Back to December - Taylor Swift (Piano Sheet)

February 25, 2018 | Author: Melinna Levitia Kartahardja | Category: Singles, Song Recordings Produced, Popular Music, American Songs, Taylor Swift
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Short Description

I've made this piano arrangement for Back to December by Taylor Swift :) It's probably around intermediate leve...

Description

Back to December Arr. Melinna L. Kartahardja

Words and Music by Taylor Swift

 4  4                         44                    = 135

INTRO

9

         I'm so glad you       VERSE

     

13

 

 

I have

 

n't seen

         bu si er than e ver      

    made time to see me     

     

18

 

22

 

 

   

and I



  

them in

 

a while

     We small talk,    

know why

  

                      tell me how's yourfam ily    

    How's life,

            You've been good,              

  





 

work and the wea ther

              







     

Your guard

   

PRE-CHORUS







Be cause the last

 

is up

 

time

        



26

   

30

 



 

  

you saw me

left









them there

  



34

burned

   





  



my pride stand ing in

       

  

38

 

 

and I'd

    

42

  



no thing but

2





go





back to

   



front of you

mis sing you



 

mind

 



Yougave me

    

      to die

  



  



it's still

     in the back of your   

       



   



say ing "I'm

  

CHORUS



  

sor ry for that





this is me

   

   

So

   

ro ses

 

night

and I

  





swal lo wing

 

   

                De cem ber all thetime It turns out free dom ain't           

       

Wish ing I'd





re a lized

  

what I





  

    



had whenyou

    were mine

        

  

46

 



   I'd



go

        

back to

  

50

 

    I'd

go

      

54

 

   

    

I'd

go





back to

  







      





De cem ber, Turn

  



  

De cem ber, Turn



back to

De cem ber all







     



a round andmake it





a round andchange

          

                

60

 

the time.

                





  

my own

 

OUTRO



all





  

  

  

right

 

    mind



 

   

               

3

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