20 Innovative Melodic Rock Licks

November 16, 2022 | Author: Anonymous | Category: N/A
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TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 01

JTC SAYS:

In this 20 Licks Package I’ve tried to make licks that are powerful, melodic, full of emotion and taste, combined with multiple techniq techniques ues and different st styles yles of playing. The most important thing for me is to use the technique as a means to play and express what’s in my mind and soul. It’s way better to produce music with your mind and ears as a guide, than with only your eyes. Your playing, in general, won’t be so musical if it’s only based on meaningless technique marathons. We all have to remember that music comes first! The package includes three backing tracks. The first one covers licks 1-10, the second one covers licks 11-20 (different chord progression) and the third track is the full version. Lick 1 The first progression presents a challenge... although we’re basically in D major, the Bb chord necessitates a move to D minor (and the Dsus2#5 creates a transition between the two). Most of the lick is based on the D Ionian mode (D E F G A Bb C) and D minor pentatonic (D F G A C). It has that major/minor vibe to it due to the use of the major 3rd (F#) and minor 3rd (F) of D. Pay attention to eliminate any string noise at the tricky hybrid picking run in measure 3.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK1

As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) xx

P

x

Csus2 3 fr.

b V   Vu V Vu V gV  V V V V V MO MO

 Igg 4 V} GK K

Full

10 x x

B

B sus2 sus2 x

10

 sl.

5

(5)

3

4

3

0

(5)

5

(3)

3

13 10 12 10

b

 sl.

 sl.

D

Dsus2 5

V V V V g f f V V R   k V V }   V g f V  I V fV  V V P   V u MO GM K ` V g V f V   V f V g V g V V   fV   V gV   V fV   V V fV   fV g  I M 8va

8va

4

Full

P.M.

T

A

13

10

12

B

12

10

P

12

15

Full

15 (15) 13

13

15

15

14

P

 sl.

P.M.

P.M.

P

H

 sl.

Csus2

 V V fV V V   V V V gV V

B sus2 sus2

Full

P.M.

7

G

`

Dsus2 5

1

A

`

Dsus2 5 xx

 = 140

D

T

b

D

 sl.

17 x x

(17)

10

10 13

13

P

P

V   V gV   fV  V u O 15

16

13

15

 sl.

B sus2 sus2

G

8va

7

1 1/4 /4

T A B

17

16

15

14

10

12

13

14

8

10

9

13

10

12

(12)

10

13

V V

V

MO M

(13)

Full

Full

13

 sl.

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 02

JTC SAYS:

Lots of slides here, some combined with a bend at the end. Make sure you keep the timing accurate, especially with the alternate picking at the end, followed by those fast legato phrases.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 2

As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) xx

P

g  I g 4

b `

D

Dsus2 5 xx

B sus2 sus2 x

x

Csus2 3 fr.

G

 = 140

3

3

1

V

T

A

5

V

V

V

5

4

5

`   V eV fV   V V fV   V V fV

b

B sus2 sus2

Dsus2 5

D

g  I g

V

4

5

B

2

V

g c   V V   V   V V V V   V V V gV u V }} M G O K b c Vu V   V V V V V V V V V V V V V Vu   V M O 8va

M

1/2 1/2

T A B

11

7

7

(11)

2

(2)

 sl.

Csus2

g  I g

3

17

13

15

15

10

13

12

15

12

x

 sl.

5

8

10 (10) 11

1 1/2 /2

 sl.

 sl.

P

 sl.

Dsus2 5

D

 sl.

 sl.

V fV  V fV gV  V V V

8va

3

Full

T A

(12)

10 (10) 12 15 12

7

8

7

8

(10) 15

10

17 13

15 15

17 13

15

13 15 17

B  sl.

H

P

 sl.

 sl.

 sl.

P

P

 sl.

 sl.

G

B sus2

` V f V   V f V V V e V V V   V V V g f V V V V eV V W V V V V u g u  I M M O 8va

8

3

3

3

Full

T

15

15 17 18

15 17 18 20 20

1/2 1/2

19

(19) 22 19 17

20 17 20 17 15 17

A

15 (15)

14

B

H

P

P

P

H

P

 sl.

 sl.

 sl.

