0666 - Motown Era, The

270

~ lie.

Ms — ten!

It

ain’t

e

—

yen safe

no more

walk the streets at night, Pm

to

D

D7(fl)

on Cloud

—

Nine.

Let me tell you a

—

bout Cloud

can

be

what you

wan

II

spon—si—bil—i —ty,

-

na

Cloud

1111

and

ev— try

man,_

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You ain’t got

11441

4

W

(Cloud Nine)

ha’’

I

11

And you’re a mu—lion miles

41

4

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I wan—na say I

11111411441

re -

4

44444

r

no

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ev— ‘ry man is free

4444444

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11114

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the life I

live,_

271

D7

G

13

C

And I’m gon— na

live the

I_

life_

up here on Cloud

11411444414

4414

—

and liar—mo-ny

(Cloud

Nine)

t

~1~

.1 from re

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night_- (Cloud Nine) It’s a world of love_

You’re a

mil

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t

Repeat for fade

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On Cloud Nine, you’re as free

high

I’m rid—ing

114

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272

The Love You Save THE CORPORATION Moderately fast

j

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Stop, stop,- stop_you’d bet—ter

JIITUI

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save me—

Em

Am

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You’d bet-ter save_ me

Stop!

we Is

•r

i~J ~ -l~Lr~

Ji

i~

but chas-in’ boys was just_ a When Ben-jie held your hand_ he

be playedtag In grade_school- you want-ed to tree— said he kissed you — be-neath the ap-ple - sac it

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0

you

fad— felt

0

Am

crossedyOur heart~you’d cut — E — lec—tri — ci—ty___---—

Bm

~iflb~L~

Stop! the love you save may be your

same old thing— just like back in grade- school you’re do-in’ that a-head_ of your time — way you’re — ered — pherdis—cov Chris—to

Am (Em)

own

Oar -ha,

slow,—

take it

Am

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H

stop! The loveyoti save may be your

4

Bm

head-in’ for

a

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dan—ger zone

a

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r r -

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hin’, look both

4

I’m the one_ who loves you

E

Bet

lone—

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ter

Em

Bm

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be

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A

013 C

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Em

07

C

Chorus: 0

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Em

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Li

LI

ways be -fore you cross me,

E

A, “E

I’m the one_you need—

Ave.. Detroit, Mich330 Copyright C 1970 by Jobeic Music Company. inc. 2457 Woodward Printed in USA All Rights Reserved International Copyright Secured

you’re

E

Those

273

A~,

—

‘P o

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—

—

soon as they suc—ceed

ther guys_ will put you down — as

Av ‘E

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lab-el you_ a

4 ~

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r for “save_

r

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Em r~y

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no”

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go” The love you save may be.- your own Some-day you may beaU.-

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ba

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E

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I

for “please, please_don’t

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for “take.—

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it”

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they’ll turn yourname to dirt... Oh,

way they talk a- bout_ you,

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AmBmC

Stop! The loveyou save maybe your own

bet-ter

Em

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a

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ir ~_ft—r r I’m the one... who loves you

lone.......

Repeat and fade E

/E

E

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E

IrLL~ri?~JflflrJLri~rrIr rn V

I’m the one_ you need_

Those

o

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therguys_ wlllput you down_ as

soon aa they suc-ceed Bet-tar

274

The Tears Of A Clown Moderately

c

— • (_.~

SW—

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C

F

B6 I—

—_______

sion. you

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F

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Oh, Oh,

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F

C

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a

Words and Music by HENRY COSBY WILLIAM ROBINSON STEVIE WONDER F

sad I

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...__

— — _.:

——

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You’re gone

derthan sad,— needyou so,

I’m

—

____

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F

F

C

F

hurt

275

C

Fmaj7

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if

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the tears

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When there’s no

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clown

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a

round,_

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by.

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C

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S

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—

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face,_

don’t

let_

276 F

F

Woodward Ave., Ettroit, Mich. Copyright © 1967, 1970 JOBETE MUSIC CO.,INC. .2457 All Rights Reserved U.S.A. Made In International Copyright Secured

If I Were Your Woman Moderately Gm

Bk/F

Edim

Gm

C m7

Gm

Copyright C 1970 JOBETE MUSIC CO.. INC. .2457 Woodward Ave., Detroit,Mich. All Rights Reserved Made in U.S.A. International Copyright Secured

WordsandMuSic.bY ‘LA VERNE WARE PAM SA~ER CLAY MCMURRAY

277

Gm

EL,m

i

-;

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worn

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If

an.

