.I r4
dRiff A (3 times)
w/Rhy. Fig. 2 (4 times) Dm6
€}'iC}
Gtr.
Dm6
Gtr.
II
/-;"
I
(end
HH
Dm Dm(#5) e -----...--
RiffB)
Riff B 1xx6o. tU,
Dm
oHP
Dm($5)
HPH
Dm7
H PH
pH PHPHPHPHPH
fup
pH P H P H J FI PH
P
H
PHP
11
Half time feel w/Rhy. Figs.4 & 4A (both 3 times)
A5 Gtr.
Ff5 45
E5
D$s
Es
F*s
As
II
---\
Rhy. Fie.4,A' (Gtr. D
(end Rhy. Fig. 4A')
IV)
lend Rhy. Fig. 4)
Rhy. Fig.4 (Gtr.
'--J-/ sl.
/^
w/dist. p.tr,t.---
Dfi5
P.M.-- ----- --- -- -- ---- r
Es F*5 Dm
E5
L-3-----l
Dm(il5)
,3,
I)
(end Rhy. Fig. 5A)
w)
(end Rhy. Fig. 5)
Rhy. Fig. 5A (Gtr.
Rhy. Fig.5 (Gtr.
12
w/Rhy. Figs. 5 & 5A (both 3 tirnes) Dm6 Dm7 Gff. II
Dm Dm(f5)
ilRhy.
,{5
Dm(*5)
Dm
Figs. 4 & 4,{ (both 4 times)
E5
Df5
E5
Fil5
E5
As
E5
D$S
Gtr.
trI
GtI.
II
dRhy. Figs. 5 & 5A (both
A5
E5 Ff5 Dm Dm(#5) Gtr. II 'J----r r-J---r-J -: r-J_____r
I
I
j
I t-3
J JrJ
JqJ
TJJ
A.5 Gtr.
D$5
E5
E5 Ffl5
trI
(Gtr. tr out)
4 times)
D*s
E5
Fil5
Dm(#s)
Dm6
Dm
Dm7
(Gff.
)
[out)
Gff.
Dm6
Dm(fs)
Dm7
m
| Gtr.
III
tctr. II Dm(#s)
w/Rhy. Fig. 4 (4 times) (Gtrs. I &
A5 Es Dfs Ctr. II re---.,..'..'...-\e. -,,-\
to left of slash in TAB.
Dm7
N) E5
Ffls
A5 -o.
Es D#s
E5
Fil5
A5
Es
F*s
D$5
e ----\ t
J
'
t
3--)
13
Dfs
Es
w/Rhy. Fig. 5 (4 times) (Gtrs. I & IV) F$5
Dm
D{ls)
"2.
'J',J,
Dm(#s)
Dm6 8va
Dm($5) -
w/Rly. Fig. 4 (4 times) (Gffs. I & IV)
As
Dm6 Gtr. III
E5
14
F$5
Es Df5
E5
F*s
Dfs
As
w/Rhy. Fig. 5 (4 times) (Gtrs. I & A.5
E5 F*5
Dm
"l
Dm(fl5)
N)
E5 F+s
Dm(f5)
Dm6
Dm7
,tl HH
Pp
"rHH
-)
*Orchestra
Dm
PP
,/.HH
---+\ "l.HH
---,+\
m. for gtr Dm(#5)
II.
(Gtr. Itr out)
(Gtr.
Gtr.
II
II out)
9-
RiffC(Gtrs.
I&N)
P.M.------- -------
-- r
tChords are implied till Guitar solo.
dRiff
C (Gtr.
I)
(2 times)
A5IE Gtr. II
F$o
Ioco
nr
H
L-?J
Gtr.
TV
C5lG Gff. II
Bbs b
PPP
Riff Dl (Gtr. IV)
"
H
(end Riff
Dl)
s/.
.!.a
HsL
Riff D (Gtr. I)
16
(end
RiffD)
w/Riffs D & D1 C5lG Gtr. II
Ab
Bbs
Guitar solo
dRhy. Fig. 4
(4 times) (Gtr.
I)
E5
A5 Gtr.
Es
Dfl5
Ff5
E5
D$5
Fils
TI
8va-------------Gtr.
IV
Full llr
Full
Full
_/))
Full
Full
Full
Full
l1/2
Full
)
))
P
L3{ 11/2
l
t3,
P
F*5 As
D#s
E5
*
,3'
8va -------------
Full
Full
Full
IPIPIPI a+ 3-'r a+ /-'' .!+ :-t
:.
P
P
Full
sl.
Dm(*5)
P
P
sl.
P
.sI.
PP
1B
P
P
,-_:
P
A.H.
dRhy. Fig. 4
pitches:
(4 times) (Gtr.
A5 Gtr.
G
E
I) D#s
v
III
F*5 (Gtr.