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 03

JTC SAYS:

At the very beginning of this lick you’ll find a D major arpeggio with chromatic passing notes. Due to the slightly strange chord change from D to Bbsus2 you’ll find that you can change the B note of the D major scale (D E F# G A B C#) to a Bb when the chords change to Dsus2#5 and Bbsus2. But when the G chord comes afterwards you’ll have to change back to B or quickly bend the Bb a half step up for a Texas flavor to it. You can hear the use of a half/whole diminished scale (D Eb F F# G# A B C) in measure measures s 55-6, 6, adding an eastern vibe, as you can hear. Pay attention to the intonation with the double-stop bend at the end.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 3 As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) xx

D

b

Dsus2 5 xx

`

B sus2 sus2 x

x

Csus2 3 fr.

G

P g  4 V V V V V V V  gV fV   V V V  I g 4

b

 = 140

D

Dsus2 5

8va

3

1

3

22

T A B

17

17

22

H

P

14

16

17

15

14

15

V V V V V fV V   V V V gV

14

17

16

17 H

 sl.

`

16 P

14 P

10

14

12

10

8

 sl.

Csus2

B sus2 sus2

V eV   fV V V V V V   eV [[[

8va

V V g V V g   f V V e V  I V

3

tr 

T A B

12

15

(13)

13

15

15

20

(19) (20)

19

17

20

19

17

20

23

22

 sl.

b eV  V V V V V eV  V V V eV fV  V  fV  V V V g g V V gV V V V fV  V V V eV fV  V V gV  V gV  V V fV  V V  I D

Dsus2 5

8va

3

3

3

3

3

3

5

3

3

3

T A B

20

3

23 22 20 19 (19) 15 16 19 16 15 10 11 13 11

 sl.

H H

P

P

 sl.

H H P

3

3

10 11 13 15 13 11 7

P

H H P

 sl.

P

 sl.

8 10 8

H H

7

P

P

 sl.

3

6

4

H H

4

P

3

P

 sl.

8

7

9 10 9

H H H

P

8

P

7

7

P

 sl.

` V V V V V V V V e   f V f   V f   V V V V V V   V   V V f V V f V g } V V   V } f V g  I eV V } V G

B sus2 sus2 8va

7

3

3

3

T A B

11

 sl.

(11)

x x x

13 15 17

3

3

3

3

3

14 15 17 14 15 17

14 15 17

15 17 19

16 17 19 16 17 19

17 18 20 (20)

12 12

 sl.

 sl.  sl.

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

INNOVATIVE MELODIC ROCK LICK 3 - jamtrackcentral.com

g  I g

1

V

D

VV

VV M

Full

T A B

10

Page 2 of 2

10 12

VV

 j

M

Full

12

(10) (12)  sl.

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

TAB

Chris Mike

20 INNOVATIVE

MELODIC ROCK LICKS Lick 04

JTC SAYS:

One of my favorites licks and a difficult one to nail! A Steve Vai inspired run at the beginning followed followed some big slide bends and heavy use of vibrato. Pay attention to the fast alternating thumb/finger picking in measure 4 - it creates a stuttering stut tering sound with tiny pauses between the notes. Really interesting stuff! Then you have a whammy effect (without the whammy) on tthose hose sliding octaves (again, use your thumb and index finger). You’ll have to quickly palm your pick for those phrases, but then get it back in position, to execute the hybrid picked lines at the end.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 4 As recorded by jamtrackce jamtrackcentral.com ntral.com

(From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) xx

b

D

`

Dsus2 5 xx

B sus2 sus2 x

P V V V V V V f V V V V V  Igg 44  = 140

D

1

x

Csus2 3 fr.

G

b fV   gV V V fV   V fV   V gV M M

Dsus2 5

Full

T A B

19  sl.

17 P

19

17

13  sl.

(13)

12 P

14

12

17  sl.

15 P

15

17 P

11  sl.

(11)

10 P

12

10 P

Full

12

15  sl.

O

`eV     W f g g  I \\\\\\\ 

}} }} V

B sus2 sus2

3

T A B

V M

V V V V V V V V V V fV

Csus2

Full

x x x

x x x

10

(12)

12

12

12

12

12

12

12

12

12

12

10

12

 sl.

D

Dsus2 5

bV V V Vu V V M

8va

g  I g V

V V k V V V M

5

Full

T A B

9

7

7

1/2 1/2

21

7

9 H

 sl.

`

10

7

19  sl.

 sl.

B sus2 sus2

G 8va

7

 Igg V V V V V V V V V fV  V fV  V T A B

22

22

5

7

0

7

H

9 H

0

10

12 H

0

10

12

10

V V V fV  V V V V V V V fV gV fV  V

12

17

14

H

16

H

15

17

16

17

H

19 H

18

16

19 H

18

19

18

P

17

P

 sl.