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I were your

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Urn,

man.

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and you were

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you’re_ noth— ing at — un — kind. is love

fl 1

i’

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all.

— —

ling, ling,

I

I

~

Cm7

07 ~ when will she

~‘•‘~

she hang

lets on

.~

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You’re_ You’i

you fall. your mind?

like

a a

dia part

—

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To Coda

Gm

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she treats you like glass. but and you don’t e -. yen know -it.

you

beg

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.

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aptj Put

ia

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279

Here Comes The Judge Talk:

Moderately fast blues

Words and Music by BILLIE JEAN BROWN SUZANNE de PASSE FREDERICK LONG

Hear ye! Hearye! The court’s in session, The court’s in session. Now here comes the judge, Here comes the judge.

r

r

~ The The

1. Here Comes 2. (Here Comes

Here Comes The Here Comes The

Judge, Judge,

Here Comes The Here Comes The

Judge,_ Judge,.....

a

I

I

To Coda

A Judge Judge

.

Here domes Here Comes

y’all, y’all,

9:

The The

:h~~

fudge,

‘cause Here_Comes The What’s the

~

~

dance.

.J

case

on

the

docket?

.—~sq~rj

is pre— aid - ing to dance? Alt. . . .

h~

Judge,

I

got

a

boy here

~ J

I

I.;~

Judge Shbrt-y Can’t

J~

In’ that

‘Cause Here_ Comes The

don’t no-bod- y budge,..—

Judge,.... first

H

~

-

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sPok~ees;elorder

order.

eat

I

I

I

Judge._ can’t who

Stop

Judge.__ Judge.__

..

—

day Ninety

~L:~

4~~!’ ~

and he don’t take_ no sttff_ Thirty days for days.

.1

© Copyright 1968 JOBETE MUSIC COMPANY, INC., 2457 Woodward Ave., Detroit, Michigan, U.S.A. All Rights Reserved Made In U. S. A. International Copyright Secured

280 P7

07

P7

Cl

II

Hey how

way........._ learn

boy,_ take Siting to

off_ -

a

-

that

hat_

ling

14

-

P11

C7

C P11 (GBass~

E~’ I

‘a

Cl

F?

C7

-

Li

I

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-r

~-

I’m here this?

What’s

to

tell

you;

Court’s Court’s

sea ses

in in

C

-

P~ courts in

(GBass)

07

sion, slot,

or ev

— —

ses—sion,

—

in hod

—

the court y quiet

now, now,

4 ml

(Here Comes The Judge, Here Comes The Judge.) Here Comes can’t no—bod—y smoke now. —I

I,

der ‘ry

G7

[~ ‘LI-Cs ~ r

-r

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4

°

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mc

281

No,

your

~

Does

honor.

he

~iiJ

go

now.

like

vs

the

(3

Then,

ab, ab,

man?

~

:

(Stand guilty)

sorry

you gol

Here Comes The

1

~, C7

C?

R.rr r~t~1 Yea, Here Comes The

Yes, Here Comes The Judge,.... They’ve caught ‘im stomp—in’ down the aisle.~j:

Well, I’m

D.S. Lyric2al Coda

(37

You can’t recognize the man you got to go.

b .J Coda

honor.

No, your

~

09

to

look

3

JJJJJ

.i

I

J

~

J~J

I

Lj~rpp~tl JjT~jt Judge._

I’d rath—er

be

lost

I

in

the jun— gle

of

Bra

—

zil.........

.1

.Ij

than to

face.....

JJj Repeat for fade

r~ ~ —

rT~~Jt~’

the judge this morn-ing the way he

;brJi[~rE Here Comes

feE

J

mell

Judge...._

~

r ~

Here Comes The

282

You Keep Me Hangin’ On Words and Music by EDDIE HOLLAND LAMONT DOZIER BRIAN HOLLAND Moderately

Am(F Bass)

Em?