J
Itr out)
I
P
'tqiP
sl
8va ------------sl.
lll2
P
tllr-
tt/2
tv2
tu2
/1) '3'
t t/2 I 1t2 P
l
1 1.t2
t
1t2
_/l
19
w/Rhy. Fig. 5 (4 times) (Gtr. I)
Dm
Dm(f5)
Pp
Pp
P p
Pp
pp
P P
PP
PP
tE f;hij.i*r* w/wah
PP
as
fiIter
P P
rP
rP
P P
PP
PP j-{. rX,*{ .3{. l-I. lp -lP f+>fF)fi; pp
D-
PP
PP
P
PP
P
PP
PP
P P
Dm($5)
--. L_3J
PP
PP L-3J
PP
PP
t-JJ
PP
R
(/'2n
s/.
+
t-3J
PP
sl. sl.
20
slH
sl. H
PP
Pp
P
P
Dm(S5)
sl.
P-
bi-)^
8va----------
HP /:-\
,.hr
L3J
HP
PP
P%
(end half time feel)
,--,
s/.
A5
\
Full
Rhy.Fig.6(Gtrs.
sI.
I&IV)
(end Rhy. Fig. 6;
loco
sl.
dRhy. Fig. 6 (3 times) A5 E5 Dfs
E5 Dil5
w/Rhy. Fig. 5 (4 times) (Gtrs. I &
Dm Dm(f5)
Dm6
F#5
sl.
E5 D*s
A5
N)
Dm6
Dm7
Dm7
Dm
Dm(#5)
t= t3l
,3'
21
w/Riff C (lst 2 bars only) (4 times) Dm(f;5)
Dm6
Dm7
A5/E
Play 4 times
Bs/F# Gtr.
22
II
Play 3 times
(end
Rhv.45
ris.z
I
I
(ctis. Iol
&IV)
E5
Df5
/h
o
Rly. Fig. 7) wlRhy. Fig. 7 (Gtr. I: 3 times; Grr. II: 7 times)
A5
E5 Df5
-/'
w/Rhy. Fig.4A (4 times) (Gtr. I)
A5
w/Rhy. Fig. 5,4
Dm Gtr.
II
Dm(f
(372 times) (Gtr.
5)
Dm6
E.s Dfs Df Es .5
I) Dm7
23
w/Rhy. Fill Dm6
A little slower J = ros 1
"J'=-.-.---=.--
Gtrs. I &
P^M.
cs
Rhy. Fig. 8 (Gtr.
G5
G5
24
Fil5
G5
Fil5
(end Rhy. Fig. 8A) Full
IV)
(end Rhy. Fig. 8)
I)
w/Rhy. Figs. 8
(Gtr. IV cont. on upper staff)
-------------------r
Ff5
Rhy. Fig. 8A (Gtr.
IV
(Gtr. II ou$
& 8A (both
G5
3 times)
E5
Gtr. fV substiture Fill
c5 F*s
(Resume Rhy. Fig. 8A)
1
c5
E5
G5 F*5 Gtr.
c5
II
F*s
F*5
RitrE1 (crr. IV)
HP ,.--\
(end Riff
HP
El)
^
LJJ
Riff E (Gtr. I)
HP
(end Riff E)
HP
,..=\\
/--\.
r_JJ
L3J
HP
dRiff G5
El c5
E (2 times) &
F*s
cs Ff5
E5 Gtr. ITI
(Gft.m) (-)
(Gtr. II out)
tr@
*Gtr. III to left of slash in TAB
Fill
1
(Gtr. IV)
25
Gs F$s Gtr.
II
HP
Grr.ryHPsl.
s/.
a-\A
LJ
--.r
_93{L
Gs Ff5 rj-
HP
(Gtr.
ctr.
Grr.
IV H P
H
-J-r sL
I
-i-
L-r
IV cont. in
slashes)
p s1.
L3J
HPsl.
H Ps/.
*8yd refers to Gtr. IV only.
Freelv D5
ct.wrlll^!
26
B5
)
ofro*o
(Gtr.
IV out)
A tempo w/Rhy. Fig. 1 (1% times)
Dm Gtr.
II
xGrad. vol. swell
Bb/D
ft H
*Clean tone
J)1tt
d A
Slower
J
= 92
D5 C5 Gtrs, I
r&N) f
D5
I
)
dist. tone Gtr. II
Bb5
I
)
)))
D5
F5
Dm
(Gtr.
@Gtr.
--;
TAB.
II
trem.pick
D5
)1
slash in
IV out)
@
D5
i
**Gtr. II to left of
r r)
C5
D5
))
B'5
D5
F5
))
A_--.--\{}
+Played by Gtr. IV only; Gtr. I tacet.
/i ., I t:\
p
grad. cresc.
*While trem. picking, slowly slide up neck, past fretboard, reaching bridge pickup last at bar of song.