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

INNOVATIVE MELODIC ROCK LICK 4 - jamtrackcentral.com

V

D

V

V

Page 2 of 2

W

1

 Igg

M O

Full

T A B

15

 sl.

17

M

Full

17

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 05

JTC SAYS:

This is a crazy sixteenth-note hybrid picking extravaganza! Start really really,, I mean REALLY slow, somewhere near 80-90bpm playing 8th notes, then build up to full speed at 140 bpm 16th notes. At the end, try not to make any noise on these open string pull-offs by muting any unwanted strings accordingly accordingly.. Good luck!!!

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 5 As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) xx

b

D

`

Dsus2 5 xx

B sus2 x

x

Csus2 3 fr.

G

P b V V V gV  V V V V   V V V fV  V V V gV  V V   V V g V   4 V g gV  I 4 V V fV V V V gV fV  V  = 140

Dsus2 5

D

8va

1

17 14 15 16 17 14

14 10

T A B

12 11

14 13 16

P

P

P

15

 sl.

15

17

13 12

15 12

`

12 11

15 12

8 12

15 P

P

P

H

15

 sl.

 sl.

7

9

10

9

 sl.

Csus2

B sus2 sus2

V f   V V e f V   V   V V V V f V g V eV   V V V f V   f V V V g e V   e V V   V V  I eV   V fV V V V gV V 8va

3

T A B

11 8

10 9

10  sl.

9

10  sl.

13

15 12

15 13 14

13 14

 sl.

 sl.

18

17 15 17

15 17

H

 sl.

20

20 17 18 19 20 15 17 19 H

P

P

17 16

b  Igg V V V fV  V V fV  V V V V V V V V V V gV  V V V V gV  V V V V V fV  V V V D

Dsus2 5

8va

5

T A B

15

19 15

15 19 22 19 15 17 16

P

P

16 17 19 15 19 P H

H

H

 sl.

 sl.

19

18 15

15

19 16 19 15 19

P

H

P

17

19

16

19

19

15

14

19

H

`   V V g V f V V V V eV  V fV eV V V fV gV gV V V eV eV  V fV  V V   V g f V  I fV  V V V V V G

B sus2 sus2 8va

7

T A B

15

14 17

15

13 17 13

15

P

P

H

15 12

15 12

P

15

15 12

P

15

16

0 P

17

17

0

18

18

P

0 P

19

19

0 P

20

20 19

21

20

P

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

INNOVATIVE MELODIC ROCK LICK 5 - jamtrackcentral.com

g  I g

V

D

 j

1

T A B

19  sl.

Page 2 of 2

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 06

JTC SAYS:

Here is a change from D major, or Ionian mode (D E F# G A B C#) on the D chord to D natural minor, or Aeolian mode (D E F G A Bb C) on the Dsus2#5 and Bbsus2 chord. Next you’ll find some Steve Morse inspired chromatic lines followed by some classic double stops taking us back from G major to D major.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 6 As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) xx

P

g  I g 44

1

b `

D

Dsus2 5 xx

 = 140

T A B

B sus2 sus2 x

x

V

V

12

14

Csus2 3 fr.

G

V

V

V

12

14

16

H

g V V P V  I g z D

16

12

b

fV

14 12

12

  V V V V l V

V fV   V V

V V 14 H

H

V

 sl.

Dsus2 5

V V fV   l   V

2

T A B

H

l

14

12 H

12

15

(12)

15

14

12

M

1 1/2 /2

10

12 H

 sl.

`

10 H

14

14

12  sl.

Csus2

B sus2 sus2

V f V f   V   e V V V fV V eV fV   V fV V   V V g V eV  V fV  V eV g  I V V V V 8va

4

3

(14) (14) 10  sl.

11

g

P.M.

10

0  sl.

8

8 0

H

17

13

10

0

H

15 H

b

0

18

15

18

17 H

 sl.

Dsus2 5

D 8va

3

P.M.

O

T A B

3

8va

V

fV  V gV

17

16

15

17

16

15

 I g V V l   aPz   V V

V fV V V V V V

6

T A B

14

13

17

15 (15)

H

22

 sl.

14

17

17

H

 sl.

15

17

17

  V V V V gV   V

17

H

18

15

14

17

15

17

14

15

17

P

 sl.

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

INNOVATIVE MELODIC ROCK LICK 6 - jamtrackcentral.com

Page 2 of 2

`   V V V V g   f V V   V   V   P   P V V V g f V V ` V V V f V V V V  I fV z z B sus2 sus2

G

D

8va

1

T A B

17 15

18

17 15

18

15 H

H

18

17 16

17  sl.