Em

Am(E Bass)

0

A

ii—- ~IS

I~b I)

—

~

I’ I,

I I

You don’t_ real- ly need...... me You do&t_ real- ly want— me ..........._

Ii

.5

t E but You you just

Keep_ keep_

Am

Am(F Bass)

Em7

Em

A

Am (EBass)

Am(F Bass)

Em?

Em

A

——

~

Me Hang me hang

(E Bass)

-

in’ On. in’ on. r

U

C.

Michigan OCopyright 1966 by Jobete Music Company, Inc., 2457 Woodward Ave., Detroit, All Rights Reserved Made in U.S.A. International Copyright Secured

4

‘I.

I

283 I’. B~(CBass)

F

~

you keep a

Why do_

I

D

I

I

~

~.

corn—in’ a

—

play

round

.1111

I

-

ing with my

heart?_

I’.~I

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F

III

C

(EBass)

13 .1-:: J.

~i~fljJ -

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i~

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B6(CBass)

‘4

C

Why don’C cha get out_

of my life

I

.

I

I

and let me make a new

I

I

start ?_

I

I

E

G

fl~. ~ ; ~ Let

get o

me

-

ver you

the

-

way you’ve got- ten o

~

~

I

I

EI’(CBass)

you

still

wan—na

I

be just I

friends, I

I

Till

A

.

4 But how can we

still_be

I

~

though_ we broke up ..._.

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Kfl

C

F

4 ~~ —

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You say...Z al

ver me.

-

‘friends.....,

when seé—ing you on

ly breaks my heart a’— giin._

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my

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Em

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Am(FBass)

Am(Eflass)

i~flj4fj-ji~ Why don’t_cM be a

man

a

—

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-

set_ me

free,

Now

U Em

A

Em7

Am(F Bass)

Am(E Bass)

7~+1~h1 you

don’t_ care a

thing a —bout me

You’re just

us

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Boy,

J.

get out,_

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Em7

Em

A

get out

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J

and let me sleep at

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z~N ‘Cause you don’t_ real—ly

fo.deaAwaY

love — me,

You just

me

hang— ing on.

--

F

Em

Am(EBass)

me,......_

So

let me be,

Am(E Bass)

—

Am

1 ‘Cause you don’t_ real—ly need_

Am(E Bass)

night,

nz

Em

A

Am(F Bass)

set me free.

Signed, Sealed, Delivered, I’m YoursWords and Music by

286

L. HARDAWAY L. GARRE1T S. W4~~ Moderate tempo (with a solid beat)

a a

Like Seen

r

fool, lot

I of

i~-J

~ ‘rr

t~

time babe

Then that Qo - wee,

~r

r

r

I you Dm

r r 4~-

r’ ~

4~ r I)

signed, sealed, de signed, sealed, de F7 F

—

r ~7r r ba ha

Oo Oo

F?

Here F7

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am BI’

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ture in

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do

—

liv ered —

did — n’t mean — Back to sign%,until. Pb/A .9., tItan go to Coda

Pb

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but here I am — with your fu-ture, got your In F Pb F7

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Signed, sealed,

9.

1

FF/fl

F

F/c

F/D

—

I real.: ly

that

of fool — iqh things-..

FEb

your hand F/C

—

~ r-:~~fl

~wr ~br~ I’ve done a lot

Pb/A

you’ve got the fu - ture in F/fl F/fl

F

i~

am am

~

your hand.

—

I I

Gm7/C

Oh

by

am_ am_

Here Here

BI’

—...~

Bb7

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here I here I

by by

yours. yours.

you’ve got the fu

—

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t

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Pb

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bye, fire B~7

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F

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F

N,

good on

said soul

-

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E~

I~_-1

and my G7

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yours. yours.

I’m I’m

liv-ered, liv—ered,

to cry, do —sire

i~

Oh

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Cb.

