12.22.08 Steve Herberman Mel Embel

Melodic Embellishment Part 1: Approach note patterns Major key-target note is the 3rd

     Cma7

  

by Steve Herberman

  

  

      

     

  

    

           

    

    

    

    

    

5

9

      

13

        

17

     

     3

Major or Minor Key target note is the 5th 21

 25

 29



      

3

3

    

 or C-

  

    

    

     

    

      

     

    

     

C

  

© Reach Music 2008

2

 

37

 41



        

        

33

     



        

      

3

    

    

with upper pedal points



          

45

         

48

     

Ornaments







      

3

       

major key lick

          

        3

3

Major or Minor Key target note is the Root 53

C

or C-

   

  

  

  

57

     

    

    

61

    

    

    

           

3

     

    

       

     

65

69

73

           

77

    



  

3

Major Key lick with upper pedal points

          

     3

    

         



              

Minor key- 3rds as targets

         

81

C-

        

85

   

89

    

       

    

93

    

    

        

      

         

    

    

Next apply these types of approach patterns to target 7th, 9ths, 11ths and 13ths

4 Part 2 "All Of Me"

              C6

             E7

98



3



A7 102

 



D106







  

E7

    



A110



3

        

         

D7          

    

       3

                 D-7

C6 E7      3    3                            G7b9

114

3

A7

            

118

D-

             

3

         

122







G7 C6               

3

E-7 126





       A7

FCma7                   

F6

D-7

3

 

"Sunny Side Of The Street" 130

  

 E7               

     F6         

 

               

C

3

B-7b5

E7

A-7

         3   

134

D13

3

D-7

     F6       

E7 lay back-----------                  

138

C

G7

G7

3

C

3

G13    D13       D-7                       3 3

142 B-7b5

146

C7       G-7       

C

 

150



A-7

E7

3

3

D7      



     

3

        

154

      Fma7        

D-7

G7

3

 E7        

G7             

C



F6    

   

D-7 D7 G7                                      

158 B-7b5

162



C

E7

A-7



5

"Body And Soul"

6

Bb7 EbGb7   D7     Dbma7                                  

164 Ballad

Eb-

3

   

167

 

F-7

3

3

E0 Eb-7                     

    



3

C-7b5

F7b9

Bb-7

                       

169

3

Dbma7

C7

B7

Bb7

Eb7

Eb-7

   

Ab7

   3

3

Eb-7

Bb7

3                                   

171

Eb-7

D9

                

173

   

175



F-7



Dbma7

 

           Gb7

3

                           E0

Eb-7

3

3

          3                         

177

C-7b5

F7b9

F+7b9

3

Db6

    

179

E-7

A7

       3

3

Bb-7

Eb7

Eb-7

Ab7

3

3

Dma7

       

E-7

  

 



Body & Soul (cont.)

   

181

 

D/F#

7 G-7

C7

F#-7

B7

E-7

                         

D6

D-7

                            

183

A7b9

  G9 

     



                                         Cma7

Eb0

D-7

G7

185

3

C7

      

187

  

B7

Bb7

   

    3

   

Eb-



Bb7

   

   

3

Gb7      D7          Dbma7                    Eb-7

189

F-7

E0

Eb-

                   

191

3



      

3

3

Ab7                                   

193

C-7b5

F7

Bb-7 Eb7

Eb-7

3

   

195

   

Db

3

     

F-7

Bb+7

      Eb-

3

begin solo

 

   

Med Swing "Out Of Nowhere" in two line counterpoint Bb-7 Eb7   2       3  1 3   1 4 2  1 4 4  2  1 4     3 4             1 1 1  4 1       VII

8

198

Gma7

Gma7 B-7 E7     2 4 2 4  2 3 1    2 1   3 2  4 4 3 4  3  1  2       1     3  3             

202

A-

 1  2 1  3 

206

 

4

A  3     1 1 3 1            3  4 2 4 1 2 4 1  0 E7

3

Eb7 A-11 D7 4 2 2    3 1 4 4  1    4 1 1 2 3      1 1 2 1      3   3     1   1     1 3 3   2   1    3    2 3 3 

210

2  

Gma7

 3  1 4    2        2 2 1 1 1  

214

4

  44  2 1 3 2 1 3 1  1 3  2   2 1  3 1        3 Bb-7

Eb7

B-7 E7  1 1 1 3  1 4 1   13 1 2 1 3 3  1   4   3 1       1 1 3   2 3    1 1          2    3   0

218

Gma7

4

A-7

3

E7 3 AF7#11  B-7  4 4 1 4   4 222  4       4 3            4 1  1 3 1   1  13 3 43  1   1 3        3  1 1     2             2  2   2  2 3 2 0  2 1  ©Reach Music 2008 B-7b5

9 B-7

    

Bb7#11

226

4



4

Gma7

   

 1  3  2 (Bb-)

228

4 3



4 3





A-7 4



 1  0  A-7/D

 

D13b9

  2   4 

D7alt

 

   3  0   let ring

 2  1 4



1

D/G

    2 1 3 1

1