15 17  sl.

16

15 16

10 11

 sl.

(11)  sl.

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 07

JTC SAYS:

This lick has some fast s string tring skipping and alternate picking arpeggios inspired by Paul Gilbert and Nuno Bettencourt. I prefer playing arpeggios this way, instead of sweep picking, because I find that there is a certain tonal quality which is a lot better than any other arpeggio techniques. The notes are even and retain a lot of clarity.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 7

As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) xx

P

b

D

`

Dsus2 5 xx

B sus2 sus2 x

x

Csus2 3 fr.

G

 = 140

D

Dsus2 5

8va

V V g   V f g V V V V V V b V g V V V V   4 V V V g e V gV fV  V VVVVV  I 4 V V V

1

T

15 19

A

17

B

15 17 15

15 18 15

19 15

16 19

19 16

17

16 19

15

19 15

19

19 16

16 17 19 20

17

` V V V   V V V g f V f V V V V V   V V   V g   f V f V V e V f V V  I V f V  V f V  V P

P

B sus2 sus2

 sl.

Csus2 8va

3

13 T A

(8)

8

B  sl.

 sl.

8

10

10

13

14

12

10

12

15

16

V V fV   V V   eV

5

M

1/2 1/2

17

17

13

17

O

17

A

13

P

15

17

19

17

15

13

15

H

H

Dsus2 5

g  I g V

13

13 15

b

D 8va

T

15

15

T P

H

P

P

gV   V V fV V fV M

V

Full

18

15

15

17

(15)

20

19

17

B

`  Igg fW   fV  V V V V V V gV V gV fV  fV  V V V V V fV  V V V V V V B sus2 sus2

G

8va

7

13

T

10

13

10

A

12

13

10

13

10

13

12

10

12

10

B

g  I g

9

P

 

P

P

P

P

12

10

12

P

D

V

V

9

(9)

T A B

 sl.

Ltd 2015 Generated using the Power TabJamTrackCentral Editor by Brad Larsen. http://powertab.guitarnetwork.org

10 P

12

10 P

12

10

12

10 P

P

 

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 08

JTC SAYS:

Time for attitude mode! Play at the start of the lick with massive power and pick those strings hard with huge vibrato! Again start star t slowly with the wide stretched legato run in measures 3-5, combined with fast slides at the beginning of it. Be prepared in advance for that one tapping note in the legato run.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 8

As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) xx

P  Igg 4 aPz   V

b

D

`

Dsus2 5 xx

B sus2 sus2 x

x

Csus2 3 fr.

G

 = 140

D

Dsus2 5

fV  b V fV   Pz   V V V V V V

fVu   V   V V V V M

1

1 1/2 /2

T A

10

10 10

12

B

12

12

H

10

10

12

12

P

` } } }   } V g f V V } } } }   V g f V  I B sus2 sus2

10

15

12

12

12

H

 sl.

10

12

P

Csus2

V fV V V V fV V V V V V V V V fV

3

Full T A

10

B

12

15

M

x x

x x

15

x x

x x

12

10

15

P

 sl.

17  sl.

D

15  sl.

10

15

P

15

17  sl.

10 P

 sl.

15

17

15  sl.

 sl.

10 P

13 H

b

Dsus2 5 8va

g   f V f V   V V g V f V V V V V g V g V V V f V V   V V  I fV  V fV  V V V V V V V V V fV  V V V V V V fV V   V   V fV  V V V 3

3

3

3

3

3

5

5

3

5

3

3

3

5

T A B

10 12 15 12 10 10 12 15 10 12 15 8 10 13 13 10 8 10 13 H H P P H H H H H H P P H H

`

10 12 15 12 10 H H P P

15 12 10 12 15 P P H H

G

B sus2 sus2

10 12 15

10 14 15 14 10 14 15 22 15 14 10 14 10

H H

H H P P H H

D

8va

V g   V g V f V V V V fV  V V V aPR gV V e  I V V V   fV  V V M O

7

Full

T

A

12

15

12

15

B  sl.

 sl.

10

12

10

 sl.

16

(16)

20

16

 sl.

19

 sl.

10

12

10

12

H

10

11

H

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

(11)  sl.

TP P P H P

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 09

JTC SAYS:

This is a lick with a lot of bends! Vibrato is essential here, but try to introduce it some seconds after you hit the notes (try to imitate how singers do it). This adds character and suspense to your playing. Those bends have to be in tune especially the one that reaches up to one and a half tones.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 9 As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS)

xx

P

g  4  I g 4

b

D

`

Dsus2 5 xx

B sus2 sus2 x

x

Csus2 3 fr.