27
MASTER OF PUPPETS Words and Music by James Hetfield, Lars Ulrich, Kirk Hammett and Cliff Burton
E5vn
E5
A5
F5
ffi
ffi
rIEEi
I
1
11
D5
B5
C5
i$i[i^ ifiifi* ifiili*
ffi 13
D#5
c5
ifiiii"'Ei[H*
Ffr5
ffi
E5(tvpe2)
IE+EI
Tune down 1/2 step:
@= Eb @=Gb @= nb @=36 @= Db @)=Eb Fast Rock
)
=216 D5
E5
*Gtr.
III
Gtrs.
I & II
Dbs
C5
*Orchestra arr. for gtr.
D5 Gtr.
^t
Db5
C5
trI
.-'4 d
t;
*Gtr.
s rv
(end Rhy. Fig. 1)
*Orchestra arr. for gtr.
w/Rhy. Fig.
I
(3 times)
D5 Db5
)I
C5
N.C.
J
Copyright @ 1986 Creeping Death Music (ASCAP) This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP)
28
lnternational Copyright Secured All Rights Reserved
(end Rhy. Fig. 24) (cont. in notation)
Rhv. gs
Fig.2A
1
tctr.Il)/
I
N.C sl.
do. rn
Rhy. Fig.2 (Gtr.
I)
Gtrs. I &
.;-
il
(end Rhy. Fig. 2)
+\{ --z
=Y sl-
rt\
--i
{
sl.
w/Rly. Figs.2 & 2,4 E5
29
B5 (Gtr.
III)
(Gtr. III out)
Rhy.Fig.3(Gtrs.
(Gtrs. I
I&il)
&D
Gtrs. I,
il
w/Rhy. Fig. 3
E5 N.C. III I t .e-.v-a-
85
Gtr.
-
(Gtr.
r Rhy.
30
Fill
1 (Gtr.
ry)
Gtr. UI
IV out)
N.C
&
IV
(end Rhy. Fig. 3)
w/Rhy. Fill 1 (Gtrs. I & IV) N.C.
E5
Gff.
M
E5
(Gtr.
III out) Rly. Fig. 4 (Gtr. I)
Rhy.
Fig.4A (Gtr. II)
*Omit note in pilentheses when recalled unless otheruise indicated.
(end Rhy. Fig. 4)
i-{
sl.
sl.
.= sl.
sl. ,_a
sl.
sl.
-l
sl.
),=
sl.
sl.
sl. (end Rhy. Fig.
4,{)
J--
s/.
sl.
s/.
sl.
sI.
sL
sl.
sl.
w/Rhy.Figs.4&4,A. (Es) Gtr.
N.C.
m
1st Verse w/Rhy. Figs.4 &
4,A.
N.C.
(both 4 times)
N.C.(Es)
31
(Audience:)
(l'm
N.C.
Veins
thal
pump-
with
fear,-
Gr. m
you
III
will
see-
is all-
you need,
J----=..--J
il' Rhy. Fig. 5 (Gtr.
E_r
r r'
Lr r_r_r-r
I)
Rhy. Fig. 5A (Grr.
II)
(end Rhy. Fig. 5A')
----/ s/.
P.M.
xP.M. applies to Gtr. I only
HH (end Rhy. Fig. 5)
*P.M,--- --- -- --- ---- ----- -- --- ----- -r
32
clear,-
suck - ing
was
o
Taste
Gtr.
it
H
--,--/ H
H
(cont. in notation) Rhy.
Fill 2 (Gtr. II)-------------'
@ zrr. B
rTD
w/Rhy. Figs.5 & 5A F$s
P.M.------------
TT71
*P.M. applies to Gtr. I only **Gtr. III to left of slash.
D*s
(Gtr.
(Audience:)
trI)
_--
re-
tffi
(Come
85
crawl
-+)-
|JJJ (end Rhy. Fig. 6)
xP.M--------------r
Rhy. Fig.64. (Gtr.
II)
(end Rhy. Fig.
6A)
P.M.
P.M.
*P.M. appies to Gtr. I only.
w/Rhy. Figs. 6 &
E5
D5
6,4' (both 27e times)
E5
N.C.
33
fast
-
er.)
ffChorus (end half time feel)
F5
o
(Audience:) (mas
bey (Gtr.
trI)
(Gtr.
Rhy.
Fill 3A (Gff. II)
Rhy.
Fill
ilI
E5
Mas
- ter).
- ter of
Pup-pets,
out)
(end Rhy. Fill 3,A.) Gtrs. I &
11
=--/ P.M.----
pull -
ing
your
3 (Gtr.
I)
-- -- --- - -- -- -- -- --- --
stnngs,-
----r
(end Rhy.
twist
Fill 3)
ing your mind-
=--/
P
34
P.M.
A5 Gtr.