Gm7/C

fl~

j~r •~

I’m I’m

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a-shamed I’m back... !nd. not Now That’s why I know you’re my on - ly GmT/C

—

r r r r

iii F

do de

signed, sealed, signed, sealed,

am,— am,—..

here I here I

by, by,

w

i.....,.,

ba ha

Oo Oo

strong girl

still ing,

-

long — world —

too old

stayed this

and in

went things

d’rin’ if your love’s them they did noth

won touched

I’m I

Now When

r

here

I

-

ture, babe

ba—by am_ (Repeat last four bars until fade)

Ave., Detroit. Michigan Copyright V 1970 by JOBETE MUSIC ~MPANY. INC. .2457 Woodward Printed in U.S.A Reserved Rights All Secured International Copyright

287

Indiana Wants Me Words and Music by R. DEAN TAYLOR Moderately

AL’ A.

DL’

I

[~I

II

I

F.

In

—

di

F

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an

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£67

AL’

r

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r

i-i

Lord,

a Wants Me,

r

In

£67

DL’

D

DL’

r

I Lord,

I can’t go back there,

Fm as

I wish

= If

I_ had you_.

to

r

talk

a Wants Me,

to.

4-

one had

-S

BL’

—

I

r

ev-erneed-èd

I

dy

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did,

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DL’ K

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F7 i

a man

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£67

AL’ ~~1

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p-i

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I go back there.

I can’t

I

~I

the right

to

say what

he

I

said

E67 S

N a

‘S

r

-

I

bout you,

-S Copyright C 1970 JOBFFE Music IX) international Copyright Secured

i

-S

INC., 24~7 Woodward Ave. • £ttroit, Mich. All Rights Reserved Made In U.S.A.

-

I’

And

288

I

A

I

a it’s

Bbm

DL’

GI’ I

r

r.

‘S

Out there the law’s

out you.

so cold and lone — ly here with

h—i

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I

r

r

I’m get—tin’ so tired

I

I

In-di-an

-

Lord,

a Wants Me,

~I

I-

r

In — di an —a

Wants

Me,

Lord,

I

I

can’t go

I

I

r

can’t go back there.

I

back there

Ek’7

AL’

EL’7

DL’

I

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AL’

corn- in’,

$1

F of run — nm’

I

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EL’ 7

DL’

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EL’ 7

a

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wish I_.__ had you—

to

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Fl

Fm

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AL’

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I’ve be—come, way to you,

EL’ 7

r

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see the morn- big sun— shine on the land, And to know I’ll nev — er I put you through and all the tears, shame For — give me, love, for the

t

289 DL’

Bbm_____

~ U

~

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J

r

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nev er see jrour smil—ing face or touch your hand.

I’ll

If just 6nce more I oould see Red lights areflash-in’ a-round me

-

Hang on, love, to the mem-’ries of those hap

-

py years.

~ LI

I

J

EL’7

AL’

.

~ fl

y

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Copyrightol 964 by Jobete Music Company, Inc., 2457 Woodward Ave., Detroit, Michigan All Rights Reserved Made in U.S.A. International Copyright Secured

I

297

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My World Is Empty Without You Words and Music by BRIAN HOLLAND LAMONT DOZIER EDDIE HOLLAND

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Made in U.S.A.

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My Girl Words and Music by WILLIAM ROBINSON RONALD WHITE Slowly ~

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Made in U.S.A.

All Rights Reserved

en—vy

303 HI,

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The Way You Do The Things You Do

Words and Music by WILLIAM ROBINSON BOBBY ROGERS

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—

1964

®

Copyright JOBETE MUSIC COMPANY. INC., 2457 Woodwerd Ave., Detroit, Michigan Internetionel COPYright Secured Made in U.S.A. All Right. Reserved

APlacelnThe Sun

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Lyncs by RONALD MILLER

Music I, BRYAN WELL

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—

307 C

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309

I

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Fflm(sus4)

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rn with on —ly mem

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ries_

~ Fflm(sus4)

Through

the mir —ror of my mind,_

through these tears that I’m cry

—

Ing

ft re—fleets a

hurt

ri~ijj hold- ing

on

I

I can’t con

trol.

‘Cause at

—

though you’re gone,

I

keep..

n~jn$-i~

to

.4

—

the

bap-py

times

‘I

oh,

when

you were

mine.__________

111

310

*

t-

D(flbass)

A

s--s

-*~ff

through the win — dow_

As I peer

F~m7

Em

G6

Gmaj7

of

time,

lost

look —ing o —ver my yes—ter — days_

4.