 = 140

8va

k

1

G

fV   V

T A B

fV   V 0

6

7

5

V

let ring 

6

 sl.

H

`

b

B sus2 sus2

Dsus2 5

D 8va

g  I g U

V

2

V V W M M O

V   fV   V

V M

1/2 1/2

Full

T A B

(10)

10

O

 sl.

 sl.

Csus2 8va

V V g g  I u

D

Vu   W

5

V

V

M

20

20

20

20

(20) 20

Full

10

(10) 20

 sl.

b

Dsus2 5

Vu V V  fV   V V V V   V M O M M O Full

1 1/2

20

M

1/2

(10)

 sl.

Vu   V

Full

T A B

10

6

8

V V

20

(20)

Full

18

19

18 (18)

19

` V V f V V V V V V V V   V V V   V V V V V f V g V V V V f   V V V V V   V fV V  I g B sus2 8va

G

8

3

T A B

let ring  let ring  13 10 17 17 13 13

3

3

3

3

3

3

3

15 12 13 15 13 12 17 13 15 17 15 13 19 15 17 19 17 15 20 17 19 20 19 17

 sl.

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

INNOVATIVE MELODIC ROCK LICK 9 - jamtrackcentral.com D 8va

g  I g

V

 j

1

T A B

22

 sl.

Page 2 of 2

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 10

JTC SAYS:

Again this lick incorporates the major to minor sound. You’ll find a proper tapping passage in this lick, and note the little tapping slide thing in measure measure 6. Slide the tapped note up the string, and then quickly pull off to the 10th fret.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 10

As recorded by jamtrackce jamtrackcentral.com ntral.com

(From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) xx

D

b

Dsus2 5 xx

`

B sus2 sus2 x

x

Csus2 3 fr.

G

P ` b g   f V V V V V   V V V V V V V   V V Pz   V   4 k   V   V g e V V  I 4 M M M M M M  = 140

D

B sus2 sus2

Dsus2 5

1

Full

Full

Full

1 1/2 /2

1 1/2 /2

1 1/2 /2

T

9

9

9

7

3

(3)

9

7

O O O f V   V W V V f V V e V V V g   V   f V  I g V   fV  V A

9

B

 sl.

 

Csus2

4

 sl.

(9)

O

(9)

10

9

O b fV  fV  V V V V V fV  fV   V u u MO 12

12

14

H

P

Dsus2 5

D

3

Full

T A

15 10 12

B

TP

H

15 10 12 TP

H

15

15 10 13 17 13 15 18

TP

TP

H

H

T

(15) 17 10

18 13 15 15

P

 sl.

13

10

13

T sl.

 sl.

`  Igg fV V V eV  Vu   V Vu V V fV  V V V fV  fV gV  V V V V V MO B sus2 sus2

G

D

8va

3

3

7

3

3

Full

T

(13) 12 11

12

15

12

15

A

14

B

P

15 12

14

13

13 14 15 12

13

P

15

(15)

 sl.

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

TAB

Chris Mike

20 INNOVATIVE

MELODIC ROCK LICKS Lick 11

JTC SAYS:

Again this lick incorporates the major to minor sound. You’ll find a proper tapping passage in this lick, and note the little tapping slide thing in measure measure 6. Slide the tapped note up the string, and then quickly pull off to the 10th fret.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 11

As recorded by jamtrackce jamtrackcentral.com ntral.com

(From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) Fmaj7

 I 44

P

x

 = 140

C5

Asus2 xx 3 fr. x xx

x

G5

k   Vc

 j

1

T A

7

B

Fmaj7

 I Pz   W

2

V V V W 1/2

C5

Asus2

V V V

V V V V V V

Full

1/2

1/2

M T A

7

9

(9)

(9)

M

O

(9)

7

10

5

(7)

(10)

M M O O

(10) 12 (12) (12)

B

H

 sl.

V V k   Vu   V V V V  I

5

T

15

13

17

10

14

B

15

M

 sl.

C5

W

1 1/2

Full

A

 sl.

Vu   Pz   V V   V W M O M O

Fmaj7

G5

 sl.

Full

(15) (15) (15)

(15)

13

tr 

[[[[[[[[[[[[[[

12 (13)

(13)

 sl.

 sl.