IIo
_------.,..--
(cont. in notation)
(Gtr. II cont. in slashes)
Gtrs. I
:--'-----
&
il
_
thing.-
=.--/
xGtr. III to left of slash
35
a 2nd
& 3rd times Gtrs. III & IV subsriture Riff A
scream._
(Audience:) (mas - ter)
J
znd time to Coda
j
(Audience:) (mas
(Gtr.
III out)
(Gtr.
IV out)
(2nd time Gff. I cont. in slashes)
(Gtr.
36
IV out)
I
3rd time to Coda
-
ter). (Spoken:)
Hell,
yeah.
II
(Gtr.
III out)
!5
w/last bar ofRhy. Fig. 3
N'c'
"L
2nd Verse
dRhy. Figs. 4 & w/Rhy. Fill 1
4,A.
(both 4 times)
E5
(Audience:)
(hfe Gtr.
of
death-
be -
com -
ing
clear -
er).
m
/
Pain mo-nop - o - 1y,-
ri-ri-ri-ri
- rit -
------
I
----\-
ual
loco
sl.
--''--5.-------
----\
(Es)
:e:) (chop Gtr. In
Oo,
ror).
-o
Gtr. UI
s/.
Gff.
IV
(Gtr.
ry
out)
sl.
w/Rhy. Figs.5
&
5A. (both 2 times)
Ff5
Taste
N.C.
you will
me,
see_
more,
you need,-
that's
fe
w/Rhy. Fill 2 (Gtrs. I &
@ru
N.C.
B
/-:-a ded-i -
cal
how I'm
to_
ed
D
you._
fuck-ing
sl.
Half time feel Pre-chorus wlRhy. Figs. 6 & 64. (both 33/ttimes) D5 E5 N.C.
E5
(B5)
D5
(Audience:)
(Come crawl
--\
-
o-
ing
D5
N.C.
Your
38
(B5)
N.C.
---*\
D5 E5
'a
E5
r
.O.
life
bums
fast
-
er.)
E5
I
D.S. al Coda (end half time feel)
w/Rhy.Fills3&3.A N.C.
I
I '
J
Coda
s
.J
,
Gtr.
III
Gtr.
Iv
lrt
FreelyJ = ca.96
F5
+
'
tl
I
Gtr. I
-
)a
(Gtr. I ouo
I mas -
ter,
Gff. ITI
Gfu.
II
-{}-
-
-{}
e6
=*-/-=--l
_t--l
trem. pick
*dprocessed echo repeats.
Fdbk. --------
(Gtr.
II out)
(8va) Rhy. Fig.7 (Gtr.
I)
HP
,.--::\. LjJ
Fdbk.
Fdbk. pitches: E
-----------
W letring cleantone
HP
*w/Rhy. Fig. 7 Em
(end Rhy. Fig. 7) U2
Gff.
II
*Omit last note.
**Vol. knob swells.
^f
*Riff B (Gtr. I)
^f
dist. tone
sl.
8va
------------'
*Play with slight vriations ad lib when recalled, *+Gtr. II to left of slash.
HP -.i-
s/.
H
40
(end Riff B)
w/Riffs B & B1 (Em)
(D)
(Cadd9)
(Amsus2)
Riff C (Gtr. trI)
(B7)
----\
*Omit note in prentheses when recalled.
Guitar solo
I
w/Riff C (2 times)
*w/Rhy. Fig. 7 (2 times) (Gtr.
(B7lD*)
EmD (end Riff C) Gtr. I 8va ------------.r
II)
H
H
HP
*Clem tone w/chorus, 2nd time omit last note
B7
Amsus2
B7/D# Fu
) sl.
,3'
sl.
P*
HP _.--':-\ L-3
L3J
t
HP
HP
s/.
HH *w/Riffs B & 81 (both 2 times) Amsus2
N.C.(Em)
B7
---\ (echo off)
sResume dist. tone. Gtr. II chorus
off
41
E5vII
ctr.
D5
c5
A5
B5
D*s
o
o
J
J
J
II d f
.f
I
oi't ----.*\
t_r_r-t
|JJJ
(end Riff D)
HP
,.=\.
LjJ HP
*P.M. applies to ctr. IV only.
w/Riff D E5vtr
J
Gtr.
D5
C5
A5
B5
o
o
J
J
I
I
TIT
D*s
-----\
.l
(cont. in slashes) 1t1
HP
LjJ
-------------------------l
HP
42
,/+
ffr fTll fT71 ----------P.M. (Gtr.
(cont. in notation)
fT]1 STtl
IID
F*s
G5 Ff5
cs cf5
G5 Ffl5
(Gtr. Itr out)
Rhy.Fig.8(Gtrs.
Gtr.
F#s
(Gtr.