I

V

5

2~~~~~t

and all

love

the

it___ I

—

gave

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B

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in

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All

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re—fleets the love that used to

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turn

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ter

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sat a

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A

D.S.andfo4e%

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~ Just a hand—ful of prom-is—es.___

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that’s left

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Re—

312

Runaway Child, Running Wild Words and Music by BARRE1T STRONG NORMAN WHITFIELD

Moderately slow

r You

r cr

~j

r cr

r r_rr ;

;

hook-ie from school pun—ish—ment ‘cause

played

and you can’t go out_ to play,_,_ right your moth—er wants to raise you in the

way,

D

yeahf_. yeah!_

Hr -

Ma— ma you don’t

But

said, care,

“For the ‘cause you

J

~ you of the week, in your room rest al — read - y made up your mind you wan - na

61~

F

got run_

ta a

r

—

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feel_

like

t~

yeah1’~___ yeah~—

stay, way,

I1•D7

Now you

,—r~s F

the whole world’s pick

—

in’

~ r © Copyright 1969 JOBETE MUSIC COMPANY, 114G., 2457 Woodward Ave., Detroit, Michigan, U.S.A. All Rights Reserved International Copyright Secured Made in U.S.A.

on

313

L1-P YOU,

~

But

0

F

deep

down

in

D

-

side,_

you

J

J

J

know_

it

ain’t

2

F

true._

You’re

rrn~j~ F

You’re on

rrr~rrr:L~r~ D

your_

F

way,...............

D

Run

—

a

-

way

Child,

Run-ning

~

Run b)!~

—

a—way

Child,_

Run-idng

r D

F

where you_

be - long._

in

Tacet

Wild,_

Bet-ter

go back

home.

Wild,...

314 Repeat 5 times Vamp (bass only till end — no chords)

a

a

a-s-F. Ia r._. I~ I (.r.a I~ I—

—

Roaming thro~h the city going nowhere fast you’re on your own at last, Hey! It’s gettin’ late. Where will you sleep~? You’re gettin’ kind-a hungry, you forgot to bring something to eat. Oh, lost with no money you start to cry, But remember, you left home wantin’ to be grown, so dry your weeping eyes. r’,

— npt 1r_,. is. — I- I — -

‘F

~‘I~

~

—1aa, —

~I_ •r

.~. ~p

——

•—

V

9

Si

rens

—

scream

in’

—

—a —a — —

‘—‘F

S

%___.~___

down

ne

— IT• lie

•• aIr

on

—

light

—

ed

streets.

You

want

your

——

a

-n-s

I

I

I

S

I

I

I

I

S

I

Ag

n

g

— -

I

-0~~,~?

I

—

ma ma

I

Run, run, run, run, run, run, run, run. Are they look-ing for yout. a— way,_ Run, run, run, run, run, run, run, but she’s muöh too far

ma. ma. I

I’.

I

-

-

112.

Repeat 5 times -

heard some frightening news on the radio, about lithe boys running away from home, And the parents don’t see them no more. You wanna stop to hitch a ride, I know, But your mama told you never trust a stranger And you don’t know which way to go. I

I

I

I

Last Verse — Sung over Vamp and fade Streets are dark and deserted, not a sound nor sign of life. How you long to hear your mother’s voice, ‘cause you’re lost and alone. But remember, you made the choice, Runaway Child, Running Wild, You better go back home where you belong, Oh, Runaway Child, Running Wild, You better go back home where you belong. You’re lost in this great big city, Go back home where you belong. Not a familiar face, ain’t It a pity, Go back home where you belong. Runaway Child, Running Wild, You better go home where you belong.

You’re_ she can’t

‘I-

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now.

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D7

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run,

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—

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D.S.andfade

DG

D7

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0

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Twine_ time.

liii

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.111

I Twine.,.time.

--

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th

I

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D, S. and fade

2. Put on your highheel shoes We’re goin’ down here and listen to ‘em play the blues. We’re gonna dig potatoes, We’re gonna pick tomatoes. © Copyright 1965, 1969 JOBETE MUSIC COMPANY, INC., 2457 Woodward Ave., Detroit, Michigan, U. S. A. AU Rights Reserved Made in U. S. A. International Copyri~it Seemed

Micke y’s Monkey Words and Music by

LAMONT DOZIER BRIAN HOLLAND EDDIE HOLLAND

Moderate rock

CI

0

I

C

—

UI

I

cat named Mick

Ths fl30

-

G

I—a

ey came

from

out

of

town,_

yea!