Asus2

G5

V V V V V V V V V V V V V V V V V gV fV  V V V V V V V V V V V V V  I 8va

8

T

15 12

13 12

17 12

13 12

15 12

13 12 15 13

A

16 14

17

18

17 20 19

20

17

20 18 17

B

19 18 17 16

17

19

 sl.

 sl.

Fmaj7 8va

V

 I

10

Vc   k

T

14

A

(14)

B  sl.

 sl.

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS

Lick 12

JTC SAYS:

I really like rhythmic patterns in my music like the intro of this t his lick. Pay attention to the lengthy legato run starting from the C5 chord. Use slides to change position, and if possible, don’t pick any notes. Even the first note on a new string can be played with a “hammer on from nowhere”.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 12 As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) Fmaj7

x

C5

Asus2 xx 3 fr. x xx

x

G5

P V V V V V V V V V 4 V V t t t t V V V V VV  I 4 V V V V V V V V V  = 140

C5

Fmaj7

1

P.M.

T A

0

B

2

2

P.M.

2

2

4 H

H

Asus2

V   V V V  I V V V u

3

4

 N.H.

P.M.

4

4

5

5

5

5

H

7 H

9

7

 sl.  sl.

(7)

5

[5] [5] [5] [5]

T

17

12

12 14 H

 sl.

H

12 14 12 H 15

H

G5 8va

V V V V V V V V V V V V V V V V V V V V VVVV 3

3

3

3

3

let ring 

13 15

16 17 19 16 17 19

3

3

15 17 18 15 17 18

3

15 17 19

A B

12 14 12 (12) 14 H

P

14 15 17 15 17 19

14 15 17

 sl.

C5

Fmaj7 8va

V

 I

5

V V V V V V M O

V

V V V V V V V V V V V V

V

3

3

3

3

1/2

20

T A B

19

19

(19)

20

20

12

(20)

(20)

13

H

 sl.

15

13

H

P

12

P

12

13

15

H

H

P

P

13

12

13

15

 sl.

P

P

V V V V V V V V V V V V V V V V V V V V V V V V  I Asus2

7

3

3

3

3

3

T A B

13

 sl.

15

H

17

H

15

P

13

16

14 P

P

12 P

16

14 H

H

14 P

12 P

10

9  sl.

H

12 H

10 P

9

3

3

3 12

P

10 P

10

9 P

H

10

12 H

P

9 P

 sl.

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

INNOVATIVE MELODIC ROCK LICK 12 - jamtrackcentral.com G5

Page 2 of 2 Fmaj7

 I V V V V V V V V V V V V V V V V V V V V V V V V V 3

3

3

3

3

1

3

T A B

3

10 12 14 12 10  sl.

H

H

P

P

14 12 10 12 14 12 10 8 10 12 10 8 7 8 10 8 7 8 P P H H P P  sl. H H P P  sl. H H P P H

(8)

(8)  sl.

Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 13

JTC SAYS:

In this first long run of the lick you’ll find plenty of techniques blended together. Quick position shif chromatic those alternatepicke alternatepicked d pentatonic sequences withshifts, thets,flat 5th (Eb) passages in measureand 4. There are some fast upstroke arpeggio sweeps in masure 6, but don’t worry too much about them... with the pull-offs, pull- offs, they can feel quite comfortable to play.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 13

As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) Fmaj7

x

C5

Asus2 xx 3 fr. x xx

x

G5

P   V V V e f V V V V V V V V g V V V V V V 4 V V V V V V VVVVV VVVV  I 4  = 140

C5

Fmaj7 8va

1

19 15

T

17 15

A

16 12

B

P

P

 sl.

14 12 14

12 14 16 12

P

 sl.

9

12 10

9

10 H

P

Asus2

9

12 H

9

10

9

12

10 11 12 13 12 10

P

H

P

12 11 P

G5

V g f V V g f V V   V V V eV  V V V V V V V eV  V V V V V V V V V V V V V V   V  I

3

T A

14 13 12

B

P

14

13 12 P

P

14 12 14 13 12 10 12 10 P

P

12 13 12 10

12 10

12 10

10 12 10

9

12 10

12 13 12 10

P

 sl.

 sl.

C5

Fmaj7

V V V V V V V V V V V V V V V V 8va

 I V

5

V V V V

W

3

3

M

Full T A

7

10

7

10

9

10

8

12

8

10

9

10

8

17

13

15

19 14

17

18

17

8

B

H

 sl.

P

G5

Asus2 8va

8va

V V k   Vu W  I M

7

1/2 1/2

T

19

19

19

19

V V V V V V V V MO MO Full

22

P

 sl.