IV
I&Q
(erd Rhy. Fig. 8)
IV ouo
*P.M. applies to domstem notes only
dRhy. Fig.8 F$5 G5
Ff5 c5
F*5
G5
F{s
Gs c*s
w/Rhy. Fig. 8 (4 times) F#5
F*5
cs
G5
where's the dreams that
G5
F*5
G5
mas
- ter,)
prom-ised
on
Ffl5
:--.--:.
Iy lies.-
Cil5
cs c*5
F#s
I've-
been
F$s
(Laugh-ter,
laugh - ter,)
43
r-
G5
all Bva
F#s
I hear- or
G5
see
is
laugh
c$s
- ter.-
laugh - ter,)
iaugh -
ing at-
134
search,-
the more-
my
need-
.-; you._
The more- I
D5 Gtrs.
I
bless,-
the more- I
@
B5
&I J-1 /-_d.
you.
bleed-
You
opeo
AB5
n.-1.
I
make me smash the clock- and
feel.-
be
- hind-
-
@gt
GA5
n
A5
o
Time was nev -
er
on-
my
so on I wait
my
135
law ofGtr.
III
Rhy. Fig.2 (Gtrs.
I & il)
U2
_)-
(end Rhy. Fig. 2) U2
U2
)-
)f
1/2
w/Rhy. Fig.2 (Bs)
----\ And I'm
136
Bridge 2nd time Gtr. II substitute Rhy. Fill 2
D5
D5
E5
And if
Rhy.Fig.3(Gtrs.
G5
A.5
I
G5
A5
mind
-
G5
A.5
A5
please pry
in
ito
pen.-
I&il)
D5 45
And if
face-
comes*
be
G5
s1n
A.5
be
-
ware.
(See me.)
(end Rhy. Fig. 3)
Rhy.
Fill 2 (Gtr. II)
8va ---------" Full
J
I
sl- loco
137
w/Rhy. Fig. 3 E5
D5
D5
D5
And
if
you
see_
A.5
A5 G5 A5
G5
G5
A5
re
me
To Codn
0
A5
- mind- me
of-
what left-
this
(Save me.)
@op"n
Rhy. Fill 1 (Gtrs.
I&D
E
(end Rhy.
FiIl
1)
(Gtr. II out) .,'7Ut t N.C.
o
-.-\^.
,^----\-.
,_o.
---/a
P.M.------- ------'-- ---{
Gtr.
III
r-3--r
r-3-r
sl
r--3-r r-3---r
r-3-r
r-3--r
r-3---r r-3---r
r-3---
r-.3---
P.M.--"--'-----------'{
P.M. ---'-" -'-------"-{
P.M.-----
r-.3---r r-3---r
--
----------
-- r
>\__t P.M.--"'-'-'-'-'--'--'r
P.M.'-'--------'-------i
sl.
ilRhy. Fig.5 E5
tak -
Land Gtr.
en my
sight,
tak -
en my
speech,
tak -
en my
hear
-
ing,
I
165
Rhy. Fig. 6 (Gtrs.
II & III)
w/Rhy. Fig. 6 (3 times) E5
Rhy. Fig.7 (Gffs.
166
II & ilD
(end Rhy. Fig. 7)
(end Rhy. Fig. 8)
Rhy. Fig. 8
wiRhy. Fig. 6 E5
PIay 4 times F-5
w/Rhy. Fig.7 N.C.(E5)
167
Guitar solo w/Rhy. Fig. 6 (4 times) (cff. II) E5
Gff. III 8va -------------
*TP P T P H TP P TPH TP P TP P TPH
t:\ i'-) f:\
L-
J
--J
TPP
i-.-> i:\
TPH
i:\ f--> i_>
L-j-J i.l__, 3 r L-3 r LS--: r*3 ---.: TP H TPP TP H TP P TP P TP H TPH 3
T PH TP
;\
L-j--J
P
L-jJ
TPH
TPH TP
L-J-J
L- j*J
t\
H
TP
5-\
L-3--J
3
P
TPH
---.r
L- 3 ---.rL-3
;-\
T PP
;-\
---.t
TP H TP P TPH TPH T PH TPP TPH TP
P
*Tap w/edge of pick.
E5 -o.
TP P TPH a-\
TP
L-jJ
L-jJ
L*JJ
TPP
TPH TP P TPH
L-jJ
L-j-J
t-JJ
P
TPH
TP P T
L-JJ
L*3r
L-3r
TPP
TPH TPP
TPH TP
L3-
L*jJ
L-JJ
P
L-jJ
L-jJ
PP
3r
TPP
L-jJ
TP P TP HTP HTP H TPH TPH TPH TP
168
H
T PP TPH i-.-\
TPP
TP P TPP
L-jJ
L-jJ
t--3r
TPP TPH
TPP
TPP TP
L-jJ
L-j--J
t-jJ
L-*3r
L-jJ
TPH TPP TPP
L-jJ
L-J--J
3: P
r-3r
L-JJ
TP H TP P TPP
L-jJ
L-jJ
L-jJ
TPP TP H TP P TPH TPP TPH TPH TPH
w/Rhy. Fig.7 (Gtr. II) N.C.(E5)
Ioco
T .h'
:
PH --:\
T
T
T
}(P lr
T
P
-h'
1',-r
--
P
-\
TTT 6P +-4P +-LPH t^
T
;P
=
P
---1-l-----=-\
L_r
TPH TP TP TP TP
TP TP TP H
TP
P
dRhy. Fig.9 E5
Full
))
Full
Full
----\
sl.