—

C

=iW

i

C

—i

~.

He was

spread-ing

G

a

tt new dance

r. ‘S —

— __J

B————

Copyright C) 1963.1971 bYJOBETE ionai Copyright Secured

Music CO.,

INC., 2457 Woodward Ave., Detroit, Mich. Made in u.S.A. All Rights Reserved

317

I

Ut

C

G a

C a

a

q)

-—

a

a

a

a

just

9~J ji

mat

—

a

a

Aao0

I d

ter

-

of

a

few

G

r

a

I

—

~

dance

be

-

t~t

~

tt

came

the

new

—I

—

— —

I

-~

4

I

— —

I

-1

a

.

S)

days,

L—~I

—

I

His

— S S -t

pI,

Fri

rrr

C

yea!

a, ~ — —

Pr)

a

I

-

SE5 jc~,

a

—

a

a

•~_

In

a

~ — 1teen

a. — S S S S .,

I

—

-

age

Repeat till fade

c

G

j

—

-

-e craze.

2.(When the) — I

r •

I

I

—

I

EXTRA Verses: (over chord pattern G—C) 2. When the people see him dancing, They begin to see, To see this cat do that monkey thing. It’s really something to see, This cat named Mickey Doing the monkey. 3. Come on, Let’s do Mickey’s monkey, children, Yea, let’s do Mickey’s monkey, children Lum di lum di lie Cho.: Lum di lum di lie Lum di lum di lie Cho.: Lum di lurn di lie Lum di lum di lie Cho.: Lum di turn di lie Lum di lum di lie 4. Oh, Monkey see, monkey do, Come on, you can do the monkey, children, Yea, you’re doing Mickey’s monkey, children, Do the monkey, Mickey’s monkey Oh, do the monkey, Mickey’s monkey Mickey’s monkey Mickey’s monkey (Fade)

4

318

Love Is Here And Now You’re Gone Words and Music by EDDIE HOLLAND LAMONT DOZIER BRIAN HOLLAND With a solid beat

i~ I

b;

~ ~lI1J

I

J

~r

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;; i~ j

Gm7

A 1. Love 2. Love

Is Is

Here,_ Here,_

~:j

And, And,

oh oh

my dar- ling, my clar—ling,

Now Now

You’re Gone,_ You’re Gone,_

I ~

fl~ You made

Love love

me

Is

Here,_

And, And,

you,

J’tT—j

dar-ling, dar - ling,

I

Am____

You’re Gone,_ You’re Gone,_

And beau

¶J:~ J

my my

I

G7

Now Now

oh oh

—

I U

-

You per - suaxl - ed You said by — ing

did, fiil

But

in

-

stead with

of each

me to love you would make

ten -der-ness day, pass - ing

I OCopyright 1966, 1967 by Jobete Music Company, Inc., 2457 Woodward Ave., Detroit, Michigan International Copyti~t Secured Made in U.S.A. All rn~ts Reserved

I

you, life

found

319 GL’7

B6

$Z~

-‘ heart—ache in

—

stead_

hi But as

—

to your arms soon as

J

fell, love

So in

came

un to

-

J —

ness

I

t that and

was you

wait walked

i

ing just

—

there._ one way.

I

R’ Spoken: You closed the door of your hearl Spoken: You stripped me of my dreams,

.r-1

t~

and turned the key, locked your you gave me faith, then took my

~J

~j—i Gzn7

Love

Is

a - ware my heart,

F’

E6

4~T~~;

—

Li

Em7-5

lone — ii turned

I

Here,_

And, oh my dar—ling, Now

You’re Gone._

Repeat and gradually fade ml

~JJ~r—~iJ~j

3rd Chorus: Look at me See what loving you has done to me Look at my face See how crying has left its trace After you made me all your own And you left me all alone You made your words sound so sweet Knowing that your love I couldn’t keep, Spoken: My heart cries out for your touch But you’re not there And my lonely cry fades in the air.

~ love away from me. hope, look at me now,

j.

of the you