Fmaj7

V

1/2 1/2

20

19

20

P

V MO

Full

1 1/2 /2

20

V

V M

Full

(20)

(20)

A B  sl.

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 14

JTC SAYS:

This lick is all about vibrato and bends. The key element here is to keep in time when playing those bends. For the fast tremolo t remolo picking don don’t ’t worry too much on how many notes you will play. We only need the general effect but do try to play cleanly.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 14

As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) Fmaj7

P  z Vu   Pz   V P 4  I 4  = 140

x

C5

Asus2 xx 3 fr. x xx

V V V V W

Fmaj7

1

x

G5

V V V V V V V V M MMM Asus2

C5

1 1/2 /2

T

8

10

8

8

10

10

10 12

12

1/2 1/2 1/2 1/2 1/2 1/2

(12) (12) (12)

(12)

(12)

A B

H

H

H

 sl.

 sl.

G5

C5

Fmaj7 8va

8va

V V V V V V   V V V V k V V W e V f V  I V V V V V M O

V V V V V V V V V MO MO

4

Full

T

A B

14

12 14

12 14 15 16

15 17

15 19 15 19 15

17 16

14

14

Asus2

Full

15

17

12

13

12

14

G5

VVVVVVV VV

8va

V

7

 I V V V V V V V V V V V V V V V V 3

T

Full

Full

3

3

3

3

3

17 17 17 17 17 17 17 17 17 18 17 15 13 13 13 13 13

19 19 19 19 20 19 17

A B  sl.

 sl.

Fmaj7

3

3

19

20

VVVVVV 19 17 16

17

17 14  sl.

 I

9

V

V

12

(12)

T A B  sl.

 sl.

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 15

JTC SAYS:

There’s an example of pedal point technique in the beginning, inspired by classical composers such as Bach and Paganini. You might have encountered single pedal notes, where one note remains static while other notes move around it (very common to have pedal bass notes). You can also have a pedal point using more than one note, like the repeating F-E-F sequence here. This is followed by a couple of Petrucci-inspired Petrucci-inspired phrases... a two-oc two-octave tave arpeggio like the one in “Under a Glass Moon”, and a fast alternate picking run in sextuplets using a mixture of F major pentatonic (F G A C D) and chromatic notes.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 15

As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) Fmaj7

C5

x

Asus2 xx 3 fr. x xx

x

G5

 = 140

Fmaj7

C5

P V V V V V 4 V V VVVVV V V  I 4 V V V V V V V V V V V V V V V V V V 8va

1

T

10

10

A

9

10

12

10

9

10

13

10 10

9

10

12 10

9

10

13 10

9

17 13

10

10

9

10

17 13

14 10

14 10

B  sl.

P

P

Vu   V

V V V V

Asus2

G5

 I V

`Pz fV `Pz fV V   V V

3

T A

8

9

B

8

9

5

9

H

H

7

(7) H

 sl.

V V V V V V V V  I Fmaj7

V

5

9

10

17

H

T

19

14 P

 sl.

V V V   V   V f V g V V g V   V V gV

C5

V

3

3

3

3

T A B

22

19

(19)

22

 sl.

 sl.

17  sl.

22

(22)

 sl.

15

15

(15)  sl.

 sl.

15

17

16

15

16

17

15

17

16

15

17

eV fV eV

Asus2

 I V eV fV   V gV   V fV gV   V V V V fV gV   V V gV   V fV   V

7

3

3

3

3

3

3

3

3

T A B

17

18

17

19

18

19

17

18

19

17

19

18

17

18

19

17

18

G5

19

17

19

20

17

 V

20

Fmaj7

V V V V VVV W   V V V V V   V g V V V V e V f V V V V V V  I 8va

8

3

T A

16

17 19 20

3

3

17 19 20 17 19 20

3

17

3

20 19 17 19 20

3

17 19 20

3

17 19 20

V  j

3

17

20 19

18

(18)

B  sl.

19

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 16

JTC SAYS:

Here is how this sliding technique can add suspense to a lick, making you anticipate the big vibrato note over the Asus2. This brings all the weight to that particular note so don’t be afraid to pick the hell out of it.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 16

As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) Fmaj7

C5

x

Asus2 xx 3 fr. x xx

x

G5

 = 140

 I 4

P

1

 j

k

V

V

2

3

T A B

 sl.

C5

Fmaj7

 

Asus2

V V V V W Vu Vu

V V V V  I V V V

2

VVVVVVVV

8va

Full T A

5

5

B  sl.