HH
P
a--\
HH
P
3
HHP
i)
3
HH
/--: 3
Full
)
HH
Rhy. Fig.9 (Gtr.
P
HH
P
HH
P
HH
II)
169
Gtr.
PP
PP
PP
PP
PP
PP
PP
PP
Itr
w/Rhy. Fig. 10
PPPPPP
t;> PP
P P
i-:-\
Prl.PP
i->\
PP
P
--
;-.
PsLPP
P
PPP
PPPPPP
PP
_---\
---\
----\
---+\
Pp ---\P
P
PPP =_\
PPP
Pp
--<
Ab5 P
Bp 3
PP P ,-\
P P P
P P _--\
Rhy. Fig. 10 (Gff.
170
:--..-\
II)
P
P PP
PPP
P PP
P PP
PP
F5
Pp
P P
2=
P
wRhy. Fig.
11
G5
Gtr.
Itr
H-gJ H H g H .+bi'_r--=-g 3
HH
HH
HHP -----\
8va Full
Full l,:/-
Rhy. Fig. 11 (Gtr.
tt
Full /
II)
171 _.ll
'J't3,
8va
-- -- --- -- -- -- -
-- -- -- - -- -- -- --
-t----
"
Gtrs.
II & trI
loco
P.M.
4th time E5
w/Fill
-------------
Play 4 times
1
F5
N.C.
N.C.
Riff Bl (Gtr. IID
P
t::
zuff B (Gtr. ID
P
s/.
s/.
P
(end s/.
Psl
.L{
3
Psl
Fill
172
1 (Gtr.
I)
:-.....--
(end
P sl.
Riff Bl)
PsL
P
Riff B)
Gtr. I
dRiffs B & 81 GtI.
(both 2 times)
(Gtr. I ouO
I
Outro
t---{5 God,
Please,
help
me._
Hey!
Hey! (end FilI 2)
Gtr.m
(cont. on lower staff)
PsL
P
s/.
3
P
sl.
Fill2 (Gtr.I)
--J PP PP
Full
I U2 __________-_-__ ) i-_______________ J
Rhy. Fig. 12 (Gtrs. II & m)
(end Rhy.
Fig. 12)
Pp
173
w/Rhy. Fig. 12 and Fill 2 (both 3 times)
E5
174
F5
E_r_r
*Gt. tr
to left of slash in TAB. *+P.M. refen to Gtr. Itr only.
I
ENTER SANDMAN Words and Music by James Hetfield, Lars Ulrich and Kirk Hammett o
Em ooo
E5
ffiffiffi
A5
xo xxt
23tl
Tune down 1/2 step:
@=Eb O=cb @=Ab @=Bb
@=rb @=eb
J
Moderately
= 126 w/Riff A (10 times)
N.C.
*Gff.
I
Grr.
I
Gtr.
^ft/ >,= ---n Sl
^t
-a_.
*Gtr.
r *f ct .l
I
III
Riff A ----------
clean tone si.
*Orchesha m. for gft.
"T Gtr. TV
O+
I)_
IJ dist. tone *w/wah
o+o+o
+
o+
0
*o
= open (toe up); + = closed (toe down)
o
-lt t /'-
176
o+o+o+ o+o+ o + o + o+o+o+o+o+o+
o+
o
h
l.
/n
Copyright @ 1991 Creeping Death Music (ASCAP) This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP) lnternational Copyright Secured All Rights Reserved
)^)
)^
sl.
A5
E5
)^))
@r'
@ ra.
Bb
-)
Bb
A5
)) sL |br^ ).
)--)
A5
)) s/.
bi:>
@r'
@u.
l-)
Bb
br-
Bb A5
E5
.A5
//ht.
l^
A
)-
) /
sl.
I
PP
P.M.
E5
h
/^
t.
PP
H
PP
H
H
@1f..
Bb A5
E5
Bb
))
)\-)
))
(cont. in notation)
@rfr.
@1ft.
A'5
@1ft.
E5
Bb A5
E5
Bb A5
E5
)--)
))
)\-)
))
/'-
h
;\-/
Gs F+5 E5
E5
;----
(i-n^,-..Oh,-
Rhy.Fig.2(Gtrs.tr&IV)
yeah
Let loose.-
man.
(end Rhy. Fig. 2)
P.M.-------------------'---r
178
tv
lst Verse N.C.
Don't for - get,
Say your prayers,
my
nrry.hig. 3 (Gtrs. II & IV)
P.M. --------------------------------1
Gs Fil5
E5
warm with
-
in,
keep you free from
179
llalf time feel
-
Pre-chorus
Gs F*5 N.C.
till the sand-man, he comes,-
Sleep with
ah.
(end Rhy. Fig. 3)
P_M.-------------------------------l
>\--/
(end half time feel)
grip-ping
P
a---\
your pil P
HP /--\-
HP (end Rhy. Fig.4)
180
hglt|-
(Spoken:)What is
it?
(Audience:) (En
HsL s/.
xP.M.
-
---'-----
--
------
Rhy. Fig.58 (crr. IV)
Hsl
(Gff. W cont. on upper staff) (end Rhy. Fig. 5) Rhy. Fig. 54. (ctr. tr)
+P.M. applies to Gtr. IV only.
E5
Take-
hand.-
We're
JJJ
off to
nev
- er -
nev
- er
land._
1J: 'r.
l[V
(end Rhy. Fig. 5B)
(end Rhy. Fig. 5,A')
j/-
sl.
*P.M. applies to Gtr. IV only.
w/Rhy. Fig. 2 (2 times)
N.C.
/->.
G5 Fils E5 (Gtr.
2nd Verse w/Rhy. Fig. 3 (Gtr.
III out)
Grr.
I
II)
dRhy. Fig. 3 (last
7 bars only) (Gtr.
IV)
N.C.
N.C.
F5
G5
N.C.
i--.-\-
Some-thing's wrong.
Shut the
light.
Heav-y
night,-
thoughtsto
Il2
u2
1t2
of Snow White.-
1/2
Fill 1(Gtr. IV)
(wah offl U2
1/2
Full
182
U2
Full
1/2
Full
t/2 Full
P.M. -- -- -- -- -- ------ - -- --- -r
Dreams
and
the things
of
war,
G5
FS5 N.C.
dreams of
that will
Sleep with
(end half time feel)
eye
grip -
ping
your
pil
(end
sl.
s/.
,-
Riff B)
---'
Fill 2 (Gtr. IV)
183
dRhy. Figs. 5A & 5B F#s
light.-
(Audience:) (En
Come on.
loco
Ff5
Take-
We're off
nev
Es
land.-
(end Riff C)
(Gtr. I out)
Guitar solo w/Rhy. Fig. 2 N.C.
(13/e
times) (Gtr.
II)
yeah.-
Lyric ad lib Full
I
J--
A.H.---------. (lSma)
HP
Rhy. Fig.6 (Gff.
184
Full
)
I)
Full
Full
I )'J -t -.L--
?
(end Rhy. Fig. 6)
w/Rhy. Fig.6 (3 times) Gft. IV
N'c"L
sl.
N.C.
Full Full
Full
Full
Full
Full
Full
))
)
)
)
)
))
E5 Full
Full
Full
E5
HP
----------------
P
-
r_3J
Full
HP
HP
N.C
Tp T P
3
p
P
P
sl.
(ctr. tr)
G5
Fil5
i-'-
,, a dr i--\\
sl.
t,*
dlast bar of Rhy. Fig. 8va-
E5
N.C.
HP
L3J
Full
Ffs
G5
P.sL
Ff
5
N.C.
sI.
r-.3J t%
H TP TP ,--
Half time feel dRhy. Fig. 4 (lst
P
2 bars only) (Gtr.
P
PP
PPs/.
I
II)
loco lt2
ltz
*Gtr. I to left of slashes.
**P.M. applies to Gtr. tr only.
18s
w/Rhy. Fig.5 (Gtr. II) B5
F*s Full
Full
(end half time feel)
LLLJ / F-=== = V
w/Rhy. Fig. 5A (lst 2 bars only) B5
Full
Full
Full
1I
+
J-
^*+^*{{^-{
FS5 ' 8va-------PP
a\
85
-a\
tem. bar
99I I I
Full
P
P
P
.\p
,-->
r-3-
uj--'l
HH
P
N.C.
E5
9va-------------
Full
Full
lV2
/----g Full
I I9V I
loco P p a1..-.
L_JJ
\-/
l%
9V 99
P
I
J.t (Gtr. II out)
fr-'l
*P.M. applies to Gfr. II only.
186
v
trem. bar
))
Gtr.
HH
V
Put your hands to A.H. (8va)
I v-
vtrem,
--
geth
-
er.
---- -- -- ------,
v:
bar
\rv
H
v A.H. pitches: F$
Gtr.
n
dRiff A (6 times)
(Spoken:) Now I
(Gtr.
lay me down to
sleep.