7

9

(9)

12

 sl.  sl.

 sl.

14

15  sl.

17

 sl.

15

19

M

(19)

O

20 17 17

20 17

22 17

20 17

 sl. sl.

G5

Fmaj7

C5

VVVVVVVVVV c V   V   V V   V V V V V V V V g V V V V V u   V u   V Vu  I M M M O O 8va

5

Full

T

20 17

20 17

19 17

20 17

A

19 17 16

B

19

16 17 18 19

14

15

3/4

1/2

15 15 15

15

Full

15 15

15

14

15

 sl.

Asus2

G5

Fmaj7

8va

V V V V V V   V V V }} V V V V V V V V V V V  I V M M GK O K 3

3

3

3

3

8

3

1 1/2 /2

T

17

(17)

12 x x

A B

 sl.

1 1/2 /2

10

15

12 10

 sl.

9

10

9

12 14

10

8

10

12 14

12

14

 sl.

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

Vu   W

17

17 17

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 17 JTC SAYS:

A Vai-inspired first run that leads to a syncopated melodic melodic line in measures 55-6 6 and then a classic Guthrie Govan run at the end.

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 17

As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) Fmaj7

P

 = 140

Fmaj7

 V

1

 I 4 Vu  M V O

VM

Full

5

T

7

A

(7)

x

G5

P V V V V V V V V Vz VV VV VVV

V 5

Asus2 xx 3 fr. x xx

C5

V

Full

C5

x

10

10

Asus2

13 (13) 8

9

8

12

12 10

12

8

12

8

10

12 14 12

B  sl.

 sl.

 sl.

 sl.

 sl.

C5

Fmaj7

G5

V V V   V V V V   V V V V k k   V k k u  I V V V V V V V V   Vu V MO 8va

8va

8va

8va

8va

3

4

3

3

1 1/2 /2

T

17 12

15

A B

12

14 14

8

12

13

10 12

17 (17) 20

17 22

15

19

14  sl.

P

H

 sl.

H

Fmaj7

Asus2

V V f g V V   V g V   V V g V f   V V   V V e V f V e V   V   V V V V V V V P   V   V V V V z  I M 8va

7

Full

T

17 15

12 13 14 15 11 8 10 7

10 9

8

A

5

8

5

7

5

7

8

5

6

5

B  sl.

 sl.

7

5

7

P

7 10  sl.

(10)  sl.

JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 18

JTC SAYS:

One of my favorite licks over the second backing track! I play with the neck pickup here. The fast 16th-note line at the start st art builds up tension to the slide and bend on the 16th fret of the G string. Take a look at those big slides all over the fretboard. Be careful with the technique, making sure you land at the correct notes. The hybrid picking passage (measures 6-9) has a repeating picking pattern. pat tern. When you’ve mastered the first two t wo beats, you’ll be able to play the whole passage. Finally Finally,, there is a tough bend on the last note... bend up a tone from G to A and then you have to push even further, to B and then C!! Have fun!

WWW.JAMTRACKCENTRAL.COM

 

INNOVATIVE MELODIC ROCK LICK 18 As recorded by jamtrackce jamtrackcentral.com ntral.com (From the 2015 Album 20 INNOVATIVE MELODIC ROCK LICKS) Fmaj7

x

C5

Asus2 xx 3 fr. x xx

x

G5

P

 = 140

V V V V V V V V V 4 V V V V V  I 4 V V

1

T A B

8

10

10

12

9

12

9

10

10

12

9

12

10

9

10

12  sl.

Fmaj7

V

 I

2

V V V V V V V

Vu   W

Vu V

3

M

M

3

1 1/2 /2

T A B

M

Full

16

16

16

20

19 15

 sl.

17

Vu   V V V V

Asus2

C5

Full

O

19

21

19

13

14

8

9

17

17

 sl.

 sl.

 sl.

V V V V   V V V V V V V V V V V V V V V e V V V V V V V V VV V V V

Fmaj7

G5

 I V V V V W M O

5

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JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org

 

INNOVATIVE MELODIC ROCK LICK 18 - jamtrackcentral.com Fmaj7

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TAB

Chris Mike

20 INNOVATIVE MELODIC ROCK LICKS Lick 19

JTC SAYS:

A Brian May inspired lick. Enough said! I think this lick is the easiest of the package, but try to play it with confidence and taste. That’s when the easiest stuff becomes great. Just listen to the lyrical l yrical playing of Brian May and David Gilmour.

WWW.JAMTRACKCENTRAL.COM

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