(Child:) Now I
lay rne down to
Pray the Lord my soul sleep.
I)
(Gft. rr)
Pray the Lord
my
to
I keep.
die
before I I
die
before
187
w/lst bar of Rhy.Fig.4 (4 times) (Gtr. tr) N.C.
pray
tne
!1))
w/Rhy. Fig.4 (Gtr. tI)
w/RiffB
It's just
the beasts un
- der-
.-;
your
bed,-
in
ah,
your clos - et,
Chorus *w/Rhy. Fig.5
w/RiffC
Ex
-
Fil5
it:
Come
on.(Au.dience:) (En
+Resume/md dist. tone.
dRhy. Fig.5
Ff5
:--Grain-
188
your
head.-
w/Rhy. Figs.5A' & 58 (both 1st 3 bars only)
B5
F$s
in-
of
sand,-
Bs
F#s
dRhy. Figs. 5,{ & 58
off to
nev
w/Rhy. Fig. 7 (7 times)
G5 F*5E5
F+5
^ _ Go Gtr. lI g
-
er
-
nev
- er
land.
^f Yt.
Fig' 7 (Gtr. D--: Gtr.
.II
rl
:rt: Gtr.
IV
IV
o'--=-\o-=---\
(cont. on lower stafo
(Gtr. II out)
N'c'
^o-o Grr.
I
O-----O--,-..-O--.-O ie
r€}
__z/-.--.-
re
/--..-,--
Fdbk. (8va)
/:\
+
Gtr.
Outro w/Rhy. Fig.
I
(4 times) (Gtr.
N,C.
RhY' Fig.
II)
ctr. IV
E5
'A
IV out)
rl\
w/Rhy. Fig. 1 (2 times) (Gtr. IV)
N.C.
E5 ;-\
t7
Hey,-
Oo!-
8
II
(Gtr.
yeah.-
(end Rhy. Fig. 8)
o^t?2^bA1
ilRhy. Fig.2 dRhy. Fig. 8 (2 times)
G5
Woh,190
No,-
whoa,-
F$5
E5
F5
w/Rhy. Fig. 9 (10 times)
F5 N.C.
N.C.
F5
(We're off to Gtrs.
nev
- er - nev - er
II & tV
P.M.--l
F5
N.C.
F5
N.C.
N.C
^t Take-
my
off Riff D (Gtr. I)
dRiff
to
nev-er-nev-er - land._ (end
.----\
RiffD)
D
F5
N.C.
Take-
N.C.
uh.-
my
dlast bar of Riff D N.C.
Rhy. Fig. 10 (Gtrs. tr & tV)
We're off to
F5
---------------.
Rhy.
w/Rhy. Fig. 10 (11 times) N.C.
Gtr.
I
F5
N.C.
F5
nev
-
er
-
nev
Gff. tr substitute Rhy. Fill N.C.
-
er
Iand.)-
1
F5
H
b;D
Fill
1
(Gtr. n)
191
)
(Resume Rhy. Fig. 10)
F5
N.C.
F5
(Resume Rhy. Fig. 10)
N.C.
Gtr.
F5
Gtr.
rit.
1
F5
(rrYf f (_IJJrJr |JJJ
rit,
192
Fill
I
I J 4^4',I
II
*P.M. applies to Gtr. IV only (next 5 brs).
substitute 1st bar of Rhy.
--+1
+'h
Gtr.
II
Fill I
F5 N.C.
N.C.
N.C. Gtr. I
ff TJJJTJJJ IV
Gtr. tr substitute Rhy. N.C.
r
h^I
Free tirne Em
Ffs
Gs Ffs
cff.rol--=
,
J
o
trem. pick
(Gtr. I cont. on lower staff)
A.H.
-3
/i Gtr.
(8va)
IV
C
r
w/wah
Full Full Full
P.M.- -- --'--------- -- -r
(cont. in slashes)
Gtr.
I I
t:\
P.M.'------
--
A.H. pitch: B
i::4:-3 I
----- - ---r
l
, Full
)
i
, Full P
-.
)
Full
P
)
Full
i-\
P
)
o--.P
Full P
a\ ) PP
P
P
)
a\P ->7--'-L
2
o
193
,
-o
o
A.H.------------:-------------------.
Full
Full
(8va)
)
Y- iY A.H.---
A.H. pitches:
---------"---'--------------l
Ff G* Ff
c* FfHHsl. cf F* cf rC}
In time J. = 140
I '--_ol
ol
^\r^v^v^v^v-.\2 trem.
bar
(wah
+ 't 0 r}r}
ffi \i
.---._---\
P.M. ---------------
-------l
P.M.----------------------{
J
I Gtr.
II
XP.M.
*t.t. 194
applies to Gtr. II only
(till end). H
I
'
(cont. in notation)
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